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Natural History of Infectious Disease.
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Nearly forty years ago, as a young poet, I started going to a storytelling circle in Toronto, thinking it would be a good venue to recite my poems. What I heard there awakened something in me. When I was a child, my parents read me wonder tales, and I soon began to read them on my own. Now I was hearing these stories, the way they were heard for millennia before anyone wrote them down. Today, I am a storyteller, I am married, and I am a professor who teaches a course on storytelling and writes about stories – all because of those weekly gatherings years ago and the storytellers there.
I’m including one book from long ago and far away – fourteenth-century Italy – because it leaped out at me from the bookshelf.
The Decameron is the most artistically complete written story about face-to-face storytelling – though I also love its rivals, One Thousand and One Nights and The Canterbury Tales!
The book opens with the bubonic plague that devastated Florence in 1348. Ten wealthy young friends, women and men, leave the stricken city to vacation in the countryside. While servants prepare lavish meals, the friends spend their days relaxing, dancing – and telling naughty stories. The narrator delights in describing their reactions to each other’s storytelling.
Yes, stories can be holy and powerful, but sometimes we just need them to clown around for us! Many translations are available – read one that feels playful.
In the summer of 1348, as the Black Death ravages their city, ten young Florentines take refuge in the countryside...
Taken from the Greek, meaning 'ten-day event', Boccaccio's Decameron sees his characters amuse themselves by each telling a story a day, for the ten days of their confinement - a hundred stories of love and adventure, life and death, and surprising twists of fate. Less preoccupied with abstract concepts of morality or religion than earthly values, the tales range from the bawdy Peronella, hiding her lover in a tub, to Ser Cepperallo, who, despite his unholy effrontery, becomes a Saint.…
I’ve always been fascinated by the strangeness of human character when tested to the limit by overwhelming catastrophe. I’ve always wanted to write a story that brings into stark relief the courage, fear, ambition, tragedy, absurdity, and the ecstatic. In other words, a disaster. And if character is destiny, then an apocalypse maybe the best way to show us who we really are and where we’re going. My debut novel, Delirium focuses on these extremes of character. And after writing it I reached one indelible conclusion: that the human being is the most disturbed creature, but also the most hopeful.
I enjoyed reading this book both as a historical artefact of the 17th century but also because Defoe’s plain, matter-of-fact style makes all the chaos, the shrieking, the death carts, families locked in their houses, health certificates, the delirium, the fear of coming too close, the paranoia, the panic and the madness that surrounds the narrator all the more disturbing.
He is a witness whose curiosity far outweighs his fear. But there’s also the Defoe-like sense of adventure when for instance a group of three escape London and shift for themselves in a countryside whose towns and villages are hostile to strangers. Instructive, disquieting, gripping, indelible.
This retained its curiosity value even on a second reading. A great little book.
The haunting cry of "Bring out your dead!" by a bell-ringing collector of 17th-century plague victims has filled readers across the centuries with cold terror. The chilling cry survives in historical consciousness largely as a result of this classic 1722 account of the epidemic of bubonic plague — known as the Black Death — that ravaged England in 1664–1665. Actually written nearly 60 years later by Daniel Defoe, the Journal is narrated by a Londoner named "H. F.," who allegedly lived through the devastating effects of the pestilence and produced this eye witness account. Drawing on his considerable talents as…
I recall my younger self looking at the reading lists on Oxford University history courses, and asking, “Where are all the women?” I have always wanted to know what it was like to be there, in any century up to the present. How did families form and pass on their values, what did people wear and eat, when (and if) children learned to read, and what were people’s daily routines? Political, military, and economic history is important, but I have flourished in the social history trenches. I discovered women writers and historians have more acute antennae for the details I wanted, even when writing about wars and dynasties.
Who knew that an account of a disappeared medieval world could be so gripping?
I’ve always regarded history as a literary and intellectual exercise, and Pulitzer-winning Barbara Tuchman has been my model ever since I picked up this absorbing history of a Europe riven by war, climate catastrophes, plague, and religious schisms.
Academic historians might denigrate Tuchman’s approach, but through pen-portraits and narrative momentum, Tuchman immersed me in a world that had subtle echoes of today.
The fourteenth century was a time of fabled crusades and chivalry, glittering cathedrals and grand castles. It was also a time of ferocity and spiritual agony, a world of chaos and the plague.
Here, Barbara Tuchman masterfully reveals the two contradictory images of the age, examining the great rhythms of history and the grain and texture of domestic life as it was lived: what childhood was like; what marriage meant; how money, taxes and war dominated the lives of serf, noble and clergy alike.
Granting her subjects their loyalties, treacheries and guilty passions, Tuchman recreates the lives of proud cardinals,…
I’ve always been fascinated by the strangeness of human character when tested to the limit by overwhelming catastrophe. I’ve always wanted to write a story that brings into stark relief the courage, fear, ambition, tragedy, absurdity, and the ecstatic. In other words, a disaster. And if character is destiny, then an apocalypse maybe the best way to show us who we really are and where we’re going. My debut novel, Delirium focuses on these extremes of character. And after writing it I reached one indelible conclusion: that the human being is the most disturbed creature, but also the most hopeful.
Camus’ Stranger brought me to this book and I was once more pulled in by the same direct prose, the same detachment and the same philosophical inquisitiveness.
There’s a feeling that plagues are inevitable, that they will come no matter what we do, and that our efforts to stop them always degenerate into the absurd. But what struck me most was that this is not fatalism, because although the collective effort is largely useless, hope lies in the small acts of kindness between individuals.
“Its relevance lashes you across the face.” —Stephen Metcalf, The Los Angeles Times • “A redemptive book, one that wills the reader to believe, even in a time of despair.” —Roger Lowenstein, The Washington Post
A haunting tale of human resilience and hope in the face of unrelieved horror, Albert Camus' iconic novel about an epidemic ravaging the people of a North African coastal town is a classic of twentieth-century literature.
The townspeople of Oran are in the grip of a deadly plague, which condemns its victims to a swift and horrifying death. Fear, isolation and claustrophobia follow as they…
Carol R. Byerly is a historian specializing in the history of military medicine. She has taught American history and the history of medicine history at the University of Colorado, Boulder, was a contract historian for the U.S. Army Office of the Surgeon General, Office of History, and has also worked for the U.S. Congress and the American Red Cross. Byerly’s publications include Fever of War: The Influenza Epidemic in the U.S. Army during World War I and Good Tuberculosis Men: The Army Medical Department’s Struggle with Tuberculosis. She is currently working on a biography of Army medical officer William C. Gorgas, (1854-1920), whose public health measures, including clearing yellow fever from Panama, enabled the United States to construct the canal across the Isthmus.
This is a sweeping study of disease in human history written by a scientist who describes both the biological and historical trajectory of ten infectious diseases that have afflicted human society, from bubonic plague to HIV/Aids. While science and medicine continue to find ways to control individual diseases, new infections and parasites continue to emerge to sicken, disable and kill. Loomis concludes with a thoughtful discussion about the future of epidemic disease as we continue to alter our global environment.
This book comprehensively reviews the 10 most influential epidemics in history, going beyond morbid accounts of symptoms and statistics to tell the often forgotten stories of what made these epidemics so calamitous.
Unlike other books on epidemics, which either focus on the science behind how microbes cause disease or tell first-person accounts of one particular disease, Epidemics: The Impact of Germs and Their Power over Humanity takes a holistic approach to explaining how these diseases have shaped who we are as a society. Each of the worst epidemic diseases is discussed from the perspective of how it has been a…
As an infectious disease epidemiologist, my personal and professional lives collided when my husband Tom acquired a superbug that was resistant to all antibiotics while we were traveling on vacation. The story of how a global village of researchers and medical professionals helped me save his life with a 100-year-old forgotten cure is the subject of our first book, The Perfect Predator: A Scientist's Race to Save Her Husband From a Deadly Superbug. A large part of my day job now is as a phage wrangler, helping other people who are battling superbug infections at IPATH, the first phage therapy center in North America.
Notable for its prescience and timelessness, this award-winning book by Pulitzer and Peabody winner Laurie Garrett is a must-read for infectious disease aficionados. This book addresses the macro-level factors that drive the emergence of epidemics, such as the over-use of antibiotics in agriculture and climate change. It is a primer on why we need a global health perspective to address pandemics, so it's no wonder that it was re-printed when the COVID-19 pandemic began.
After four decades of assuming that the conquest of infectious diseases was imminent, people on all continents now find themselves besieged. The water we drink is improperly purified, the air we breathe potentially deadly, and the food we eat possibly poisonous. What went wrong? This book follows the doctors and scientists in their 50 year battle with the microbes, ranging from the savannas of Bolivia to the rain forests of Zaire. Jet travel, the sexual revolution and over-population - all favour the survival of new and old bugs, among them, malaria, Ebola, cholera and tuberculosis, and viruses that kill in…
I founded Critical Metaphor Analysis, an approach that has become well known in English language studies. My books Corpus Approaches to Critical Metaphor Analysis, Politicians and Rhetoric: The persuasive power of metaphor, and Analysing Political Speeches have over 5,000 citations. I am also ranked first on Google Scholar on political rhetoric. I have always tried (though not always successfully) to write in an accessible style to reach out to audiences beyond academia. As well as lecturing, I assist in the training of Westminster speechwriters. I love languages and speak French, Spanish, Moroccan Arabic, and Malay with varying degrees of incompetence; I have rediscovered the pleasure of watercolour painting.
This highly informative book offers a well-written overview of most of the pandemics occurring from the “Spanish flu” of 1918 until Covid-19 of 2020. By giving a detailed historical account of everything from AIDS to SARS and Zika this book reassured me by showing how pandemics in the past had been overcome and so by implication how the Covid-19 pandemic could also be overcome. The author conducts detailed research into the exact chronology of each pandemic so that by helping to understand its epidemiology, he also creates an interesting and exciting detective story.
Ever since the 1918 Spanish influenza pandemic, scientists have dreamed of preventing such catastrophic outbreaks of infectious disease. Yet, despite a century of medical progress, viral and bacterial disasters continue to take us by surprise, inciting panic and dominating news cycles. In The Pandemic Century, a lively account of scares both infamous and less known, medical historian Mark Honigsbaum combines reportage with the history of science and medical sociology to artfully reconstruct epidemiological mysteries and the ecology of infectious diseases. We meet dedicated disease detectives, obstructive or incompetent public health officials and brilliant…
As a journalist and an author, I’ve been covering the subject of scary viruses for twenty years—ever since I walked through Ebola habitat in a forest in northeastern Gabon, on assignment for National Geographic. I’ve interviewed many of the eminent experts—from Peter Piot to Marion Koopmans to Tony Fauci—and have spent field time with some of the intrepid younger disease ecologists who look for viruses in bat guano in Chinese caves and in gorilla blood in Central African forests. My book Spillover, published in 2012, drew much of that research together in describing the history and evolutionary ecology of animal infections that spill into humans.
Peter Piot was a young microbiologist at a lab in Belgium, in 1976, when he was assigned to analyze specimens in a thermos bottle shipped up from Zaire, where villagers were dying of a horrific and unknown disease. The thermos contained a virus that came to be known as Ebola. This was the event, as his book vividly recounts, that led Piot to a long and distinguished career in infectious viral diseases, from Ebola to AIDS and beyond.
When Peter Piot was in medical school, a professor warned, "There's no future in infectious diseases. They've all been solved." Fortunately, Piot ignored him, and the result has been an exceptional, adventure-filled career. In the 1970s, as a young man, Piot was sent to Central Africa as part of a team tasked with identifying a grisly new virus. Crossing into the quarantine zone on the most dangerous missions, he studied local customs to determine how this disease-the Ebola virus-was spreading. Later, Piot found himself in the field again when another mysterious epidemic broke out: AIDS. He traveled throughout Africa, leading…
I am a journalist and author who has been lucky enough to follow my curiosity wherever it led – from politics and presidents to climate change and crime. Most of my books explore a theme that fascinates me – the tension between science and religion, faith and reason, that is a defining challenge of our era. I have a deep respect for science, but, like most, an amateur’s understanding of it. The global pandemic has confirmed the need for accessible science writing to help us bring our understanding in line with what’s going on in the labs.
Most of us can’t even pronounce the names of the childhood diseases vaccines have almost eradicated, nor can we imagine the parental grief, and childhood suffering, that those diseases routinely inflicted on families until well into the 20th Century. This comprehensive history reminds us that the development of vaccines was always a see-saw between life-saving advances, and terrible mistakes and failures.
Vaccine juxtaposes the stories of brilliant scientists with the industry's struggle to produce safe, effective, and profitable vaccines. It focuses on the role of military and medical authority in the introduction of vaccines and looks at why some parents have resisted this authority. Political and social intrigue have often accompanied vaccination-from the divisive introduction of smallpox inoculation in colonial Boston to the 9,000 lawsuits recently filed by parents convinced that vaccines caused their children's autism. With narrative grace and investigative journalism, Arthur Allen reveals a history illuminated by hope and shrouded by controversy, and he sheds new light on changing…
In my day job working for a charity, I work with emergency planners, examining how we can minimise the harm caused by disasters, including outbreaks of disease. I’m fascinated by the measures in place to deal with catastrophes, and how contingency planners respond on a practical and a human level. When writing my novel about a killer virus, I devoured both fiction and non-fiction books tackling pandemics ranging from the Black Death to Aids. I am confident I know the skills needed to survive when a pandemic reduces the world’s population to a small, doughty band of survivors. I am not confident I possess these skills.
I read this book as background reading for writing my own virus-based novel, and it was an absolutely fascinating study of the response to a pandemic that took place almost exactly a century ago. It covers everything from the role of the First World War troops’ demobilisation on spreading the virus, to the impact of poverty on infection rates, to why young, fit people were the most likely to die of the illness. And, of course, why it was called Spanish Flu in the first place (spoiler alert: not because it came from Spain!)
Read the devastating story of the Spanish flu - the twentieth century's greatest killer - and discover what it can teach us about the current Covid-19 pandemic.
'Both a saga of tragedies and a detective story... Pale Rider is not just an excavation but a reimagining of the past' Guardian
With a death toll of between 50 and 100 million people and a global reach, the Spanish flu of 1918-1920 was the greatest human disaster, not only of the twentieth century, but possibly in all of recorded history. And yet, in our popular conception it exists largely as a footnote…
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