Here are 100 books that The Collected Stories fans have personally recommended if you like
The Collected Stories.
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I’ve always enjoyed books that make me think and question. I love that they lead me to further brilliant works that do the same. I love a book that challenges the rules of writing and takes you into another world. As a full-time thriller writer, it’s always good to read a genre different from your own. To enter a realm of magical realism is fantastic.
I loved this book because, again, it was thought-provoking. It was unimaginable to think humans could behave in this way and then it made me realise that we do behave in an unimaginable fashion in real life. This book shows the mob mentality and how ‘tradition’ keeps going despite not knowing where it started and why it continues.
I found the concept of the lottery both disturbing and thought provoking. How far will people go in the name of superstition and fear. I loved that Shirley Jackson with a short story should produce such darkness and depth in humanity and it had me thinking for quite a while.
'Shirley Jackson's stories are among the most terrifying ever written' Donna Tartt
This is the definitive collection of Shirley Jackson's short stories, including 'The Lottery' - one of the most terrifying and iconic stories of the twentieth century, and an influence on writers such as Neil Gaiman and Stephen King.
In these stories an excellent host finds himself turned out of home by his own guests; a woman spends her wedding day frantically searching for her husband-to-be; and in Shirley Jackson's best-known story, a small farming village comes together for a terrible annual ritual. The creeping unease of lives squandered…
Most of my public success has been as a novelist. My MFA, from the Iowa Writers Workshop, is in poetry. When I grow up, I want to be a short story writer. The dirty truth is, though, I’ve been making trouble with stories since I was a kid. During my first attempt in 10th grade, I wrote a story that got me suspended for two weeks. No explanation. No guidance. Just a conference between my parents, teachers, and principal (I wasn’t present), and they came out and banished me. I dropped out of school shortly after. I reckon that experience, both shameful and delicious, shaped my life and love of narrative.
Such a rule breaker. A complete disregard for the laws of nature. That can’t happen!I shouldn’t feel so for those characters! And yet, and yet! The characters that people these pages are real and convincing. Nana Kwame Adjei-Brenyah takes us in and out of realities. His world is dark sibling to our everyday world, but even his most flawed characters resonate with dignity, and through skillful well-crafted revelation, the reader comes to understand why these characters struggle—often against societal forces larger/older/engrained—and even when his characters make bad decisions (lord knows a misbehaving character is what good fiction is about) a glimmer of the potential for human goodness is exposed. This a contemporary voice, fierce and fresh, and worth paying attention to.
The instant New York Times bestseller 'An unbelievable debut' New York Times
Racism, but "managed" through virtual reality
Black Friday, except you die in a bargain-crazed throng
Happiness, but pharmacological
Love, despite everything
A Publisher's Weekly Most Anticipated Book for Fall 2018
Friday Black tackles urgent instances of racism and cultural unrest, and explores the many ways we fight for humanity in an unforgiving world. In the first, unforgettable story of this collection, The Finkelstein Five, Adjei-Brenyah gives us an unstinting reckoning of the brutal prejudice of the US justice system. In Zimmer Land we see a far-too-easy-to-believe imagining of…
Most of my public success has been as a novelist. My MFA, from the Iowa Writers Workshop, is in poetry. When I grow up, I want to be a short story writer. The dirty truth is, though, I’ve been making trouble with stories since I was a kid. During my first attempt in 10th grade, I wrote a story that got me suspended for two weeks. No explanation. No guidance. Just a conference between my parents, teachers, and principal (I wasn’t present), and they came out and banished me. I dropped out of school shortly after. I reckon that experience, both shameful and delicious, shaped my life and love of narrative.
The title alone sets the stage. This is meta at its most meta-ness. Who is narrating? Who is listening? Is the author complicit in the sometimes catastrophic, always deeply strange, events that unfold in these tiny tales? More importantly, do we the readers play a role? Less is more. Lesser still is even more more. The reach of suggestion. A knockout punch of inference.
The Austrian playwright, novelist, and poet Thomas Bernhard (1931-89) is acknowledged as among the major writers of our times. At once pessimistic and exhilarating, Bernhard's work depicts the corruption of the modern world, the dynamics of totalitarianism, and the interplay of reality and appearance.
In this stunning translation of The Voice Imitator, Bernhard gives us one of his most darkly comic works. A series of parable-like anecdotes-some drawn from newspaper reports, some from conversation, some from hearsay-this satire is both subtle and acerbic. What initially appear to be quaint little stories inevitably indict the sterility and callousness of modern life,…
Most of my public success has been as a novelist. My MFA, from the Iowa Writers Workshop, is in poetry. When I grow up, I want to be a short story writer. The dirty truth is, though, I’ve been making trouble with stories since I was a kid. During my first attempt in 10th grade, I wrote a story that got me suspended for two weeks. No explanation. No guidance. Just a conference between my parents, teachers, and principal (I wasn’t present), and they came out and banished me. I dropped out of school shortly after. I reckon that experience, both shameful and delicious, shaped my life and love of narrative.
I don’t remember when or how or where I came across Diane Schomperlen. She’s Canadian, and I very much like attending the Stratford Shakespeare Festival in the middle of Ontario. It’s likely that I found her in a bookstore there. I don’t remember. I do however remember my immediate and deep love of her work. At once experimental—pushing against the boundaries of traditional story format—and fiercely human. Real people struggling to connect with, to stay connected with, each other. Real people. Beautifully flawed. And full of dignity.
A collection of short fiction by the author of Our Lady of the Lost and Found presents twenty-one tales, written over the past twenty years, that include "Losing Ground," a perceptive coming-of-age story, and "The Man of My Dreams," in which the realities of a dissolving relationship become intertwined with the narrator's dream world. Original.
Reseda, California plays an important part in my novels. I grew up there in a middle-class Jewish family, and we experienced the turmoil of the 1960s and 1970s. My parents got divorced, and my brother and I were raised by our working mom until she became paralyzed by a stroke. I found refuge in writing. I wrote The Remainders in 2016 during a tumultuous time when issues of family conflict, homelessness, and the growing cruelty of society came into focus. Still, I believe decency and compassion will prevail. The books I write and enjoy reading seek to find light in the darkest of circumstances.
If you want to understand the struggle Jews like me face in modern America, read this classic novel.
Two Jewish boys—one secular and the other expected to follow in his father’s footsteps as a Chasidic rabbi—grow up in 1940s Brooklyn against the backdrop of World War II and the founding of Israel. It shows the conflict we face between family expectations and assimilating in a country where we don’t feel fully welcome.
A coming-of-age classic about two Jewish boys growing up in Brooklyn in the 1940s, this “profound and universal” (The Wall Street Journal) story of faith, family, tradition, and assimilation remains deeply pertinent today.
“Works of this caliber should be occasion for singing in the streets and shouting from the rooftops.” —Chicago Tribune
It’s the spring of 1944 and fifteen-year-olds Reuven Malter and Danny Saunders have lived five blocks apart all their lives. But they’ve never met, not until the day an accident at a softball game sparks an unlikely friendship. Soon these two boys—one expected to become a Hasidic rebbe,…
I am a professor of history and Jewish studies at American University and author of America’s Jewish Women: A History from Colonial Times to Today, winner of the National Jewish Book Award – 2019 Jewish Book of the Year. Since childhood I have been reading stories of women’s lives and tales set in Jewish communities across time and space. Yet, the voices that so often best evoke the past are those captured on the pages of great memoirs.
In 1951, Sydney Taylor invented the memorable Brenners—papa, mama, five sisters, and baby brother—a Jewish family on the Lower East Side in turn-of-the-century New York. Taylor’s words and Helen John’s illustrations in this book, the first in a series, set the scene. A calendar in the parlor announced that it was 1912. Tenements lined city streets. When I read these novels as a child, I did not yet know that they were closely based on Taylor’s own life. When the entire series was republished in 2014, I quipped: I became a Jewish historian because of these books.
Meet the All-of-a-Kind Family -- Ella, Henny, Sarah, Charlotte, and Gertie -- who live with their parents in New York City at the turn of the century.
Together they share adventures that find them searching for hidden buttons while dusting Mama's front parlor and visiting with the peddlers in Papa's shop on rainy days. The girls enjoy doing everything together, especially when it involves holidays and surprises.
But no one could have prepared them for the biggest surprise of all!
I grew up in New York City on the corner of 16th Street and 7th Avenue in an apartment on the 11th floor. I loved the city’s pace, diversity, and freedom. So, I decided to study New York Jews, to learn about them from not just from census records and institutional reports but also from interviews. After publishing my first book, I followed New York Jews as they moved to other cities, especially Miami and Los Angeles. Recently, I’ve been intrigued by what is often called street photography and the ways photographs let you see all sorts of details that potentially tell a story.
Understanding New York Jews is key to understanding American Jews. There is no city like New York City and there are no Jews like New York Jews. In the middle of the 20th century, they made up around 30% of the total city population. This three-volume award-winning set uncovers aspects of the city’s history that even aficionados don’t know. Each volume can be purchased separately but together they paint an absorbing panorama across four centuries. I like to teach the volumes. They are fresh each time I read them, with lively prose and compelling vignettes. Reading them is like walking the streets of Gotham with a great guide.
Winner of the 2012 National Jewish Book Award, presented by the National Jewish Book Council
New York Jews, so visible and integral to the culture, economy and politics of America's greatest city, has eluded the grasp of historians for decades. Surprisingly, no comprehensive history of New York Jews has ever been written. City of Promises: A History of the Jews of New York, a three volume set of original research, pioneers a path-breaking interpretation of a Jewish urban community at once the largest in Jewish history and most important in the modern world.
My father came from Ukraine, and every summer took the family to stay on a farm in an immigrant community in southern New Jersey, Carmel, a community begun by the Baron de Hirsch Foundation, which settled Jews from all over Europe. Italian immigrants also settled there. I lived in a family that spoke to their siblings in three languages, Yiddish, Russian, and Ukrainian. Hence, I was privy to the loves and losses of people who felt estranged from their language and often yearned to return to their country of origin.
Tough Jews is a short history of Jewish-American gangsters and their Italian colleagues with whom they made common cause. It is here for the first time that we understand why Arnold Rothstein was the most important gangster in America. Having introduced "organized" into organized crime, he promised underworld figures the help of the famous attorney William Fallon if they landed in trouble and agreed to look after their families if they got sent up the Hudson (to Sing Sing). I am struck by the fact that Cohen makes his history personal, by means of his own contacts with the people who know the inside story of how the Jewish gangsters thrived—or didn't. He sits down with them; he eats with them; and he gets them to remember how it once was in the days of Dutch Schultz, Legs Diamond, and Arnold Rothstein.
Award-winning writer Rich Cohen excavates the real stories behind the legend of infamous criminal enforcers Murder, Inc. and contemplates the question: Where did the tough Jews go?
In 1930s Brooklyn, there lived a breed of men who now exist only in legend and in the memories of a few old-timers: Jewish gangsters, fearless thugs with nicknames like Kid Twist Reles and Pittsburgh Phil Strauss. Growing up in Brownsville, they made their way from street fights to underworld power, becoming the execution squad for a national crime syndicate. Murder Inc. did for organized crime what Henry Ford did for the automobile,…
I am a children’s author best known for digging up fascinating, often funny stories about famous people—and forgotten people who deserve to be famous again. After a trip to Israel with the PJ Library program, which sends free books each month to hundreds of thousands of Jewish children and their families, I was spurred to find out more about the many brilliant, bold, creative, persistent, and too often unsung Jewish women who have made a difference in our world.
Emma’s Poem is a lovely book about a girl who had plenty of everything and grew up to work for those who didn’t. The words are simple and well-chosen, the art is bright and vivid, and I was amazed to realize that one poem by one woman has had such a huge and lasting impact. Without Emma Lazarus, the Statue of Liberty would be just a giant metal sculpture, rather than a beacon welcoming the world’s “huddled masses yearning to breathe free.” Emma taught generations of Americans who we are at our best. Send these, the homeless, tempest-tost to me, I lift my lamp beside the golden door!
A celebration of our nation's melting pot, this beautifully illustrated origin story of the Statue of Liberty honors a poet who has advocated for the voiceless.
"Give me your tired, your poor Your huddled masses yearning to breathe free . . . " In 1883, Emma Lazarus, deeply moved by an influx of immigrants from eastern Europe, wrote a sonnet that gave a voice to the Statue of Liberty. Originally a gift from France to celebrate our shared national struggles for liberty, the statue, thanks to Emma's poem, came to define us as a nation that welcomes immigrants. The text…
I am the oldest of four children and was always close to my mom. She was a trailblazer, earning her doctorate in educational psychology in 1963 and teaching at the college level. In her early 70’s her memory started to falter, and she lived with dementia for 10 years before she died. I was a reporter at The New York Times and had published three books by that point. My fourth became All Gone: A Memoir of My Mother’s Dementia. With Refreshments. I spent years in doctors’ and hospital’s waiting rooms and these are some of the books that helped make that time not only tolerable but sometimes, even joyful.
“My family struck me as larger than life, bigger than news,” Volk once said. This memoir imbues her relatives’ stories with all the wonder and glamour children confer on the mere mortals who raise us. In the waiting room, you may still feel that way about the person inside. Volk’s family ran restaurants in New York City – her grandfather owned 14 – and four generations lived within five blocks of each other. The details of their clothes, their couches, and their craziness (Uncle Al had an affair with Aunt Lil for 11 years then refused to marry her because she wasn’t a virgin), hark back to those Sundays forever ago when families chose to visit each other on their only day off. Reading this feels like home.
'We were a restaurant family, four generations in a six-block radius. When you opened our fridge, food fell on your feet.' Three generations of Patricia Volk's family have been in the restaurant business. Her hallway was the colour of ball-park mustard, the living room was cocoa and the floor was like Genoa salami. At Morgen's, the famous restaurant in the garment district which her grandfather started and which her father ran, she was the princess. Waiters winked at her and twirled her napkin up high before draping it on her lap and when she wanted a hamburger, her grandfather would…
