70 books like In the Wake of the Plague

I cut my environmental historian’s teeth on Ecological imperialism. While not entirely about animals, Crosby’s book was the first to suggest to me how nonhuman creatures could influence human history. This is an environmental history classic by the author who coined the now widely used term “the Columbian Exchange.” In Ecological Imperialism, Crosby expands upon this concept to argue that European colonizing successes were due in large part to the introduction Old World animals, plants, and diseases to the Americas and elsewhere. Colonists reshaped the environment, creating ecological “Neo-Europes” in the New World. What I took away from this book was the novel notion that animals could be active colonizers themselves. I learned that animals could be responsible for changing the landscape and carrying foreign cultures into new lands. 

This is my favorite book on parasites, which I have recommended hundreds of times in international school and university classrooms worldwide. Zimmer is a science writer with a gift for making a horrific subject fascinating and memorable. Zimmer introduced me to a hidden, parallel universe where parasites control their hosts, manipulate their evolution, hide behind their host’s own bodily chemicals, and on occasion turn them into the living dead.

I return to this book again and again because I find it so smart about the metaphors that people use to talk about cancer. In particular, Sontag picks apart the war metaphors used to describe cancer and its treatment. When I worked in oncology as a nurse, I never talked about treating cancer as “war.” Cancer results from a genetic mistake that causes cells to grow and grow when they are supposed to die. My body is not a battlefield and thinking about myself that way is profoundly disempowering.

Laurie Garrett’s magisterial doorstop of a book is meticulously researched and compellingly written. Long before Covid, she made the case that our global public health systems, evolved over centuries and at their peak in the 1960s are now broken: under-funded, under-staffed, ill-prepared, and ill-equipped to handle a global pandemic. The Covid death count proved her right. She documents the political compromises and budgetary cutbacks made again and again that, for example, turned TB, once on the point of eradication, into the deadly multi-drug resistant (and in the case of XTB, totally resistant) scourge that infects billions planetwide. This is a grim, sobering book that made me pine for the days when the Surgeon General could say, without irony, that the age of infectious disease is over.

The Great Mortality was a key tool in my research for my book. John covered the Black Death in every country it devastated, such as England, Italy, and France. He touches on the effect the Black Death had on the church and the great lengths that were taken to protect the pope. He goes into morbid detail about the plague, and you get a real understanding of what these people went through. I can not recommend this book enough. 

I enjoyed reading this book both as a historical artefact of the 17th century but also because Defoe’s plain, matter-of-fact style makes all the chaos, the shrieking, the death carts, families locked in their houses, health certificates, the delirium, the fear of coming too close, the paranoia, the panic and the madness that surrounds the narrator all the more disturbing.

He is a witness whose curiosity far outweighs his fear. But there’s also the Defoe-like sense of adventure when for instance a group of three escape London and shift for themselves in a countryside whose towns and villages are hostile to strangers. Instructive, disquieting, gripping, indelible.

This retained its curiosity value even on a second reading. A great little book.

I loved the detail of the craft of gilding in this book, a craft that is little known today. I was interested, too, in the effect that the plague had on the city of Venice. Another plus for me was that Maria’s love interest was a Moor, Cristiano, and this added to the slow-burn tension of the relationship.

For me, this was the sort of historical fiction I don’t read often–immaculately researched with plenty of insider details that could only be known by an expert. Though the story doesn’t move particularly fast, it did make me think and immersed me in the period. 

If I had to use one word to describe The Rats it would be brutal.

I say this not simply because of the savage depictions of gore and other intense imagery conjured by Herbert throughout, but also the blunt and grim depictions of working-class 1970s London.

This book is so much more than a tale of man-eating monsters. I found it to be a scathing critique of social decay and the prerequisite neglect that gives rise to such conditions. To be honest, I didn’t know what I was walking into and that is why it has stayed with me. Consider yourself warned. I wish I had been.

This epic novel in Walter Scott’s good tradition, but with a plus of philosophical depth, taught us (and generations of authors) how to wave together love and hope, freedom and destiny, pride and courage. The plague’s tragic outcome around 1630 in northern Italy offered such a powerful literary palette that Manzoni had to spin off a chapter about the epidemic and publish it separately. Nevertheless, The Betrothed is still marked by death and devastation, the hysterical witch-hunt against the alleged “plague-spreaders” and the impressive scenes in the lazarettos.

I’m including one book from long ago and far away – fourteenth-century Italy – because it leaped out at me from the bookshelf.

The Decameron is the most artistically complete written story about face-to-face storytelling – though I also love its rivals, One Thousand and One Nights and The Canterbury Tales!

The book opens with the bubonic plague that devastated Florence in 1348. Ten wealthy young friends, women and men, leave the stricken city to vacation in the countryside. While servants prepare lavish meals, the friends spend their days relaxing, dancing – and telling naughty stories. The narrator delights in describing their reactions to each other’s storytelling.

Yes, stories can be holy and powerful, but sometimes we just need them to clown around for us! Many translations are available – read one that feels playful.