As the author of a historical/mystery/romance series that has won over sixty international awards in multiple categories, I’m attracted to books that cannot be pinned to one genre. I love sweeping sagas with elements of all three, perhaps because I was so immersed in classic literature as a kid and fascinated by stories of the past. I suspect I may have once lived in the 1930s and, having yet to discover a handy time machine lying around, I have resorted to writing about the era as a way of getting myself back there. I am, not surprisingly, addicted to period dramas and big band music.
I came upon this 3-part series almost by accident and quickly gobbled it up, surprised that it is not more well known. It is a fabulous upstairs/downstairs type of saga in which both the aristocracy and the servants who wait upon them are upended by the outbreak of WW1. Excellent writing; hard to put down.
Before Downton Abbey, there was Abingdon Pryory, the elegant country home of the Grevilles - a titled English family who, along with their servants, see their world turned upside down when England goes to war - and their well-kept lawns and whirling social seasons give way to the horrors of battle leaving no one, upstairs or downstairs, untouched.
I’ve always been fascinated by film and television. No matter how challenging life can be at times, we're forever united by what stories captivate us on the gold and silver screens. Whatever challenges the world may throw at this type of storytelling be it a world war, the internet, Covid, or TikTok, nothing beats sitting down on your sofa to enjoy the finest entertainment the world has to offer. Critically studying our most treasured past time might sound like the best way of sucking the life out of it. But I’m here to show you how this isn't the case. Join me on a quest through the best writings that can capture your imagination.
The Television Genre Book is a smorgasbord of leading international scholars who come together to offer an accessible yet comprehensive introduction to the debates, issues, and concerns of what it is that makes unique television genres so appealing.
From the news and quiz shows to soaps and serious HBO dramas I still remember first opening this book and being enthralled by my newfound ability to look at our favourite pastime differently and critically.
Genre is central to understanding the industrial context and visual form of television. This new edition of the key textbook on television genre brings together leading international scholars to provide an accessible and comprehensive introduction to the debates, issues and concerns of the field. Structured in eleven sections, The Television Genre Book introduces the concept of 'genre' itself and how it has been understood in television studies, and then addresses the main televisual genres in turn: drama, soap opera, comedy, news, documentary, reality television, children's television, animation and popular entertainment.
This third edition is illustrated throughout with case studies of…
I write romantic fantasy set in twisted versions of the United States because half of me wishes magic were real. (The wiser half thinks that would be a disaster.) Typical contents of my books: banter, antagonist love interests, dramatically billowing coats, twisty plots, and oppressive systems in need of taking down... by bantering antagonists in magnificent coats. I consume books like they’re as necessary as food—and aren’t they, really?
Imagine ifDownton Abbey neighbored Faerie. Then make the idea ten times more awesome, and you have The Lord of Stariel. I discovered it right before the final book in the quartet came out and binged them all.
The premise—a family’s magical estate will choose its next lord after the old one passes on—is intriguing enough. But what really sold me on this book is Hetta, the prodigal daughter. She’s level-headed, sharp-witted, and unwilling to be limited by society’s (or her family’s) ideas about the proper role of a lady.
I don’t want to tell you too much about her counterpart—the book should unfold its secrets. But he’d make a strong showing in a Best Hero contest.
The Lord of Stariel is dead. Long live the Lord of Stariel. Whoever that is.
Everyone knows who the magical estate will choose for its next ruler. Or do they?
Will it be the lord’s eldest son, who he despised?
His favourite nephew, with the strongest magical land-sense?
His scandalous daughter, who ran away from home years ago to study illusion?
Hetta knows it won’t be her, and she’s glad of it. Returning home for her father’s funeral, all Hetta has to do is survive the family drama and avoid entanglements with irritatingly attractive local men until the Choosing. Then…
I first read and fell in love with Jane Austen's novels at the age of thirteen, and thus began a lifelong enthusiasm for nineteenth-century and early twentieth-century literature. Though I studied English Literature and Art History at university, I embarked on a professional career working in an entirely unrelated field. I never lost my childhood desire to write fiction. Inspiration came, as it will, unexpectedly. I sat down one day in the grand Reading Room of the New York Public Library, pad and pen in hand, and began to write. I happened to be suffering a spell of insomnia at the time, and before I knew it, I had a draft of my first novel.
Is Undine Spragg Edith Wharton’s least admiral protagonist? Perhaps. But as well, she is her most beguiling.
With her modest mid-western roots and her hunger for something more, she personifies the American dream, only she incarnates its less noble form. Cunning and beautiful, she uses her every charm exclusively in service to her ambition.
There is something thoroughly modern about her self-belief, her perpetual reinvention. It’s impossible to look away as she ruthlessly forges her own future, defying expectations and conventions time and again.
They say what goes around comes around; but when it comes to Undine Spragg we are constantly left wondering if the truism can hold.
Edith Wharton’s classic story of one woman’s quest for wealth and status after the turn of the twentieth century
Beautiful, selfish, and driven, Undine Spragg arrives in New York with all of the ambition and naiveté that her midwestern, nouveau riche upbringing afforded her. As cunning as she is lovely, Undine has but one goal in life: to ascend to the upper echelons of high society. And so with a single-minded tenacity, Undine continues to maneuver through life, finding all the while that true satisfaction remains just beyond her grasp.
Hailed by Elizabeth Hardwick as “Edith Wharton’s finest achievement,” The…
I’ve
enjoyed everything by Lucy Parker, but this one was special. It takes place in a
royal household but focuses on two staff members, not the royals themselves.
So there’s a little bit of a Downton Abbey vibe there, even though it’s a modern
timeline. I love the way she writes the chaos/stoic contrast of these two wildly
different characters while somehow making their romance feel organic and
believable.
There’s a fabulous twist at the end that made my heart grow two
sizes. I can’t wait to read what she writes next.
Following Battle Royal, beloved author Lucy Parker pens another delicious romantic comedy about a fake relationship between a grumpy royal bodyguard and the charming, sunny assistant who melts his cold, hard exterior.
Petunia De Vere enjoys being the personal assistant to lovable, bumbling Johnny Marchmont. But the job has its share of challenges, including the royal's giant, intimidating bodyguard, Matthias. Pet and Matthias are polar opposites-she's spontaneous and enthusiastic, he's rigid and stoic-but she can sense there's something softer underneath that tough exterior...
For Matthias Vaughn, protecting others is the name of the game. But keeping his royal charge out…
As a cozy-style mystery writer, I get to live in a world where I know that everything will work out as it should in the end. I look for this in the books that I read and recommend. Do they give the reader something interesting to ponder as they go along with the sleuth (amateur or “real detective)? My father was a police captain, and I grew up looking at things through the eyes of “the law”, I admit. Most people find comfort reading about a small town where nothing will go too wrong. The bad stuff and the bad people are kept at arm’s length, and all is well.
I was late coming to this author, but once I discovered her I knew I’d go back to her earlier books in the Lady Eleanor Swift series.
In this book, Lady Swift leaves England to see what Manhattan is all about. With her butler, Clifford, (and her dog Gladstone) in tow, she is soon ensconced in a high-end apartment and is giving and attending all of the parties with the rich and famous. But her society status is put on hold when she witnesses the doorman of her building killed in a hit and run.
This is soon followed by another murder connected to the doorman. She, of course, gets involved and is determined to right the wrong. The book is a perfect bit of escapism, written with humor.
Glitzy parties, sightseeing at the Statue of Liberty and strolls through Central Park with Gladstone the bulldog… Lady Eleanor Swift is loving her first trip to the city that never sleeps, until she witnesses a murder!
After crossing from England on the SS Celestiana, Lady Eleanor Swift sets up her home-away-from-home in a lavish apartment in New York City. She is soon the toast of the town, with no high-class soirée complete without her presence. Of course, she drags her butler Clifford and Gladstone the bulldog along to every party too.
But when she witnesses the charming doorman of her…
I’m a long-time lover of Christian romance, and now with over a dozen Christian historical romance books published, and a similar amount of Christian contemporary romances published or soon to be, I think I’m someone who has a true appreciation for romance that is soul-stirringly Christian, not just clean or sweet, but which contains truths that will inspire and encourage as well as entertain with swoon-worthy romance.
If you’re like me and a fan of Downton Abbey, then you’ll appreciate the well-researched Edwardian period details found in this charming story, as well as the sweet romance. Julia Foster is not your usual governess, having a remarkable backstory of her own, but the way she cares for the widowed William and his children is heart-warming and will captivate your heart.
More Than 200 5-Star Reviews on Amazon.Finalist for the ACFW Carol Award and the Gayle Wilson Award of ExcellenceWhen a crisis strikes Julia's family in India, she returns to England and takes the position at Highland Hall, a magnificent English country estate. Will she be able to find her place when a governess is neither upstairs family nor downstairs help?
Family drama, romance, and inspiration for those who love Downton Abbey and Jane Eyre. Missionary Julia Foster loves working alongside her parents, ministering and caring for young girls in India. But when the family must return to England due to…
I have loved visiting country houses ever since I was a child. There is something unique about the combination of art, architecture, and people. Over my lifetime, I have been privileged to visit all sorts of houses and castles. I used to work at Christie’s and during that time I visited many country houses, some of which were completely private. It was a natural progression when I moved to Goodwood and became the curator of the art collection, enjoying the house as part of my daily life. The view from my office looks out through the columns of the portico, across the park, with the sea glinting in the distance. What could be better?
This book combines superb photographs with scholarly text by two of the most eminent writers on the country house today, with additional essays by other authors who are respected experts in their fields. I like nothing more than to just open it up and flick through the pages, dipping into the text and enjoying the images. The book is a beautiful object in itself.
From The Crown to Downton Abbey, the country house speaks to our fantasies of rustic splendour, style, and escape. Featuring three hundred photos from the National Trust, this lavish book draws back the curtain on the finest and most important historic homes in England, Wales, Scotland, and Ireland, revealing these great houses' intriguing pasts, grand interiors, and vi-brant reinventions for the enjoyment of modern-day visitors, residents, and armchair travellers. Locations include Knole, Cragside, Castle Howard, Chatsworth, Polesden Lacey, Petworth, Castle Bodiam, Blenheim, Longleat, and dozens more. Illuminating essays by country house expert Jeremy Musson, legendary British author and historian David…
I’ve always loved historical romance, ever since my mother gave me my first Georgette Heyer when I was eight, and my grandmother gave me my first Barbara Cartland shortly after. The fascination has never waned, which is a good thing because I grew up to become a historical romance author myself. Since publishing my first romance in 2006, I’ve written nearly 50 books, mainly set during the Regency period (first quarter of the 19th century). I’ve always adored how a good historical romance whisks me away to a larger-than-life world replete with dashing rakes, smart-mouthed ladies, and glittering high society, not to mention witty banter, glamour, and heart-stopping romance.
This is my favorite comfort read, the perfect book for days when life has too many sharp corners. I must have read this one at least twenty times. It has all the virtues of a classic fairytale: a pure-hearted, brave heroine; an honorable, steadfast hero; and a happy ending earned through suffering and effort and against all the odds. It tells the story of Countess Anna Grazinsky, a young refugee from the Russian Revolution, who finds work as a maid at a stately home in the English countryside, where she falls in love with the gallant war hero who owns the house. But the Earl of Westholme is promised to another woman. Heartwarming, triumphantly romantic, wise, and funny, A Countess Below Stairs is one of those rare books that makes the world seem a better place.
Eva Ibbotson's charming and warm-hearted tale, A Secret Countess was originally published as A Countess Below Stairs.
Anna, a young countess, has lived in the glittering city of St Petersburg all her life in an ice-blue palace overlooking the River Neva. But when revolution tears Russia apart, her now-penniless family is forced to flee to England. Armed with an out-of-date book on housekeeping, Anna determines to become a housemaid and she finds work at the Earl of Westerholme's crumbling but magnificent mansion. The staff and the family are sure there is something not quite right about their new maid -…
As the author of a historical/mystery/romance series that has won over sixty international awards in multiple categories, I’m attracted to books that cannot be pinned to one genre. I love sweeping sagas with elements of all three, perhaps because I was so immersed in classic literature as a kid and fascinated by stories of the past. I suspect I may have once lived in the 1930s and, having yet to discover a handy time machine lying around, I have resorted to writing about the era as a way of getting myself back there. I am, not surprisingly, addicted to period dramas and big band music.
While walking through a Barnes and Noble some thirty years ago, I stumbled upon Anthony Trollope—probably because he took up about three whole shelves. Curious, I chose one of his fifty novels and then another and another until I concluded that he is undoubtedly one of the most underrated authors in the English language. Both of his series—The Chronicles of Barsetshire and The Pallisers—make Downton Abbey look like upstairs/downstairs-lite. Highly recommended!
