Here are 100 books that Warning The Program You Are About to See Is All in the Family fans have personally recommended if you like
Warning The Program You Are About to See Is All in the Family.
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The short version: I just really love television! The slightly longer version is that, in my career, I’ve had a very unusual perspective on both entertainment and activism. My first jobs out of college were at companies like Lucasfilm and The Jim Henson company, where I saw first-hand just how important pop culture and fandom can be for audiences. And I also worked extensively on queer causes, eventually making activism my full-time job when I joined the team that brought marriage equality to the US Supreme Court. Through that work, I became more and more interested in the ways that pop culture – particularly television – has been a tool for advancing civil rights.
An absolutely exhaustive catalog of queer milestones on television, I’m constantly consulting this amazing book.
There’s no more authoritative examination of the people, shows, and trends that shaped queer representation in broadcast media over the 20th century. Exhaustively researched, it’s not just a must-read – it’s a must-read-multiple-times.
I own two copies, each one jam-packed with bookmarks and notes to myself about the best bits.
Definitive, vibrant, and utterly fascinating, Alternate Channels traces the monumental growth of gay, lesbian, and bisexual images on radio and television from the 1930s to the present. Splashed against the tumultuous backdrop of the McCarthy witch hunts, Stonewall and the gay liberation movement, the birth of the 700 Club and the religious right, the outbreak of AIDS and the arrival of in-your-face queer activism, this chatty, authoritative broadcast history tells the stories of such notorious and noteworthy moments as
- 1947: Radio gays--A bitchy fashion photographer throws fits at the drop of a designer hat on the adaptation of Moss…
The short version: I just really love television! The slightly longer version is that, in my career, I’ve had a very unusual perspective on both entertainment and activism. My first jobs out of college were at companies like Lucasfilm and The Jim Henson company, where I saw first-hand just how important pop culture and fandom can be for audiences. And I also worked extensively on queer causes, eventually making activism my full-time job when I joined the team that brought marriage equality to the US Supreme Court. Through that work, I became more and more interested in the ways that pop culture – particularly television – has been a tool for advancing civil rights.
This is an utterly spellbinding collection of personal interviews with people who shaped history’s most groundbreaking television.
If there was a boundary to be broken or taboo to be smashed, the story of how it happened can be found here. Every time I flip through this book I find myself rushing to watch the episodes described by the pioneers in its pages.
In the 1950s, Lucille Ball couldn't even say the word “pregnant” on TV. But by the 1990s, Carrie Bradshaw and her posse could say everything there is to say about sex—and demonstrate most of it. How have broadcast standards changed from the dawn of television till today? Through interviews with the creators of landmark shows, author Allan Neuwirth traces that history, revealing how the upheaval of the 1960s led to edgier fare such as The Smothers Brothers Comedy Hour; how counterculture baby boomers made Saturday Night Live-style satire possible; how stand-up comedians changed the sitcom landscape; how UPN and the…
The short version: I just really love television! The slightly longer version is that, in my career, I’ve had a very unusual perspective on both entertainment and activism. My first jobs out of college were at companies like Lucasfilm and The Jim Henson company, where I saw first-hand just how important pop culture and fandom can be for audiences. And I also worked extensively on queer causes, eventually making activism my full-time job when I joined the team that brought marriage equality to the US Supreme Court. Through that work, I became more and more interested in the ways that pop culture – particularly television – has been a tool for advancing civil rights.
Although this book is about film, rather than television, it’s impossible to understand the TV landscape without also understanding what was happening at the movies.
And then there’s Vito Russo’s incredible research and activism, which made this book possible – an inspiration for anyone interested in how media can make the world a better place.
Praised by the Chicago Tribune as "an impressive study" and written with incisive wit and searing perception--the definitive, highly acclaimed landmark work on the portrayal of homosexuality in film.
The short version: I just really love television! The slightly longer version is that, in my career, I’ve had a very unusual perspective on both entertainment and activism. My first jobs out of college were at companies like Lucasfilm and The Jim Henson company, where I saw first-hand just how important pop culture and fandom can be for audiences. And I also worked extensively on queer causes, eventually making activism my full-time job when I joined the team that brought marriage equality to the US Supreme Court. Through that work, I became more and more interested in the ways that pop culture – particularly television – has been a tool for advancing civil rights.
Along with Kathryn Montgomery’s book Target: Primetime, this book is a fascinating peek into the furious fights over sex and violence on television.
It shines a light on a mostly-invisible struggle between creators, executives, censors, and the public. I love how vividly this book is written; it really feels like you’re right there on the front lines.
And the fact that it was published in 1978 means that it’s possible now to see the repercussions of this fight, nearly fifty years later.
From Simon & Schuster, See No Evil is Geoffrey Cowan's fascinating exploration of the backstage battle over sex and violence in the television medium.
In See No Evil, Cowan offers a probing investigation into the history, impact, and politics of television censorship, examining network programming, and such controversial practices as the Family Hour.
Growing up in an eccentric, liberal family, as a member of the Church of England, under the shadow of the British Government’s homophobic Section 28, the messages I received were distinctly mixed. If I’d heard the word ‘bisexual’ before the age of twenty my life might have been very different. And to this day, the most common assumption is that one can’t be simultaneously queer and Christian. As I’ve discovered, and as these books show, that isn’t true – and moving beyond that assumption reveals new and fascinating horizons.
I’ve never read a book quite like this, and yet it felt hauntingly familiar. The population of Earth is rescued en masse from a destructive solar event and has to start again from scratch on an unknown planet. But of course humanity has taken the problems of its own nature with it, and the encounter with its new hosts only raises further questions – around sex, gender, love, and nature. It’s brave and beautiful, hopeful and sad and dynamic all at once, and it kept me reading and guessing all the way to the end.
In the year 2035 humanity is rescued from a lethal solar flare by seven mysterious beings and transported across the universe to the uninhabited planet of Ansar. Earth's major cities are recreated, and a stunned but thankful humanity mostly carries on with life and society. But is everything as it appears? Just who are the semi-omniscient beings who rescued them? What do they really want? And to what secret place do they retreat every night? With that appearance of the seven, all the old divisions concerning gender, privilege, and power re-emerge in unexpected and increasingly dangerous ways. Conspiracy theories abound.…
I’ve adored holiday love stories ever since I was a kid watching Hallmark movies. There’s something about the magic of the holidays that makes two people falling in love even more special. That’s why I chose a contemporary holiday romance for my debut. And we see so much straight romance on TV and in bookstores, but I want to contribute to the queer community with my writing. I write a mix of sexualities;Make the Yuletide Gay features two lesbian women. All that to say, I just love queer holiday romances!
This one is technically New Year’s holidays, not Christmas specifically, but it swept me away with the meet cute and resulting fake dating. The main couple is adorable, and so is the side couple whose wedding they’re attending. Beau? Charms my pants off. The kisses (and more) steam up my glasses. I also appreciate the nonbinary representation; Alex is hilarious. It’s funny and cute and ugh, I just love it so much.
Flying solo at a wedding is the absolute last way Aubrey Gill wants to ring in the new year, so when she rolls into Whistler for the event, it’s with one goal in mind—survive the weekend. The Fates have other plans for her, however, as Beau Demers crashes into her life the moment she arrives. Young, gorgeous, and irresistibly charming, Beau quickly slips past her defenses, and Aubrey finds herself with a “date” for the weekend after all. It’s all for show, of course, except for the part where it’s the truest thing she’s ever known. And as the festivities…
I’ve adored holiday love stories ever since I was a kid watching Hallmark movies. There’s something about the magic of the holidays that makes two people falling in love even more special. That’s why I chose a contemporary holiday romance for my debut. And we see so much straight romance on TV and in bookstores, but I want to contribute to the queer community with my writing. I write a mix of sexualities;Make the Yuletide Gay features two lesbian women. All that to say, I just love queer holiday romances!
I learned about the existence of Don’t StopBelieving through Gwen Hayes’ writing craft book Romancing the Beat.She used it as her example outline. It was the first thing I read to pick out story beats, and I meant to focus on writing craft while reading, but I fell in love with the characters. Both leads are precious! It gets me in the holiday mood but I reread this one all year round. Snowed in at Christmastime when they both secretly like the other already? Gimme gimme gimme (this book after midnight). It’s just so festive and cute.
The Ogre from the HillSimon Powell, the town recluse, only comes to town to deliver firewood and get supplies. Two days before Christmas, he sees the new librarian’s car in a ditch and knows he can’t leave him on the road, but it’s too late to take him back to town. He’ll have something he’s never had in his cabin in the ten years that’s he’s lived there…company.
The Book Nerd from the CityAdam Parker moved to the small community to make big changes in his life, but being snowbound with the bearded lumberjack in his rustic cabin was something…
I’m a long-time writer who recently published my first two books in a genre I’ll call urban fantasy/queer historical romance. I also co-host a history podcast. It’s made me much more interested in how time and place figure into fiction! I also love a good love story, but after devouring a ton of romance novels, I realized I want a good plot to go along with the googly eyes and tender declarations of eternal devotion.
I have to admit, although I know a lot about gods, I haven’t spent a ton of time reading about folkloric creatures, like faeries, brownies, and selkies. This book, set in a gothic old house in the English countryside in the 1850s, definitely made me feel my neglect of the topic; luckily, I got to learn alongside magician John Blake and Lord Thornby as they investigate the spell that’s holding Thornby trapped.
One remarkable thing about this book is the intriguing and clever magic system. The romance is great. And the twist at the end—well, I didn’t see it coming.
I’m an accidental sports writer. While I played a few sports as a child and went as Sporty Spice for one ill-advised Halloween, I didn’t grow up on a steady diet of sports stories. I just didn’t get it. Sure, I heard stories of triumphant soccer seasons and rag-tag baseball teams, but they didn’t capture my interest. But then I grew up… and books became more diverse. I started revisiting sports novels after writing my debut novel. Seeing authors use sports as a way to explore queerness has changed my understanding of sports stories and given me a new appreciation for the genre. I can’t get enough!
Look, if this book had been around when I was in middle school, it would have been a game changer (pun absolutely intended). This book has it all: lesbian-enemies-to-the-middle-school-equivalent-of-lovers, heart-pounding descriptions of soccer, complex family dynamics, and fraught friendships! Yes, all of those trope-y pieces might feel like a delightful, frothy treat, but this book packs a real emotional punch.
The dual point-of-view gives readers the chance to understand the complex relationship between Mel and Tory—and fall in love with both characters! Becker also sprinkles in some great conversations about self-expression. Beware: this is a read-in-one-sitting kind of book!
From debut author Erin Becker comes an action-packed but tender novel about first romance, queer identity, and learning how to be brave when it matters the most.
On the soccer field, Magic Mel is in her element. She's ready to lead her team to victory at the city championship in her new role as captain. Off the field, however, is a totally different story. Mel can't get a handle on her class presentation, her friend group has completely dissolved, and her ex-friend-current-teammate, Tory, is being the worst. The only place she feels like herself is in her text conversations where…
I loved books as a kid, especially fantasy books, but could never find anyone like me within their pages. I’m a lesbian Chinese writer who adores stories about messed-up, complicated queer people. I’m thrilled by the range of books available now that feature queer, messy characters. We all deserve representation, and to me that means representation that’s complex, that encompasses the ugly and the beautiful. One of my goals as an author is to make you fall in love with monsters—brutal, flawed women who may not deserve love, but who demand it all the same.
The Witch’s Daughter is the third book in the Amendyr quartet, but can be read on its own. It’s a sapphic fantasy romance told from the point of view of Mother Gothel’s witchy daughter, Ailynn, who falls in love with Rapunzel.
It’s my favorite book of the quartet, possibly because Ailynn has a somewhat complicated relationship with Rapunzel, further harmed by an instance of betrayal (content warnings apply, although they’re also spoilers—seek them out before reading if it concerns you). The Witch’s Daughter is a tale of two damaged girls trying to grow beyond their trauma bond, with found family and major parental issues.
Ailynn Gothel has always been the perfect daughter. Thanks to her mother's teachings, she knows how to heal the sick, conjure the elements, and take care of Raisa, her closest and dearest friend. But when Ailynn's feelings for Raisa grow deeper, her simple life falls apart. Her mother hides Raisa deep in a cave to shield her from the world, and Ailynn must leave home in search of a spell to free her. While the kingdom beyond the forest is full of dangers, Ailynn’s greatest fear is that Raisa will no longer want her when she returns. She is a…
