Here are 100 books that Gertrude and Claudius fans have personally recommended if you like
Gertrude and Claudius.
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I was the ten-year-old child who devoured David Copperfield (and then every other Dickens book), the teenager who began a lifelong love of Russian literature after discovering Dostoevsky’s Crime and Punishment. To this day, my greatest reading pleasure is to lose (and find) myself in the rich, expansive world of a nineteenth-century novel. In my contemporary rom-com, Blame It on the Brontës, my heroine is torn between her literary ideal of love and the reality of losing the love of her life. To paraphrase Keats, she tries to reconcile “the truth of imagination” with “the holiness of the heart’s affections.” As a romance writer, it is my quest, too.
Charlotte Brontë’s Jane Eyre follows the format of a romance novel: a governess falls in love with her employer, they overcome impediments, and they live happily ever after. Add a madwoman in the attic, Thornfield Hall in flames, and Mr. Rochester’s voice calling to Jane across the winds, and you have an unforgettable romance novel.
I admire Jane immensely. Her journey from being a suffering student at Lowood School to an independent woman is as relevant as ever. Through every experience, she asserts her autonomy but never wavers in her moral compass.
In Brontë’s world, love involves every fiber of one’s being, not just emotions or desire. Mr. Rochester is a complex, conflicted man who proves himself worthy of Jane’s love. For me, they have set the standard of the romantic heroine and hero.
Introduction and Notes by Dr Sally Minogue, Canterbury Christ Church University College.
Jane Eyre ranks as one of the greatest and most perennially popular works of English fiction. Although the poor but plucky heroine is outwardly of plain appearance, she possesses an indomitable spirit, a sharp wit and great courage.
She is forced to battle against the exigencies of a cruel guardian, a harsh employer and a rigid social order. All of which circumscribe her life and position when she becomes governess to the daughter of the mysterious, sardonic and attractive Mr Rochester.
I’m a nosy world traveler who loves visiting archeological sites, medieval castles, museums of the strange, and other people’s gardens. As both writer and editor, I know there’s nothing more powerful than finding and using the perfect words. A story can only engage others if it’s told vividly and well. I wrote my first in fifth grade, self-published for classmates on paper purloined from the teacher’s supply closet. Since then I’ve produced poetry, short prose, children’s books, and historical and contemporary novels. In my role as small-press editor, I love coming across a good manuscript by another writer and midwifing it to a final, polished birth as a wonderful book.
Passion features major artists and poets from a long-past yet oddly familiar period: the late 18th and early 19th centuries, a time in some ways like our 1960s and 70s: free love, revolutionary acts, creative and sexual freedom, and advances in art, science, politics, and literature. The novel stars riveting, romantic, larger-than-life literary figures: Mary Wollstonecraft, Lord Byron, Percy Shelley, Mary Shelley, Lady Caroline Lamb, and Augusta Byron. Why can’t I time travel and inhabit such bygone eras – for a while, anyhow! But a good historical novel is the next best thing.
If it’s full of intrigue, romance, fantastic settings, and the occasional steamy encounter in which characters shed cool-sounding period clothing, even better...plus, the author’s uncanny ability to convincingly inhabit the minds of these exciting people, in first-person voice, was impressive. Highest accolade: by story’s end I wished I’d written it myself!
They were the Romantic generation, famous and infamous, and in their short, extraordinary lives, they left a legacy of glamorous and often shocking legend. In PASSION the interwoven lives and vivid personalities of Byron, Shelley and Keats are explored through the eyes of the women who knew and loved them - scandalously, intensely and sometimes tragically. From the salons of the Whig nobles and the penury and vitality of Grub Street, to the beauty and corruption of Venice and the carrion field of Waterloo, PASSION presents the Romantic generation in a new and dramatic light - actors in a stormy…
First, I'm a woman and I'm inspired by women from the past who overcame the rules of the day in which they lived. It doesn’t matter where they lived, or what they tried to overcome, but to have bucked the patriarchal system and achieved some measure of success, is phenomenal. Second, I became inspired by silent film star Marion Davies, and I wrote a book about it. I never intended to write historical fiction. My first book was a memoir about sailing to Tahiti at fourteen with my father and two sisters. But life has a funny way of directing us where we need to go. Here I am: inspired by women from the past!
I grew up reading Treasure Island by Robert Louis Stevenson, and found this book about the woman who changed his life riveting.
I also loved it because Stevenson sails to French Polynesia and I have sailed to French Polynesia and written a book about it. So there are many connections for me. Plus, it’s about the real life of scorned woman, Fanny Van de Grift Osbourne who flees San Francisco and her philandering husband and eventually falls in love with Stevenson.
At the age of thirty-five, Fanny van de Grift Osbourne leaves her philandering husband in San Francisco and sets sail for Belgium to study art, with her three children and nanny in tow. Not long after her arrival, however, tragedy strikes, and Fanny and her brood repair to a quiet artists' colony in France where she can recuperate. There she meets Robert Louis Stevenson, ten years her junior, who is instantly smitten with the earthy, independent, and opinionated belle Americaine.
I’m a nosy world traveler who loves visiting archeological sites, medieval castles, museums of the strange, and other people’s gardens. As both writer and editor, I know there’s nothing more powerful than finding and using the perfect words. A story can only engage others if it’s told vividly and well. I wrote my first in fifth grade, self-published for classmates on paper purloined from the teacher’s supply closet. Since then I’ve produced poetry, short prose, children’s books, and historical and contemporary novels. In my role as small-press editor, I love coming across a good manuscript by another writer and midwifing it to a final, polished birth as a wonderful book.
I mentioned that I love a well-crafted update of a classic tale. Twisted Fate is Shakespeare’s The Tempest in modern dress, moved across the Atlantic to Staten Island with a brief stop in the Bahamas. I was hooked immediately when protagonist Laina, a bookshop owner grieving the death of her beloved brother, is a last-minute fill-in at her cousin’s Bridezilla wedding (wearing the gown of the absent pregnant bridesmaid, which keeps falling down). Laina over-imbibes at the reception and (briefly) even sets herself on fire. Hey, we’ve all been there...as events progress, there’s fate, mistaken identity, misplaced love, and of course the requisite tempest. Only great character development can immerse me in a story. This author’s dry humor is a deft foil for that. Which isn’t always the case; comic romances can suffer from cliches and worn caricatures. Not this book; it’s a gem.
"A truly sympathetic main character, sparkling dialogue, and a deeper message about loving oneself first make this contemporary a must-read." - Publishers Weekly (Starred Review) “A funny and moving look at the way friendship, grief and destiny inform love . . . a comedy that makes you laugh and a drama that makes you cry. Supremely satisfying, the way a great romantic comedy makes you feel.” — Susan Cartsonis, producer of What Women Want and The Duff “Dana Miller’s charming romantic debut has the lightness of a meringue. But do not be deceived. Beneath the frothiness is a story of…
I’m an American who was taken by his parents to live in England for a year when he was a kid of eleven. The accents? The traditions? The school uniforms? All the traffic tangled up for a day because the Queen was riding to the State Opening of Parliament? It frightened me. It repelled me. I ended up loving it. I wrote my PhD thesis on the Victorian monarchy. A substantial part of all three of my first nonfiction books are about it. My novel on the current Queen of England has been a bestseller. It’s all about setting out to master what first strikes you as incomprehensible.
In the guise of a biography of the current queen, this is one of the best books on the modern British monarchy as an institution. Sarah Bradford talked to all the palace insiders, an amazing feat given how touchy and protective everyone around the queen is. Bradford has the best sense of the strengths of the current queen and her weaknesses. Because Elizabeth II is now the longest-reigning monarch in British history, she epitomizes most of the advantages and disadvantages of the institution in her own single lifetime. You will find out which of the episodes from Netflix’s The Crown are all made up, and which are close to the truth.
A court insider's portrait of Elizabeth II and her eventful and turbulent reign journeys beyond the facade of Buckingham Palace to answer questions about the scandal-ridden royals, relationships among members of her family, her personal beliefs, and future prospects for the House of Windsor. Tour.
Reading Historical Fiction as a youngster led me to study history at university – so the Tudors have been part of my life for about forty years now. After graduating with a Master’s degree, my career choice was easy. Of my thirteen novels, ten are Tudor, covering among others, the lives of Margaret Beaufort, Elizabeth of York, Anne Boleyn, Katheryn Parr, Mary Tudor, and King Henry VIII himself. It isn’t necessarily ‘normal’ to live in such close proximity to the Tudors, but I would be hard pushed to write in a modern setting. Give me an ill-lit chamber, a royal banquet, or even a grisly beheading and I am perfectly at home.
This book provides a different angle on Jane Seymour. I’ve never particularly ‘liked’ fictional Janes because they are usually so one-dimensional but this author delves more deeply. Jane’s character is subtle. On the surface she seems meek but beneath the façade she is quite determined to get what she wants. Often, the modern ideal of strong women doesn’t sit well on historical figures but J. Wertman has understood that subterfuge was often the only way for a female, even a queen, to get her own way. Janet Wertman has written other engaging Tudor books but this is my favourite.
"One of the Best Books of 2016" - Open Letters Monthly; Finalist, 2016 Novel of the Year - Underground Book Reviews; Semi-Finalist - 2017 M.M. Bennetts Award
All Jane Seymour wants is a husband; but when she catches the eye of a volatile king, she is pulled deep into the Tudor court's realm of plot and intrigue....
England. 1535. Jane Seymour is 27 years old and increasingly desperate to marry and secure her place in the world. When the court visits Wolf Hall, the Seymour ancestral manor, Jane has the perfect opportunity to shine: her diligence, efficiency, and newfound poise…
When I was in 6th grade, and homeschooling, I discovered Ancient Egypt. That year I had some health problems, which ended up essentially cancelling school for that year, and I was allowed to do whatever I wanted. I spent the entire year studying Egypt. My passion for history spiralled from there, and I've spent the interveaning years studying periods of history from Ancient Egypt to the Italian Rennaisance. I always wanted to be a writer and discovering that Historical Fiction as a genre was eye-opening for me. Since then I hardly read anything else (except fantasy) and all my personal works are Historical Fiction.
The first time I read this book I couldn't put it down. I read it in a single day. Every time I've read it since it's been the same. I'm just sucked into the voice and the story and I never want it to end. I've loved Egypt almost all my life and The Heretic Queen is one of the best Egyptian Historical Fiction novels I have ever read. To me, storytelling is about the journey, about the change in the voice as the character ages, about overcoming the hardships of life, and hoping for the future when the story ends. This book covers all of those and more.
In ancient Egypt, a forgotten princess must overcome her family's past, and remake history. The winds of change are blowing through Thebes. A devastating palace fire has killed the 18th dynasty's royal family - all with the exception of Nefertari, niece of the reviled former queen Nefertiti. The girl's deceased family has been branded as heretical, and no one in Egypt will speak their names. A relic of a previous reign, Nefertari is pushed aside, an unimportant princess left to run wild in the palace. But all of this changes when she is taken under the wing of pharaoh's aunt,…
Dan Fesperman has made a living by writing about dangerous and unseemly people and places since his days as a journalist, when he was a foreign correspondent for The Baltimore Sun. Now traveling on his own dime, his books draw upon his experiences in dozens of countries and three war zones. His novels have won two Dagger awards in the UK and the Dashiell Hammett Prize from the International Association of Crime Writers. His thirteenth novel, Winter Work, will be published in July by Knopf. He lives in Baltimore.
Bennett offers a cheeky take on the power of reading with this whimsical but keenly observed novel in which Queen Elizabeth, while searching for a wayward corgi, stumbles upon a bookmobile parked outside Buckingham Palace. To be royally polite she checks out a novel, begins reading it later, and soon finds herself craving another. This quickly leads to a reading habit bordering on obsession, as the world inside her mind begins to broaden more than she could have imagined.
It was the corgis' fault. When they strayed through the grounds of Buckingham Palace, the Queen discovered the City of Westminster travelling library. The Queen has never had much time for reading - pleasure has always come second place to duty - though now that one is here I suppose one ought to borrow a book. She is about to discover the joys of literature, albeit late in life. One book leads to another and the Queen is soon engrossed in the delights of reading. However, this uncommon reader creates an uncommon problem. The royal household dislikes the Queen's new…
I grew up reading books, and when I was around 10 years old I discovered science fiction and fantasy. What hooked me about these genres was the imagination and skill that would go into building an entire world which only exists between the covers of that book. But I also found that there was an intense enjoyment to be had from books that sat within those categories, but which were more unusual; books that push the boundaries of their genre or introduce something new.
As a fantasy reader, you will often come across the same ideas regurgitated in a slightly different form. Not that I have anything against that – some of them are still amazing stories – but when there is a slightly different voice to the storytelling, it is very refreshing. That’s what I found with Dragon Queen, the first in The Silver Kings series.
Some have argued that this series is chaotic and focuses on too many characters, but I found it delightfully action-packed with dark plots, political scheming, and incredible world-building and scenery that played out through my imagination as I read.
Praised by the likes of Joe Abercrombie and Brent Weeks, Stephen Deas has made dragons his own.
In the years before the Dragons laid waste to man's empire, the fearsome monsters were used for war and as gifts of surpassing wealth to buy favour in the constant political battles that tore at the kingdoms.
Notorious in these battles was the Dragon Queen. And now she is a prisoner. But no one is more dangerous than when caged ...
The critics, fellow authors and readers alike are agreed - if you love dragons and epic fantasy, Stephen Deas is the writer…
I am an associate professor at Nottingham Trent University and my interest in the Mongols first began many years ago during my MA at Royal Holloway University. I had always been interested in the historic relationships between nomadic and agricultural societies, but what I found fascinating about the Mongols was the sheer speed and range of their expansion—how could they have conquered the greater part of the Asia within only a few decades? Exploring how the Mongols grappled with the realities of ruling such a vast imperium remains a very thought-provoking issue, so too is the question of how the peoples they overthrew accommodated themselves to Mongol rule.
The governance and administration of the Mongol Empire was an unimaginably complex exercise. Faced with endless factional rivalries as well as the need to erect and enforce the empire’s authority over a vast span of territory, the challenge of ruling the empire was truly formidable. In Women and the Making of the Mongol Empire, Anne Broadbridge examines the central role played by leading women in shaping Mongol society and its armies, thereby drawing out the sinews of power driving this vast imperium.
How did women contribute to the rise of the Mongol Empire while Mongol men were conquering Eurasia? This book positions women in their rightful place in the otherwise well-known story of Chinggis Khan (commonly known as Genghis Khan) and his conquests and empire. Examining the best known women of Mongol society, such as Chinggis Khan's mother, Hoe'elun, and senior wife, Boerte, as well as those who were less famous but equally influential, including his daughters and his conquered wives, we see the systematic and essential participation of women in empire, politics and war. Anne F. Broadbridge also proposes a new…
