I’m a nerd who fights. Started my professional life as a programmer, then switched to telling stories in advertising and entertainment. But my passion for technology and martial arts have always played a role in my life. Influenced by my father’s stories about judo, I studied a lot of styles of fighting, including kung fu, karate, Brazilian Jiu Jitsu, and also dabbled with boxing, Muay Thai, capoeira, taichi, bagua, Silat, and judo. Along that journey, one of my favorite ways to learn was by watching my female training partners, and how they had to develop a much more nuanced and sophisticated technique. An experience that would later inspire the birth of The Girl from Wudang.
“Many mixed martial artists claim they experience something like bliss at the moment they lose consciousness from a choke.” That’s a real quote from the book, which tells a personal journey of a 33-year-old man trying to to understand what it’s like to hit and get hit, and why some weirdos like me love it so much.
Count that as self-discovery if you’re fighter or an observational expedition if you can’t understand how someone can be one. Either way, keep that quote away from my wife, before she starts to rethink the decision to get our son into martial arts too.
Shortlisted for the William Saroyan International Prize for Writing
A physical and philosophical mediation on why we are drawn to fight each other for sport, what happens to our bodies and brains when we do, and what it all means
Anyone with guts or madness in him can get hit by someone who knows how; it takes a different kind of madness, a more persistent kind, to stick around long enough to be one of the people who does the knowing.
Josh Rosenblatt was thirty-three years old when he first realized he wanted to fight. A lifelong pacifist with a…
I’ve enjoyed a long career as an author-illustrator of picture books for children. I search for stories of girls and women whose greatness has been overlooked:
- Caroline Herschel, pioneering astronomer,
- Oney Judge, the slave who escaped from George and Martha Washington,
- Margaret Knight, the inventor who fought the man who tried to steal her idea and won in court
- and Lizzie Murphy, the big-league baseball star.
Every one of them had to overcome centuries of fierce resistance to female empowerment.
A few of my biographies began as picture books, but their subjects quickly outgrew that format.
This was the first biography of Ada. It is opinionated, comprehensive, and entertaining. Ada’s short, tumultuous life is related with little attention to mathematics or proto-computing, but much to her psychology and that of her family and friends. It’s a gothic tale of emotional hypocrisy and cruelty. Ada’s mother, Lady Byron, encouraged the aura of wickedness surrounding Lord Byron and styled herself its victim. Virulently self-righteous, she encouraged her daughter’s mathematical gifts in order to smother her imaginative ones. Despite Victorian piety, superstition, Old Boy network science, drug addiction, the confinement of women - and her overbearing Mother - Ada managed to engage the latest ideas in England and Germany and, working with Babbage, to produce an astonishingly prescient analysis of the “first computer.”
I have been researching, curating, and writing women’s history for 30 years. I curated the suffragette exhibition Purple, White, and Green at the Museum of London. I wrote The Suffragettes in Pictures; Love and Dirt: The Marriage of Arthur Munby and Hannah Cullwick; Elsie and Mairi Go To War: Two Extraordinary Women on the Western Front; The Criminal Conversation of Mrs Norton, and Rise Up, Women! The Remarkable Lives of the Suffragettes.
I am a public historian, devoted to sharing my research and writing with all. I am a keen podcaster, Youtuber, and guest on television and radio. You could say I’m a heroine addict.
I hope you love my recommendations.
At last! A book that places Byron’s wife, Annabella Milbank, and mathematician daughter, Ada Lovelace, centre-stage instead of the dusty wings of all previous books about this notorious and complicated man. It is the perfect book for anyone interested in Byron and his world, and more importantly for readers keen to consider a more nuanced account of his wife and daughter.
In 1815, the clever, courted, and cherished Annabella Milbanke married the notorious and brilliant Lord Byron. Just one year later, she fled, taking with her their baby daughter, the future Ada Lovelace. Byron himself escaped into exile and died as a revolutionary hero in 1824, aged 36. The one thing he had asked his wife to do was to make sure that their daughter never became a poet.
Ada didn't. Brought up by a mother who became one of the most progressive reformers of Victorian England, Byron's little girl was introduced to mathematics as a means of calming her wild…
I’ve enjoyed a long career as an author-illustrator of picture books for children. I search for stories of girls and women whose greatness has been overlooked:
- Caroline Herschel, pioneering astronomer,
- Oney Judge, the slave who escaped from George and Martha Washington,
- Margaret Knight, the inventor who fought the man who tried to steal her idea and won in court
- and Lizzie Murphy, the big-league baseball star.
Every one of them had to overcome centuries of fierce resistance to female empowerment.
A few of my biographies began as picture books, but their subjects quickly outgrew that format.
Toole, the first expert in computing to tackle Ada’s story, gathered her letters from British archives and libraries, then arranged their highlights to tell the story of Lovelace’s life in all of its complexity. Her introductions to each decade of life set the context but Ada herself tells the story in her inimitable voice. This book was published before scholars were willing to credit Ada with her achievement. In fact, many dismissed it altogether. It was Toole’s mission to correct the record and she succeeded admirably. This is the essential Lovelace Reader.
Ada Byron, Lady Lovelace, was one of the first to write programs for, and predict the impact of, Charles Babbage's Analytical Engine in 1843. Beautiful and charming, she was often characterized as "mad and bad" as was her illustrious father. This e-book edition, Ada, the Enchantress of Numbers: Poetical Science, emphasizes Ada's unique talent of integrating imagination, poetry and science. This edition includes all of Ada's fascinating letters to Charles Babbage, 55 pictures, and footnotes that encourages the reader to follow Ada's pathway to the 21st century.
I’m a mathematician and incurable book-lover. It’s been one of the joys of my life to explore the links between mathematics and literature. The stories we tell ourselves about mathematics and mathematicians are fascinating, and especially the ways in which mathematicians are portrayed in fiction. I’m the first female Professor of Geometry at Gresham College, London, a role created in 1597. I don’t fit the mathematician stereotype of the dishevelled old man, obsessed only with numbers (well, perhaps I am slightly dishevelled), so I particularly relish books featuring mathematicians who bring more to the party than this. I hope you’ll enjoy my recommended books as much as I did!
This play is a total delight. Read it, of course, and then if it ever comes to a theatre anywhere near you, go see it!
It’s set in 1809 and the present-ish day, and features exuberant mathematical prodigy Thomasina Coverly, who definitely isn’t meant to be Ada Lovelace, says Tom Stoppard (but maybe she is a bit).
The dialogue is like the most invigorating dinner party conversation you ever had: it’s funny, it’s clever, it references fractals, Fermat’s Last Theorem, the silly competitiveness of academia, Lord Byron, landscape gardening, and a million other things. I love it.
In a large country house in Derbyshire in April 1809 sits Lady Thomasina Coverly, aged thirteen, and her tutor, Septimus Hodge. Through the window may be seen some of the '500 acres inclusive of lake' where Capability Brown's idealized landscape is about to give way to the 'picturesque' Gothic style: 'everything but vampires', as the garden historian Hannah Jarvis remarks to Bernard Nightingale when they stand in the same room 180 years later.
Bernard has arrived to uncover the scandal which is said to have taken place when Lord Byron stayed at Sidley Park.
I read and write lots and love doing so. So when I need a break, the last thing I want is another book, right? Wrong! I take a break with books, and I love fun books that are an escape from the normal day-to-day, ones that won’t lull you to sleep, ones that end too quickly. It’s a sickness, I know, and I’ll deal with it as soon as I have worked through this pile of books on my desk.
I’m a geek; I’m ok with that, and I fully embrace that reality. I love books that tell the stories of the early pioneers who brought about computing as we know it. And few figures are as important and underappreciated as Lady Ava Lovelace.
She literally created what we now call “computer programming languages” before there were modern computers and electricity was widely available! Oh, and she did this before she died at age 33. This is a feel-good, inspiring tale of a woman well ahead of her time.
“[Ada Lovelace], like Steve Jobs, stands at the intersection of arts and technology."—Walter Isaacson, author of The Innovators
Over 150 years after her death, a widely-used scientific computer program was named “Ada,” after Ada Lovelace, the only legitimate daughter of the eighteenth century’s version of a rock star, Lord Byron. Why?
Because, after computer pioneers such as Alan Turing began to rediscover her, it slowly became apparent that she had been a key but overlooked figure in the invention of the computer.
In Ada Lovelace, James Essinger makes the case that the computer age could have started two centuries ago…
I’m a nosy world traveler who loves visiting archeological sites, medieval castles, museums of the strange, and other people’s gardens. As both writer and editor, I know there’s nothing more powerful than finding and using the perfect words. A story can only engage others if it’s told vividly and well. I wrote my first in fifth grade, self-published for classmates on paper purloined from the teacher’s supply closet. Since then I’ve produced poetry, short prose, children’s books, and historical and contemporary novels. In my role as small-press editor, I love coming across a good manuscript by another writer and midwifing it to a final, polished birth as a wonderful book.
Passion features major artists and poets from a long-past yet oddly familiar period: the late 18th and early 19th centuries, a time in some ways like our 1960s and 70s: free love, revolutionary acts, creative and sexual freedom, and advances in art, science, politics, and literature. The novel stars riveting, romantic, larger-than-life literary figures: Mary Wollstonecraft, Lord Byron, Percy Shelley, Mary Shelley, Lady Caroline Lamb, and Augusta Byron. Why can’t I time travel and inhabit such bygone eras – for a while, anyhow! But a good historical novel is the next best thing.
If it’s full of intrigue, romance, fantastic settings, and the occasional steamy encounter in which characters shed cool-sounding period clothing, even better...plus, the author’s uncanny ability to convincingly inhabit the minds of these exciting people, in first-person voice, was impressive. Highest accolade: by story’s end I wished I’d written it myself!
They were the Romantic generation, famous and infamous, and in their short, extraordinary lives, they left a legacy of glamorous and often shocking legend. In PASSION the interwoven lives and vivid personalities of Byron, Shelley and Keats are explored through the eyes of the women who knew and loved them - scandalously, intensely and sometimes tragically. From the salons of the Whig nobles and the penury and vitality of Grub Street, to the beauty and corruption of Venice and the carrion field of Waterloo, PASSION presents the Romantic generation in a new and dramatic light - actors in a stormy…
I loved this book as I was fascinated by its stories of the entertaining lives of British and other European aristocrats, highlighting their madness and providing tales of murder, misery, greed, and profligacy.
Even though I am a historian, I was unaware of just how eccentric these hellraisers were and their participation in blood sports, duels, and high-stakes gambling. It is a book that I will probably read a second time as I found the first instance so enjoyable.
The alarming history of the British, and European, aristocracy - from Argyll to Wellington and from Byron to Tolstoy, stories of madness, murder, misery, greed and profligacy.
From Regency playhouses, to which young noblemen would go simply in order to insult someone to provoke a duel that might further their reputation, to the fashionable gambling clubs or 'hells' which were springing up around St James's in the mid-eighteenth century, the often bizarre doings of aristocrats.
An eighteenth-century English gentleman was required to have what was known as 'bottom', a shipping metaphor that referred to stability. Taking part in a duel…
I fell in love with Romantic poetry when I was young. Then, after a gap of several years, I began to write historical fiction, and it was at this time that I found myself being drawn once more to the Romantic poets, this time as people as much as for their work. I discovered their place in the world, contested and controversial, and their influence became a driving light to me and my characters. InBeneath Black Clouds and White, Delphi explains: “It has a pulse, you see, like any other living thing. You must treat each poem as though it were alive.” I feel the same way!
People will tell you Byron produced his best works in later life (not that late, though because he died at the age of 36), his literary prowess capping at Don Juan.That could be true, but there is something beautifully human about Hours of Idleness. It includes my absolute favourite poem, "Lachin y Gair". It’s the poem that rekindled my love of Byron’s poetry after several years of absence, drenched in the poet’s desperation to belong in that history. That same connection with the cultural past is what turned me to writing historical fiction.
But the book is more than just one poem. It’s a youth’s progression into a man, and (as you might expect from Byron) features all the sordidness and bitterness of the emergence of an adult soul.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
I started my professional writing career in 1987 having founded the small press writers’ magazine, Quartos, which ran for nine years until its merger with Acclaim in 1996 to become The New Writer, as well as authoring several creative writing how-to books – including Horror Upon Horror. In addition to acting as judge for national writing competitions, I've also tutored at writers’ workshops including The Annual Writers’ Conference (Winchester College), The Summer School (University of Wales), Horncastle College (Lincolnshire), and the Cheltenham Literature Festival. Having been a staunch supporter of the Gothic Society and a regular contributor to its quarterly magazine, Udolpho, I have also created the series of The Vampyre’s Tale novels.
As contemporary Gothic author and artist Franklin Bishop observe, John Polidori ‘was responsible for introducing into English fiction the enduring image of the vampyre in the guise of a suave, cynical, and murderous English Lord. With the presentation of Lord Ruthven [Byron] as a vampyre, Polidori created a personification of evil that countless authors have since imitated in attempting to satisfy the enormous public interest in this genre of literature. The literary-metamorphosed vampire that emerged from the Villa Diadoti ‘ghost story’ contest quickly developed a life force of its own – which was not surprising since it was the collective brainchild of Byron and his physician John Polidori – and created a minor literary scandal when it was published in 1818. The Vampyre was based on Lord Byron’s unfinished story "Fragment of a Novel," but it is arguably the most influential vampire work of the early 19th century.
