Here are 100 books that Dinner with Joseph Johnson fans have personally recommended if you like
Dinner with Joseph Johnson.
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I’m fascinated by what people make of political events at home and abroad. The rapid expansion of public opinion in later eighteenth-century Britain, in tandem with the explosion of the press—newspapers, books, sermons, plays, poetry, novels, magazines, and cartoons—makes it a wonderful period to explore. People in the past were no less complex and sophisticated than we are; they simply lived in different circumstances, opportunities, and constraints, with different assumptions and priorities. My British Visions of America, 1775–1820 (2013) also deals with the British trying to understand foreign affairs, while The Wodrow-Kenrick Correspondence, 1750–1810, eds Fitzpatrick, Macleod and Page is full of events at home and abroad.
Harry Dickinson supervised my Ph.D. thesis, and I am a huge fan of his writing, which is clear and accessible.
This book covers a lot of ground, explaining the different political positions people took in eighteenth-century Britain, inside and outside Parliament, but it’s so clearly set out. It’s an important book because it swam against the tide at the time it was published. The dominant opinion was that politics was an aristocratic pursuit and politicians were mainly motivated by self-interest.
This book shows that many politicians were driven by ideas, principles, and assumptions and that many more ordinary people were heavily involved in political campaigns and protests, too.
First Published in 1977, Liberty and Property is a pioneering book which covers a long period, from 1688 to 1790 and beyond, and makes a major contribution to our understanding of eighteenth-century British politics. The relationship between political ideas and political reality is difficult to define. Consequently, historians seldom attempt to link thought and action, but concentrate solely upon the facts of a given political situation. In this book H.T. Dickinson has succeeded in redressing the imbalance. Taking as his theme the ideas and arguments used to defend or reform the constitution and political order in Britain, he combines what…
I’m fascinated by what people make of political events at home and abroad. The rapid expansion of public opinion in later eighteenth-century Britain, in tandem with the explosion of the press—newspapers, books, sermons, plays, poetry, novels, magazines, and cartoons—makes it a wonderful period to explore. People in the past were no less complex and sophisticated than we are; they simply lived in different circumstances, opportunities, and constraints, with different assumptions and priorities. My British Visions of America, 1775–1820 (2013) also deals with the British trying to understand foreign affairs, while The Wodrow-Kenrick Correspondence, 1750–1810, eds Fitzpatrick, Macleod and Page is full of events at home and abroad.
What’s not to love about eighteenth-century cartoons?! They are a brilliant way to understand at least some strands of public opinion on all kinds of issues, and I’m all about trying to understand what people were thinking and why.
This is a wonderful book, which contains a wealth of colour plates of graphic satires by James Gillray, Thomas Rowlandson, and many less well-known names. Their subjects range from political crises and the monarchy to fashion and manners to the role of the crowd.
It’s not just a catalogue of images with captions, though: it’s a really substantial discussion of the emergence and role of the genre of pictorial satire in the reign of King George III (1760–1820) and how to ‘read’ these images.
The late eighteenth century in England was the first great age of cartooning, and English caricature prints of the period have long been enjoyed for their humor and vitality. Now Diana Donald presents the first major study of these caricatures, which challenges many assumptions about them. She shows that they were a widely disseminated form of political expression and propaganda as subtle and eloquent as the written word.
Donald analyzes the meanings of the prints, applying current perspectives on the eighteenth century about the changing roles of women and constructions of gender, the alleged rise of a consumer society, the…
I’m fascinated by what people make of political events at home and abroad. The rapid expansion of public opinion in later eighteenth-century Britain, in tandem with the explosion of the press—newspapers, books, sermons, plays, poetry, novels, magazines, and cartoons—makes it a wonderful period to explore. People in the past were no less complex and sophisticated than we are; they simply lived in different circumstances, opportunities, and constraints, with different assumptions and priorities. My British Visions of America, 1775–1820 (2013) also deals with the British trying to understand foreign affairs, while The Wodrow-Kenrick Correspondence, 1750–1810, eds Fitzpatrick, Macleod and Page is full of events at home and abroad.
Poor George III: ridiculed in caricatures and the object of attempted assassinations!
This enormous book is a real page-turner. Its aim is to show that the changing meanings of words had a huge impact on the politics of the 1790s in Britain. The fourteenth-century statute of treason listed among its crimes that of ‘imagining the king’s death.’
In the reign of Edward III, that meant actually planning the death of the monarch, but by the 1790s, the word ‘imagine’ had taken on the modern definition of ‘envisaging’ or ‘fantasising.’ This much wider definition of ‘imagining’ had dire consequences for reformers who had no intention of arranging the death of the king but whose language might be loose enough to open them up to the charge of ‘imagining’ it.
It is high treason in British law to 'imagine' the king's death. But after the execution of Louis XVI in 1793, everyone in Britain must have found themselves imagining that the same fate might befall George III. How easy was it to distinguish between fantasising about the death of George and 'imagining' it, in the legal sense of 'intending' or 'designing'? John Barrell examines this question in the context of the political trials of the mid-1790s and the controversies they generated. He shows how the law of treason was adapted in the years following Louis's death to punish what was…
I’m fascinated by what people make of political events at home and abroad. The rapid expansion of public opinion in later eighteenth-century Britain, in tandem with the explosion of the press—newspapers, books, sermons, plays, poetry, novels, magazines, and cartoons—makes it a wonderful period to explore. People in the past were no less complex and sophisticated than we are; they simply lived in different circumstances, opportunities, and constraints, with different assumptions and priorities. My British Visions of America, 1775–1820 (2013) also deals with the British trying to understand foreign affairs, while The Wodrow-Kenrick Correspondence, 1750–1810, eds Fitzpatrick, Macleod and Page is full of events at home and abroad.
This is very much the oldest of my choices, and there are some great recent books on Scotland in the 1790s, but for me, this one still stands up for detail, excitement, clarity, and pace.
I live in Edinburgh, where much of the central action in this book takes place—there were radical reform societies all over Lowland Scotland in the 1790s, but they sent delegates to national conventions in Edinburgh, and Edinburgh was where many of the state trials for treason and sedition took place.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank…
I have loved visiting country houses ever since I was a child. There is something unique about the combination of art, architecture, and people. Over my lifetime, I have been privileged to visit all sorts of houses and castles. I used to work at Christie’s and during that time I visited many country houses, some of which were completely private. It was a natural progression when I moved to Goodwood and became the curator of the art collection, enjoying the house as part of my daily life. The view from my office looks out through the columns of the portico, across the park, with the sea glinting in the distance. What could be better?
The country house is a subject that has always fascinated me, but I’ve often struggled to define it accurately. Clive Aslet, former editor of Country Life magazine does a brilliant job of refining the topic into very readable, succinct, chapters filled with plenty of anecdotes and charming illustrations. As soon as I finished it, I wanted to read it all over again.
The fascinating story of the evolution of the country house in Britain, from its Roman precursors to the present
The Story of the Country House is an authoritative and vivid account of the British country house, exploring how they have evolved with the changing political and economic landscape. Clive Aslet reveals the captivating stories behind individual houses, their architects, and occupants, and paints a vivid picture of the wider context in which the country house in Britain flourished and subsequently fell into decline before enjoying a renaissance in the twenty-first century. The genesis, style, and purpose of architectural masterpieces such…
I spent 40 years as a soldier studying war. After graduation from Royal Military College, I joined the Armoured Corps. Throughout history, we have regaled each other with stories of war. From Greek myths to Norse sagas to modern movies, we cannot seem to get enough of war stories. And yet, we know that war is inherently a bad idea. It is evil. It is a form of collective madness. War is destructive and cruel, unworthy of our better selves. To paraphrase Abraham Lincoln, war breaks the bonds of our affection and does not speak to our better angels. I study it in order to better understand this madness.
John Masters grippingly tells of his life as a newly commissioned Subaltern in a Gurkha regiment, warts, and all. This book is especially valuable to new infantry platoon commanders, or anyone interested in the challenges of leading at the lowest levels. Masters is a consummate storyteller who takes the reader along with him in his personal journey of discovery as he learns about life, leadership, and the nature of war.
The first of John Master's evocative memoirs about life in the Gurkhas in India on the cusp of WWII
John Masters was a soldier before he became a bestselling novelist. He went to Sandhurst in 1933 at the age of eighteen and was commissioned into the 4th Gurkha Rifles in time to take part in some of the last campaigns on the turbulent north-west frontier of India.
John Masters joined a Gurhka regiment on receiving his commission, and his depiction of garrison life and campaigning on the North-West Frontier has never been surpassed. BUGLES AND A TIGER is a matchless…
I’ve loved the theater ever since I first stepped on stage in a high school production of You Can’t Take It With You. I had one line and was hooked! And as for Shakespeare–I fell in love with the Bard when I was 13 and saw Franco Zeffirelli’s Romeo and Juliet. My best friend and I spent hours reciting the lines (I still remember whole speeches). So, when I was looking for an artsy subject (I love the arts) for my third novel, I naturally turned to the theater. I have a Master of Arts in Drama from the University of Toronto and when I’m not writing, I run Art In Fiction, a website showcasing 1700+ novels inspired by the arts.
Entertaining Mr. Pepys explores the world of British theater during a time when women were finally allowed on stage as actresses. I loved it because of how the author explored her main character’s fascination with acting, which reminded me very much of how Grace in my own book is captivated by the stage and willing to go to any lengths to become an actress. I have read several of Swift’s novels and credit them with inspiring me to write my own novels based on women in the arts.
Perfect for fans of Philippa Gregory, Alison Weir, Anne O'Brien and Elizabeth Chadwick, Deborah Swift brings a unique period in history to vivid, fascinating life in her acclaimed Pepys trilogy.
'A remarkably beguiling read. It transported me to the glitter and filth of seventeenth century London' Martine Bailey, author of The Almanack
'The fusion of historical facts and fiction is so flawless that it is hard to know where reality ends and fiction begins' Readers' Favorite
London, 1666. Elizabeth 'Bird' Carpenter has a wonderful singing voice, and music is her chief passion. When her father persuades her to marry horse-dealer…
Being an immigrant from India, a culture that places family values above all else, I am drawn to books that explore family conflicts, secrets, and the triumph of love against all odds. When an author incorporates these themes into a mystery, the book becomes more than a simple formulaic whodunnit story that educates me about the complexities of our lives.
Threat of exposure of a scandalous affair takes Lynley and his sidekick Havers from London into the countryside, where they reveal how a hidden past and the mistaken identity of a father by his son, led to murder. I love it for the writing style – George's later books became too big for me – the characters she creates with such clarity and passion, who are put into situations that threaten their lives, reputation, and ideals.
As the editor of a popular left-wing tabloid, Dennis Luxford has made a career out of scandal. But this time the scoop involves his own daughter. To save the life of his child, Luxford must expose the girl's mother - Eve Bowen, now Under Secretary of State for the Home Office. And Eve refuses to involve the police, convinced that Charlotte's disappearance is just one more shabby tabloid ploy.
Only when events take an unbearable turn is New Scotland Yard brought in, in the guise of Inspector Thomas Lynley and his partner, Barbara Havers. And as their investigations move from…
I wanted to go to the sea ever since I can remember. In the hope of having the nonsense knocked out of me, my father sent me at the tender age of fourteen to the ‘Indefatigable’, a tough sea-training school. This only strengthened my resolve for a life at sea, and I joined the Royal Navy at 15. My family emigrated and I transferred to the Royal Australian Navy and saw service around the world. Although I no longer have an active involvement with the navy, I sail in my imagination through my sea-faring novels.
I’m greatly drawn to the caricaturists and satirists of the late eighteenth and early nineteenth century. In the days before the internet they were often vehicles for witty, sometimes very pointed, commentary on all aspects of society. This book, with prints from the National Maritime Museum, focuses on the Royal Navy during the later eighteenth and early nineteenth century.
Broadsides explores the political and cultural history of the Navy during the later eighteenth and early nineteenth centuries through contemporary caricature. This was a period of intense naval activity - encompassing the Seven Years War, the American War of Independence, the wars against revolutionary and Napoleonic France, and the War of 1812. Naval caricatures were utilised by the press to comment on events, simultaneously reminding the British public of the immediacy of war, whilst satirising the same Navy it was meant to be supporting. The thematic narrative explores topics from politics to invasion, whilst encompassing detailed analysis of the context…
My fascination with intelligence studies is tied to my previous experience as a practitioner. While serving as a military officer and CIA officer, I became curious about how two organizations with a shared history could be so different. Exploring the “why” of the CIA/DoD differences led me to the broader interplay of organizational cultures, individuals, and missions in influencing the evolution of intelligence, its purpose, and its role. These five books will provide the reader a broader appreciation of how intelligence was used to help policymakers understand reality and how intelligence organizations have been used to try to change reality. You will not merely learn something about intelligence but will be entertained and engaged while doing so.
I am fascinated by how different countries approach intelligence, both from how they organize intelligence activities and how intelligence informs policymaking. These various approaches highlight there is not a common approach to intelligence and help explain why simple definitions of intelligence are insufficient at capturing various intelligence activities and organizations. The Black Door looks at how British Prime Ministers have used intelligence and their relationships with intelligence organizations over the past century. A well-written account by two thoughtful and prolific scholars, the reader will appreciate how British Prime Ministers have used intelligence to not only understand the world but to also act.
The Black Door explores the evolving relationship between successive British prime ministers and the intelligence agencies, from Asquith's Secret Service Bureau to Cameron's National Security Council.
Intelligence can do a prime minister's dirty work. For more than a century, secret wars have been waged directly from Number 10. They have staved off conflict, defeats and British decline through fancy footwork, often deceiving friend and foe alike. Yet as the birth of the modern British secret service in 1909, prime ministers were strangers to the secret world - sometimes with disastrous consequences. During the Second World War, Winston Churchill oversaw a…
