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The Lottery and Other Stories.
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I grew up reading short stories in the annual Reader’s Digest books my parents collected, so I’ve always liked the short form. Perhaps that is why I pursued it in college, wanting to know what made them work. So I took a lot of classes in college to do just that, to dissect stories to see what made them resonate with readers. And although I’ve been trying to push myself to write longer fiction, I’ll never be able to fully abandon the short fiction. I love a story you can read in a day and think about all night.
Besides the fact that Joe Hill is one of my favorite writers at the moment, this collection is 100% solid writing. Also, one of my favorite stories, “Pop Art,” is included in the book. To me, the sense of ambiguity, of using one otherworldly concept to stand for something so plain and simple, addressing current issues through your fiction are all present in that story.
Imogene is young, beautiful, kisses like a movie star, and knows everything about every film ever made. She's also dead, the legendary ghost of the Rosebud Theater. Arthur Roth is a lonely kid with a head full of big ideas and a gift for getting his ass kicked. It's hard to make friends when you're the only inflatable boy in town. Francis is unhappy, picked on; he doesn't have a life, a hope, a chance. Francis was human once, but that's behind him now. John Finney is in trouble. The kidnapper locked him in a basement, a place stained with…
I grew up reading short stories in the annual Reader’s Digest books my parents collected, so I’ve always liked the short form. Perhaps that is why I pursued it in college, wanting to know what made them work. So I took a lot of classes in college to do just that, to dissect stories to see what made them resonate with readers. And although I’ve been trying to push myself to write longer fiction, I’ll never be able to fully abandon the short fiction. I love a story you can read in a day and think about all night.
SGJ has such a unique voice, it’s hard to deny this collection its props. Here you have a wide range of themes and unique characterization, and I think there’s a lot to be learned from a collection such as this. Dialogue, character building, tension; this is like a guide to writing good fiction.
Winner, Best Collection of the Year, This Is Horror
Nominated, Best Collection of the Year, Bram Stoker Awards
Nominated, Best Collection of the Year, Shirley Jackson Awards
The 15 stories in After the People Lights Have Gone Off, by Stephen Graham Jones, explore the horrors and fears of the supernatural and the everyday. Included are two original stories, several rarities and out-of-print narratives, as well as a few "best of the year" inclusions.
In "Thirteen", horrors lurk behind the flickering images on the big screen. "Welcome to the Reptile House" reveals the secrets that hide in our flesh. In "The…
One of the gifts of the horror genre is that the stories use metaphor to examine human behaviors that defy understanding. My favorite horror novels, novellas, and short stories can be read again and again. While my Feral graphic novel series is for middle school readers, I wanted to provide grey areas, perhaps more than the editor always liked! I wanted the adventure, the scares, the questions, the uncertainty that would let the small town of Feral take on a larger-than-life presence for a reader and encourage revisiting it whenever the mood strikes. It's almost pleasant, the rhythm, the anticipation. A little unnerving too.
This is a short story collection I return to every few years. There are four novellas in this collection, but each of them was delivered directly to my cerebral cortex. I can recall passages from each story. And I can see the locations.
I feel King is at his best when he's twisting his way through novellas and short stories. After reading "1922", it was weeks before I stopped seeing the well. And weeks before, I stopped shaking my head at what Wilfred James did or the grit of Tess in "Big Driver" or the pettiness of Dave Streeter. This is worth reading every year.
From the master of the long story form, the Sunday Times No. 1 besteller, Full Dark, No Stars - described by the Sunday Telegraph as 'an extraordinary collection, thrillingly merciless, and a career high point' - now with a stunning new cover look.
Is it possible to fully know anyone? Even those we love the most? What tips someone over the edge to commit a crime?
In '1922', a story which was adapted into a Netflix original film, a Nebraska farmer, the turning point comes when his wife threatens to sell off the family homestead.
On Draakensky Windmill Estate, magick and mystery rule. Sketch artist Charlotte Knight is hired to live on the estate while illustrating poetry under the direction of the reclusive spinster, and wind witch, Jaa Morland—who believes in ghosts. Charlotte quickly encounters the voice…
At age thirteen, sprawled on our shag-carpeted living room floor, I watched Poltergeist’s scariest scenes reflected in the glass doors of an old-school encyclopedia case. The blur made the film less scary—and aftewards, I noticed two smaller books leaned against Volumes 15-16: Italy to Lord. Reading Bach’s Jonathan Livingston Seagull and Baldwin’s The Fire Next Time back-to-back that night rattled me harder than seeing Carol Anne sucked into the netherworld. I woke up with my worldview rearranged, and I hope you’ll find these books every bit as pleasantly unsettling.
I’ll confess something to you, here and now, that I might not admit to a book club: I haven’t read this whole collection yet. Yeah, that’s right, I said it. I took this book on an airplane with me, read all the stories but one, and accidentally left it behind in my airline seat compartment for some lucky stranger to find behind the inflight magazine.
But the titular story alone had me bawling in economy class, suddenly realizing I’m an awful, awful daughter, and unless you’ve got no soul, you’ll tear up too.
Featured in the Netflix series Love, Death & Robots
Bestselling author Ken Liu selects his multiple award-winning stories for a groundbreaking collection—including a brand-new piece exclusive to this volume.
With his debut novel, The Grace of Kings, taking the literary world by storm, Ken Liu now shares his finest short fiction in The Paper Menagerie and Other Stories. This mesmerizing collection features many of Ken’s award-winning and award-finalist stories, including: “The Man Who Ended History: A Documentary” (Finalist for the Hugo, Nebula, and Theodore Sturgeon Awards), “Mono No Aware” (Hugo Award winner), “The Waves” (Nebula Award finalist), “The Bookmaking Habits…
As an uncanny child myself, I always gravitated toward reading about the strange—whether in historical accounts or fiction—and as a passably normal adult, I often write from the perspective of “the other.” I never intentionally mix science fiction and paranormal elements into my work…they just happen to be my characters’ truths! So much of what we humans know about our world is filtered through our collective reality, and I love following the connecting threads and plucking at the flaws.
Really, what could be more uncanny than dozens of golden-eyed children conceived while an entire town was unconscious? To say nothing of the not-so-subtle complications of nature versus nurture as their mothers attempt—or avoid—bonding with their strange, unwanted progeny.
From the mid-century English setting to the focus on male narrative perspectives, Wyndham contrasts what’s normal and abnormal, human and “other,” with a simple tale that spawns (pun intended) a fear of perfect, emotionally disconnected children who cannot—or will not—be loved. A classic, through and through.
A genre-defining tale of first contact by one of the twentieth century’s most brilliant—and neglected—science fiction and horror writers, whom Stephen King called “the best writer of science fiction that England has ever produced.”
“In my opinion, [John] Wyndham’s chef d’oeuvre . . . a graphic metaphor for the fear of unwanted pregnancies . . . I myself had a dream about a highly intelligent nonhuman baby after reading this book.”—Margaret Atwood, Slate
What if the women of a sleepy English village all became simultaneously pregnant, and the children, once born, possessed supernatural—and possibly alien—powers?
When I was not yet a teen, a neighbor had what I considered to be a valuable treasure—all of the Nancy Drew Mystery series. Her daughter had died of leukemia, and she had held onto them as a reminder of her precious child. To my surprise, she entrusted them to me to read. That was the beginning of my passion for mysteries. As I got older, I couldn’t get enough of Agatha Christie and P. D. James. I visit them often, like old friends, but I am also eager to make new literary acquaintances. My list has only five, but it could have included thousands. Enjoy this diverse sampling.
This book made me gasp when I read the ending. I’m usually pretty good at figuring out whodunnits, but this was a plot twist I didn’t see coming. I went back and re-read it to see if everything fit together. It did. A well-plotted and fun read that relies on Greek Mythology and the timeless classics of Agatha Christie for its inspiration.
"An unforgettable―and Hollywood-bound―new thriller... A mix of Hitchcockian suspense, Agatha Christie plotting, and Greek tragedy." ―Entertainment Weekly
The Silent Patient is a shocking psychological thriller of a woman’s act of violence against her husband―and of the therapist obsessed with uncovering her motive.
Alicia Berenson’s life is seemingly perfect. A famous painter married to an in-demand fashion photographer, she lives in a grand house with big windows overlooking a park in one of London’s most desirable areas. One evening her husband Gabriel returns home late from a fashion shoot, and Alicia shoots him five…
In 1662, a man is wrongly executed for signing the death warrant of Charles I. Awaiting execution, he asks to speak with a priest, to whom he declares a curse on the village that betrayed him. The priest responds with a counter-curse, leaving just one option to nullify it.
I’ve always enjoyed books that make me think and question. I love that they lead me to further brilliant works that do the same. I love a book that challenges the rules of writing and takes you into another world. As a full-time thriller writer, it’s always good to read a genre different from your own. To enter a realm of magical realism is fantastic.
I loved it because it’s impossible not to. I was mesmerized by the whole concept of a story told through magazine clips and articles. Amazing. This is the most original book I think I have ever read. It took Graham Rawle five years to piece this book together from cuttings out of 1960s women's magazines.
It was the best five years spent, for the reader especially. I was totally blown away by this visually stunning book. I loved the darkness of the story and its reality. Again, it is thought-provoking. It leaves readers to make up their own minds about what happens at the end, and I love it when you’re left to imagine the outcome. It's a very clever book.
Norma Fontaine lives in a world of handy tips and sensible advice. Whether it’s choosing the right girdle or honing her feminine allure, she measures life by the standards set in women’s magazines. But Norma discovers that the real world is less delightful—and more sinister—than the one portrayed in the glossies. When dark secrets threaten her brother’s blossoming romance, Norma must decide whether to sacrifice life in a woman’s world for the sake of her brother’s happiness. As her decision is slowly revealed, readers realize that, like life in the magazines, Norma isn’t quite what she seems. A stunning visual…
I’ve always enjoyed books that make me think and question. I love that they lead me to further brilliant works that do the same. I love a book that challenges the rules of writing and takes you into another world. As a full-time thriller writer, it’s always good to read a genre different from your own. To enter a realm of magical realism is fantastic.
There is so much I can appreciate about this book and its craftsmanship. It is filled with beautiful imagery, an almost poetic message about life, love, family, and what really matters. It’s one of those books that makes you think about the world and life. It made me consider whether I would make such a deal with the devil where I could live forever, but no one would remember me.
I tried to imagine what it would be like to form a relationship with someone one day, and then the next day, when I saw them, they would have completely forgotten who you were. I would never be able to make long-term friendships. The fact that my life would really be one of solitude was quite frightening. I would never have anyone I could turn to in times of need. This book really made me think. It’s also the first…
"For someone damned to be forgettable, Addie LaRue is a most delightfully unforgettable character, and her story is the most joyous evocation of unlikely immortality." -Neil Gaiman
A Sunday Times-bestselling, award-nominated genre-defying tour-de-force of Faustian bargains, for fans of The Time Traveler's Wife and Life After Life, and The Sudden Appearance of Hope.
When Addie La Rue makes a pact with the devil, she is convinced she's found a loophole-immortality in exchange for her soul. But the devil takes away her place in the world, cursing her to be forgotten by everyone.
I’m a Canadian author who thought too much about death as a child. But I was also a happy little goblin who grew up watching Disney fairytales and Transformers cartoons—all of which shine in my blend of twisting horror meeting tales of love and friendship. My degree in History helps me add depth and a political thriller edge. Bands of brothers, found family, and loyal hounds round out my books. I adore being scared, but I also want my characters to find happiness. So I’ll put you on the edge of your seat and have you jumping at the next twist—but don’t worry, the dog always lives.
I love this book’s original take on the “spore” or “fungal” zombie outbreak. It feels like the author took The Last Of Us (which I also adore) and flipped the story on its head. Melanie is this unique character, at once the snarky, hilarious child of the piece and its terrifying monster.
She’s the threat, battlefield, and hope—and I find that combination so compelling. While it’s a grim, often bleak tale set in a decimated UK, this thread of unexpected hope and unusual connections kept me hooked. This story might not give me the future I wanted at the start of the story, but it offers a different vision with its own version of hope for humanity, and because of that, it has a special place on my shelf.
'ORIGINAL, THRILLING AND POWERFUL' - Guardian 'HAUNTING, HEARTHBREAKING' - Vogue The phenomenal million-copy bestseller that is also a BAFTA Award-nominated movie
NOT EVERY GIFT IS A BLESSING
Every morning, Melanie waits in her cell to be collected for class. When they come for her, Sergeant Parks keeps his gun pointing at her while two of his people strap her into the wheelchair. She thinks they don't like her. She jokes that she won't bite. But they don't laugh.
Melanie is a very special girl.
Emotionally charged and gripping from beginning to end, THE GIRL WITH ALL THE GIFTS is the…
Like a caricature, satire lets you see reality better by exaggerating it. When satire is done right, every element, from the overall plot to the characters to paragraph-level details, is there to cast an exposing light on some part of our real world. They are books that exist on many levels, expose hubris and essential misunderstandings, and generally speak truth to power. They should leave the reader reassessing core assumptions about how the world works. I’ve written a best-selling nonfiction book about machine learning in the past, and I probably could have taken that approach again, but AI and American politics are both ripe for satire.
If I ever have to write a book to get past the censors, this book will be my model. Who knew that a mordant critique of a corrupt state could be so elegant, even whimsical?
The barbs are so oblique that the censor has a hard time finding something to pick on or even noticing it, and yet they’re unmistakable to anyone living in a society with even a passing resemblance to Stalin’s Russia—and after reading The Master and Margarita, I see those resemblances in every organization and every regime.
'Bulgakov is one of the greatest Russian writers, perhaps the greatest' Independent
Written in secret during the darkest days of Stalin's reign, The Master and Margarita became an overnight literary phenomenon when it was finally published it, signalling artistic freedom for Russians everywhere. Bulgakov's carnivalesque satire of Soviet life describes how the Devil, trailing fire and chaos in his wake, weaves himself out of the shadows and into Moscow one Spring afternoon. Brimming with magic and incident, it is full of imaginary, historical, terrifying and wonderful characters, from witches, poets and Biblical tyrants to the beautiful, courageous Margarita, who will…
