Here are 100 books that Mary and The Wrongs of Woman fans have personally recommended if you like
Mary and The Wrongs of Woman.
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I write historical fiction, non-fiction, and biography. My historical fiction is set in the eighteenth century, which is often pictured as a time when people swanned about in fancy clothes, lived on country estates, travelled in gleaming carriages, and dined and danced their nights away in glittering assembly rooms. But most people didn’t live like that at all, although they are the ones who made the clothes, worked on the estates, drove the carriages, cooked the food, and cleaned the rooms. The books on my list focus on history from their point of view. In my own work – fiction and non-fiction – I’m also interested in telling the stories of so-called “ordinary” people.
I love George Eliot’s work, and this, her first novel, is my favourite. Adam Bede is a carpenter who’s in love with dairymaid Hetty Sorrell, but their lives are turned upside down when the squire seduces her. Eliot confronts issues of class, illegitimacy, gender power imbalance, and the double standard – it is not the squire who suffers the consequences of the affair. Dinah Morris, the cousin who stands by Hetty in her trouble, is a wonderful character. She’s a Methodist preacher at a time when church authorities insisted women shouldn’t minister – the Methodist Conference banned women preachers in 1803, and the Church of England didn’t ordain women until 1994 when 32 women were ordained at Bristol Cathedral – I was there! So Dinah represents a strong working woman who is making a truly radical stand against a powerful institution.
'Our deeds carry their terrible consequences...consequences that are hardly ever confined to ourselves.'
Pretty Hetty Sorrel is loved by the village carpenter Adam Bede, but her head is turned by the attentions of the fickle young squire, Arthur Donnithorne. His dalliance with the dairymaid has unforeseen consequences that affect the lives of many in their small rural community. First published in 1859, Adam Bede carried its readers back sixty years to the lush countryside of Eliot's native Warwickshire, and a time of impending change for England and the wider world. Eliot's powerful portrayal of the interaction of ordinary people brought…
I write historical fiction, non-fiction, and biography. My historical fiction is set in the eighteenth century, which is often pictured as a time when people swanned about in fancy clothes, lived on country estates, travelled in gleaming carriages, and dined and danced their nights away in glittering assembly rooms. But most people didn’t live like that at all, although they are the ones who made the clothes, worked on the estates, drove the carriages, cooked the food, and cleaned the rooms. The books on my list focus on history from their point of view. In my own work – fiction and non-fiction – I’m also interested in telling the stories of so-called “ordinary” people.
My father was Welsh, and so I’m drawn to Welsh stories and history. Feet in Chains is about Jane and Ifan Gruffydd’s struggle to keep body and soul together on their small holding near Caernarfon, and raise their children. Ifan is a quarryman, at the mercy of powerful employers who can lower wages or increase hours at will. Kate Roberts was herself the daughter of a quarryman and was brought up on her parents’ smallholding in Caernarfonshire. Like two of the Gruffydd children, she won a scholarship enabling her to attend school. She became a teacher, but had to give up her career when she married because of the marriage bar on women. Her personal experiences give the novel much of its power.
Snowdonia, 1880, and Jane Gruffydd is a newcomer to the district, dressed to the nines and almost fainting in the heat of the interminable prayer meeting out on the mountainside...In the pages of this classic 1936 novel, we see the passionate and headstrong Jane grow up and grow old, struggling to bring up a family of six children on the pittance earned by her slate-quarrying husband, Ifan. Spanning the next forty years, the novel traces the contours not only of one vividly evoked Welsh family but of a nation coming to self-consciousness; it begins in the heyday of Methodist fervour…
I write historical fiction, non-fiction, and biography. My historical fiction is set in the eighteenth century, which is often pictured as a time when people swanned about in fancy clothes, lived on country estates, travelled in gleaming carriages, and dined and danced their nights away in glittering assembly rooms. But most people didn’t live like that at all, although they are the ones who made the clothes, worked on the estates, drove the carriages, cooked the food, and cleaned the rooms. The books on my list focus on history from their point of view. In my own work – fiction and non-fiction – I’m also interested in telling the stories of so-called “ordinary” people.
The Hanging Tree is one of the best non-fiction books I’ve read about how the other half (more like seven-eights actually) lived. It describes the experience of the mainly lower-class people who suffered under the Bloody Code, when over 250 offences carried the death penalty. By using diaries, memoirs, broadsides, petitions for mercy, letters, and other contemporary documents, Gatrell gives voice to the executed, their executioners, witnesses, reformers, judges and juries. It’s an unflinching study of a ghastly reality that goes to the heart of what it means to be a civilized society and challenges several cozy myths along the way. I admit it doesn’t sound like a lot of fun, and of course, the subject matter is dark, but Gatrell is a compelling writer, vivid, forthright and passionate.
Hanging people for small crimes as well as grave, the Bloody Penal Code was at its most active between 1770 and 1830. In those years some 7,000 men and women were executed on public scaffolds, watched by thousands. Hanging was confined to murderers thereafter, but these were still killed in public until 1868. Clearly the gallows loomed over much of social life in this period. But how did those who watched, read about, or ordered these strangulations feel about the terror and suffering inflicted in the law's name? What kind of justice was delivered, and how did it change?
I write historical fiction, non-fiction, and biography. My historical fiction is set in the eighteenth century, which is often pictured as a time when people swanned about in fancy clothes, lived on country estates, travelled in gleaming carriages, and dined and danced their nights away in glittering assembly rooms. But most people didn’t live like that at all, although they are the ones who made the clothes, worked on the estates, drove the carriages, cooked the food, and cleaned the rooms. The books on my list focus on history from their point of view. In my own work – fiction and non-fiction – I’m also interested in telling the stories of so-called “ordinary” people.
One of the cliches of historical fiction is that it can bring the past to life in a way that factual historical books can’t. If you read the superb City of Beasts you’ll think again! The book studies the many ways in which animals contributed to and shaped eighteenth-century London. History has largely overlooked their presence – but Almeroth-Williams puts them back in all their noisy, smelly, messy, toiling existence. Here, too, are the men and women who worked with them - the drovers, milkmaids, grooms, and pig keepers whose lives don’t often find a place in the history books. If you want sights, sounds, and smells, here they are in plenty. Few books I’ve read, fact or fiction, have given me such a vivid impression of the every day, working life of Georgian London.
This book explores the role of animals - horses, cattle, sheep, pigs and dogs - in shaping Georgian London. Moving away from the philosophical, fictional and humanitarian sources used by previous animal studies, it focuses on evidence of tangible, dung-bespattered interactions between real people and animals, drawn from legal, parish, commercial, newspaper and private records.This approach opens up new perspectives on unfamiliar or misunderstood metropolitan spaces, activities, social types, relationships and cultural developments. Ultimately, the book challenges traditional assumptions about the industrial, agricultural and consumer revolutions, as well as key aspects of the city's culture, social relations and physical development.…
I’m a nosy world traveler who loves visiting archeological sites, medieval castles, museums of the strange, and other people’s gardens. As both writer and editor, I know there’s nothing more powerful than finding and using the perfect words. A story can only engage others if it’s told vividly and well. I wrote my first in fifth grade, self-published for classmates on paper purloined from the teacher’s supply closet. Since then I’ve produced poetry, short prose, children’s books, and historical and contemporary novels. In my role as small-press editor, I love coming across a good manuscript by another writer and midwifing it to a final, polished birth as a wonderful book.
Passion features major artists and poets from a long-past yet oddly familiar period: the late 18th and early 19th centuries, a time in some ways like our 1960s and 70s: free love, revolutionary acts, creative and sexual freedom, and advances in art, science, politics, and literature. The novel stars riveting, romantic, larger-than-life literary figures: Mary Wollstonecraft, Lord Byron, Percy Shelley, Mary Shelley, Lady Caroline Lamb, and Augusta Byron. Why can’t I time travel and inhabit such bygone eras – for a while, anyhow! But a good historical novel is the next best thing.
If it’s full of intrigue, romance, fantastic settings, and the occasional steamy encounter in which characters shed cool-sounding period clothing, even better...plus, the author’s uncanny ability to convincingly inhabit the minds of these exciting people, in first-person voice, was impressive. Highest accolade: by story’s end I wished I’d written it myself!
They were the Romantic generation, famous and infamous, and in their short, extraordinary lives, they left a legacy of glamorous and often shocking legend. In PASSION the interwoven lives and vivid personalities of Byron, Shelley and Keats are explored through the eyes of the women who knew and loved them - scandalously, intensely and sometimes tragically. From the salons of the Whig nobles and the penury and vitality of Grub Street, to the beauty and corruption of Venice and the carrion field of Waterloo, PASSION presents the Romantic generation in a new and dramatic light - actors in a stormy…
After 15 years as a screenwriter (and some heartbreaking near misses with the big screen), I turned my pen to novel writing, with an adaptation of a script I’d sold four times. My new book, Love and Fury: A Novel of Mary Wollstonecraft, is hot off the press this year and tells the story of one of the great writers and thinkers of the late 18th century, mother of Mary Shelley, and widely regarded as the mother of feminism. I’m drawn to larger-than-life, brilliant, charismatic, complicated figures whose own trajectories have altered our own. I’m now at work on a collection of short stories and an adaptation of Mr. Dickens and His Carol for the stage.
The giants of English biography (Janet Todd, Claire Tomalin, Lyndall Gordon) have written brilliant books about Wollstonecraft, but the one I went back to time and again (most dog-eared, underlined, annotated) was this dual biography of Mary Wollstonecraft and her daughter Mary Shelley. An absolute page-turner, it reads like a novel, bringing this extraordinary mother and daughter to vivid life in alternating chapters that reveal parallels in who they were, what they believed, and how they lived.
***AS READ ON BBC RADIO 4*** NATIONAL BOOK CRITICS CIRCLE AWARD WINNER
'A gripping account of the heartbreaks and triumphs of two of history's most formidable female intellectuals, Mary Wollstonecraft and Mary Shelley. Gordon has reunited mother and daughter through biography, beautifully weaving their narratives for the first time.' Amanda Foreman
English feminist Mary Wollstonecraft and author Mary Shelley were mother and daughter, yet these two extraordinary women never knew one another. Nevertheless, their passionate and pioneering lives remained closely intertwined, their choices, dreams and tragedies eerily similar.
Both women became famous writers and wrote books that changed literary history,…
I have had the privilege to teach the history of political theory from Plato to today for decades and to discuss texts such as the five I mentioned with very gifted students. No matter how often I return to such works, I always find something new in them and it is a pleasure to see how students learn to love reading for themselves what can be daunting works, once they overcome the fear of opening the great works and the initial challenge of seventeenth- and eighteenth-century prose.
Wollstonecraft’s Vindication of the Rights of Men,was a vigorous attack, probably the first, on Burke and his Reflections. Short and merciless, it is a spirited diatribe and displays her strong argumentative skills. It is the foundation for her far better-known Vindication of the Rights of Woman. She may not be fair to him, but she thought he hadn’t been fair to anyone either. Both Burke and she are engaging in some of the great issues of modern politics.
Less known than Mary Wollstonecraft's later work, A Vindication of the Rights of Men was her first work as a feminist philosopher and commentator. Compared to A Vindication of the Rights of Woman, this work is more focused on the specific political environment of the time. However, it covers many of the same themes, including the importance of liberty and equality.
When it was initially published anonymously, it was both successful and and influential. Later, when Wollstonecraft revealed herself as the author, critics focused on her identity as a woman, rather than the political ideals, leading to her rejection by…
My graduating class in high school once designated me as “the most likely to start a feminist revolution.” That was a lot to live up to, but I’ve made a very small stab at it by writing about women who have changed our world. I love to bring awareness about the contributions great women have made in history, but I also want modern women to see themselves in these struggles. I always say that Historical Fiction is an exercise of empathy, and I hope my work encourages women today to get involved and make a difference in the world, too.
I loved this tale about the extraordinary Mary Wollstonecraft and her daughter, Mary Shelley.
Thoroughly researched, this novel delves deep into the complex relationship of a daughter who never knew her infamous, trailblazing, rule-breaking, feminist mother and how that same daughter breaks the mold in her own way by inventing the science fiction genre in writing Frankenstein.
From A Vindication of the Rights of Woman to Frankenstein, a tale of two literary legends—a mother and daughter—discovering each other and finding themselves along the way, from USA Today bestselling author Stephanie Marie Thornton.
1792. As a child, Mary Wollstonecraft longed to disappear during her father’s violent rages. Instead, she transforms herself into the radical author of the landmark volume A Vindication of the Rights of Woman, in which she dares to propose that women are equal to men. From conservative England to the blood-drenched streets of revolutionary France, Mary refuses to bow to society’s conventions and instead supports…
I have been writing about the history of women's rights and women's suffrage for over fifty years. Suffrage: Women's Long Battle for the Vote offers a comprehensive history of the full three-quarters of a century of women's persistent suffrage activism. I began my work inspired by the emergence of the women's liberation movement in the 1970s and this most recent history appeared in conjunction with the 2020 Centennial of the Ratification of the Nineteenth Amendment. My understanding of the campaign for full citizenship for women repeatedly intersects with the struggles for racial equality, from abolition to Jim Crow. Today, when American political democracy is under assault, the long history of woman suffrage activism is more relevant than ever.
I am recommending this book because it is a beautifully written, originally argued overview of women’s rights long history.
Stansell organizes her compelling history of women’s rights around the shift from mothers’ perspectives (nineteenth-century feminism) to daughters’ perspectives (twentieth century). She writes beautifully and sweeps over this long tradition without minimizing the disagreements, shifts, and changes, all the while emphasizing the consistent theme of women’s individual freedom and collective struggle.
“A unique, elegant, learned sweep through more than two centuries of women’s efforts to overcome the most fundamental way that human beings have been wrongly divided into the leaders and the led. It’s full of surprises from the past and guiding lights for the future.”—Gloria Steinem
For more than two centuries, the ranks of feminists have included dreamy idealists and conscientious reformers, erotic rebels and angry housewives, dazzling writers,shrewd political strategists, and thwarted workingwomen. Well-known leaders are sketched from new angles by Stansell, with her bracingeye for character: Mary Wollstonecraft, the passionate English writer who in 1792 published the first…
At school I fell in love philosophy. But at university, as I grew older, I started to feel out of place: all the authors we read were men. I loved Plato, but there was something missing. It didn’t occur to me until I was in my thirties to look for women in the history of philosophy! I read Wollstonecraft first, then Olympe de Gouges, and the other women I wrote about in my book, and now I’m looking at women philosophers from the tenth to the nineteenth century. There is a wealth of work by women philosophers out there. Reading their works has made philosophy come alive for me, all over again.
I’ve read and written a lot on Wollstonecraft, so I don’t surprise easily.
But I was surprised when I found out that Mary Wollstonecraft was a theatre buff who knew Shakespeare inside out, and that her favourite opera was Handel’s Judas Maccabeus and she would sometimes sing arias from it, that she loved swimming and horse riding.
The picture of Wollstonecraft that emerges from this book is that of a philosopher whose love and knowledge of humanity fed into her theories of human progress.
A compelling portrait of Mary Wollstonecraft that shows the intimate connections between her life and work
Mary Wollstonecraft's A Vindication of the Rights of Woman, first published in 1792, is a work of enduring relevance in women's rights advocacy. However, as Sylvana Tomaselli shows, a full understanding of Wollstonecraft's thought is possible only through a more comprehensive appreciation of Wollstonecraft herself, as a philosopher and moralist who deftly tackled major social and political issues and the arguments of such figures as Edmund Burke, Jean-Jacques Rousseau, and Adam Smith. Reading Wollstonecraft through the lens of the politics and culture of her…
