Since early childhood I have had a passion for medieval times. I can remember climbing my first castle keep at 4. I became particularly interested in lesser-known medieval queens and noblewomen when I moved to Amesbury in Wiltshire—and found out that Eleanor of Provence, wife of Henry III, was buried somewhere in the grounds of the nearby rest home, her grave lost since the Reformation. I wrote a novel on her life which became more successful than I could have ever imagined, and now I am a full-time author writing further novels about medieval women, as well as the Wars of the Roses…and Stonehenge.
Walking Among Lions deals with not only a very obscure female figure but a medieval time frame, the reign of Richard II, that is not as often used in fiction as perhaps the 14th century or the time of Lionheart and King John. Constance is from a family that would become very famous the next century—the House of York. Her father is Edmund, son of Edward III—great-grandfather of Edward IV and Richard III. This book, part 1 of a series yet to be published, tells the story of her youth and early time at court, setting the scene for high and dangerous drama. It is beautifully written and packed with fine, accurate historical detail.
Constance of York, a cousin of King Richard II, is inducted into the Order of the Garter aged 10. High in the favour of the King and Queen, she is soon summoned to the court to attend Anne of Bohemia. However, not only is England in danger of a French invasion. but vicious civil strife is about to break out. Constance is at hand to witness to it all.
In junior high, I happened across a picture of an armor-plated knight being raised by a winch to sit astride his destrier. What a ridiculous time period, I thought. After raiding every related book in the school library, I changed my opinion from “ridiculous” to “fascinating.” Particularly when deciding that periods such as the fourteenth century, with its plagues, wars, political upheavals, and climate change were pretty much a distorted mirror of our own. Throughout my life as wife, mother, novelist, and social justice advocate, I’ve held medieval England close to my heart. I remain forever grateful I’ve been able to explore it both in my writing and in several treks across the pond.
Thomas Costain’s series introduced me to a fascinating world of castles and cathedrals, of tournaments where mounted knights broke lances on behalf of their ladies, where courtly love and chivalry ruled the day. (In theory. Seldom in practice.) How strange, my preteen self thought. How enchanting! I was particularly fascinated by The Three Edwards, which recounts the reign of one of England’s worst kings sandwiched between two of its greatest. With the eye of a natural storyteller, Costain intersperses tales of wars, rebellions, and political machinations with myths such as Arthur and Guinevere’s tombs being “discovered” in Glastonbury and the possible origins of Robin Hood. While there are newer series mining the same period, Costain’s research remains relatively solid, and his prose retains its powerful simplicity.
THE THREE EDWARDS covers the years between 1272 and 1377 when three Edwards ruled England. Edward I brought England out of the Middle Ages. Edward II had a tragic reign but gave his country Edward III, who ruled gloriously, if violently. "A thrilling narrative... history told with all the interest found only in a great novel." (Salt Lake City Tribune)
All my life I’ve been pushing against limits. Being the oldest of five children born to a farm couple who became mill workers, I was frequently reminded by family that “people like us” did not need much education, didn’t get the good jobs, and shouldn’t “rise above themselves.” Being a girl, I had additional limits. Naturally, when I learned to read, I was drawn to books in which characters broke through unfair restraints to have adventures and accomplish great deeds. I wanted to be one of those people. By the time I came of age, I knew I had a shot at becoming the heroine of my own story!
Crispin is a young serf in Medieval England--an orphan despised by everyone for reasons he does not understand. Though I never had problems as dire as Crispin faced, I frequently felt mistreated as a child, and like him, the forest was my comfort and refuge. Like him, I had a lively curiosity about the lives of others and many times learned important lessons through observation. I shared Crispin's tendency to hero worship those who befriended me, and like him, I generally chose my role models well.
Newbery Medal winner The Cross of Lead is "a page-turner from beginning to end... full of adventure, mystery, and action" (School Library Journal).
Sometimes I ran, sometimes all I could do was walk. All I knew was that if the steward overtook me, I’d not survive for long....
Crispin is a poor thirteen-year-old peasant in medieval England. Accused of a crime he did not commit, he has been declared a "wolf’s head," meaning he may be killed on sight, by anyone. He flees his tiny village with nothing but his mother’s cross of lead.
I’m fascinated by what people make of political events at home and abroad. The rapid expansion of public opinion in later eighteenth-century Britain, in tandem with the explosion of the press—newspapers, books, sermons, plays, poetry, novels, magazines, and cartoons—makes it a wonderful period to explore. People in the past were no less complex and sophisticated than we are; they simply lived in different circumstances, opportunities, and constraints, with different assumptions and priorities. My British Visions of America, 1775–1820 (2013) also deals with the British trying to understand foreign affairs, while The Wodrow-Kenrick Correspondence, 1750–1810, eds Fitzpatrick, Macleod and Page is full of events at home and abroad.
Poor George III: ridiculed in caricatures and the object of attempted assassinations!
This enormous book is a real page-turner. Its aim is to show that the changing meanings of words had a huge impact on the politics of the 1790s in Britain. The fourteenth-century statute of treason listed among its crimes that of ‘imagining the king’s death.’
In the reign of Edward III, that meant actually planning the death of the monarch, but by the 1790s, the word ‘imagine’ had taken on the modern definition of ‘envisaging’ or ‘fantasising.’ This much wider definition of ‘imagining’ had dire consequences for reformers who had no intention of arranging the death of the king but whose language might be loose enough to open them up to the charge of ‘imagining’ it.
It is high treason in British law to 'imagine' the king's death. But after the execution of Louis XVI in 1793, everyone in Britain must have found themselves imagining that the same fate might befall George III. How easy was it to distinguish between fantasising about the death of George and 'imagining' it, in the legal sense of 'intending' or 'designing'? John Barrell examines this question in the context of the political trials of the mid-1790s and the controversies they generated. He shows how the law of treason was adapted in the years following Louis's death to punish what was…
I have been writing the Owen Archer mysteries, set in and around the city of York in the late 14th century, for 30 years, ever since falling in love with the city of York on a visit. As I studied medieval literature and culture in graduate school, with a special interest in Chaucer, I’ve focused my research on the period in which he lived. I’ve spent months walking the streets of the city, hiking through the countryside, and meeting with local historians. Besides the 13 Owen Archer mysteries I’ve also published 3 Kate Clifford mysteries covering Richard II’s downfall, both series grounded in the politics and culture of medieval York and Yorkshire.
Why would this 50 year period be so interesting in these two cities? In these years Bristol and York were second only to London in influence and growth within the realm, and as the rising merchant class accrued wealth they used it to make agreements with the crown—to their advantage, of course. With King Edward III it was all about his war with France; with his grandson and successor King Richard II it was about gaining charters that made them more independent of royal interference as well as negotiating their way between the political factions within the nobility.
Richard’s reign was a dangerous time, especially at the end when York merchants chose to loan money to Henry Bolingbroke’s uprising against his cousin the king. The stakes were high and the personalities larger than life.
The strengthening of ties between crown and locality in the fourteenth century is epitomised by the relationships between York and Bristol (then amongst the largest and wealthiest urban communities in England) and the crown. Thisbook combines a detailed study of the individuals who ruled Bristol and York at the time with a close analysis of the texts which illustrate the relationship between the two cities and the king, thus offering a new perspective onrelations between town and crown in late medieval England. Beginning with an analysis of the various demands, financial, political and commercial, made upon the towns by the…
My first recollection of a fascination with medieval history occurred while watching Errol Flynn in The Adventures of Robin Hood. I soon exhausted our school library’s limited selection of tales of kings and castles. Much later, a history degree and decades spent in Germany and England allowed me to delve deeply into historical research, gaining a specialized knowledge into the areas in which I was most interested. I am particularly fascinated with the lives of women, most of whom medieval chroniclers relegate to a brief mention as wives and mothers. There are clearly stories here yet to be told and I am always excited to learn of new scholarship.
How can I write about fierce women of the Middle Ages and not include the woman referred to by the sobriquet She-Wolf of France?
Carol McGrath’s The Stone Rose presents the story of Queen Isabella’s strength and determination framed around her ill-fated marriage to King Edward II in a beautiful tapestry threaded with both painstakingly researched historical fact and masterfully imaginative fiction.
The author’s extensive knowledge of the time period is evidenced by the accuracy of detail that is interwoven into the narrative. Since Edward’s reign forms the backdrop for my series, my own interest is obvious; however, the tale of Isabella’s struggle to protect herself and those she loves in the face of rampant intrigue and treachery will appeal to all.
'A real tour de force of gripping writing, rich historical detail and complex, fascinating characters. Superb!' NICOLA CORNICK on The Stone Rose _________________
EARLY READERS ARE GRIPPED BY THE STONE ROSE!
* 'Springs to vivid life for the reader . . . A compulsive read' ANNE O'BRIEN
* 'An enticing and intriguing tale of a woman who is driven to desperate and ruthless lengths to protect those she loves' ALEXANDRA WALSH
* 'Carol McGrath really got into Isabella's head . . . Enlightening' SHARON BENNETT CONNOLLY
I write romantic historical fiction and am a lifelong lover of the works of Jane Austen. I am English, love historical novels but dislike books that give you “great lumps of facts” that slow up the storyline. I like stories and characters that capture your attention and your heart. Plots and backgrounds that make you think about what it might really have been like to live in those times.
A glimpse into medieval times. It’s a sumptuous tale of passion and danger.
Katherine comes to the court of Edward III aged fifteen and turns the head of the King’s favourite son, John of Gaunt. But their paths in life pull them apart until their love forces them back together. This is a wonderful book by a writer who manages to make you experience life as it was then, but without trying to teach you, and asks, ‘how much would you give up for love?’
"Exhilarating, exuberant, and rich," Katherine is an epic novel of a love affair that changed history—that of Katherine Swynford and John of Gaunt, Duke of Lancaster, the ancestors of most of the British royal family (Austin Chronicle).
Set in the vibrant fourteenth century of Chaucer and the Black Death, the story features knights fighting in battle, serfs struggling in poverty, and the magnificent Plantagenets—Edward III, the Black Prince, and Richard II—who rule despotically over a court rotten with intrigue. Within this era of danger and romance, John of Gaunt, the king’s son, falls passionately in love with the already-married Katherine.…
In junior high, I happened across a picture of an armor-plated knight being raised by a winch to sit astride his destrier. What a ridiculous time period, I thought. After raiding every related book in the school library, I changed my opinion from “ridiculous” to “fascinating.” Particularly when deciding that periods such as the fourteenth century, with its plagues, wars, political upheavals, and climate change were pretty much a distorted mirror of our own. Throughout my life as wife, mother, novelist, and social justice advocate, I’ve held medieval England close to my heart. I remain forever grateful I’ve been able to explore it both in my writing and in several treks across the pond.
Forget the Wars of the Roses! Give me the fourteenth century and the reign of Edward III—whose like, according to the chronicler Jean Froissart, “has not been seen since the days of King Arthur." A happy warrior, exuberant ruler, and skilled commander, who at least one modern military historian has described as “the greatest general in English history.” Edward kicked some serious French butt during the beginning of the Hundred Years War. (Great from the English point of view. Devastating for those on the receiving end of Edward’s chevauchees.) The poignancy of outliving one’s peers and one’s time and dying alone—all of that is compassionately detailed in Ian Mortimer’s compelling biography, which reminds us why Edward of Windsor ranks among England’s greatest kings.
He ordered his uncle to be beheaded; he usurped his father's throne; he taxed his people more than any other previous king, and he started a war which lasted for more than a hundred years. Yet for centuries Edward III (1327-77) was celebrated as the most brilliant of all English monarchs. In this first full study of his character and life, Ian Mortimer shows how under Edward the feudal kingdom of England became a highly organised nation, capable of raising large revenues and deploying a new type of projectile-based warfare, culminating in the crushing victory over the French at Crecy.…
Before I was a writer, I was a reader. My mother was a primary school teacher, so I was encouraged to read from my earliest years. I wanted to be not only entertained but transported to another place, time, or world. When I finally decided to write my first novel, I settled on historical fiction, but I have since written both science fiction and fantasy. I always endeavour to emulate my literary heroes and create engaging characters, compelling plots, and an interesting, unusual, convincing world.
This is the first part of S.D. Skyes’ medieval mystery series, following nobleman and investigator Oswald de Lacy. Sykes always creates an intriguing, compelling plot for each of the five de Lacy novels but it is the fourteenth-century setting that draws the reader in.
This is a land ravaged by the Black Death and the reader is not only entertained but informed by this powerful evocation of a society dealing with a disaster almost beyond comprehension.
Book 1 in the gripping Oswald de Lacy series, which can be read as a standalone, from 'the medieval CJ Sansom' (Jeffery Deaver)
England, 1350: the Black Death has changed the country forever, taking master and servant alike.
Young Oswald de Lacey was never meant to be Lord of Somershill Manor, but when his father and older brothers die of the Plague, he must return home from the monastery and assume responsibility for an estate ravaged by pestilence.
Almost immediately Oswald is confronted with the vicious murder of a young woman, Alison Starvecrow. The village priest claims it is the…
As a non-fiction author, I also read a lot of non-fiction, and cannot write a Best Books of 2023 without including my favourite non-fiction book of the last few years.
So much detail! The Queen and the Mistress is illuminating. A truly remarkable dual biography of the two very different women who held Edward III's affections; his queen, Philippa of Hainault and his mistress, Alice Perrers. Gemma Hollman delves deep into the lives of both to paint vivid portraits of these amazing women.
The beauty of this book is not just in the incredible story but in the depths of research and attention to detail that shines a light into the darkest corners of the lives of these two fascinating women: the consummate queen and the savvy businesswoman.
Gemma Hollman challenges much of the misinformation and misconceptions which have surrounded both women for centuries; she draws the veil from across…
The riveting story of two women whose divergent personalities and positions impacted the court of Edward III, one of medieval England's greatest kings.
There were two women in Edward III's life: Philippa of Hainault, his wife of forty years and bearer of twelve children, and his mistress, Alice Perrers, the twenty-year-old who took the king's fancy as his ageing wife grew sick. After Philippa's death Alice began to dominate court, amassing a fortune and persuading the elderly Edward to promote her friends and punish her enemies.
In The Queen and the Mistress, Gemma Hollman brings the story of these two…
