100 books like A Perfect Spy

Although this book is semi-autobiographical, it is still one of the best financial thrillers for me. I love the build-up of the characters working in the toxic mortgage and junk bond markets of the late 1980s.

I love, too, the way it depicts the moral bankruptcy of the major investment banks and exposes the culture of greed that ultimately led to the financial crash of the late ‘80s, which was to be replicated again many years later.

J.R.R. Tolkien's masterful storytelling is unmatched, and The Lord of the Rings weaves together moral dilemmas and profound philosophical ideas seamlessly, encouraging me to contemplate the nature of power, the importance of preserving the natural world, and the significance of individual choices.

The book's themes of heroism, friendship, sacrifice, and the struggle between good and evil resonate deeply. In addition, each of his characters feels like an aspect of oneself; the introspection it inspires is brilliant!

The Lord of the Rings instills a sense of wonder, ignites the imagination, and imparts timeless wisdom, which heavily transformed my perspective on life, my values, and my understanding of the human condition.

Machiavelli is often despised as the man who promoted both authoritarian leaders and the notion that the ends justify the means, but this is to misunderstand the importance of the context within which he was writing: 16th century Florence – which was besieged by enemies on every side who proclaimed adherence to the Christian faith but acted as monsters. Machiavelli’s writing made two things clear to me. First, leaders and leadership cannot be understood if you abstract them from their context – when political morality is a contradiction in terms then leaders must be wary of sacrificing their followers for the sake of that same fallacious morality. Second, he lays out how dictators obtain and retain power – and in doing so establishes what we need to do to stop them or remove them. 

I can’t pick just one, and they’re really all the same. The burly, idiosyncratic title character, an Army veteran, is like a knight-errant, stumbling into colossal evildoings and coolly saving America, the Army, or (occasionally) a pretty woman. The books are popcorn, potato chips, cotton candy – once you pick them up, you’ll rarely read less than a hundred pages. Is it art? Most definitely not. But will it get you through a very bad afternoon? Quite possibly.

Another work spanning more than a hundred years and featuring many rich characters, crises, and drama, the Mars Trilogy makes a great summer read. At a little more than 1600 pages, the trilogy is like three seasons of a really engrossing television series.

The trilogy contains ample portions of science, science fiction, politics, and explorations of the human condition. There’s even some boom-boom for those who like a few explosions in their stories. Like my other preferences, there’s little “magic” in the Trilogy’s universe; instead, things mostly make sense after accepting a couple of assumptions. The richness of the characters really stood out for me, helped by the fact that the characters, by and large, experience long lifetimes!

In this book, George Eliot’s novel of provincial life in 1830s England, nearly everyone marries the wrong person. Even the future happiness of its heroine, Dorothea, when she finally unites with her true love, Will, is questionable. And yet it stands for me, not only as one of the finest novels ever written but one of literature’s greatest romances.

Virginia Woolf famously wrote that it is a novel “for grown-up people.” I believe it is essential reading because it reflects real life where couples are mismatched, love goes unrequited, and ambitions are thwarted. It illuminates the small ways our better selves become compromised—and the larger gestures by which we are redeemed. As Eliot’s characters zigzag their way to each other, it is love that brings this redemption. How very romantic!

I really liked the way Puzo really nails the intricate plot with his straightforward writing style. He takes you through intricate events that jump around in time, keeping you hooked and on the edge of your seat.

The progression of the characters is another great bit. As a reader, you watch as Michael turns from a war hero with the potential to be a great guy into a ruthless mafia boss, almost as if it were destiny or repercussions for his father’s mistakes. 

I’m fascinated by the in-depth character development and details in this book. The film is a classic, but I think the book is even better. Many people think of Hannibal Lecter as the obvious villain of Silence of the Lambs, forgetting that Clarice and the FBI were seeking his guidance to find “Buffalo Bill,” a fictional serial killer attacking women.

Buffalo Bill is an amalgamation of real serial killers, including Ted Bundy, Ed Gein, and Gary Heidnik. By cherry-picking the methods and traits of real killers, I think Harris created a truly terrifying villain. I find the characters, and especially the villain, to be rooted in reality, making them stick in your mind long after the last page.

I felt my net worth increase 25% just from reading this book, for Ian Fleming lavishes his world of French casinos and international crime in such opulence that you can feel the velvet smoking jacket slip over your shoulders with each turn of the page.

The debut of super-spy extraordinaire James Bond is so far removed from the celluloid pandemonium we all know and love that one would be forgiven for thinking MI6 veteran and fellow writer John le Carré was the real man behind the typewriter.

Fleming’s Bond is a cold, calculating career agent but also a human being, one with genuine weaknesses and failings that spoil the otherwise glamorous countenance of his operation but which also make the victories that much sweeter. Nobody does it better!

The book that triggered my deeper exploration into the world of political corruption, Dobb’s classic still stands shoulder to shoulder with HBO’s powerhouse TV reimagining of the source material, and ticks all the political thriller boxes—corruption, blackmail, and murderous intent at the highest levels of government. The masterfully crafted Francis Urquhart is one of the most intriguing fictional characters I’ve met, determined, manipulative, and utterly ruthless, and the twisty plot moves along at a cracking pace. Do people like Urquhart really exist? Undoubtedly, although the real versions are infinitely crueler and more corrupt. If you loved the TV show, as I did, the original book will not disappoint.