Here are 100 books that Warning The Program You Are About to See Is All in the Family fans have personally recommended if you like
Warning The Program You Are About to See Is All in the Family.
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The short version: I just really love television! The slightly longer version is that, in my career, I’ve had a very unusual perspective on both entertainment and activism. My first jobs out of college were at companies like Lucasfilm and The Jim Henson company, where I saw first-hand just how important pop culture and fandom can be for audiences. And I also worked extensively on queer causes, eventually making activism my full-time job when I joined the team that brought marriage equality to the US Supreme Court. Through that work, I became more and more interested in the ways that pop culture – particularly television – has been a tool for advancing civil rights.
An absolutely exhaustive catalog of queer milestones on television, I’m constantly consulting this amazing book.
There’s no more authoritative examination of the people, shows, and trends that shaped queer representation in broadcast media over the 20th century. Exhaustively researched, it’s not just a must-read – it’s a must-read-multiple-times.
I own two copies, each one jam-packed with bookmarks and notes to myself about the best bits.
Definitive, vibrant, and utterly fascinating, Alternate Channels traces the monumental growth of gay, lesbian, and bisexual images on radio and television from the 1930s to the present. Splashed against the tumultuous backdrop of the McCarthy witch hunts, Stonewall and the gay liberation movement, the birth of the 700 Club and the religious right, the outbreak of AIDS and the arrival of in-your-face queer activism, this chatty, authoritative broadcast history tells the stories of such notorious and noteworthy moments as
- 1947: Radio gays--A bitchy fashion photographer throws fits at the drop of a designer hat on the adaptation of Moss…
The short version: I just really love television! The slightly longer version is that, in my career, I’ve had a very unusual perspective on both entertainment and activism. My first jobs out of college were at companies like Lucasfilm and The Jim Henson company, where I saw first-hand just how important pop culture and fandom can be for audiences. And I also worked extensively on queer causes, eventually making activism my full-time job when I joined the team that brought marriage equality to the US Supreme Court. Through that work, I became more and more interested in the ways that pop culture – particularly television – has been a tool for advancing civil rights.
This is an utterly spellbinding collection of personal interviews with people who shaped history’s most groundbreaking television.
If there was a boundary to be broken or taboo to be smashed, the story of how it happened can be found here. Every time I flip through this book I find myself rushing to watch the episodes described by the pioneers in its pages.
In the 1950s, Lucille Ball couldn't even say the word “pregnant” on TV. But by the 1990s, Carrie Bradshaw and her posse could say everything there is to say about sex—and demonstrate most of it. How have broadcast standards changed from the dawn of television till today? Through interviews with the creators of landmark shows, author Allan Neuwirth traces that history, revealing how the upheaval of the 1960s led to edgier fare such as The Smothers Brothers Comedy Hour; how counterculture baby boomers made Saturday Night Live-style satire possible; how stand-up comedians changed the sitcom landscape; how UPN and the…
The short version: I just really love television! The slightly longer version is that, in my career, I’ve had a very unusual perspective on both entertainment and activism. My first jobs out of college were at companies like Lucasfilm and The Jim Henson company, where I saw first-hand just how important pop culture and fandom can be for audiences. And I also worked extensively on queer causes, eventually making activism my full-time job when I joined the team that brought marriage equality to the US Supreme Court. Through that work, I became more and more interested in the ways that pop culture – particularly television – has been a tool for advancing civil rights.
Although this book is about film, rather than television, it’s impossible to understand the TV landscape without also understanding what was happening at the movies.
And then there’s Vito Russo’s incredible research and activism, which made this book possible – an inspiration for anyone interested in how media can make the world a better place.
Praised by the Chicago Tribune as "an impressive study" and written with incisive wit and searing perception--the definitive, highly acclaimed landmark work on the portrayal of homosexuality in film.
The short version: I just really love television! The slightly longer version is that, in my career, I’ve had a very unusual perspective on both entertainment and activism. My first jobs out of college were at companies like Lucasfilm and The Jim Henson company, where I saw first-hand just how important pop culture and fandom can be for audiences. And I also worked extensively on queer causes, eventually making activism my full-time job when I joined the team that brought marriage equality to the US Supreme Court. Through that work, I became more and more interested in the ways that pop culture – particularly television – has been a tool for advancing civil rights.
Along with Kathryn Montgomery’s book Target: Primetime, this book is a fascinating peek into the furious fights over sex and violence on television.
It shines a light on a mostly-invisible struggle between creators, executives, censors, and the public. I love how vividly this book is written; it really feels like you’re right there on the front lines.
And the fact that it was published in 1978 means that it’s possible now to see the repercussions of this fight, nearly fifty years later.
From Simon & Schuster, See No Evil is Geoffrey Cowan's fascinating exploration of the backstage battle over sex and violence in the television medium.
In See No Evil, Cowan offers a probing investigation into the history, impact, and politics of television censorship, examining network programming, and such controversial practices as the Family Hour.
As someone who’s never been allowed to drive, but gets motion-sick reading in a bus or car, I’ve been a lover of audiobooks since I had my Walkman and a backpack full of audiobook cassettes. As a queer man, I’m always looking for more immersive stories about people like me. Finding queer voices and queer narratives is so important to me as a way to offset how queer people don’t have an inherited continuance of our culture as most marginalized people do; books are a way to fill that gap. I do own a rescued husky, and there’s nothing like an engrossing audiobook to get me through those minus-forty Canadian winter walks with a dog.
You can actually get this novella as part of a four-pack of audio novellas by Cole, which I’d also recommend, but this sapphic historical novella is set against the backdrop of American History—any fans of Hamiltonreading this should take note—and manages to be both hopeful and unblinking in the face of reality of what Black queer women face in the time and place in this perfect balance I cannot praise enough. These two women couldn’t be more different: one is a maid to Eliza Hamilton and devoted to as simple a life as possible, the other is a dressmaker who refuses to be anything but audacious, and the result is brilliant. Also, Karen Chilton’s performance is just fantastic.
Mercy Alston knows the best thing to do with pesky feelings like "love" and "hope": avoid them at all cost. Serving as a maid to Eliza Hamilton, and an assistant in the woman's stubborn desire to preserve her late husband's legacy, has driven that point home for Mercy—as have her own previous heartbreaks. When Andromeda Stiel shows up at Hamilton Grange for an interview in her grandfather's stead, Mercy's resolution to live a quiet, pain-free life is tested by the beautiful, flirtatious, and entirely overwhelming dressmaker.
Andromeda is a woman who knows what she wants and resolutely overcomes anything that…
I’m a trope-obsessed author who counts found family among her favorite Ao3 tags. I cannot get enough of books which read like fanfiction, and I’ll recommend my favorites every chance I get. I also do my part to put more queer found family books into the world—my debut adult fantasy The Sins On Their Bones is being published by Random House Canada in May 2024. When I’m not writing, I’m a full-time servant to my two enormous cats.
As a fan of epic fantasy, swoon-worthy romance, and political intrigue, I fell so hard for this book—and it’s the first in a series of four books, so there was more than enough to feed my desire for all the action.
The series follows Robin, a seemingly ordinary boy whose kidnapping leads him to discover that he’s anything but. His journey of self-discovery and self—acceptance truly spoke to me as a reader, and the kick-ass family he gathers around him along the way cemented the Realm of Fey series as one of my favorite found family fantasies.
As someone who’s never been allowed to drive, but gets motion-sick reading in a bus or car, I’ve been a lover of audiobooks since I had my Walkman and a backpack full of audiobook cassettes. As a queer man, I’m always looking for more immersive stories about people like me. Finding queer voices and queer narratives is so important to me as a way to offset how queer people don’t have an inherited continuance of our culture as most marginalized people do; books are a way to fill that gap. I do own a rescued husky, and there’s nothing like an engrossing audiobook to get me through those minus-forty Canadian winter walks with a dog.
Cari Hunter never fails to invoke Northern England with every sense, and Nicola Victoria Vincent’s performances continue to be among the absolute best experiences. This story starts off with an EMT, Grace, being taken hostage by a wounded woman at gunpoint, and then manages to twist and shift the entire time you’re listening. Hunter’s ability to weave in a secondary romantic plot while people are dodging bullets, outwitting villains, and desperately trying to stay alive is brilliant, and my dog always gets a longer walk while I’ve got a Hunter thriller to listen to. If you’re a fan of thrillers and audiobooks, and have yet to bump into Hunter or Vincent, thank me later, once you’ve enjoyed the whole backlist.
Dr. Grace Kendal never stands a chance. The injured woman comes out of nowhere, bleeding heavily and holding a gun. Compelled to help her, Grace is dragged into Elin Breckenridge’s nightmare. Their fight to survive will take them across the country and to the limits of their endurance. But who is Elin running from? As Grace struggles for answers, one thing becomes clear—Elin is somehow connected to a dead man, and Grace could be next.
For Detective Sergeant Safia Faris, the case should have been easy: one dead body, one suspect. But the deeper she digs, the more obvious it…
I’ve adored holiday love stories ever since I was a kid watching Hallmark movies. There’s something about the magic of the holidays that makes two people falling in love even more special. That’s why I chose a contemporary holiday romance for my debut. And we see so much straight romance on TV and in bookstores, but I want to contribute to the queer community with my writing. I write a mix of sexualities;Make the Yuletide Gay features two lesbian women. All that to say, I just love queer holiday romances!
Okay, first of all, one lead starts off hating the other. Sign me up, right? I like how they’re both lesfic writers but the first two chapters immediately juxtapose where they are in their processes – one is a nobody who can’t write fast enough and the other is a big name with writer’s block. They get roomed together at a writing retreat and then snowed in, so double the forced proximity. We love to see it. For me, this book is a lovely balance of Christmassiness (let me have this word, okay?) and writerliness. It helps me remember why I enjoy writing my queer romances – for the love of storytelling, not for money or fame. (But note: I don’t condone most of the writing opinions put forth in this story.)
Samantha Evans, popular lesbian romance author, has writer’s block and a book due by New Year’s Eve. When she signs up for a writing retreat in an attempt to overcome her lack of creativity, she expects a single-occupancy cabin and plenty of silence for crafting her new book.
What she doesn’t expect is a roommate. A gorgeous, woman roommate.
Gia Torres is an aspiring novelist eager to break into the publishing world and leave her horrible day job as a barista behind. She travels to a Colorado retreat to finish her very first novel, not expecting to find beautiful Samantha…
I don’t know if I have an expertise in queer indie fantasy (quite the opposite, in fact). I just know as a queer person who loves magical worlds, I want to help elevate as many of them as possible. Over the past few years, I’ve aimed to read almost exclusively queer books with a focus on indie books (well, any indie books really). My hope is for other people to find and uplift indie books. There are so many beautiful hidden gems that just need a little more exposure to find their reader homes.
This book is a fricken gut punch. At least the first few chapters. Dang, they hit me hard and heavy. I definitely almost set the book down. It was just sad and a reminder of how awful my teen years were.
However, once we got to the wonderful world of magic and space tech, the theme lightened up, and I found myself falling in love with this mysterious, magical planet far, far away. I’m very patiently awaiting book two in the duology.
All Casper Bell has ever wanted is to belong. But now, abandoned by his friends and family after being outed, he has nothing left to lose when the people of Novilem abduct him.
Except Earth.
Teleported to a world where stars grant humans magic, Casper discovers he has the rare ability to draw power from all twelve astrological signs — a gift that makes him a political pawn for the Estellar Council.
But Novilem’s inhabitants seem as hard and cold as the stone their city is carved from, and Casper’s new…
When I was a queer teen in the early 2000s, I didn’t have sapphic books or media available to me aside from anime, and even then, the dubbed versions on TV were scrubbed of queerness (I’m looking at you, Sailor Moon and Cardcaptor Sakura). I did have Revolutionary Girl Utena, and it was everything to me: fantasy, ballgowns, and girls dancing together. I wrote my book for that me who craved to see herself in beautiful, fantastical stories, and it’s why I love the fact that we have so many more out there right now that I can recommend to all of you!
This book has all the things I love about a swashbuckling fantasy–found family, romance, and magic. The art is gorgeous, the characters are loveable, and the world is bustling with excitement and danger at every turn.
I loved the One Piece vibes, and it’s so wonderful to see queerness just be there. I could not stop turning the pages.
Our Flag Means Death gets a magical, sapphic twist in this swashbuckling young adult graphic novel adventure full of high-stakes adventure, fantastical creatures, and a swoony enemies-to-lovers romance perfect for fans of In Deeper Waters and The Prince and the Dressmaker.
“I want to be beautiful. I want to be interesting. I want to be enough.”
That was Ferra Brickminder’s prayer to win back the love of her life. And the gods answer—just not in the way she expected. After hoping for a miracle, Ferra instead watches her skin turn into delicate and dangerously breakable porcelain.
