Here are 100 books that Imagining the King's Death fans have personally recommended if you like
Imagining the King's Death.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I’m fascinated by what people make of political events at home and abroad. The rapid expansion of public opinion in later eighteenth-century Britain, in tandem with the explosion of the press—newspapers, books, sermons, plays, poetry, novels, magazines, and cartoons—makes it a wonderful period to explore. People in the past were no less complex and sophisticated than we are; they simply lived in different circumstances, opportunities, and constraints, with different assumptions and priorities. My British Visions of America, 1775–1820 (2013) also deals with the British trying to understand foreign affairs, while The Wodrow-Kenrick Correspondence, 1750–1810, eds Fitzpatrick, Macleod and Page is full of events at home and abroad.
Harry Dickinson supervised my Ph.D. thesis, and I am a huge fan of his writing, which is clear and accessible.
This book covers a lot of ground, explaining the different political positions people took in eighteenth-century Britain, inside and outside Parliament, but it’s so clearly set out. It’s an important book because it swam against the tide at the time it was published. The dominant opinion was that politics was an aristocratic pursuit and politicians were mainly motivated by self-interest.
This book shows that many politicians were driven by ideas, principles, and assumptions and that many more ordinary people were heavily involved in political campaigns and protests, too.
First Published in 1977, Liberty and Property is a pioneering book which covers a long period, from 1688 to 1790 and beyond, and makes a major contribution to our understanding of eighteenth-century British politics. The relationship between political ideas and political reality is difficult to define. Consequently, historians seldom attempt to link thought and action, but concentrate solely upon the facts of a given political situation. In this book H.T. Dickinson has succeeded in redressing the imbalance. Taking as his theme the ideas and arguments used to defend or reform the constitution and political order in Britain, he combines what…
I’m fascinated by what people make of political events at home and abroad. The rapid expansion of public opinion in later eighteenth-century Britain, in tandem with the explosion of the press—newspapers, books, sermons, plays, poetry, novels, magazines, and cartoons—makes it a wonderful period to explore. People in the past were no less complex and sophisticated than we are; they simply lived in different circumstances, opportunities, and constraints, with different assumptions and priorities. My British Visions of America, 1775–1820 (2013) also deals with the British trying to understand foreign affairs, while The Wodrow-Kenrick Correspondence, 1750–1810, eds Fitzpatrick, Macleod and Page is full of events at home and abroad.
This is a fantastic recent book that offers a walk-off-the-page sense of its large cast of characters—Mary Wollstonecraft, William Godwin, Thomas Paine, William Cowper, William Blake, Benjamin Franklin, William Wordsworth, Samuel Taylor Coleridge, and many others.
They were all regular guests at the dinner table of the London publisher, and bookseller Joseph Johnson, where he sat back and listened to his talented collection of authors talk about the issues of the day.
It’s both a great way into the world of publishing and selling books and a wonderful introduction to lots of famous writers of the period from a fresh new angle.
A fascinating portrait of a radical age through the writers associated with a London publisher and bookseller-from William Wordsworth and Mary Wollstonecraft to Benjamin Franklin
Once a week, in late eighteenth-century London, writers of contrasting politics and personalities gathered around a dining table. The veal and boiled vegetables may have been unappetising but the company was convivial and the conversation brilliant and unpredictable. The host was Joseph Johnson, publisher and bookseller: a man at the heart of literary life. In this book, Daisy Hay paints a remarkable portrait of a revolutionary age through the connected stories of the men and…
I’m fascinated by what people make of political events at home and abroad. The rapid expansion of public opinion in later eighteenth-century Britain, in tandem with the explosion of the press—newspapers, books, sermons, plays, poetry, novels, magazines, and cartoons—makes it a wonderful period to explore. People in the past were no less complex and sophisticated than we are; they simply lived in different circumstances, opportunities, and constraints, with different assumptions and priorities. My British Visions of America, 1775–1820 (2013) also deals with the British trying to understand foreign affairs, while The Wodrow-Kenrick Correspondence, 1750–1810, eds Fitzpatrick, Macleod and Page is full of events at home and abroad.
What’s not to love about eighteenth-century cartoons?! They are a brilliant way to understand at least some strands of public opinion on all kinds of issues, and I’m all about trying to understand what people were thinking and why.
This is a wonderful book, which contains a wealth of colour plates of graphic satires by James Gillray, Thomas Rowlandson, and many less well-known names. Their subjects range from political crises and the monarchy to fashion and manners to the role of the crowd.
It’s not just a catalogue of images with captions, though: it’s a really substantial discussion of the emergence and role of the genre of pictorial satire in the reign of King George III (1760–1820) and how to ‘read’ these images.
The late eighteenth century in England was the first great age of cartooning, and English caricature prints of the period have long been enjoyed for their humor and vitality. Now Diana Donald presents the first major study of these caricatures, which challenges many assumptions about them. She shows that they were a widely disseminated form of political expression and propaganda as subtle and eloquent as the written word.
Donald analyzes the meanings of the prints, applying current perspectives on the eighteenth century about the changing roles of women and constructions of gender, the alleged rise of a consumer society, the…
I’m fascinated by what people make of political events at home and abroad. The rapid expansion of public opinion in later eighteenth-century Britain, in tandem with the explosion of the press—newspapers, books, sermons, plays, poetry, novels, magazines, and cartoons—makes it a wonderful period to explore. People in the past were no less complex and sophisticated than we are; they simply lived in different circumstances, opportunities, and constraints, with different assumptions and priorities. My British Visions of America, 1775–1820 (2013) also deals with the British trying to understand foreign affairs, while The Wodrow-Kenrick Correspondence, 1750–1810, eds Fitzpatrick, Macleod and Page is full of events at home and abroad.
This is very much the oldest of my choices, and there are some great recent books on Scotland in the 1790s, but for me, this one still stands up for detail, excitement, clarity, and pace.
I live in Edinburgh, where much of the central action in this book takes place—there were radical reform societies all over Lowland Scotland in the 1790s, but they sent delegates to national conventions in Edinburgh, and Edinburgh was where many of the state trials for treason and sedition took place.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank…
I’ve been fascinated by thrillers since I was first allowed to read them. My childhood bookcase was full of Hammond Innes, Alistair MacLean, and every Nevil Shute novel. Later, these were joined by many others, not least John Le Carré. Banking gave me an insight into the murky world of money, bringing with it real-life stories as compelling as those I love reading about. My obsession with the genre is not only with elegant, complex plots but also with what motivates the characters to take the extraordinary risks they do in such challenging environments. The five thrillers I’ve chosen are my absolute favorites. I hope you enjoy them.
I absolutely love the portrayal of a deeply flawed character thrown into the murky world of espionage. For me, Magnus Pym epitomizes the double standards of British and American society, desperate to protect themselves during the Cold War while revealing the inner conflict between self, family, and country.
I also love how the tension builds and builds as Pym, the double agent, rises through the Secret Service and risks everything.
"The best English novel since the war." -- Philip Roth
Over the course of his seemingly irreproachable life, Magnus Pym has been all things to all people: a devoted family man, a trusted colleague, a loyal friend-and the perfect spy. But in the wake of his estranged father's death, Magnus vanishes, and the British Secret Service is up in arms. Is it grief, or is the reason for his disappearance more sinister? And who is the mysterious man with the sad moustache who also seems to be looking for Magnus?
I have been writing about Russia for the past 20 years for all the UK national newspapers, The Spectator and contributed to several TV documentaries. I am fascinated by Russia which is a unique country and has been a major influence on the world for the past 100 years. Based on new documents, my book Londongrad - From Russia with Cash revealed how Russian Oligarchs made their wealth, moved it out of Russia,hid their fortunes and then parked and spent it in London. My new book - Agents of Influence - provides an insight into how the KGB influenced the West based on new archives.
Many people have wondered why so many upper-class Englishmen brought up in the heart and highest echelons of the British Establishment betrayed their country.
This book provides the answers and examines how their treachery influenced British foreign policy and cultural and political institutions until the end of the Cold War. It also reads extremely well and is full of colourful asides and anecdotes.
What pushed Blunt, Burgess, Cairncross, Maclean and Philby into Soviet hands?
With access to recently released papers and other neglected documents, this sharp analysis of the intelligence world examines how and why these men and others betrayed their country and what this cost Britain and its allies.
Enemies Within is a new history of the influence of Moscow on Britain told through the stories of those who chose to spy for the Soviet Union. It also challenges entrenched assumptions about abused trust, corruption and Establishment cover-ups that began with the Cambridge Five and the disappearance of Guy Burgess and Donald…
In junior high, I happened across a picture of an armor-plated knight being raised by a winch to sit astride his destrier. What a ridiculous time period, I thought. After raiding every related book in the school library, I changed my opinion from “ridiculous” to “fascinating.” Particularly when deciding that periods such as the fourteenth century, with its plagues, wars, political upheavals, and climate change were pretty much a distorted mirror of our own. Throughout my life as wife, mother, novelist, and social justice advocate, I’ve held medieval England close to my heart. I remain forever grateful I’ve been able to explore it both in my writing and in several treks across the pond.
Each time I visit Canterbury Cathedral, I pay homage to my favorite knight, Edward of Woodstock, who epitomizes the fourteenth-century version of the knight nonpareil. Being an autodidact rather than a scholar, I am particularly grateful that Black Prince is both meticulously researched and easy to read. I particularly admire Prince Edward because of his courage on and off the battlefield, especially when enduring the mysterious illness that ultimately killed him. Edward the Black Prince embraced all the turns of fortune’s wheel with grace, courage, and dignity. Love this man and love this book!
As a child he was given his own suit of armor; at the age of sixteen, he helped defeat the French at Crécy. At Poitiers, in 1356, his victory over King John II of France forced the French into a humiliating surrender that marked the zenith of England’s dominance in the Hundred Years War. As lord of Aquitaine, he ruled a vast swathe of territory across the west and southwest of France, holding a magnificent court at Bordeaux that mesmerized the brave but unruly Gascon nobility and drew them like moths to the flame of his cause. He was Edward…
I am professor of medieval history at the University of St Andrews in Scotland. As a PhD student, I was electrified by the historian E. P. Thompson’s call to rescue the masses ‘from the enormous condescension of posterity’, but it’s often only when peasants revolt, as they did outside Paris in 1358, that we get much evidence about the masses in the Middle Ages. I loved writing The Jacquerie of 1358 because it allowed me to get very close to the men (and a few women) who risked everything to make their society a more just and equal one. It was a privilege, and a pleasure, to tell their story.
This is a work of fiction, but one so well imagined that I felt like I was actually in the medieval English countryside.
It’s the story of Will, a peasant heading to France to join the English army as an archer in the Hundred Years War during the summer of 1348, when the Black Death swept across northern Europe. Along with him travel a gentlewoman avoiding an unwelcome marriage, some soldiers harboring a sordid secret, and a cleric with troubles of his own.
Following behind is Will’s gender-fluid childhood friend and would-be lover, Hab-Madlen, who is endangered as much by people’s prejudices as by the disease stalking the population. Will they escape England and their pasts before the plague catches up with them?
'Inventive and original' The Times 'Fans of intelligent historical fiction will be enthralled' Hilary Mantel
Shortlisted for the Walter Scott Prize for Historical Fiction Longlisted for the Orwell Prize for Political Fiction
Three journeys. One road.
England, 1348. A gentlewoman flees an odious arranged marriage, a proctor sets out for a monastery in Avignon and a young ploughman in search of freedom is on his way to volunteer with a company of archers. All come together on the road to Calais. In the other direction comes the Black Death, the plague that will wipe out half of the population of…
I have loved books where the main character goes from his/her own ordinary existence into another world, with inspiration from The Lion, The Witch, and the Wardrobe by C.S. Lewis, who was a tutor in English Literature. Since I love history, there’s nothing more fun for me than historical time travel, and I wonder how difficult it might be for a modern woman or man, well-versed in the history and literature of the time, to navigate the customs, etiquette, language, clothing, and politics in 1344.
Edward III’s founding of the Order of the Garter was what inspired me to write my book, but I knew little about him.
This true medieval king’s fifty-year-long reign was marked by controversy from the start, but he was also a romantic, a warrior (he instigated the 100 Year War against the French), steered England through the horrific amount of death from the plague in 1348, and was the patriarch to The Black Prince and John of Gaunt, and The War of the Roses came after his reign.
A landmark biography of the charismatic king beloved of fourteenth-century England
Edward III (1312-1377) was the most successful European ruler of his age. Reigning for over fifty years, he achieved spectacular military triumphs and overcame grave threats to his authority, from parliamentary revolt to the Black Death. Revered by his subjects as a chivalric dynamo, he initiated the Hundred Years' War and gloriously led his men into battle against the Scots and the French.
In this illuminating biography, W. Mark Ormrod takes a deeper look at Edward to reveal the man beneath the military muscle. What emerges is Edward's clear…
I’m a queer writer whose latest novel explores destiny’s role in love, and what it means for love to triumph. I’m completely addicted to reading queer romances, and my favourite dynamics are always couples whose love beats the odds. I am a queer Australian writer of fantasy, as well as a video game designer. I live in Sydney with my partner and our two furry children.
This is a book I saw cropping up every so often, but I was worried it would be too history-heavy (which can be a massive plus, but I was looking for something more heavy on the romance side!)
But when an artist friend of mine painted a very beautiful man, I had to know where he was from—and this was that book! It’s set in 1333, England is at war with Scotland, and already we have a beautiful tension set up.
Harry is a young untested knight eager for glory who is roped into a mission in Scotland where a massacre occurs, all to retrieve a young man, wild and angry, who is then put into Harry’s care. There’s so much mystery around this young man and his and Harry’s relationship has to overcome first their heritages, then the expectations of their societies.
1333. Edward III is at war with Scotland. Nineteen-year-old Sir Harry de Lyon yearns to prove himself, and jumps at the chance when a powerful English baron, William Montagu, invites him on a secret mission with a dozen elite knights. They ride north, to a crumbling Scottish keep, capturing the feral, half-starved boy within and putting the other inhabitants to the sword.
But nobody knows why the flower of English knighthood snuck over the border to capture a savage, dirty teenage boy. Montagu gives the boy to Harry as his squire, with only two rules: don't let him escape, and…