My graduating class in high school once designated me as “the most likely to start a feminist revolution.” That was a lot to live up to, but I’ve made a very small stab at it by writing about women who have changed our world. I love to bring awareness about the contributions great women have made in history, but I also want modern women to see themselves in these struggles. I always say that Historical Fiction is an exercise of empathy, and I hope my work encourages women today to get involved and make a difference in the world, too.
I loved this tale about the extraordinary Mary Wollstonecraft and her daughter, Mary Shelley.
Thoroughly researched, this novel delves deep into the complex relationship of a daughter who never knew her infamous, trailblazing, rule-breaking, feminist mother and how that same daughter breaks the mold in her own way by inventing the science fiction genre in writing Frankenstein.
From A Vindication of the Rights of Woman to Frankenstein, a tale of two literary legends—a mother and daughter—discovering each other and finding themselves along the way, from USA Today bestselling author Stephanie Marie Thornton.
1792. As a child, Mary Wollstonecraft longed to disappear during her father’s violent rages. Instead, she transforms herself into the radical author of the landmark volume A Vindication of the Rights of Woman, in which she dares to propose that women are equal to men. From conservative England to the blood-drenched streets of revolutionary France, Mary refuses to bow to society’s conventions and instead supports…
I dip into my well-thumbed edition of this inspiring book every so often, but in 2003, I was reading from it daily as it led me by the hand through the ups and downs of my own creations as I tackled a new novel.
I matched the months and seasons in which I was writing with hers and found it exhilarating to discover what she was thinking on the same day as me, even if removed by years. Virginia is like a wise aunt who has seen it all and knows it all and imparts honest and perceptive insights into the world of literature and creativity. It is a book I could not be without.
An invaluable guide to the art and mind of Virginia Woolf, drawn from the personal record she kept over a period of twenty-seven years.
Included are entries that refer to her own writing, and those that are relevant to the raw material of her work, and, finally, comments on the books she was reading. The first entry included here is dated 1918 and the last, three weeks before her death in 1941. Between these points of time unfolds the private world—the anguish, the triumph, the creative vision—of one of the great writers of the twentieth century.
I’m an award-winning children’s author of more than 100 books, including many biographies. I first fell in love with biographies when I was a child and read about young blind and deaf Helen Keller. Blind and deaf? I couldn’t imagine. Yet, page by page, as I stepped into little Helen’s world, I felt as if I experienced her struggles, triumphs, and tragedies right along with her. I discovered that in spite of her great challenges, she succeeded. That’s why I love biographies and why I write them. I hope my biographies open a door into someone else’s world that can remind readers that they can succeed too, in spite of obstacles in front of them. I try to write the sort of picture books I love—funny, whimsical, captivating, and unforgettable.
Everyone’s heard of Frankenstein, but a lot of people may not know that this legendary monster was created by a woman named Mary Shelley. In this fascinating picture book biography, Fulton doesn’t cover Mary Shelley’s entire life from beginning to end. Instead, she hones in on the most fascinating part—Lake Geneva, a stormy night, and a ghost-story challenge—that prompted Shelley to explore her imagination and write what has become one of the most famous monster stories of all time-- Frankenstein.
A 2018 New York Times/New York Public Library Best Illustrated Children's Books
On the bicentennial of Frankenstein, join Mary Shelley on the night she created the most frightening monster the world has ever seen.
On a stormy night two hundred years ago, a young woman sat in a dark house and dreamed of her life as a writer. She longed to follow the path her own mother, Mary Wollstonecraft, had started down, but young Mary Shelley had yet to be inspired.
As the night wore on, Mary grew more anxious. The next day was the deadline that her friend, the…
I write historical fiction, non-fiction, and biography. My historical fiction is set in the eighteenth century, which is often pictured as a time when people swanned about in fancy clothes, lived on country estates, travelled in gleaming carriages, and dined and danced their nights away in glittering assembly rooms. But most people didn’t live like that at all, although they are the ones who made the clothes, worked on the estates, drove the carriages, cooked the food, and cleaned the rooms. The books on my list focus on history from their point of view. In my own work – fiction and non-fiction – I’m also interested in telling the stories of so-called “ordinary” people.
The eighteenth-century writer Mary Wollstonecraft is one of my literary heroines. This may not seem like the best book to pick as she died before she could finish it, but there’s enough here to make her personality – intelligent, trenchant, independent – shine through. It tells the story of upper-class Maria, imprisoned by her husband in a lunatic asylum; and working-class Jemima, an asylum attendant. Jemima was born out of wedlock and into poverty, and has suffered economic exploitation, sexual violence, hunger, and destitution. Jemima’s story forms only part of the novel, but the bond formed across the class divide between the two women is the catalyst for Maria to start to understand the roots of her own oppression.
'I have lately written...a tale, to illustrate an opinion of mine, that a genius will educate itself.'
Mary Wollstonecraft is best known for her pioneering views on the rights of women to share equal rights and opportunities with men. Expressed most forcefully in her Vindication of the Rights of Woman (1792), her forthright opinions also inform her two innovative novels, Mary and The Wrongs of Woman, a fictional sequel to the Vindication. In both novels the heroines have to rely on their own resources to establish their independence and intellectual development. Mary learns to take control of her destiny and…
After 15 years as a screenwriter (and some heartbreaking near misses with the big screen), I turned my pen to novel writing, with an adaptation of a script I’d sold four times. My new book, Love and Fury: A Novel of Mary Wollstonecraft, is hot off the press this year and tells the story of one of the great writers and thinkers of the late 18th century, mother of Mary Shelley, and widely regarded as the mother of feminism. I’m drawn to larger-than-life, brilliant, charismatic, complicated figures whose own trajectories have altered our own. I’m now at work on a collection of short stories and an adaptation of Mr. Dickens and His Carol for the stage.
The giants of English biography (Janet Todd, Claire Tomalin, Lyndall Gordon) have written brilliant books about Wollstonecraft, but the one I went back to time and again (most dog-eared, underlined, annotated) was this dual biography of Mary Wollstonecraft and her daughter Mary Shelley. An absolute page-turner, it reads like a novel, bringing this extraordinary mother and daughter to vivid life in alternating chapters that reveal parallels in who they were, what they believed, and how they lived.
***AS READ ON BBC RADIO 4*** NATIONAL BOOK CRITICS CIRCLE AWARD WINNER
'A gripping account of the heartbreaks and triumphs of two of history's most formidable female intellectuals, Mary Wollstonecraft and Mary Shelley. Gordon has reunited mother and daughter through biography, beautifully weaving their narratives for the first time.' Amanda Foreman
English feminist Mary Wollstonecraft and author Mary Shelley were mother and daughter, yet these two extraordinary women never knew one another. Nevertheless, their passionate and pioneering lives remained closely intertwined, their choices, dreams and tragedies eerily similar.
Both women became famous writers and wrote books that changed literary history,…
At school I fell in love philosophy. But at university, as I grew older, I started to feel out of place: all the authors we read were men. I loved Plato, but there was something missing. It didn’t occur to me until I was in my thirties to look for women in the history of philosophy! I read Wollstonecraft first, then Olympe de Gouges, and the other women I wrote about in my book, and now I’m looking at women philosophers from the tenth to the nineteenth century. There is a wealth of work by women philosophers out there. Reading their works has made philosophy come alive for me, all over again.
I’ve read and written a lot on Wollstonecraft, so I don’t surprise easily.
But I was surprised when I found out that Mary Wollstonecraft was a theatre buff who knew Shakespeare inside out, and that her favourite opera was Handel’s Judas Maccabeus and she would sometimes sing arias from it, that she loved swimming and horse riding.
The picture of Wollstonecraft that emerges from this book is that of a philosopher whose love and knowledge of humanity fed into her theories of human progress.
A compelling portrait of Mary Wollstonecraft that shows the intimate connections between her life and work
Mary Wollstonecraft's A Vindication of the Rights of Woman, first published in 1792, is a work of enduring relevance in women's rights advocacy. However, as Sylvana Tomaselli shows, a full understanding of Wollstonecraft's thought is possible only through a more comprehensive appreciation of Wollstonecraft herself, as a philosopher and moralist who deftly tackled major social and political issues and the arguments of such figures as Edmund Burke, Jean-Jacques Rousseau, and Adam Smith. Reading Wollstonecraft through the lens of the politics and culture of her…
I’m a nosy world traveler who loves visiting archeological sites, medieval castles, museums of the strange, and other people’s gardens. As both writer and editor, I know there’s nothing more powerful than finding and using the perfect words. A story can only engage others if it’s told vividly and well. I wrote my first in fifth grade, self-published for classmates on paper purloined from the teacher’s supply closet. Since then I’ve produced poetry, short prose, children’s books, and historical and contemporary novels. In my role as small-press editor, I love coming across a good manuscript by another writer and midwifing it to a final, polished birth as a wonderful book.
Passion features major artists and poets from a long-past yet oddly familiar period: the late 18th and early 19th centuries, a time in some ways like our 1960s and 70s: free love, revolutionary acts, creative and sexual freedom, and advances in art, science, politics, and literature. The novel stars riveting, romantic, larger-than-life literary figures: Mary Wollstonecraft, Lord Byron, Percy Shelley, Mary Shelley, Lady Caroline Lamb, and Augusta Byron. Why can’t I time travel and inhabit such bygone eras – for a while, anyhow! But a good historical novel is the next best thing.
If it’s full of intrigue, romance, fantastic settings, and the occasional steamy encounter in which characters shed cool-sounding period clothing, even better...plus, the author’s uncanny ability to convincingly inhabit the minds of these exciting people, in first-person voice, was impressive. Highest accolade: by story’s end I wished I’d written it myself!
They were the Romantic generation, famous and infamous, and in their short, extraordinary lives, they left a legacy of glamorous and often shocking legend. In PASSION the interwoven lives and vivid personalities of Byron, Shelley and Keats are explored through the eyes of the women who knew and loved them - scandalously, intensely and sometimes tragically. From the salons of the Whig nobles and the penury and vitality of Grub Street, to the beauty and corruption of Venice and the carrion field of Waterloo, PASSION presents the Romantic generation in a new and dramatic light - actors in a stormy…
I have had the privilege to teach the history of political theory from Plato to today for decades and to discuss texts such as the five I mentioned with very gifted students. No matter how often I return to such works, I always find something new in them and it is a pleasure to see how students learn to love reading for themselves what can be daunting works, once they overcome the fear of opening the great works and the initial challenge of seventeenth- and eighteenth-century prose.
Wollstonecraft’s Vindication of the Rights of Men,was a vigorous attack, probably the first, on Burke and his Reflections. Short and merciless, it is a spirited diatribe and displays her strong argumentative skills. It is the foundation for her far better-known Vindication of the Rights of Woman. She may not be fair to him, but she thought he hadn’t been fair to anyone either. Both Burke and she are engaging in some of the great issues of modern politics.
Less known than Mary Wollstonecraft's later work, A Vindication of the Rights of Men was her first work as a feminist philosopher and commentator. Compared to A Vindication of the Rights of Woman, this work is more focused on the specific political environment of the time. However, it covers many of the same themes, including the importance of liberty and equality.
When it was initially published anonymously, it was both successful and and influential. Later, when Wollstonecraft revealed herself as the author, critics focused on her identity as a woman, rather than the political ideals, leading to her rejection by…
I have been writing about the history of women's rights and women's suffrage for over fifty years. Suffrage: Women's Long Battle for the Vote offers a comprehensive history of the full three-quarters of a century of women's persistent suffrage activism. I began my work inspired by the emergence of the women's liberation movement in the 1970s and this most recent history appeared in conjunction with the 2020 Centennial of the Ratification of the Nineteenth Amendment. My understanding of the campaign for full citizenship for women repeatedly intersects with the struggles for racial equality, from abolition to Jim Crow. Today, when American political democracy is under assault, the long history of woman suffrage activism is more relevant than ever.
I am recommending this book because it is a beautifully written, originally argued overview of women’s rights long history.
Stansell organizes her compelling history of women’s rights around the shift from mothers’ perspectives (nineteenth-century feminism) to daughters’ perspectives (twentieth century). She writes beautifully and sweeps over this long tradition without minimizing the disagreements, shifts, and changes, all the while emphasizing the consistent theme of women’s individual freedom and collective struggle.
“A unique, elegant, learned sweep through more than two centuries of women’s efforts to overcome the most fundamental way that human beings have been wrongly divided into the leaders and the led. It’s full of surprises from the past and guiding lights for the future.”—Gloria Steinem
For more than two centuries, the ranks of feminists have included dreamy idealists and conscientious reformers, erotic rebels and angry housewives, dazzling writers,shrewd political strategists, and thwarted workingwomen. Well-known leaders are sketched from new angles by Stansell, with her bracingeye for character: Mary Wollstonecraft, the passionate English writer who in 1792 published the first…
I’m fascinated by what people make of political events at home and abroad. The rapid expansion of public opinion in later eighteenth-century Britain, in tandem with the explosion of the press—newspapers, books, sermons, plays, poetry, novels, magazines, and cartoons—makes it a wonderful period to explore. People in the past were no less complex and sophisticated than we are; they simply lived in different circumstances, opportunities, and constraints, with different assumptions and priorities. My British Visions of America, 1775–1820 (2013) also deals with the British trying to understand foreign affairs, while The Wodrow-Kenrick Correspondence, 1750–1810, eds Fitzpatrick, Macleod and Page is full of events at home and abroad.
This is a fantastic recent book that offers a walk-off-the-page sense of its large cast of characters—Mary Wollstonecraft, William Godwin, Thomas Paine, William Cowper, William Blake, Benjamin Franklin, William Wordsworth, Samuel Taylor Coleridge, and many others.
They were all regular guests at the dinner table of the London publisher, and bookseller Joseph Johnson, where he sat back and listened to his talented collection of authors talk about the issues of the day.
It’s both a great way into the world of publishing and selling books and a wonderful introduction to lots of famous writers of the period from a fresh new angle.
A fascinating portrait of a radical age through the writers associated with a London publisher and bookseller-from William Wordsworth and Mary Wollstonecraft to Benjamin Franklin
Once a week, in late eighteenth-century London, writers of contrasting politics and personalities gathered around a dining table. The veal and boiled vegetables may have been unappetising but the company was convivial and the conversation brilliant and unpredictable. The host was Joseph Johnson, publisher and bookseller: a man at the heart of literary life. In this book, Daisy Hay paints a remarkable portrait of a revolutionary age through the connected stories of the men and…
