Here are 100 books that Roses, in the Mouth of a Lion fans have personally recommended if you like
Roses, in the Mouth of a Lion.
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When I first wrote The Sea Elephants, my protagonist (Shagun) and I were both asexual. My writing professor read the novel and said it’s dying to be a gay love story. Eventually, when I came out and rewrote the book from my newfound identity of queerness, I searched for queer stories that, like mine, were set outside the US or had non-American leads. And I realized that this is a significant gap that needs to be bridged. I felt a tremendous sense of solidarity with the books I did find. They made me feel less alone. Later, as an assistant professor of English, I’ve taught all of these books.
There are very few books that capture the particular suffering of loving someone and not being loved back.
Greenwell’s powerful debut novel is one of them. Set in the capital city of Bulgaria, the novel begins with an encounter that the narrator, an American teacher working abroad, has with Mitko, a sex worker. It is written in prose whose beauty, beat by beat, is as achingly beautiful as the unrequited love the narrator has for Mitko. This is one to savor slowly.
My copy is heavily underlined. Garth, a trained opera singer, reads like a dream. Accompany your reading with his readings from the work (they’re on YouTube).
Startlingly erotic and immensely powerful, Garth Greenwell's What Belongs to You tells an unforgettable story about the ways our pasts and cultures, our scars and shames can shape who we are and determine how we love.
Winner of the Debut of the Year Award at the British Book Awards. Shortlisted for the James Tait Black Prize.
'A searching and compassionate meditation on the slipperiness of desire . . . as beautiful and vivid as poetry' - Hanya Yanagihara, author of A Little Life
On an unseasonably warm autumn day, an American teacher enters a public bathroom beneath Sofia's National Palace…
I’m a queer, nonbinary, Muslim, immigrant writer who has been reading their whole life and writing for part of it. I learned to write by reading–by devouring all kinds of books across different genres and paying attention to how words create feelings, worlds, and chronologies. I also learned to live by reading–I didn’t grow up with models of how to live a life that was true to my identities and so I read everything I could find about experiences that were adjacent to my own. The emergence of queer Muslim literature has been exciting to follow, and I try to read everything in the field.
This was the first novel I read about immigration, queerness, and Muslimness, the complex reasons why people choose to live in the Global South, and the complex reasons why people choose to leave.
I love the writing: it is lyrical and intimate, and the characters have stayed with me long since.
"Freewheeling and incendiary." - London Review of Books
"...vibrant, wrenching debut novel...sensuous and caustic, full of smoke and blood." - The New Yorker
A Middle-Eastern capital caught in the revolutionary wave of the Arab Spring. A day in the life of a young man disillusioned with both East and West and struggling to find a place for himself in a society ruled by hypocrisy and contradictions. Rasa works as an interpreter for Western journalists by day and divides his nights between the Guapa, an underground…
When I first wrote The Sea Elephants, my protagonist (Shagun) and I were both asexual. My writing professor read the novel and said it’s dying to be a gay love story. Eventually, when I came out and rewrote the book from my newfound identity of queerness, I searched for queer stories that, like mine, were set outside the US or had non-American leads. And I realized that this is a significant gap that needs to be bridged. I felt a tremendous sense of solidarity with the books I did find. They made me feel less alone. Later, as an assistant professor of English, I’ve taught all of these books.
Set in 1990s working-class Glasgow, Young Mungo depicts a queer love story blossoming against the rising tensions of religious clashes, gang wars, and class struggles.
Tenderly written and brilliantly paced, the novel also depicts one of the most beautiful sibling relationships. Watch for: the two gangs (one protestant and the other catholic) facing off on a historic bridge in Glasgow and the scene where Mungo meets James in, wait for it, a dovecote.
A story of queer love and working-class families, Young Mungo is the brilliant second novel from the Booker Prize-winning author of Shuggie Bain
Douglas Stuart's first novel Shuggie Bain, winner of the 2020 Booker Prize, is one of the most successful literary debuts of the century so far. Published or forthcoming in forty territories, it has sold more than one million copies worldwide. Now Stuart returns with Young Mungo, his extraordinary second novel. Both a page-turner and literary tour de force, it is a vivid portrayal of working-class life and a deeply moving and highly suspenseful story of the dangerous…
I have a passion for the themes and moods of this list because they explore so many parts of my emotions. They rile me, they work me up into a hot frenzy, they turn me on, they fascinate me, they bruise me, they heal me. I see myself in these books, and I feel that I understand other people. I’ve enjoyed (and still enjoy) reading these books published for free on blogs online, but now I want to write more and read more than I’ve done before. This list is a starting point, and I hope you enjoy them!
LONGLISTED FOR THE POLARI PRIZE 2021 A Guardian Book of the Year
'The highest talent at work' Sebastian Barry
'Beautiful ... A masterpiece' Attitude
Poland, 1980. Shy, anxious Ludwik has been sent along with the rest of his university class to an agricultural camp. Here he meets Janusz - and together they spend a dreamlike summer falling in love.
But with summer over, the two are sent back to Warsaw. Confronted by the scrutiny, intolerance and corruption of life under the Party, Ludwik and Janusz must decide how they will survive; and in their different choices, find themselves torn apart.…
I’m a queer, nonbinary, Muslim, immigrant writer who has been reading their whole life and writing for part of it. I learned to write by reading–by devouring all kinds of books across different genres and paying attention to how words create feelings, worlds, and chronologies. I also learned to live by reading–I didn’t grow up with models of how to live a life that was true to my identities and so I read everything I could find about experiences that were adjacent to my own. The emergence of queer Muslim literature has been exciting to follow, and I try to read everything in the field.
At its core, this book is a mystery: a trans Syrian-American’s journey to find out what happened to his mother and how she was connected to an artist whose journal he finds.
But what I loved most about this book is the meditations on gender, on spirituality, and on birds. This book is an ornithologist’s dream.
Winner of the Lambda Literary Award for Transgender Fiction Winner of the ALA Stonewall Book Award—Barbara Gittings Literature Award Named Best Book of the Year by Bustle Named Most Anticipated Book of the Year by The Millions, Electric Literature, and HuffPost
From the award-winning author of The Map of Salt and Stars, a new novel about three generations of Syrian Americans haunted by a mysterious species of bird and the truths they carry close to their hearts—a “vivid exploration of loss, art, queer and trans communities, and the persistence of history. Often tender, always engrossing, The Thirty Names of Night…
When I first wrote The Sea Elephants, my protagonist (Shagun) and I were both asexual. My writing professor read the novel and said it’s dying to be a gay love story. Eventually, when I came out and rewrote the book from my newfound identity of queerness, I searched for queer stories that, like mine, were set outside the US or had non-American leads. And I realized that this is a significant gap that needs to be bridged. I felt a tremendous sense of solidarity with the books I did find. They made me feel less alone. Later, as an assistant professor of English, I’ve taught all of these books.
Originally written in French, and translated by Donald Winkler, Querelle of Roberval is set in working-class Quebec, it has as its hero a young gay man, Querelle, who moves into the lumber town of Roberval.
The social dynamic of the town is upended as men both out and closeted are drawn to his Adonis-like beauty—so well-described that I fell in love with him. Meanwhile, as a mill strike causes the interclass tensions to rise. Winner of the Marquis de Sade Prize, this gem is an ode to Jean Genet, male beauty, and the literary form of the tragedy.
Shortlisted for the Atwood Gibson Writers' Trust Fiction Prize
Homage to Jean Genet's antihero and a brilliant reimagining of the ancient form of tragedy, Querelle of Roberval, winner of the Marquis de Sade Prize, is a wildly imaginative story of justice, passion, and murderous revenge.
As a millworkers' strike in the northern lumber town of Roberval drags on, tensions start to escalate between the workers-but when a lockout renews their solidarity, they rally around the mysterious and magnetic influence of Querelle, a dashing newcomer from Montreal. Strapping and unabashed, likeable but callow, by day he walks the picket lines and…
I’m a queer, nonbinary, Muslim, immigrant writer who has been reading their whole life and writing for part of it. I learned to write by reading–by devouring all kinds of books across different genres and paying attention to how words create feelings, worlds, and chronologies. I also learned to live by reading–I didn’t grow up with models of how to live a life that was true to my identities and so I read everything I could find about experiences that were adjacent to my own. The emergence of queer Muslim literature has been exciting to follow, and I try to read everything in the field.
From the first page, Fatimah Asghar’s writing pulled me in. It is poetic, playful, and vulnerable.
The story is about three orphaned sisters living under the care of their uncle and figuring out how to relate to each other and the world. I loved the candid explorations of childhood, gender, and, most of all, sisterhood.
LONGLISTED FOR THE NATIONAL BOOK AWARD FOR FICTION 2022 WINNER OF THE CAROL SHIELDS PRIZE FOR FICTION 2023
'A grief-soaked and gorgeous debut novel . . . A poet first, Asghar picks up on the themes of her debut collection If They Come for Us - partition and fragmentation, borders and bodies - and plays with space and silence on the page . . . this fragmentary form has the effect of ephemerality - much like life' Sana Goyal, Guardian
In this heartrending, lyrical debut work of fiction, Fatimah Asghar traces the intense bond of three orphaned siblings who, after…
I’m a queer, nonbinary, Muslim, immigrant writer who has been reading their whole life and writing for part of it. I learned to write by reading–by devouring all kinds of books across different genres and paying attention to how words create feelings, worlds, and chronologies. I also learned to live by reading–I didn’t grow up with models of how to live a life that was true to my identities and so I read everything I could find about experiences that were adjacent to my own. The emergence of queer Muslim literature has been exciting to follow, and I try to read everything in the field.
For me, this book of short stories is all about unforgettable characters: queer, Muslim on a spectrum between practicing and not, of various ethnic backgrounds. I love that the characters have complicated lives and make not easily understood decisions.
I love that the characters struggle against, with, and towards their identities. And: it’s really funny!
Award-winning novelist Randa Jarrar's new story collection moves seamlessly between realism and fable, history and the present, capturing the lives of Muslim women and men across myriad geographies and circumstances. With acerbic wit, deep tenderness, and boundless imagination, Jarrar brings to life a memorable cast of characters, many of them "accidental transients"a term for migratory birds who have gone astrayseeking their circuitous routes back home. Fierce and feeling, Him, Me, Muhammad Ali is a testament to survival in the face of love, loss, and displacement.
Randa Jarrar is the author of a highly successful novel, A Map of Home, which…
I’d written modern true crime before—a book that helped solve a 40-year-old cold case—and wanted to try my hand at historical true crime. I live in Manhattan, home to the greatest crime stories of the late nineteenth and early twentieth centuries, so I was able to see the actual locations where the grisliest murders, the biggest bank heists, and the crookedest con games took place. What really drew me in, though, were the many colorful, unforgettable characters, both good and bad, cops and robbers, who walked the bustling streets of Old New York during the fascinating era known as the Gilded Age.
If you read one biography/memoir of a Gilded Age criminal, make it this one. It tells the story (often in his own words) of the celebrated pickpocket George Appo, an odd little half-Chinese, half-Irish, one-eyed fellow who could make $800 in a few days when most working men made less than that in a year. Appo would rivet New Yorkers when he testified about his second career as a “green goods” con man, working to swindle gullible out-of-towners who came to buy purported counterfeit money at a discount, only to discover that there was nothing but sawdust inside the packages they carried away. Appo refused to name names, though, as he was a self-described “good fellow.”
In George Appo's world, child pickpockets swarmed the crowded streets, addicts drifted in furtive opium dens, and expert swindlers worked the lucrative green-goods game. On a good night Appo made as much as a skilled laborer made in a year. Bad nights left him with more than a dozen scars and over a decade in prisons from the Tombs and Sing Sing to the Matteawan State Hospital for the Criminally Insane, where he reunited with another inmate, his father. The child of Irish and Chinese immigrants, Appo grew up in the notorious Five Points and Chinatown neighborhoods. He rose as…
Most of my public success has been as a novelist. My MFA, from the Iowa Writers Workshop, is in poetry. When I grow up, I want to be a short story writer. The dirty truth is, though, I’ve been making trouble with stories since I was a kid. During my first attempt in 10th grade, I wrote a story that got me suspended for two weeks. No explanation. No guidance. Just a conference between my parents, teachers, and principal (I wasn’t present), and they came out and banished me. I dropped out of school shortly after. I reckon that experience, both shameful and delicious, shaped my life and love of narrative.
The complexities of the human, the whole human. That’s what Paley explores. How we think, how we act and feel, how we play and fight, how we talk. And talk. Paley is a master of nuance, and often reveals her mastery through dialogue. There is always a convincing urgency in the way her characters speak, and a delicious talking-around a thing, an idea. Her worlds richly detailed and urban. I’d like to live in the apartment building of Grace Paley’s mind.
This reissue of Grace Paley's classic collection—a finalist for the National Book Award—demonstrates her rich use of language as well as her extraordinary insight into and compassion for her characters, moving from the hilarious to the tragic and back again.
Whether writing about the love (and conflict) between parents and children or between husband and wife, or about the struggles of aging single mothers or disheartened political organizers to make sense of the world, she brings the same unerring ear for the rhythm of life as it is actually lived.
The Collected Stories is a 1994 National Book Award Finalist…
