Fans pick 74 books like Madresfield

I have loved visiting country houses ever since I was a child. There is something unique about the combination of art, architecture, and people. Over my lifetime, I have been privileged to visit all sorts of houses and castles. I used to work at Christie’s and during that time I visited many country houses, some of which were completely private. It was a natural progression when I moved to Goodwood and became the curator of the art collection, enjoying the house as part of my daily life. The view from my office looks out through the columns of the portico, across the park, with the sea glinting in the distance. What could be better?  

I have loved visiting country houses ever since I was a child. There is something unique about the combination of art, architecture, and people. Over my lifetime, I have been privileged to visit all sorts of houses and castles. I used to work at Christie’s and during that time I visited many country houses, some of which were completely private. It was a natural progression when I moved to Goodwood and became the curator of the art collection, enjoying the house as part of my daily life. The view from my office looks out through the columns of the portico, across the park, with the sea glinting in the distance. What could be better?  

I have loved visiting country houses ever since I was a child. There is something unique about the combination of art, architecture, and people. Over my lifetime, I have been privileged to visit all sorts of houses and castles. I used to work at Christie’s and during that time I visited many country houses, some of which were completely private. It was a natural progression when I moved to Goodwood and became the curator of the art collection, enjoying the house as part of my daily life. The view from my office looks out through the columns of the portico, across the park, with the sea glinting in the distance. What could be better?  

I have loved visiting country houses ever since I was a child. There is something unique about the combination of art, architecture, and people. Over my lifetime, I have been privileged to visit all sorts of houses and castles. I used to work at Christie’s and during that time I visited many country houses, some of which were completely private. It was a natural progression when I moved to Goodwood and became the curator of the art collection, enjoying the house as part of my daily life. The view from my office looks out through the columns of the portico, across the park, with the sea glinting in the distance. What could be better?  

As the author of a historical/mystery/romance series that has won over sixty international awards in multiple categories, I’m attracted to books that cannot be pinned to one genre. I love sweeping sagas with elements of all three, perhaps because I was so immersed in classic literature as a kid and fascinated by stories of the past. I suspect I may have once lived in the 1930s and, having yet to discover a handy time machine lying around, I have resorted to writing about the era as a way of getting myself back there. I am, not surprisingly, addicted to period dramas and big band music. 

Laura Calder is a recognized advocate for living well at home. She is the author of four cookbooks and received a James Beard Award for her long-running television series, French Food at Home.

The nonprofit sector is important to society and I often marvel at how many of us – which is to say all of us – have been touched by the generosity of others. With few exceptions, anyone who has graduated from college, who has been admitted to a hospital, who has attended a faith-based service, who has examined art at a gallery, who – literally, and there are no exceptions here – breathes air has benefited from the work of nonprofit organizations and the philanthropists who support them. It is therefore important to me to understand how the system works and how important charities are to society and a functioning democracy. 

I’ve always been fascinated by power and how people use it. From the time I was tiny, I’ve loved reading about how people left their fingerprint on history, and boy, do presidents leave their mark. Given these interests, it’s unsurprising that I’ve been my career this far examining how early presidents crafted the executive branch. The president’s oversized role in American life is also at the heart of my podcast work (I cohost The Past, The Promise, The Presidency with the Center for Presidential History at Southern Methodist University. Each season we explore a different element of the presidency and its relationship to history). In my future scholarship, I plan to continue this exploration long after George Washington left office. Stay tuned for more, and in the meantime enjoy these great reads!

I grew up in Brooklyn, NY, and am the middle daughter of three. My sisters and I were close in age, and, of course, our home was girl-centered. The three of us attended the same all-girls Catholic high school, though we each had our own friends. Because of my childhood, I love books that explore how women make friends and keep them, how we let them go, and why. The genesis of friendships interests me, whether childhood, high school, college or motherhood. I love to read books by women where girlfriendships are not an afterthought or window dressing but central to the characters’ inner lives and the story being told. 

I’m a writer, journalist, satirist, and novelist. I’ve written humor and satire for McSweeney’s, The New Yorker’s Daily Shouts, The Belladonna, and other publications, often about subjects that make me angry, sad, or both. Sometimes I write as a way to process, to vent, and to make fun of myself. I wrote a humor piece called "Turn Your Princess Toddler Into a Feminist in 8 Easy Steps." The New York Times published it, and it went viral. There was so much interest in the piece it prompted me to start researching the topic of princess obsessed girls. That research became my nonfiction book – The Feminist’s Guide to Raising a Little Princess.