Here are 78 books that The Hot Zone fans have personally recommended if you like
The Hot Zone.
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Nearly forty years ago, as a young poet, I started going to a storytelling circle in Toronto, thinking it would be a good venue to recite my poems. What I heard there awakened something in me. When I was a child, my parents read me wonder tales, and I soon began to read them on my own. Now I was hearing these stories, the way they were heard for millennia before anyone wrote them down. Today, I am a storyteller, I am married, and I am a professor who teaches a course on storytelling and writes about stories – all because of those weekly gatherings years ago and the storytellers there.
I’m including one book from long ago and far away – fourteenth-century Italy – because it leaped out at me from the bookshelf.
The Decameron is the most artistically complete written story about face-to-face storytelling – though I also love its rivals, One Thousand and One Nights and The Canterbury Tales!
The book opens with the bubonic plague that devastated Florence in 1348. Ten wealthy young friends, women and men, leave the stricken city to vacation in the countryside. While servants prepare lavish meals, the friends spend their days relaxing, dancing – and telling naughty stories. The narrator delights in describing their reactions to each other’s storytelling.
Yes, stories can be holy and powerful, but sometimes we just need them to clown around for us! Many translations are available – read one that feels playful.
In the summer of 1348, as the Black Death ravages their city, ten young Florentines take refuge in the countryside...
Taken from the Greek, meaning 'ten-day event', Boccaccio's Decameron sees his characters amuse themselves by each telling a story a day, for the ten days of their confinement - a hundred stories of love and adventure, life and death, and surprising twists of fate. Less preoccupied with abstract concepts of morality or religion than earthly values, the tales range from the bawdy Peronella, hiding her lover in a tub, to Ser Cepperallo, who, despite his unholy effrontery, becomes a Saint.…
I’ve always been fascinated by the strangeness of human character when tested to the limit by overwhelming catastrophe. I’ve always wanted to write a story that brings into stark relief the courage, fear, ambition, tragedy, absurdity, and the ecstatic. In other words, a disaster. And if character is destiny, then an apocalypse maybe the best way to show us who we really are and where we’re going. My debut novel, Delirium focuses on these extremes of character. And after writing it I reached one indelible conclusion: that the human being is the most disturbed creature, but also the most hopeful.
I enjoyed reading this book both as a historical artefact of the 17th century but also because Defoe’s plain, matter-of-fact style makes all the chaos, the shrieking, the death carts, families locked in their houses, health certificates, the delirium, the fear of coming too close, the paranoia, the panic and the madness that surrounds the narrator all the more disturbing.
He is a witness whose curiosity far outweighs his fear. But there’s also the Defoe-like sense of adventure when for instance a group of three escape London and shift for themselves in a countryside whose towns and villages are hostile to strangers. Instructive, disquieting, gripping, indelible.
This retained its curiosity value even on a second reading. A great little book.
The haunting cry of "Bring out your dead!" by a bell-ringing collector of 17th-century plague victims has filled readers across the centuries with cold terror. The chilling cry survives in historical consciousness largely as a result of this classic 1722 account of the epidemic of bubonic plague — known as the Black Death — that ravaged England in 1664–1665. Actually written nearly 60 years later by Daniel Defoe, the Journal is narrated by a Londoner named "H. F.," who allegedly lived through the devastating effects of the pestilence and produced this eye witness account. Drawing on his considerable talents as…
Charles Kenny is a writer-researcher at the Center for Global Development and has worked on policy reforms in global health as well as UN peacekeeping and combating international financial corruption. Previously, he spent fifteen years as an economist at the World Bank, travelling the planet from Baghdad and Kabul to Brasilia and Beijing. He earned a history degree at Cambridge and has graduate degrees from Johns Hopkins, the School of Oriental and African Studies in London, and Cambridge.
Unlike the other four books in this list, Zinsser’s is an overall history of disease (if focused on typhus) not the story of a particular outbreak. But Zinsser was actively involved in the history he retells at the end of his book as a researcher on a typhus vaccine. Published in 1935, it remains a fascinating and hugely enjoyable primer of the role of infection in history.
When Rats, Lice and History appeared in 1935, Hans Zinsser was a highly regarded Harvard biologist who had never written about historical events. Although he had published under a pseudonym, virtually all of his previous writings had dealt with infections and immunity and had appeared either in medical and scientific journals or in book format. Today he is best remembered as the author of Rats, Lice, and History, which gone through multiple editions and remains a masterpiece of science writing for a general readership.
To Zinsser, scientific research was high adventure and the investigation of infectious disease, a field of…
I have long been drawn to everyday experiences in courts. Since Hurricane Katrina struck in 2005, I’ve been writing and teaching about courts, social welfare, and disasters in a changing climate. Following the disasters requires noticing the routine cases filed, not only the notable constitutional claims the United States Supreme Court hears. That can be hard to do, because all the cases filed are not listed in any one place. In the pandemic, my interest in the more ordinary met the databases that people assembled, gathering as best possible the many cases filed about the pandemic.
The 1918 flu killed millions, including 675,000 in the United States. It rapidly killed young people. The president of the United States never spoke of it.
The United States was at war, and officials claimed speaking of the flu would undermine the war effort. Not speaking of the flu fit well with widespread suppression of speech, which officials also justified by pointing to the war. Civil rights and liberties claims linked to that pandemic as it did in COVID-19.
Mr. Barry’s sprawling story includes many actors. Mr. Barry argues that managing a pandemic requires trust. In the COVID-19 pandemic, trust could still be hard to come by, even as medical care, labor, insurance, schooling, and the place of courts had changed over the intervening one hundred years.
At the height of WWI, history's most lethal influenza virus erupted in an army camp in Kansas, moved east with American troops, then exploded, killing as many as 100 million people worldwide. It killed more people in twenty-four months than AIDS killed in twenty-four years, more in a year than the Black Death killed in a century. But this was not the Middle Ages, and 1918 marked the first collision of science and epidemic disease. Magisterial in its breadth of perspective and depth of research and now revised to reflect the growing danger of the avian flu, "The Great Influenza"…
As an infectious disease epidemiologist, my personal and professional lives collided when my husband Tom acquired a superbug that was resistant to all antibiotics while we were traveling on vacation. The story of how a global village of researchers and medical professionals helped me save his life with a 100-year-old forgotten cure is the subject of our first book, The Perfect Predator: A Scientist's Race to Save Her Husband From a Deadly Superbug. A large part of my day job now is as a phage wrangler, helping other people who are battling superbug infections at IPATH, the first phage therapy center in North America.
Notable for its prescience and timelessness, this award-winning book by Pulitzer and Peabody winner Laurie Garrett is a must-read for infectious disease aficionados. This book addresses the macro-level factors that drive the emergence of epidemics, such as the over-use of antibiotics in agriculture and climate change. It is a primer on why we need a global health perspective to address pandemics, so it's no wonder that it was re-printed when the COVID-19 pandemic began.
After four decades of assuming that the conquest of infectious diseases was imminent, people on all continents now find themselves besieged. The water we drink is improperly purified, the air we breathe potentially deadly, and the food we eat possibly poisonous. What went wrong? This book follows the doctors and scientists in their 50 year battle with the microbes, ranging from the savannas of Bolivia to the rain forests of Zaire. Jet travel, the sexual revolution and over-population - all favour the survival of new and old bugs, among them, malaria, Ebola, cholera and tuberculosis, and viruses that kill in…
As a critical care doctor, I love pausing when taking care of patients in a modern ICU to reflect on how far we’ve come in the care we can provide. I want to be entertained while learning about the past, and so I seek out books on medical history that find the wonder and the beauty (and the bizarre and chilling) and make it come alive. I get excited when medical history can be shared in a way that isn’t dry, or academic. These books all do that for me and capture some part of that crazy journey through time.
The Ghost Map is the fantastic story of an important Cholera epidemic in London in 1854.
The book swept me along with its narrative, plunging straight into the fetid world of Victorian London. Johnson weaves together the stories of the people affected, and the desperate hunt by Dr. John Snow to understand the cause of the disease. He also provides fascinating descriptions of the dangers to life in a time before sewers, and the evolution of such systems that ultimately transformed city life.
I definitely look at toilets, pipes, and sewer grates differently after reading this book.
A National Bestseller, a New York Times Notable Book, and an Entertainment Weekly Best Book of the Year
It's the summer of 1854, and London is just emerging as one of the first modern cities in the world. But lacking the infrastructure-garbage removal, clean water, sewers-necessary to support its rapidly expanding population, the city has become the perfect breeding ground for a terrifying disease no one knows how to cure. As the cholera outbreak takes hold, a physician and a local curate are spurred to action-and ultimately solve the most pressing medical riddle of their time.
As an infectious disease epidemiologist, my personal and professional lives collided when my husband Tom acquired a superbug that was resistant to all antibiotics while we were traveling on vacation. The story of how a global village of researchers and medical professionals helped me save his life with a 100-year-old forgotten cure is the subject of our first book, The Perfect Predator: A Scientist's Race to Save Her Husband From a Deadly Superbug. A large part of my day job now is as a phage wrangler, helping other people who are battling superbug infections at IPATH, the first phage therapy center in North America.
After you read The Hot Zone, you thought you really knew what an infectious epidemiologist does, didn’t you? Not so fast. That’s why you need to read this book. McKenna’s meticulous research gives you a sneak peek into how front-line CDC outbreak investigators dealt with Ebola, SARS, and more.
The universal human instinct is to run from an outbreak of disease like Ebola. These doctors run toward it. Their job is to stop epidemics from happening.
They are the disease detective corps of the US Centers for Disease Control and Prevention (CDC), the federal agency that tracks and tries to prevent disease outbreaks and bioterrorist attacks around the world. They are formally called the Epidemic Intelligence Service (EIS)—a group founded more than fifty years ago out of fear that the Korean War might bring the use of biological weapons—and, like intelligence operatives in the traditional sense, they perform their…
As a professional emergency and risk management practitioner, I’ve spent my career supporting and shaping emergency management policy and practice in every context from the village to global levels. What I’ve found to be most rewarding are those opportunities where I’ve been able to translate this knowledge and practice into training the next generation of emergency managers. The textbooks I’ve written, which include the first comprehensive book on emergency management (Introduction to Emergency Management, currently in its 7th edition) and the first book on homeland security in the United States (Introduction to Homeland Security, currently in its 6th Edition), are currently in use at hundreds of universities worldwide.
The ‘zombie apocalypse’ scenario has been used for years by risk management professionals to make the examination of possible societal breakdowns more fun and/or interesting.
By focusing on a hazard people know, like hurricanes or wildfires, audiences come to the discussion with pre-existing biases and, in many cases, first-hand experience. This forces the communicator to counter such bias before getting to key messages.
There’s never been an actual zombie apocalypse (nor is there likely to ever be one…), which means the zombie scenario adequately ‘levels the field’. It forces audiences to think beyond their go-to assumptions and introduces levels of uncertainty and unknown that are typical of major disasters.
This book, written without obvious heroes and heroines, in a documentary style, makes a perfect proxy for a disaster exercise scenario. I also believe it does a great job illustrating how different forms of governance result in different response strategies, which…
It began with rumours from China about another pandemic. Then the cases started to multiply and what had looked like the stirrings of a criminal underclass, even the beginning of a revolution, soon revealed itself to be much, much worse.
Faced with a future of mindless man-eating horror, humanity was forced to accept the logic of world government and face events that tested our sanity and our sense of reality. Based on extensive interviews with survivors and key players in the ten-year fight against the horde, World War Z brings the finest traditions of journalism to bear on what is…
As an uncanny child myself, I always gravitated toward reading about the strange—whether in historical accounts or fiction—and as a passably normal adult, I often write from the perspective of “the other.” I never intentionally mix science fiction and paranormal elements into my work…they just happen to be my characters’ truths! So much of what we humans know about our world is filtered through our collective reality, and I love following the connecting threads and plucking at the flaws.
A dystopian zombie-type tale, this novel focuses on a hyper-intelligent child who is starved for affection—and non-vegetarian protein.
Melanie struggles to control her biological impulses, to be more than what the adults fear and to be seen as human instead of an abomination, because she’s capable of love. Yet, it’s her immense capacity for clear, rational thought that makes her oh-so uncanny.
I’ve read the book—and watched the film—multiple times. If you don’t mind some gore, this story is much more than just a zombie sci-fi.
'ORIGINAL, THRILLING AND POWERFUL' - Guardian 'HAUNTING, HEARTHBREAKING' - Vogue The phenomenal million-copy bestseller that is also a BAFTA Award-nominated movie
NOT EVERY GIFT IS A BLESSING
Every morning, Melanie waits in her cell to be collected for class. When they come for her, Sergeant Parks keeps his gun pointing at her while two of his people strap her into the wheelchair. She thinks they don't like her. She jokes that she won't bite. But they don't laugh.
Melanie is a very special girl.
Emotionally charged and gripping from beginning to end, THE GIRL WITH ALL THE GIFTS is the…
I adore crime fiction, especially mysteries. They make sense. In the real world, crime rarely has the resolution of fiction, and almost never has Belgian detectives with very neat moustaches, or old ladies solving a who-dunnit… I grew up reading these books, mentally inhaling everything from Christie to Rankin to McDermid, and now I spend my days writing brutal but quite silly murders solved by a woman who would really rather wear an old grey fleece and jeans than a sparkly dress, and her friends, the fictional TRASH drag family. Murder mysteries are fun – perfect escapism. In a world so messed up as ours is right now, don’t we need to escape into fiction?
I hate this book for all the reasons I love it: because it’s perfect.
It’s a perfect crime novel and a perfect mystery, with perfectly awful characters, set in a perfectly fabulous situation, and as a mystery writer I know I will never ever top Christie’s brilliance – but oh my, any chance I have, I fall into this story.
Romance. Deception. Murder. Shiny things.
Genius.
Forget the movie, pick up the real thing. Poirot at his best.
THE MOST WIDELY READ MYSTERY OF ALL TIME—NOW A MAJOR MOTION PICTURE DIRECTED BY KENNETH BRANAGH AND PRODUCED BY RIDLEY SCOTT!
“The murderer is with us—on the train now . . .”
Just after midnight, the famous Orient Express is stopped in its tracks by a snowdrift. By morning, the millionaire Samuel Edward Ratchett lies dead in his compartment, stabbed a dozen times, his door locked from the inside. Without a shred of doubt, one of his fellow passengers is the murderer.
Isolated by the storm, detective Hercule Poirot must find the killer among a dozen of the dead man’s…
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