Here are 67 books that History Smashers fans have personally recommended if you like
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I find Plagues to be fascinating, especially having lived through COVID-19 (with masks and distancing and fear of catching an unknown sickness!). The Plague of London in 1665 especially interests me because it brings in the well-known character of The Plague Doctor. This iconic character is feared and admired (and still a very popular Halloween costume). I have done extensive research on the 1665 Plague in terms of how it affected food insecurity, homelessness, fear, trade routes, employment, and the different classes of a community.
I like this young adult novel because it presents a fictional plague war. Set between humans and rats; I like how the author combines the history of plagues in a twisted plot of light and dark. I think young adult readers, having lived through Covid, will click into the storyline.
Ananda is a troubled teen who feels like a misfit at home and at her new school, and her unusual ability to connect with animals makes her feel like even more of an outsider. Still raw from the death of her grandmother, Ananda's dreams are haunted by a long-buried memory that causes her to push people away.
Fin is a Tunnel rat who lives in the passages beneath the city, in the dark places humans overlook or despise. Orphaned as a pup, he is the nephew of the Tunnel's charismatic leader, the Beloved Chairman, and is willing to do anything…
I find Plagues to be fascinating, especially having lived through COVID-19 (with masks and distancing and fear of catching an unknown sickness!). The Plague of London in 1665 especially interests me because it brings in the well-known character of The Plague Doctor. This iconic character is feared and admired (and still a very popular Halloween costume). I have done extensive research on the 1665 Plague in terms of how it affected food insecurity, homelessness, fear, trade routes, employment, and the different classes of a community.
I like that this chapter book format works for middle-grade readers as well as high-low or ESL readers. The book layout was reader-friendly, and the illustrations were not scary or traumatizing. While I found this book a little less “exciting” compared to History Smashers, it delivered on the facts of the plague.
Oh, rats! It's time to take a deeper look at what caused the Black Death--the deadliest pandemic recorded in human history.
While the coronavirus COVID-19 changed the world in 2020, it still isn't the largest and deadliest pandemic in history. That title is held by the Plague. This disease, also known as the "Black Death," spread throughout Asia, Africa, and Europe in the fourteenth century and claimed an astonishing 50 million lives by the time it officially ended. Author Roberta Edwards takes readers back to these grimy and horrific years, explaining just how this pandemic began, how society reacted to…
I find Plagues to be fascinating, especially having lived through COVID-19 (with masks and distancing and fear of catching an unknown sickness!). The Plague of London in 1665 especially interests me because it brings in the well-known character of The Plague Doctor. This iconic character is feared and admired (and still a very popular Halloween costume). I have done extensive research on the 1665 Plague in terms of how it affected food insecurity, homelessness, fear, trade routes, employment, and the different classes of a community.
I think this comic book is perfect for visual learners who are in middle-grade or read hi-low or ESL books. I found the illustrations to be modern and catchy. I think the copywriting is kid-friendly. I believe it’s a great book to learn about how sickness is spread and the wider implications of the Plague.
Every volume of Science Comics offers a complete introduction to a particular topic - dinosaurs, coral reefs, the solar system, volcanoes, bats, flying machines, and more. These gorgeously illustrated graphic novels offer wildly entertaining views of their subjects. Whether you're a fourth grader doing a natural science unit at school or a thirty year old with a secret passion for airplanes, these books are for you! This volume: In PLAGUES, we get to know the critters behind history's worst diseases. We delve into the biology and mechanisms of infections, diseases, and immunity, and also the incredible effect that technology and…
I find Plagues to be fascinating, especially having lived through COVID-19 (with masks and distancing and fear of catching an unknown sickness!). The Plague of London in 1665 especially interests me because it brings in the well-known character of The Plague Doctor. This iconic character is feared and admired (and still a very popular Halloween costume). I have done extensive research on the 1665 Plague in terms of how it affected food insecurity, homelessness, fear, trade routes, employment, and the different classes of a community.
I think this book is for advanced middle-grade or even on the lower end of middle grade. I found it to be chocked full of facts, history, and information about deadly diseases. I think fans of “scary” kids’ (aka Bendy, Five Nights at Freddy’s, Haunted Canada) books will appreciate the real-life terrors of real-life diseases.
Perfect for young readers of I Survived and the Who Was series! Packed with graphics, photos, and facts for curious minds, this is a gripping look at pandemics through the ages.
The deadly outbreak of plague known as the Great Mortality, which struck Europe in the mid 1300s and raged for four centuries, wiped out more than 25 million people in the course of just two years. With its vicious onslaught, life changed for millions of people almost instantaneously.
Deadly pandemics have always been a part of life, from the Great Mortality of the Middle Ages, to the Spanish Influenza…
I have always been fascinated by the history of medicine, particularly the more macabre details. While researching my family lineage, I became especially interested in medieval medicine and the lives of English monarchs. I was honored to be asked to write a book on medicine in the middle ages, and I dove into the research head first. I have been lucky enough to write for several other publications, and I have self-published on Amazon. I enjoy writing historical fiction and my novel, Sleeping with the Impaler, was a book I truly enjoyed writing. I hope the books I recommended spark your interest as they will stay with me forever.
The Great Mortality was a key tool in my research for my book. John covered the Black Death in every country it devastated, such as England, Italy, and France. He touches on the effect the Black Death had on the church and the great lengths that were taken to protect the pope. He goes into morbid detail about the plague, and you get a real understanding of what these people went through. I can not recommend this book enough.
“Powerful, rich with details, moving, humane, and full of important lessons for an age when weapons of mass destruction are loose among us.” — Richard Rhodes, Pulitzer Prize-winning author of The Making of the Atomic Bomb
The Great Plague is one of the most compelling events in human history—even more so now, when the notion of plague has never loomed larger as a contemporary public concern.
The plague that devastated Asia and Europe in the 14th century has been of never-ending interest to both scholarly and general readers. Many books on the plague rely on statistics to tell the story:…
We're all in this together: public health for all people, no matter their status or wealth, is one of humanity's great achievements. Favoring reason over faith, science over anecdote, and the group over the individual, has led to lowered infant mortality, improved health, and longer human lifespans. During pandemics, however, evidence and reason are often discarded, as people panic and try to save themselves. The odd human behavior we have seen during the Covid-19 pandemic has multiple precedents in the past. Quack cures, snake-oil sales, conspiracy theories, suspicion of authority, the emergence of cults with eccentric, bizarre, and inexplicable beliefs: again and again, this has been the human response to the unknown.
Cantor’s book showed me that when a lethal pandemic arrives, it can change society in ways that make “returning to normal” impossible, because the conditions that made “normal” possible no longer exist. The Black Death - probably a bubonic plague pandemic - wiped out as much as half of China’s population, before traveling the silk road to Europe where, from 1347-1351, a third of the population died. The pandemic also suffocated the feudal order, created the conditions for capitalism, the Reformation, and the Enlightenment, breathed new life into art, and transformed the legal system. In effect, the pandemic plowed the seedbed for the modern Western world. Covid may be a similar epidemiological juggernaut, sweeping away human institutions that we know, leaving us a novel world that will be strange and different in ways we can’t yet imagine.
A New York Times bestseller, In the Wake of the Plague is a fascinating study of the cultural and religious consequences of one of the deadliest tragedies to befall humanity: the black plague. Though rigorously scientific in his approach, Norman F. Cantor has produced an unforgettable narrative that in many ways employs the novelist’s skill for storytelling.
The Black Death was the fourteenth century’s equivalent of a nuclear war. It wiped out one-third of Europe’s population, and irrevocably changed the lives of those who survived. And yet, most of what we know about it is wrong. The details of the…
I have an annoying habit of figuring out why someone says or believes what they do—and think that is more interesting than their actual ‘truth’. I try to keep this in check during social events (it can make for painful dinner table conversations if I go too far). Still, it means the general take on the medical humanities (and I’d put all the books below in that wide category) is something I’m passionate about. Why do we believe what we do about health? About disease? About the body? And why do we think medical doctors have the truth for us?
I read this book 3 months into the COVID-19 pandemic and LOVED it—it totally made me realize that: 1. we’ve been here before; 2. our reactions and responses are all tried and true (and probably not that useful); and 3. we would survive this time, too—at least most of us.
This is Daniel Defoe (yes, you know him from Robinson Crusoe) explaining what it was like to live in London when the plague came. It wasn’t pretty. The most chilling moment in the book came at the end, when I googled facts about the plague, realized it went away, and then came back repeatedly for decades.
The haunting cry of "Bring out your dead!" by a bell-ringing collector of 17th-century plague victims has filled readers across the centuries with cold terror. The chilling cry survives in historical consciousness largely as a result of this classic 1722 account of the epidemic of bubonic plague — known as the Black Death — that ravaged England in 1664–1665. Actually written nearly 60 years later by Daniel Defoe, the Journal is narrated by a Londoner named "H. F.," who allegedly lived through the devastating effects of the pestilence and produced this eye witness account. Drawing on his considerable talents as…
I’m a historical fiction author but have always enjoyed actually making things as well as writing. In the past, I was a theatre designer, so I was often immersed in recreating antique objects for the stage. Our versions weren’t the real thing–but it meant researching old crafts and then imitating them to build a convincing fake version. My research filled me with great admiration and respect for the real craftsmen of the past–their skill and artistry, and I only have to look at our old cathedrals–so lovingly created, to be inspired all over again.
I loved the detail of the craft of gilding in this book, a craft that is little known today. I was interested, too, in the effect that the plague had on the city of Venice. Another plus for me was that Maria’s love interest was a Moor, Cristiano, and this added to the slow-burn tension of the relationship.
For me, this was the sort of historical fiction I don’t read often–immaculately researched with plenty of insider details that could only be known by an expert. Though the story doesn’t move particularly fast, it did make me think and immersed me in the period.
Would you rather sacrifice your livelihood, your lover, or your life?
When the Black Death comes knocking on your door, you'd better decide quickly.
ERIC HOFFER GRAND PRIZE FINALIST
EDITOR'S CHOICE, HISTORICAL NOVELS REVIEW
Venice, 1510. Maria Bartolini wants nothing more than to carry on her father’s legacy as a master gilder. Instead, her father has sent her away from the only home she’s ever known to train as an apprentice to Master Trevisan, a renowned painter.
Maria arranges to leave the painter’s workshop to return to her family workshop and to a secret lover waiting for her back home.…
Before I was a writer, I was a reader. My mother was a primary school teacher, so I was encouraged to read from my earliest years. I wanted to be not only entertained but transported to another place, time, or world. When I finally decided to write my first novel, I settled on historical fiction, but I have since written both science fiction and fantasy. I always endeavour to emulate my literary heroes and create engaging characters, compelling plots, and an interesting, unusual, convincing world.
This is the first part of S.D. Skyes’ medieval mystery series, following nobleman and investigator Oswald de Lacy. Sykes always creates an intriguing, compelling plot for each of the five de Lacy novels but it is the fourteenth-century setting that draws the reader in.
This is a land ravaged by the Black Death and the reader is not only entertained but informed by this powerful evocation of a society dealing with a disaster almost beyond comprehension.
Book 1 in the gripping Oswald de Lacy series, which can be read as a standalone, from 'the medieval CJ Sansom' (Jeffery Deaver)
England, 1350: the Black Death has changed the country forever, taking master and servant alike.
Young Oswald de Lacey was never meant to be Lord of Somershill Manor, but when his father and older brothers die of the Plague, he must return home from the monastery and assume responsibility for an estate ravaged by pestilence.
Almost immediately Oswald is confronted with the vicious murder of a young woman, Alison Starvecrow. The village priest claims it is the…
We have always been fascinated by literary masterworks that stage the plague as a pivotal factor in the plot. We added the next ingredients: a whodunnit with a claustrophobic setting, the Baroque Age, a (real) financial thriller between Rome and London, and an unusual protagonist. Rita is a historian of religions, Francesco is a musicologist. After working as journalists, meeting in a newspaper bureau, and getting happily married, we started a writing career publishing 11 novels translated into 26 languages and 60 countries with more than 2 million copies sold. Our novels are a mix of literary creativity and meticulous research, characters and settings are strictly based on original documents and eyewitness accounts.
This epic novel in Walter Scott’s good tradition, but with a plus of philosophical depth, taught us (and generations of authors) how to wave together love and hope, freedom and destiny, pride and courage. The plague’s tragic outcome around 1630 in northern Italy offered such a powerful literary palette that Manzoni had to spin off a chapter about the epidemic and publish it separately. Nevertheless, The Betrothed is still marked by death and devastation, the hysterical witch-hunt against the alleged “plague-spreaders” and the impressive scenes in the lazarettos.
Set in Lombardy during the Spanish occupation of the late 1620s, The Betrothed tells the story of two young lovers, Renzo and Lucia, prevented from marrying by the petty tyrant Don Rodrigo, who desires Lucia for himself. Forced to flee, they are then cruelly separated, and must face many dangers including plague, famine and imprisonment, and confront a variety of strange characters - the mysterious Nun of Monza, the fiery Father Cristoforo and the sinister 'Unnamed' - in their struggle to be reunited. A vigorous portrayal of enduring passion,
