Fans pick 100 books like The Saltwater Murder

When I really need to recharge, I go to the sea, which is why I instantly gravitated to this book. As a busy amateur detective, Lady Swift seeks some downtime, too, but it doesn’t last. Not only does a body turn up almost as soon as she lets out a big exhale at the resort where she’s staying, but her husband whom she thought was dead six years ago, is the victim. Of all the people that had to “die” while she was on vacation, it had to be him, and that’s just where this storyteller’s mastery begins. Add humor, Englishness, and the interwar years—things I often gravitate toward in my beach reads—and I had a great whodunnit on my hands.

This book stands out from other historical mysteries near the sea because it is about a mystery on the high seas. On a steamship, to be exact, on its way to New York harbor. My mom was once a young Italian woman on a steamship sailing to Halifax, and while she was nothing like Fen Churche, the heroine in this story, I’ve always imagined my mom having lots of wild adventures on that Atlantic crossing. The way the author has woven this twisty, tricky tale, I could almost believe mom had an alter ego.

I fell in love with Miss Phryne Fisher on TV first, then in all of the books only after binge-watching all the seasons in short order. Her attitude, her clothes, her wit—all of it makes her adventures so fun to read. Besides, what list of Jazz Age mysteries is complete without this bobbed-hair socialite and her gaggle of misfits helping her to solve mysteries? Add in a spa vacation for Phyrne and I was hooked to see how she solved a murder while on holiday in some fabulous resort town. After 7 years, my Phryne drought is over!

Veering away from fiction for a moment, this is a true crime tale set in the Jazz Age in San Diego. Flappers and playboys and actors in Hollywood during Prohibition, oh my! The biggest question this narrative nonfiction book doesn’t answer, though attempts to, is who killed the dancer, Fritzie Mann? A sensational story that was splashed on newspapers across the nation in the 1920s that I happened to stumble on last year. A tragic unsolved homicide by the sea that had me gripped from the get-go—and that’s saying something for someone not usually drawn to true crime—this book reads like a novel and should be a movie.

Everybody loves this book because it, of course, has become an international classic of literature and one of the best works F. Scott Fitzgerald wrote, which takes the reader on a time-traveling secretive world of the upper-class set in New England life in the 1920s.

In F. Scott's work, we are casually and comfortably introduced to an America where new money met old money, and the tender tightrope one had to walk in order to vie for position, marriage, and peer acceptance in a world founded on wealth and prestige.    

I have so many reasons why this is one of my all-time favorite books. Berton’s descriptions of music, specifically jazz or music in general, are superb. Ralph Berton describes himself as a precocious 13-year-old (an understatement!), when in 1924 he meets Bix Beiderbecke, seven years his senior, and idolizes him. This relationship is a great part of the book’s charm. The Berton family—with its vaudeville background, two famous musical brothers (besides the child genius Ralph), and a Jewish mother—is another part of the appeal. But the heart of the book is his affectionate, penetrating portrait of Bix, derived from personal experience. He examines the myths and legends, sometimes debunking and sometimes reinforcing them. A magical, bittersweet book that often brought me to tears. Exceptional writing.

This is a terrific coffee table-sized book with wonderful photographs of the sundry characters and vivid reproductions of paintings and other images. Here you’ll find a young, muscular Pablo Picasso with hair—on the beach in his bathing suit in front of Gerald & Sara Murphy’s villa on the Côte d’Azur. This privileged couple—he a fine avant-garde artist in his own right, and she, who became Picasso’s muse, a refined and elegant hostess—were patrons of the arts who surrounded themselves at their home with the young luminaries of the Jazz Age. Chapter headings in this stunning volume tell the tale.

At 174 large pages, this is a beautifully rendered and specific encapsulation of les années folles, from start to finish.

Technically a novel, but rooted so specifically in the details of Zelda’s life that her family members all recognized themselves and their town in her writing. A surrealist and poetic coming-of-age story written by the wife of Jazz Age writer F. Scott Fitzgerald during an eight-week period when she was living in a mental hospital. An imperfect and fascinating way to narrate a life.

Many readers knowledgeable about the Jazz Age know about F. Scott Fitzgerald’s many novels, as well as his life.

This fictionalized account gives keen insight into his wife, Zelda. Read to discover the difficulties faced by a creative woman married to a celebrated man. In many ways, Zelda was a woman of her times, yet like so many women overshadowed by her husband.

Read about their scandalous lives—hers in some ways even more so than his.

This book made me fall in love with Puglia, the hot, dusty “heel of the boot” with its lemons, olives, and cactus, its boxy farmhouses. Not that the story, bouncing from Paris to New York to a long-gone Rome, doesn’t deliver—the narrator, Alina, talks about a family secret passed from woman to woman, disintegrating memories, a past she must understand before the movers arrive and the house with its mural of a naked woman painted on a patio wall is no longer theirs. Present and past, the known and the unknown combine, and all of it is tied to alluring, sensual Puglia. As a storyteller, Marciano demands your attention, painting the life story of a family whose Italy is unlike the one you think you know.