Books like The Voice Imitator: 100 fan favorites

I loved this book because, again, it was thought-provoking. It was unimaginable to think humans could behave in this way and then it made me realise that we do behave in an unimaginable fashion in real life. This book shows the mob mentality and how ‘tradition’ keeps going despite not knowing where it started and why it continues.

I found the concept of the lottery both disturbing and thought provoking. How far will people go in the name of superstition and fear. I loved that Shirley Jackson with a short story should produce such darkness and depth in humanity and it had me thinking for quite a while.

Such a rule breaker. A complete disregard for the laws of nature. That can’t happen! I shouldn’t feel so for those characters! And yet, and yet! The characters that people these pages are real and convincing. Nana Kwame Adjei-Brenyah takes us in and out of realities. His world is dark sibling to our everyday world, but even his most flawed characters resonate with dignity, and through skillful well-crafted revelation, the reader comes to understand why these characters struggle—often against societal forces larger/older/engrained—and even when his characters make bad decisions (lord knows a misbehaving character is what good fiction is about) a glimmer of the potential for human goodness is exposed. This a contemporary voice, fierce and fresh, and worth paying attention to.

The complexities of the human, the whole human. That’s what Paley explores. How we think, how we act and feel, how we play and fight, how we talk. And talk. Paley is a master of nuance, and often reveals her mastery through dialogue. There is always a convincing urgency in the way her characters speak, and a delicious talking-around a thing, an idea. Her worlds richly detailed and urban. I’d like to live in the apartment building of Grace Paley’s mind. 

I don’t remember when or how or where I came across Diane Schomperlen. She’s Canadian, and I very much like attending the Stratford Shakespeare Festival in the middle of Ontario. It’s likely that I found her in a bookstore there. I don’t remember. I do however remember my immediate and deep love of her work. At once experimental—pushing against the boundaries of traditional story format—and fiercely human. Real people struggling to connect with, to stay connected with, each other. Real people. Beautifully flawed. And full of dignity. 

As a librarian, I loved how books were deemed a threat in this work. Through fear-mongering and keeping people distracted by technology, people are imprisoned by ignorance without access to books. I particularly enjoyed the symbolism in the robotic murder dog—it can hunt down anyone and can find you anywhere.

Living under that level of technological threat searches for what it means to be human that much harder—but vital. But my favorite idea is that the knowledge we carry collectively has the power to save our humanity.

First published in 1959, Naked Lunch was shocking then, and it still retains its power today. Both in content and structure, Naked Lunch is powerful and wholly original.  In effect, it becomes more than a work of fiction, it becomes an experience. Burroughs invented a technique called the “cut-up method,” where he cut up his coherent storyline into paragraphs, scenes, and even sentences, then reordered them both randomly and editorially. The disorder thematically represents the chaos of existence and the universe, and it also disrupts the reader. Like the book or not, it shakes you into realizing that there are possibilities beyond the conventional.

Burrough’s language is honed to a razor’s edge, and I find that many of the sentences in Naked Lunch burn like fire. The meaning of the title as Burroughs explains it is to bare the naked truth of reality on the end of a fork. From… show more.

The ultimate dystopia survival story .. if you can call it survival. Although its title is only 10 years after Francine Prose’s book, it was, of course, written decades earlier by Orwell, who was looking across Europe at the totalitarian Soviet Union for his inspiration.

I read this book in junior high and have returned to it many times; contemplating Orwell’s insights about the ways authoritarian politics infect societies and destroy souls is more urgent and relevant now than ever.

This story and its questions of eugenics and our place in society really horrified me, not because it was unbelievable, but precisely because it was far too real. The genetic superiority/inferiority, coupled with social indoctrination into our “advanced” society, made me meditate a great deal on what it means to be human.

What are humans without societal pressures? The way Huxley looked at the costs of freedom was really compelling. And in so many ways, he accurately predicted the destructive side of the social microscope that we all live in today under social media.

This is a play script, but I have to recommend it as the most adult and provocative exploration of fairytales I’ve ever read. A storyteller in a totalitarian state is interrogated about his tales after they have been linked to a series of child murders. It’s about the risks storytellers take and the dangers of stories being misinterpreted or misused. Martin McDonagh is best known as a screenwriter of films such as In Bruges or The Banshees of Inisherin, but this play is burned into my soul.

Although technically a “graphic novel”, Moore’s novel has nonetheless been a relevant warning on both complacency and ignorance. Powerful entities not only use the “shove it under the rug” to their advantage, but they both incentivize and negatively reinforce behavior to promote this kind of mindset.

This is a story about re-empowering the individual, not only for their self-worth and pride, but to have the courage to stand against tyranny in order to choose true freedom over the chains of oppression. People should never be afraid of their governments, but rather the governments should remain fearful of their people.