Here are 100 books that Aristocrats fans have personally recommended if you like
Aristocrats.
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I have loved visiting country houses ever since I was a child. There is something unique about the combination of art, architecture, and people. Over my lifetime, I have been privileged to visit all sorts of houses and castles. I used to work at Christie’s and during that time I visited many country houses, some of which were completely private. It was a natural progression when I moved to Goodwood and became the curator of the art collection, enjoying the house as part of my daily life. The view from my office looks out through the columns of the portico, across the park, with the sea glinting in the distance. What could be better?
Reading this book is like sheer escapism to the Highlands of Scotland. Beautifully illustrated, the author has an engaging style that carries you along as she tells the story of Highland lodges and how Scotland became the place to go to find rest and escapism as well as great sport. You come away seeing Scotland in a new light and wanting to spend August amongst the heather and hills.
Featuring breathtaking photographs of some of Scotland s most remarkable and little-known houses, this book tells the story of how incomers adopted the North of Scotland as a recreational paradise and left an astonishing legacy of architecture and decoration inspired by the romanticized image of the Highlands. Known as shooting lodges because they were designed principally to accommodate the parties of guests that flocked north for the annual sporting season, these houses range from Picturesque cottages ornees and Scotch Baronial castles to Arts and Crafts mansions and modern eco-lodges. While their designs respond to some of Britain s wildest and…
I have loved visiting country houses ever since I was a child. There is something unique about the combination of art, architecture, and people. Over my lifetime, I have been privileged to visit all sorts of houses and castles. I used to work at Christie’s and during that time I visited many country houses, some of which were completely private. It was a natural progression when I moved to Goodwood and became the curator of the art collection, enjoying the house as part of my daily life. The view from my office looks out through the columns of the portico, across the park, with the sea glinting in the distance. What could be better?
The country house is a subject that has always fascinated me, but I’ve often struggled to define it accurately. Clive Aslet, former editor of Country Life magazine does a brilliant job of refining the topic into very readable, succinct, chapters filled with plenty of anecdotes and charming illustrations. As soon as I finished it, I wanted to read it all over again.
The fascinating story of the evolution of the country house in Britain, from its Roman precursors to the present
The Story of the Country House is an authoritative and vivid account of the British country house, exploring how they have evolved with the changing political and economic landscape. Clive Aslet reveals the captivating stories behind individual houses, their architects, and occupants, and paints a vivid picture of the wider context in which the country house in Britain flourished and subsequently fell into decline before enjoying a renaissance in the twenty-first century. The genesis, style, and purpose of architectural masterpieces such…
I have loved visiting country houses ever since I was a child. There is something unique about the combination of art, architecture, and people. Over my lifetime, I have been privileged to visit all sorts of houses and castles. I used to work at Christie’s and during that time I visited many country houses, some of which were completely private. It was a natural progression when I moved to Goodwood and became the curator of the art collection, enjoying the house as part of my daily life. The view from my office looks out through the columns of the portico, across the park, with the sea glinting in the distance. What could be better?
This book takes the reader on a journey back into the mists of time. I was fascinated by how one house can hold so many secrets, that the author, Jane Mulvagh, unravels as she tells her tale. Madresfield was the inspiration for Evelyn Waugh’s famous fictional house Brideshead, although the real story is much more complex and interesting. Inspired by this book, I included Madresfield as one of the ten houses in my own book.
Madresfield Court is an arrestingly romantic stately home in the Malvern Hills in Worcestershire. It has been continuously owned and lived in by the same family, the Lygons, back to the time of the Domesday Book, and, unusually, remains in the family's hands to this day. Inside, it is a very private, unmistakably English, manor house; a lived-in family home where the bejewelled sits next to the threadbare. The house and the family were the real inspiration for Brideshead Revisited: Evelyn Waugh was a regular visitor, and based his story of the doomed Marchmain family on the Lygons. Never before…
I have loved visiting country houses ever since I was a child. There is something unique about the combination of art, architecture, and people. Over my lifetime, I have been privileged to visit all sorts of houses and castles. I used to work at Christie’s and during that time I visited many country houses, some of which were completely private. It was a natural progression when I moved to Goodwood and became the curator of the art collection, enjoying the house as part of my daily life. The view from my office looks out through the columns of the portico, across the park, with the sea glinting in the distance. What could be better?
This book combines superb photographs with scholarly text by two of the most eminent writers on the country house today, with additional essays by other authors who are respected experts in their fields. I like nothing more than to just open it up and flick through the pages, dipping into the text and enjoying the images. The book is a beautiful object in itself.
From The Crown to Downton Abbey, the country house speaks to our fantasies of rustic splendour, style, and escape. Featuring three hundred photos from the National Trust, this lavish book draws back the curtain on the finest and most important historic homes in England, Wales, Scotland, and Ireland, revealing these great houses' intriguing pasts, grand interiors, and vi-brant reinventions for the enjoyment of modern-day visitors, residents, and armchair travellers. Locations include Knole, Cragside, Castle Howard, Chatsworth, Polesden Lacey, Petworth, Castle Bodiam, Blenheim, Longleat, and dozens more. Illuminating essays by country house expert Jeremy Musson, legendary British author and historian David…
My fascination for historical novels began long before I ever penned one of my own. As a child, I often sought out books that took me back in time. Before I was even a teenager I began gravitating toward historical novels with romantic threads (give me all the sweet romance). My love of all things historical has only grown through the years. My children have come to expect our vacations to include stops at museums and historical sites. I have four published novels (as of 2021), files of future ideas, and stacks of novels beside my bed ready to take me for a historical ride.
There is something alluring about the regency era that makes you want to curl your hair and go to a ball. The genre is full of beautiful, well-written books. Lakeshire Park stands out in the crowd thanks to its gentle honesty, delightful prose, and believable romance. Sprinkled with comedic scenes, regency-era details, and a couple you can’t help rooting for! I read this one in one sitting and didn’t want to come back to reality.
Brighton, England 1820 Amelia Moore wants only one thing--to secure the future happiness of her younger sister, Clara. With their stepfather's looming death, the two sisters will soon be on their own--without family, a home, or a penny to their names. When an invitation arrives to join a house party at Lakeshire Park, Amelia grasps at the chance. If she can encourage a match between Clara and their host, Sir Ronald, then at least her sister will be taken care of. Little does she know that another guest, the arrogant and overconfident Mr. Peter Wood, is after the same goal…
As the author of a historical/mystery/romance series that has won over sixty international awards in multiple categories, I’m attracted to books that cannot be pinned to one genre. I love sweeping sagas with elements of all three, perhaps because I was so immersed in classic literature as a kid and fascinated by stories of the past. I suspect I may have once lived in the 1930s and, having yet to discover a handy time machine lying around, I have resorted to writing about the era as a way of getting myself back there. I am, not surprisingly, addicted to period dramas and big band music.
I came upon this 3-part series almost by accident and quickly gobbled it up, surprised that it is not more well known. It is a fabulous upstairs/downstairs type of saga in which both the aristocracy and the servants who wait upon them are upended by the outbreak of WW1. Excellent writing; hard to put down.
Before Downton Abbey, there was Abingdon Pryory, the elegant country home of the Grevilles - a titled English family who, along with their servants, see their world turned upside down when England goes to war - and their well-kept lawns and whirling social seasons give way to the horrors of battle leaving no one, upstairs or downstairs, untouched.
I’ve been a voracious reader my entire life, but it wasn’t until a few years ago that I discovered romance. How many times had I turned up my nose at those ridiculous books with half-naked men on the cover? Countless. Little did I know the absolute joy those books held inside. I love to read and write romance, especially stories with strong heroines and deliciously squishy-inside heroes. Not to mention all the amazing queer stories out there proving that love is love. These aren’t your grandmother’s bodice-rippers (I mean, they are a little bit, but only in the best ways). The genre is constantly growing, and I’m always eager to find new converts like me!
This book is a kick to the face of the patriarchy and I loved it. Bombshell is not your typical historical romance filled with wallflowers, ballrooms, and handsome rakes. Instead it is centered around a girl gang of four amazing women and their unique talents, taking down the privileged men of the ton. The book opens with a bar fight and the whole story ramps up from there. Bombshell is book one in the Hell’s Belles series, and it focuses on Sesily Talbot, the “bombshell” of the group. Sesily uses what the good lord gave her to help her friends stop the bad guys. The fact that Caleb Calhoun adores her for it is what makes this a great romance. In the end, it’s unclear who saves who, but Sesily definitely does her share of the fighting (much to Caleb’s chagrin). It’s delightful.
New York Times bestselling author Sarah MacLean returns with a blazingly sexy, unapologetically feminist new series, Hell's Belles, beginning with a bold, bombshell of a heroine, able to dispose of a scoundrel-or seduce one-in a single night.
After years of living as London's brightest scandal, Lady Sesily Talbot has embraced the reputation and the freedom that comes with the title. No one looks twice when she lures a gentleman into the dark gardens beyond a Mayfair ballroom...and no one realizes those trysts are not what they seem.
No one, that is, but Caleb Calhoun, who has spent years trying not…
I grew up believing there was a mystery or puzzle around every corner. That guy holding a paper bag by the garbage can? Definitely a Russian spy about to make a drop. The giant house at the top of the street? For sure, haunted (or at least hiding buried treasure). My love for clue games and solving puzzles stemmed from the books and movies I loved as a child. Now, as a children’s author, I get to continue conjuring up clue games and secret spies and puzzling old houses from an ordinary world, one that with the right imagination can turn heartache and heavy things into something close to magic.
This story differs from the others on my list, as it takes place in England in the early twentieth century. Setting and time period aside, the plucky main character Tabitha along with her pet rat and fellow detective (in her mind) steal the show and our hearts. We can’t help but root for her despite all she comes up against and all who belittle her as she follows clues in her unique and endearing manner through a giant and possibly haunted estate. Nooks & Crannies does a fine job balancing humor and wit with more serious subjects such as murder and abuse, and is sure to appeal to fans of Charlie and the Chocolate Factory.
Charlie and the Chocolate Factory meets Clue when six children navigate a mansion full of secrets—and maybe money—in this “delightful gem” (School Library Journal, starred review) with heart.
Sweet, shy Tabitha Crum, the neglected only child of two parents straight out of a Roald Dahl book, doesn’t have a friend in the world—except for her pet mouse, Pemberley, whom she loves dearly. But on the day she receives one of six invitations to the country estate of wealthy Countess Camilla DeMoss, her life changes forever.
Upon the children’s arrival at the sprawling, possibly haunted mansion, it turns out the countess…
As a latchkey kid with cable access, I was practically raised by MTV. In the 80s/90s, Music Television defined popular culture, and it’s through music videos that I received my education on how songs can enhance the motion picture experience (and vice versa). My favorite books are ones that read like movies, and since movie soundtracks are, essentially, mixtapes for stories, I work to incorporate the perfect songs into my writing to set the mood for my readers. I take note with other writers do that, too, which is how I developed this list.
As we’ve established, you can’t have an 80s/90s mixtape without The Smiths, so it’s a good thing that they’re acknowledged early on in My Mad Fat Diary. However, since this story is set in the mid-90s in Lincolnshire, the majority of the musical mentions are BritPop. An A side of this mixtape would include Blur, Pulp, and Suede, while the B side would just be repeated recordings of “Wonderwall” by Oasis—except for the last track, which should be whatever 90s song you view as your personal mantra for self-love and congratulations.
The funny, sad and compelling diary kept by an overweight teenage girl that became the basis for the British television sensation of the same name available to stream on HULU.
It's 1989 and Rae Earl is a fat, boy-mad 17-year-old girl, living in Stamford, Lincolnshire with her mum and their deaf white cat in a council house with a mint green bathroom and a refrigerator Rae can't keep away from.
She’s also just been released from a psychiatric ward. My Mad Fat Diary is the hilarious, harrowing and touching real-life diary Rae kept during that fateful year and the basis…
It seems I was destined to write about textiles. Long after I started documenting the tapestries of the Dovecot Studios, Edinburgh—over 45 years ago—I discovered that my great-grandfather was a cotton mule-spinner, working one of those machines that spurred on the industrial revolution. So it’s in my blood. I’ve interviewed dozens of people who’ve made similar discoveries, and have become a firm believer in the long-lasting inherited significance of textiles. We’ve made them and they in turn have made us who we are. Now more than ever, my hope is to entangle people into the wonderful web that connects every era and every culture.
Small things have large stories to tell. Here the topic is a particular type of pocket: generously-sized containers tied on, usually hidden from sight beneath a skirt. Brought to life through surviving examples and depictions of their use, the passages from novels, diaries, court proceedings, and more are especially revealing (in every sense). Is the pocket the necessary accessory of the neat housewife, or an aid to duplicity and secret immorality? This thorough and attractive study has the answer.
"A riveting book . . . few stones are left unturned."-Roberta Smith's "Top Art Books of 2019," The New York Times
This fascinating and enlightening study of the tie-on pocket combines materiality and gender to provide new insight into the social history of women's everyday lives-from duchesses and country gentry to prostitutes and washerwomen-and to explore their consumption practices, sociability, mobility, privacy, and identity. A wealth of evidence reveals unexpected facets of the past, bringing women's stories into intimate focus.
"What particularly interests Burman and Fennetaux is the way in which…
