I’m a nosy world traveler who loves visiting archeological sites, medieval castles, museums of the strange, and other people’s gardens. As both writer and editor, I know there’s nothing more powerful than finding and using the perfect words. A story can only engage others if it’s told vividly and well. I wrote my first in fifth grade, self-published for classmates on paper purloined from the teacher’s supply closet. Since then I’ve produced poetry, short prose, children’s books, and historical and contemporary novels. In my role as small-press editor, I love coming across a good manuscript by another writer and midwifing it to a final, polished birth as a wonderful book.
There are many novels and biographies about Edgar Allen Poe, but few capture his young cousin and wife, Virginia Clemm. Yet she was, according to Poe, the great love of his life. Some details are known: her striking musical talent, their odd marriage when she was only thirteen and he twenty-seven, the couple’s many moves, with her mother, from Norfolk to Baltimore to New York City as Poe gained and lost writing jobs, and Virginia’s illness and eventual early death from tuberculosis.
It’s a convincing portrait of the young woman whose childhood crush became a tragic, lasting love affair – inspiring Poe to create his greatest works. Her untimely death at 27 nearly destroyed him. Part historical drama, part ghost story, The Raven’s Bride explores their lives and the enduring lifelong romance – and beyond.
Passion features major artists and poets from a long-past yet oddly familiar period: the late 18th and early 19th centuries, a time in some ways like our 1960s and 70s: free love, revolutionary acts, creative and sexual freedom, and advances in art, science, politics, and literature. The novel stars riveting, romantic, larger-than-life literary figures: Mary Wollstonecraft, Lord Byron, Percy Shelley, Mary Shelley, Lady Caroline Lamb, and Augusta Byron. Why can’t I time travel and inhabit such bygone eras – for a while, anyhow! But a good historical novel is the next best thing.
If it’s full of intrigue, romance, fantastic settings, and the occasional steamy encounter in which characters shed cool-sounding period clothing, even better...plus, the author’s uncanny ability to convincingly inhabit the minds of these exciting people, in first-person voice, was impressive. Highest accolade: by story’s end I wished I’d written it myself!
They were the Romantic generation, famous and infamous, and in their short, extraordinary lives, they left a legacy of glamorous and often shocking legend. In PASSION the interwoven lives and vivid personalities of Byron, Shelley and Keats are explored through the eyes of the women who knew and loved them - scandalously, intensely and sometimes tragically. From the salons of the Whig nobles and the penury and vitality of Grub Street, to the beauty and corruption of Venice and the carrion field of Waterloo, PASSION presents the Romantic generation in a new and dramatic light - actors in a stormy…
I’m married to a novelist, so I like books about writing couples. That’s what drew me initially to this novel about Scottish writer Robert Louis Stevenson and the American writer Fanny Osborne. She was 38, ten years his senior when they met in France in the 1870s; married with children but separated from a philandering husband back in California. Stevenson was single, sickly, immature, and eccentric, but Fanny eventually realized this was outweighed by his kindness and imagination. By turns comic and tragic, the story moves from out West to Europe and back again. Horan’s portrayal of the strengths and all the flaws and faults of the real-life people involved – even that unfaithful husband! -- never slights their humanity. Not an easy task; one I still struggle with in my own writing at times. This fascinating story by the author of Loving Frank taught me even as it entertained.
At the age of thirty-five, Fanny van de Grift Osbourne leaves her philandering husband in San Francisco and sets sail for Belgium to study art, with her three children and nanny in tow. Not long after her arrival, however, tragedy strikes, and Fanny and her brood repair to a quiet artists' colony in France where she can recuperate. There she meets Robert Louis Stevenson, ten years her junior, who is instantly smitten with the earthy, independent, and opinionated belle Americaine.
Everyone may love a hero, but let’s face it: They’re far more enthralled by a really good villain. An antagonist can be far more conflicted and complex, and thus more interesting, than a steady, predictable protagonist. And when it comes to infamous couples gone bad, two of the most famous are Gertrude and Claudius from Shakespeare’s tragedy Hamlet. I was once part of a traveling Shakespeare company, years ago, and sometimes still act. So novels that feature characters from classic plays and either update or develop them more deeply fascinate me. Updike’s skilled, vivid take on Hamlet’s mother and scheming uncle-turned-stepfather does not disappoint. He makes them far more sympathetic and human than one would ever infer from the original play, and I was quickly immersed in the setting and era he so vividly recreates. But, fair warning: You may find yourself rooting for the opposition in this revisionist historical romance!
Using details of the ancient Scandinavian legends that were the inspiration for Hamlet, John Updike brings to life Gertrude's girlhood as the daughter of King Rorik, her arranged marriage to the man who becomes King Hamlet, and her middle-aged affair with her husband's younger brother. As only he could, Updike recasts a tale of medieval violence and presents the case for its central couple that Shakespeare only hinted at. Gertrude's warmth and lucidity, Claudius's soldierly yet peaceable powers of command are seen afresh against a background of fond intentions and familial dysfunction, on a stage darkened by the ominous shadow…
I mentioned that I love a well-crafted update of a classic tale. Twisted Fate is Shakespeare’s The Tempest in modern dress, moved across the Atlantic to Staten Island with a brief stop in the Bahamas. I was hooked immediately when protagonist Laina, a bookshop owner grieving the death of her beloved brother, is a last-minute fill-in at her cousin’s Bridezilla wedding (wearing the gown of the absent pregnant bridesmaid, which keeps falling down). Laina over-imbibes at the reception and (briefly) even sets herself on fire. Hey, we’ve all been there...as events progress, there’s fate, mistaken identity, misplaced love, and of course the requisite tempest. Only great character development can immerse me in a story. This author’s dry humor is a deft foil for that. Which isn’t always the case; comic romances can suffer from cliches and worn caricatures. Not this book; it’s a gem.
"A truly sympathetic main character, sparkling dialogue, and a deeper message about loving oneself first make this contemporary a must-read." - Publishers Weekly (Starred Review) “A funny and moving look at the way friendship, grief and destiny inform love . . . a comedy that makes you laugh and a drama that makes you cry. Supremely satisfying, the way a great romantic comedy makes you feel.” — Susan Cartsonis, producer of What Women Want and The Duff “Dana Miller’s charming romantic debut has the lightness of a meringue. But do not be deceived. Beneath the frothiness is a story of…
I’ve always had an affinity for the underdog. Maybe that’s why I’m a Bronte girl instead of an Austen girl. I’ve read Jane Eyre repeatedly since junior high. Though not an orphan, I deeply identified with Jane (who, once you read of the author’s life, often seems to be Charlotte herself, thinly disguised) and her oppressive existence -- first as a scorned charity case and then poor governess. I love that the novel -- published in the early 1800s whose mores are now considered outdated -- in its own time was considered shocking. Condemned as depraved, “unwomanly,” and “anti-Christian” because its protagonist sought love on her own terms, rather than those demanded by the times. And when she finally returns (spoiler alert) to her boss and would-be lover, the formerly rude, obnoxious Mr. Rochester, it’s not until he’s been humbled and made dependent on her. Another favorite thing – a nice turn at the end.
Introduction and Notes by Dr Sally Minogue, Canterbury Christ Church University College.
Jane Eyre ranks as one of the greatest and most perennially popular works of English fiction. Although the poor but plucky heroine is outwardly of plain appearance, she possesses an indomitable spirit, a sharp wit and great courage.
She is forced to battle against the exigencies of a cruel guardian, a harsh employer and a rigid social order. All of which circumscribe her life and position when she becomes governess to the daughter of the mysterious, sardonic and attractive Mr Rochester.
My life and work have been profoundly affected by the central circumstance of my existence: I was born into a very large military Catholic family in the United States of America. As a child surrounded by many others in the 60s, I wrote, performed, and directed family plays with my numerous brothers and sisters. Although I fell in love with a Canadian and moved to Canada, my family of origin still exerts considerable personal influence. My central struggle, coming from that place of chaos, order, and conformity, is to have the courage to live an authentic life based on my own experience of connectedness and individuality, to speak and be heard.
Trapped in her enormous, devout Catholic family in 1963, Annie creates a hilarious campaign of lies when the pope dies and their family friend, Cardinal Stefanucci, is unexpectedly on the shortlist to be elected the first American pope.
Driven to elevate her family to the holiest of holy rollers in the parish, Annie is tortured by her own dishonesty. But when “The Hands” visits her in her bed and when her sister finds herself facing a scandal, Annie discovers her parents will do almost anything to uphold their reputation and keep their secrets safe.
Questioning all she has believed and torn between her own gut instinct and years of Catholic guilt, Annie takes courageous risks to wrest salvation from the tragic sequence of events set in motion by her parents’ betrayal.
