Here are 100 books that Cleanness fans have personally recommended if you like
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I have been writing about LGBTQ+ culture for magazines and newspapers for almost a decade, and am a voracious consumer of queer stories. Queer literature makes our various needs and desires as a community come alive on the page, and helps us to connect with and understand one another. Reading LGBTQ+ books is a way to learn about contemporary queer life, and work out what more we can be doing to help those more marginalised than us.
This book is written with the utmost clarity – making an incisive and digestible argument why liberation for trans people fits into wider fights for socialism and justice for minorities. With chapters on why “T” belongs in “LGBT” and why trans inclusion should be core to feminist movements, it’s an essential read for LGBTQ+ people and their allies.
'Few books are as urgent as Shon Faye's debut ... Faye has hope for the future - and maybe so should we' Independent
'Unsparing, important and weighty ... a vitally needed antidote' Observer
'Takes the status quo by the lapels and gives it a shaking' Times Literary Supplement
Trans people in Britain today have become a culture war 'issue'. Despite making up less than one per cent of the country's population, they are the subjects of a toxic and increasingly polarized 'debate' which generates reliable controversy for newspapers and talk shows. This media frenzy conceals…
I’m a 54-year-old gay man who has led my own messy life here in New York City, marked as much by sex, romance, friendship, and culture as by drug addiction, relationship drama, mental illness and youthful trauma. I’ve published five novels, all of which contain queer characters who’ve not exactly been poster children for mainstream-world-approved LGBTQ behavior. I’m drawn to novels like the ones I’ve mentioned because they show queer people not as the hetero world often would like them to be—sanitized, asexual, witty and “fabulous”—but as capable of dysfunction, mediocrity, unwise choices and poor conduct as anybody else.
Like a hipster Brooklyn transgender Sex and the City, this novel is a chatty, hilarious, and moving look at queer folks grasping for parenthood and family in a world where all the rules have been thrown out.
The book’s narrator, transwoman Reese, takes us on this ride with such sardonic, poignant insight about the world she lives in that we begin to feel like we live in it, too. When Reese’s ex, Ames—who has detransitioned from his former transwoman identity, Amy—gets his straight female boss pregnant, the three of them begin negotiating how they might raise the child together.
But the novel’s true power lies in how Reese explains her life and her friends to us—bravely refusing to portray trans people as angelic role models and instead offering something deeper and more endearing: showing them as real people.
NATIONAL BESTSELLER • The lives of three women—transgender and cisgender—collide after an unexpected pregnancy forces them to confront their deepest desires in “one of the most celebrated novels of the year” (Time)
“Reading this novel is like holding a live wire in your hand.”—Vulture
Named one of the Best Books of the Year by more than twenty publications, including The New York Times Book Review, Entertainment Weekly, NPR, Time, Vogue, Esquire, Vulture, and Autostraddle
PEN/Hemingway Award Winner • Finalist for the Lambda Literary Award, the National Book Critics Circle Award, and the Gotham Book Prize • Longlisted for The Women’s…
I have been writing about LGBTQ+ culture for magazines and newspapers for almost a decade, and am a voracious consumer of queer stories. Queer literature makes our various needs and desires as a community come alive on the page, and helps us to connect with and understand one another. Reading LGBTQ+ books is a way to learn about contemporary queer life, and work out what more we can be doing to help those more marginalised than us.
Gay Bar is an imaginative history of gay bar culture in London, San Francisco, and LA – where the author has lived, over several decades. It is both personal and more widely historical, blending anecdotes and “overheard” with in-depth research to uncover the importance and also problems that come with these spaces, which are increasingly becoming extinct, as gay bars in major cities struggle to stay in business.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY: The New York Times * NPR * Vogue * Gay Times * Artforum *
“Gay Bar is an absolute tour de force.” –Maggie Nelson
"Atherton Lin has a five-octave, Mariah Carey-esque range for discussing gay sex.” –New York Times Book Review
As gay bars continue to close at an alarming rate, a writer looks back to find out what’s being lost in this indispensable, intimate, and stylish celebration of queer history.
Strobing lights and dark rooms; throbbing house and drag queens on counters; first…
I have been writing about LGBTQ+ culture for magazines and newspapers for almost a decade, and am a voracious consumer of queer stories. Queer literature makes our various needs and desires as a community come alive on the page, and helps us to connect with and understand one another. Reading LGBTQ+ books is a way to learn about contemporary queer life, and work out what more we can be doing to help those more marginalised than us.
Recently published and super accessible, this book is a modern catalogue of lesbian and bi culture for women. It looks at the recent evolution of queer female visibility in the mainstream and across pop culture, asking what material changes this visibility has for the life of queer women everywhere. It’s funny and pacey and broad in scope, as it asks: How islesbian culture changing?
'This "love letter of sorts" to inclusive queer women's culture is perfect for anyone who's just come out, wants to know what the heck's going on or has yearned for an entire chapter dedicated to the film Carol.' - DIVA
'An introspective dive into the fast-moving world of queer culture, Daisy unpacks some of the 21st century's biggest lesbian and bisexual moments to paint a portrait of what modern-day queerness looks like.' - GAY TIMES
'Daisy Jones effortlessly explores queer culture' - COSMOPOLITAN ______________________________________________________________________________________
Two facts about me as a reader: I like books that deal with difficult issues, and I like reading a lot of them. There’s something about watching teens, for whom everything feels new, deal with the toughest stuff imaginable and come out the other side. I love a protagonist who has been through the wringer. Some people call these stories dark or morbid. I prefer to think of them as hopeful. My own writing history is as diverse as my reading habits. I’ve published in poetry, romance, and criticism, but these days I’m all about YA, like the politically-charged thriller I’m querying or my queer New Orleans ghost story, The Women of Dauphine.
What’s more all-consuming than being in love with your best friend? An uncontrolled fire, maybe–or a few of them. This turbulent romance between two teenage girls is told in prose poetry, and like the best novels in verse, every carefully formatted word carries weight. The narrative jumps back and forth in time, and it dives into the (main) narrator’s mind so intimately you’ll forget you don’t even know her name.
From New York Times bestselling author Ashley Woodfolk, Nothing Burns as Bright as You is an impassioned stand-alone tale of queer love, grief, and the complexity of female friendship.
Two girls. One wild and reckless day. Years of tumultuous history unspooling like a thin, fraying string in the hours after they set a fire.
They were best friends. Until they became more. Their affections grew. Until the blurry lines became dangerous.
Over the course of a single day, the depth of their past, the confusion of their present, and the unpredictability of their future is revealed. And…
When I first wrote The Sea Elephants, my protagonist (Shagun) and I were both asexual. My writing professor read the novel and said it’s dying to be a gay love story. Eventually, when I came out and rewrote the book from my newfound identity of queerness, I searched for queer stories that, like mine, were set outside the US or had non-American leads. And I realized that this is a significant gap that needs to be bridged. I felt a tremendous sense of solidarity with the books I did find. They made me feel less alone. Later, as an assistant professor of English, I’ve taught all of these books.
There are very few books that capture the particular suffering of loving someone and not being loved back.
Greenwell’s powerful debut novel is one of them. Set in the capital city of Bulgaria, the novel begins with an encounter that the narrator, an American teacher working abroad, has with Mitko, a sex worker. It is written in prose whose beauty, beat by beat, is as achingly beautiful as the unrequited love the narrator has for Mitko. This is one to savor slowly.
My copy is heavily underlined. Garth, a trained opera singer, reads like a dream. Accompany your reading with his readings from the work (they’re on YouTube).
Startlingly erotic and immensely powerful, Garth Greenwell's What Belongs to You tells an unforgettable story about the ways our pasts and cultures, our scars and shames can shape who we are and determine how we love.
Winner of the Debut of the Year Award at the British Book Awards. Shortlisted for the James Tait Black Prize.
'A searching and compassionate meditation on the slipperiness of desire . . . as beautiful and vivid as poetry' - Hanya Yanagihara, author of A Little Life
On an unseasonably warm autumn day, an American teacher enters a public bathroom beneath Sofia's National Palace…
I am a former book editor turned writer and a lover of literature in all forms. Young adult literature will forever be my favorite. Though I’m no longer “young,” I have two teenagers who love YA as much as I do and we bond over these stories. Since one prefers contemporary & urban fantasy, and the other likes dystopian & epic fantasy, I read a lot of everything! I particularly enjoy books with characters who triumph over extreme adversity, and if you do too, then you'll like the books on this list.
This review perfectly summed
up this book but neglected to mention it has a spectacular cover, which I’ll
admit was the first thing that drew my eye. The story also features a bi-racial
main character, and since my children are multi-racial, I love seeing this
representation. Because I’m an unapologetic book nerd, I adored the many
literary references. And I always love a good road trip! All in all, this is
one character-driven YA novel you won’t want to miss.
“This debut has it all: music, books, aliens, adventure, resistance, queerness, and a bold heroine tying it all together. ”—Ms. Magazine
Can a girl who risks her life for books and an Ilori who loves pop music work together to save humanity?
When a rebel librarian meets an Ilori commander…
Two years ago, a misunderstanding between the leaders of Earth and the invading Ilori resulted in the death of one-third of the world’s population. Today, seventeen-year-old Ellie Baker survives in an Ilori-controlled center in New York City. All art, books and creative expression are illegal, but Ellie breaks the rules…
I am a contemporary romance writer, mom, queer, dog-lover, and coffee enthusiast. I have a deep love of the genre, particularly sparkly and swoony, sapphic romcoms, with a borderline obsession with happily-ever-afters. Knowing I will always have a happy ending while smiling through pages gives me the comforting hug I sometimes need. My goal is to spread queer joy in my writing and provide a safe, celebratory, and affirming space for my readers to escape reality.
I’ve heard people say this book is “magical,” and that description is spot on.
I cannot get over how cute this book was! A sprinkle of magic, found family, finding yourself, and amazing descriptions of the city. This book gave me so many sparkly feels. I begged for the two characters to get together and rooted for the MC from page one. The plot was phenomenally creative, genuinely like nothing I had ever read within contemporary romance.
I finished this book faster than any other book of the year.
For cynical twenty-three-year-old August, moving to New York City is supposed to prove her right: that things like magic and cinematic love stories don't exist, and the only smart way to go through life is alone. She can't imagine how waiting tables at a 24-hour pancake diner and moving in with too many weird roommates could possibly change that. And there's certainly no chance of her subway commute being anything more than a daily trudge through boredom and electrical failures.
But then, there's this gorgeous girl on the train.
Jane. Dazzling, charming, mysterious, impossible Jane. Jane with her rough edges…
I’m a queer, nonbinary, Muslim, immigrant writer who has been reading their whole life and writing for part of it. I learned to write by reading–by devouring all kinds of books across different genres and paying attention to how words create feelings, worlds, and chronologies. I also learned to live by reading–I didn’t grow up with models of how to live a life that was true to my identities and so I read everything I could find about experiences that were adjacent to my own. The emergence of queer Muslim literature has been exciting to follow, and I try to read everything in the field.
I love the way Bushra Rehman writes about immigrant New York in the 80s – in vignettes that thread together to convey a sense of time, place, and geography.
All her characters are portrayed sensitively and complexly: from the main protagonist Razia coming into her queerness, to Pakistani aunties with their own histories and trauma, to friends who grow further apart.
I love how much this story is about women as the cornerstones of community.
Razia Mirza grows up amid the wild grape vines and backyard sunflowers of Corona, Queens, with her best friend, Saima, by her side. When a family rift drives the girls apart, Razia's heart is broken. She finds solace in Taslima, a new girl in her close knit Pakistani-American community. They embark on a series of small rebellions: listening to scandalous music, wearing mini skirts, and cutting school to explore the city.
When Razia is accepted to Stuyvesant, a prestigious high school in Manhattan, the gulf between the person she is and the daughter her parents want her to be, widens.…
I am a queer transgender woman living in the Appalachian South. When I moved here in 2015 I threw myself into doing community-based LGBTQ history. I co-founded the Southwest Virginia LGBTQ+ History Project, an ongoing queer public history initiative based in Roanoke, Virginia. As a historian and an avid reader, I am fascinated by how queer and trans people think about the past, how we remember and misremember things, and what role historical consciousness plays in informing the present and future.
Somewhere in their fourteen-page digression on the 18th-century non-binary American prophet Universal Publick Friend did I realize—once again—that I was nearly done with T Fleischmann’s enchanting book-length essay on transness, time, and art. I have read it three times! As a trans person, I love this book for its meditations on the transitioning body and its sexy tales of intimate encounters. It also offers a critical engagement with the artist Felix Gonzalez-Torres’s work, as well as a memoir of discovery that, like Fleischmann themself, bounces from New York City to rural Tennessee and back again, charting a geography of queer friendship and memory.
How do the bodies we inhabit affect our relationship with art? How does art affect our relationship to our bodies? T Fleischmann uses Felix Gonzales-Torres's artworks-piles of candy, stacks of paper, puzzles-as a path through questions of love and loss, violence and rejuvenation, gender and sexuality. From the back porches of Buffalo, to the galleries of New York and L.A., to farmhouses of rural Tennessee, the artworks act as still points, sites for reflection situated in lived experience. Fleischmann combines serious engagement with warmth and clarity of prose, reveling in the experiences and pleasures of art and the body, identity…
