100 books like The Girl With All the Gifts

A friend insisted I borrow The Hot Zone from him. I explained I wasn't fond of nonfiction books, but he told me to trust him and that the book read like a real-life thriller. I gave it a try and couldn't put the story down.

I read this 25 years before Covid. When the pandemic hit in 2020, I remember thinking, "Oh my God, the Hot Zone has gone global." With every turn of the page, I kept telling myself, "This can't be real." Not only was it all true, but it was exciting. And terrifying. That icky feeling stuck with me.

When I write, I do my best to use the five senses to create the perfect atmosphere.

I loved this book as much for the writing itself as the story. Miller creates a lush world of numinous magic.

I could not stop listening to this retelling of the life of Circe. She was the daughter of the sun god and the most feared sorceress of her time. She was given a bad rap by history, but I felt like I understood her and could see into her heart and mind.

In addition, the worldbuilding is wonderful. I felt like I was taken to ancient Greece. 

The ‘zombie apocalypse’ scenario has been used for years by risk management professionals to make the examination of possible societal breakdowns more fun and/or interesting.

By focusing on a hazard people know, like hurricanes or wildfires, audiences come to the discussion with pre-existing biases and, in many cases, first-hand experience. This forces the communicator to counter such bias before getting to key messages.

There’s never been an actual zombie apocalypse (nor is there likely to ever be one…), which means the zombie scenario adequately ‘levels the field’. It forces audiences to think beyond their go-to assumptions and introduces levels of uncertainty and unknown that are typical of major disasters.

This book, written without obvious heroes and heroines, in a documentary style, makes a perfect proxy for a disaster exercise scenario. I also believe it does a great job illustrating how different forms of governance result in different response strategies, which… show more.

An angel and a demon work together to stop the antichrist from destroying the world. Simple enough. But things get off to a rocky start when they spend the first eleven years monitoring the wrong child.

I initially read this book on vacation, and while I don’t remember much about the trip itself, I remember the book! An otherwise-normal pre-teen with the power to shape reality takes this story to appropriate (and absurd) extremes, but at its core, it’s a narrative about good and evil, human nature, and free will—and it approaches these themes with sincerity, nuance, and care.

Come for the laughs, stay for the laughs…and for the profound reflection on humanity.

Shirley Jackson’s short story “The Lottery” absolutely belongs on this list—not because the children appear to be strange or unsettling, but because they are hauntingly, terrifyingly normal.

With cheerily objective prose, Jackson captures a gathering of friends and families on a single morning where the children play and laugh until it’s time to participate in the community’s horrifying annual tradition. I don’t want to spoil the story by saying more, but I promise, this is a must-read for more than shock value. Nature versus nurture, indeed. 

Legends are made of powerful stuff, and nothing has greater power than a total flip in perspective. I still recall the gut-punch end to this book, though it’s been decades since I read it. 

Robert Neville is a vampire hunter by day and a tormented man by night. As seemingly the only living human in post-apocalyptic Los Angeles, Robert faces depression, isolation, alcoholism, and his undead neighbor, Ben Cortman, who appears outside Robert’s front door each night chanting, "Come out, Neville."

But when Robert is finally captured, and the truth of his situation is revealed, he gets a good look at the world through the eyes of the undead and is forced to ask himself, who am I? What have I become? 

I used to be paid to ponder the end of the world as we know it: I was a health editor during the early years of the COVID pandemic; at the same time, I was editing environmental stories.

What I loved most about this book is that the worst has already occurred, and the protagonist, a teenager, chooses her own new way to navigate what’s still to come. I was engaged by the concepts of resilience as a survival skill, reinvention as a necessity, and rebirth as an act of personal and global faith.

I am not a fan of religion as such, but this book made me believe.  

I love the contrast of bleak desperation with gross opulence and excess that Collins creates in The Hunger Games.

The parallels between Panem and Rome turn what could otherwise be seen as a somewhat far-fetched or unlikely story into a reasonably plausible post-apocalyptic future possibility. I enjoyed the building of tension in the lead-up to the beginning of the games, as well as the explosive release and action when Katniss finally enters the arena.

I liked the way Collins creates an enemy in the very terrain of the arena itself so that, when coupled with the threat of the other contestants, the tension is heightened even further. 

At a whopping 1,152 pages, Stephen King’s The Stand was just too much to capture in a single movie.

That’s why, in 1994, CBS adapted it across four, ninety-minute episodes of a limited run “mini-series” (a fancy way of saying “a really long movie”). In all fairness, it had a great cast and was better than it had any right to be, and was far more enjoyable than CBS’s 2020 attempt at a do-over.

But even with a total six-hour runtime, it couldn’t capture all the story, heart, and nuance that made the book so incredible. It’s a feat to read, one I did to pass the time when bored in school, and one I will surely do again in the future.

Call me weird. I’m not a fan of series books. Unless, that is, they’re written by Nicholas Sansbury Smith. The problem with a book series for me is that I get bored of the same idea book after book after…zzzzzz. But when someone writing a book series is constantly bringing new ideas to the table, it keeps me reading. Couple that with characters we care about, and a heavy focus on moving the plot forward, and I’ll finish a book in no time and be eager to read the next one. This, my friends, is the first book in one of those series.