Here are 85 books that The Plague fans have personally recommended if you like
The Plague.
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Decades ago, I fell madly, gladly, and giddily in love with Italian. This passion inspired La Bella Lingua: My Love Affair with the World’s Most Enchanting Language, which became a New York Times best-seller and won an Italian knighthood for my contributions to promoting Italy’s language. Intrigued by the world’s most famous portrait, I wrote Mona Lisa: A Life Discovered, an Amazon Best Book of the Year, translated into seven languages. My most recent journeys through Italian culture are La Passione: How Italy Seduced the World and ‘A’ Is for Amore, an e-book written during the pandemic and available free on my website.
During a plague that killed a quarter of Florence’s citizens, Boccaccio crafted an exuberant, entertaining, death-defying work of literature. In this book, seven young women and three young men taking refuge in a country villa swap 100 tales of love, lust, mischief, and treachery.
I read a translation of The Decameron during a sabbatical in Italy and was swept back in time. In every village, I’d look around a piazza and see characters straight from its pages: wily merchants, corrupt politicians, clever wives, henpecked husbands, bumbling fools. This book still resonates in the 21st century—a tribute to Boccaccio’s skill as a spell-weaver. Some of his stories are shamelessly, laughably bawdy. But all remind us that, even as everything changes, our shared humanity remains the same.
In the summer of 1348, as the Black Death ravages their city, ten young Florentines take refuge in the countryside...
Taken from the Greek, meaning 'ten-day event', Boccaccio's Decameron sees his characters amuse themselves by each telling a story a day, for the ten days of their confinement - a hundred stories of love and adventure, life and death, and surprising twists of fate. Less preoccupied with abstract concepts of morality or religion than earthly values, the tales range from the bawdy Peronella, hiding her lover in a tub, to Ser Cepperallo, who, despite his unholy effrontery, becomes a Saint.…
I have an annoying habit of figuring out why someone says or believes what they do—and think that is more interesting than their actual ‘truth’. I try to keep this in check during social events (it can make for painful dinner table conversations if I go too far). Still, it means the general take on the medical humanities (and I’d put all the books below in that wide category) is something I’m passionate about. Why do we believe what we do about health? About disease? About the body? And why do we think medical doctors have the truth for us?
I read this book 3 months into the COVID-19 pandemic and LOVED it—it totally made me realize that: 1. we’ve been here before; 2. our reactions and responses are all tried and true (and probably not that useful); and 3. we would survive this time, too—at least most of us.
This is Daniel Defoe (yes, you know him from Robinson Crusoe) explaining what it was like to live in London when the plague came. It wasn’t pretty. The most chilling moment in the book came at the end, when I googled facts about the plague, realized it went away, and then came back repeatedly for decades.
The haunting cry of "Bring out your dead!" by a bell-ringing collector of 17th-century plague victims has filled readers across the centuries with cold terror. The chilling cry survives in historical consciousness largely as a result of this classic 1722 account of the epidemic of bubonic plague — known as the Black Death — that ravaged England in 1664–1665. Actually written nearly 60 years later by Daniel Defoe, the Journal is narrated by a Londoner named "H. F.," who allegedly lived through the devastating effects of the pestilence and produced this eye witness account. Drawing on his considerable talents as…
As an Infectious Diseases specialist and epidemiologist, I became aware of the clandestine bio-weapons program in Russia when exposed—after the fall of the Soviet Union. I began to look at data and lecture on the potential problem before 9/11. I familiarized myself with the biology behind likely successful pathogens, including antibiotic resistance, inability to make a vaccine, and enhanced virulence designs. I also have a passion for Greek mythology that I wanted to stitch into a publication. This is the background for my book.
I especially like this page-turning book because it vividly describes the effects of viral hemorrhagic fever on patients. The reader can more effectively convey the signs and symptoms experienced by the victims than most writers can.
This engaging book is even more relevant today, as our world has become smaller, allowing the possibility of airline travel to spread killer viruses from one continent to another in a single day.
The bestselling landmark account of the first emergence of the Ebola virus.
Now a mini-series drama starring Julianna Margulies, Topher Grace, Liam Cunningham, James D'Arcy, and Noah Emmerich on National Geographic.
A highly infectious, deadly virus from the central African rain forest suddenly appears in the suburbs of Washington, D.C. There is no cure. In a few days 90 percent of its victims are dead. A secret military SWAT team of soldiers and scientists is mobilized to stop the outbreak of this exotic "hot" virus. The Hot Zone tells this dramatic story, giving a hair-raising account of the appearance of…
John M. Barry was the only non-scientist ever to give the National Academies of Sciences Abel Wolman Distinguished Lecture, and he advised the Bush and Obama White Houses on pandemic preparedness and response. He is an award-winning and #1 New York Times best-selling author whose books have also involved him in policy making. The National Academies of Science named The Great Influenza the year’s outstanding book on science or medicine.
This provides the reader with the background to understand what happens when a pathogen invades both an individual and a society. It’s an absolutely brilliant book by a Nobel laureate scientist, one of my all-time favorites on any subject.
I recall my younger self looking at the reading lists on Oxford University history courses, and asking, “Where are all the women?” I have always wanted to know what it was like to be there, in any century up to the present. How did families form and pass on their values, what did people wear and eat, when (and if) children learned to read, and what were people’s daily routines? Political, military, and economic history is important, but I have flourished in the social history trenches. I discovered women writers and historians have more acute antennae for the details I wanted, even when writing about wars and dynasties.
Who knew that an account of a disappeared medieval world could be so gripping?
I’ve always regarded history as a literary and intellectual exercise, and Pulitzer-winning Barbara Tuchman has been my model ever since I picked up this absorbing history of a Europe riven by war, climate catastrophes, plague, and religious schisms.
Academic historians might denigrate Tuchman’s approach, but through pen-portraits and narrative momentum, Tuchman immersed me in a world that had subtle echoes of today.
The fourteenth century was a time of fabled crusades and chivalry, glittering cathedrals and grand castles. It was also a time of ferocity and spiritual agony, a world of chaos and the plague.
Here, Barbara Tuchman masterfully reveals the two contradictory images of the age, examining the great rhythms of history and the grain and texture of domestic life as it was lived: what childhood was like; what marriage meant; how money, taxes and war dominated the lives of serf, noble and clergy alike.
Granting her subjects their loyalties, treacheries and guilty passions, Tuchman recreates the lives of proud cardinals,…
I’m a historian and classicist, teaching at the University of Exeter. I am equally interested
in classical Greece and Rome, especially their economy and society, and in the ways that classical ideas and examples have been influential in the modern world.
There are lots of excellent modern translations of Thucydides (I tend to recommend either theOxford World Classics edition by Martin Hammond or the CUP one by Jeremy Mynott), and Hobbes’ version, the first proper translation into English, is not the easiest place to start, not least because at times you effectively have to translate it out of seventeenth-century English. It is powerfully and elegantly written, and above all it offers the spectacle of one great thinker on matters of politics and war engaging with another – you can almost feel Hobbes developing his own ideas (some of which later appeared in works of original philosophy like Leviathan) as he works to make sense of Thucydides’ ideas. If you read nothing else, the introduction To the Readers and the sketch of Thucydides’ life and work are short and brilliantly insightful, capturing the particular nature of Thucydides’ text –…
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
Pride’s Children is a captivating, contemporary story about love, regret, ambition, and obsession - with a glitzy backdrop. Closer examination reveals a textured and soul-searching novel that serves as a poignant reminder that we are defined by our choices - and their consequences. The treatment of an enigmatic and life-altering…
I’m a historian and classicist, teaching at the University of Exeter. I am equally interested
in classical Greece and Rome, especially their economy and society, and in the ways that classical ideas and examples have been influential in the modern world.
Thucydides is generally seen to be a kind of historian; one of the two inventors of history in fifth-century BCE Greece (together with Herodotus) and, according to many of his modern admirers, someone who had anticipated the modern idea of history as critical and scientific. On the other hand, he never thought of himself as a historian, and many aspects of his work do not fit at all with our expectations. Emily Greenwood does an excellent job of exploring these issues from different perspectives: considering Thucydides in his original context and his relationship to different contemporary traditions of making sense of the world, and thinking about his relevance to the writing of history today.
Thucydides' work was one of the most exciting creations in the cultural history of Greece in the fifth century BC and it still poses fresh and challenging questions about the writing of history. There is a marked tension in Thucydides' History between his aim to write about contemporary events and his desire that his work should outlast the period in which he composed it. Thucydides and the Shaping of History addresses two important issues: how contemporary was the History when it was written in the fifth century, and how 'contemporary' is it now? This book combines a close analysis of…
I’m a historian and classicist, teaching at the University of Exeter. I am equally interested
in classical Greece and Rome, especially their economy and society, and in the ways that classical ideas and examples have been influential in the modern world.
There is an equally strong tradition of reading Thucydides not as a historian, just interested in past events as an end in itself, but as a kind of political theorist who wanted to his work to be useful, as a guide to ‘the human thing’. Sometimes this produces incredibly crude readings of his work, such as the idea that Thucydides was a Realist who preached the power of the strong over the weak (actually those are ideas associated with people in his book), but there have been many powerful interpretations by political theorists who have deep knowledge of the text and relevant scholarship, and who can use this to explore contemporary issues of power, justice, and human motivation. I find Orwin’s account rich and thought-provoking, clearly the product of vast experience and deliberation.
Thucydides has long been celebrated for the unflinching realism of his presentation of political life. And yet, as some scholars have asserted, his work also displays a profound humanity. In the first thorough exploration of the relation between these two traits, Clifford Orwin argues that Thucydides' humanity is not a reflection of the author's temperament but an aspect of his thought, above all of his articulation of the central problem of political life, the tension between right and compulsion. This book provides the most complete treatment to date of Thucydides' handling of the problem of injustice, as well as the…
I’m a historian and classicist, teaching at the University of Exeter. I am equally interested
in classical Greece and Rome, especially their economy and society, and in the ways that classical ideas and examples have been influential in the modern world.
Not a book about Thucydides, but a selection of the speeches – one of the most striking aspects of his approach to history is the way he includes set-piece debates, not so much as accurate transcripts of what was actually said as a means of exploring issues of war, peace, democratic deliberation and so forth. If you already own a copy of Thucydides, this may not be of much interest (unless you’re obsessive enough to compare Hanink’s translations with others), but if you’re new to the topic this may be a good place to start: the speeches are more accessible than the lengthy battle narratives, they’re the main basis for Thucydides’ reputation as a thinker about political issues, as well as the source of some memorable lines, and Hanink’s introduction does a good job of explaining all of this.
An accessible modern translation of essential speeches from Thucydides's History that takes readers to the heart of his profound insights on diplomacy, foreign policy, and war
Why do nations go to war? What are citizens willing to die for? What justifies foreign invasion? And does might always make right? For nearly 2,500 years, students, politicians, political thinkers, and military leaders have read the eloquent and shrewd speeches in Thucydides's History of the Peloponnesian War for profound insights into military conflict, diplomacy, and the behavior of people and countries in times of crisis. How to Think about War presents the most…
I firmly believe that literature exists to do more than entertain us. It has an incredible power to expand our perspective about the world and the lives of the people around us. Fantasy, in particular, can stretch the mind’s boundaries by asking us to empathize with compelling characters and wrap our heads around strange and wondrous worlds. I try to achieve that in my books, presenting thrilling stories, fantastic worlds, and emotionally charged moments, but always through the eyes of real-feeling people. I hope the books on this list will feel as mind-expanding and empathy-building to you as they did to me!
This book is both a fascinating vision of a tumultuous world and a deep dive into the mind of a troubled and compelling protagonist.
The character work in this book is incredibly impressive, with the long arc of the protagonist’s development drawn in convincing and gripping detail that left me feeling like I had known this person for years through all their triumphs, tragedies, and mistakes, which is to say nothing of its creative and plausible magic, its socio-political commentary, and its meditation on family and grief. Rightfully recognized as a modern classic, it is a book all fans of fantasy should read.
At the end of the world, a woman must hide her secret power and find her kidnapped daughter in this "intricate and extraordinary" Hugo Award winning novel of power, oppression, and revolution. (The New York Times)
This is the way the world ends. . .for the last time.
It starts with the great red rift across the heart of the world's sole continent, spewing ash that blots out the sun. It starts with death, with a murdered son and a missing daughter. It starts with betrayal, and long dormant wounds rising up to fester.
