Here are 100 books that A Countess Below Stairs fans have personally recommended if you like
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I’ve always loved historical romance, ever since my mother gave me my first Georgette Heyer when I was eight, and my grandmother gave me my first Barbara Cartland shortly after. The fascination has never waned, which is a good thing because I grew up to become a historical romance author myself. Since publishing my first romance in 2006, I’ve written nearly 50 books, mainly set during the Regency period (first quarter of the 19th century). I’ve always adored how a good historical romance whisks me away to a larger-than-life world replete with dashing rakes, smart-mouthed ladies, and glittering high society, not to mention witty banter, glamour, and heart-stopping romance.
Judith Ivory has one of the most distinctive voices in historical romance. I wish she was still releasing new work! The Proposition is a fun take on My Fair Lady, where Henry Higgins is a down-on-her-luck duke’s daughter and Eliza Dolittle is a charming rat catcher. Yes, you heard that right. We’re a long way from the usual historical romance fare of dukes and rakes. Not only that, Mick Tremore, the rat catcher in question, has the most wonderful dog Win who threatens to steal the show every time she’s on the page. Charming, clever, witty and full of delicious sexual tension, this is a compelling read – and it has a serious message about how often the greatest barriers to our dreams are those our minds place on us.
No man, gentleman or otherwise, has ever looked at Lady Edwina Bollash the way the brash, handsome man standing before her is doing now. Edwina has accepted the challenge to transform incorrigible Mick Tremore into a gentleman in just six weeks. And although the linguist is sure she can rise to the task, she isn't at all certain she won't swoon under his frankly sensuous gaze before her job is done.
Mick has lived outside of London society long enough to know that appearances can be deceiving. Edwina might look all buttoned up-the perfect English lady-but there is unleashed passion…
I’ve always loved historical romance, ever since my mother gave me my first Georgette Heyer when I was eight, and my grandmother gave me my first Barbara Cartland shortly after. The fascination has never waned, which is a good thing because I grew up to become a historical romance author myself. Since publishing my first romance in 2006, I’ve written nearly 50 books, mainly set during the Regency period (first quarter of the 19th century). I’ve always adored how a good historical romance whisks me away to a larger-than-life world replete with dashing rakes, smart-mouthed ladies, and glittering high society, not to mention witty banter, glamour, and heart-stopping romance.
Georgette Heyer is the queen of Regency romance. My mother gave me my first Heyer when I was about eight and I’ve loved her work ever since. Witty, beautifully written, romantic, glamorous, her books were the perfect introduction to historical romance. I’m currently in the middle of my fifth re-read of all her books and this time 'round, I think my favorite is Faro’s Daughter. This pairs the very rude and unromantic (but irresistible!) Max Ravenscar with clever, independent Deborah Grantham, a well-bred lady brought low by financial trouble who now runs her aunt’s gambling house. When Max sets out to rescue his beef-witted cousin from Deb’s clutches, the stage is set for a clash of titanic proportions. This book sparkles like good champagne, and it always makes me laugh.
If you love Bridgerton, you'll love Georgette Heyer!
'The greatest writer who ever lived' Antonia Fraser 'One of my perennial comfort authors' Joanne Harris 'I could mainline Heyer's Regency romances until the end of time and still not get bored' India Knight ____________
Max Ravenscar is a renowned gamester.
The first to admit he is entirely void of a romantic disposition, he regards all eligible females with indifference and unconcern.
But then he meets the woman his young cousin is bent on marrying - the beautiful Deborah Grantham who also happens to be the mistress of her aunt's gaming establishment.…
I love to laugh. I don’t think there’s anything better than the sound of laughter. I’m originally from the Midwest and we tend to have a self-deprecating sense of humor—we like to laugh at ourselves. I’ve been in love with romance novels since I read my first Kathleen Woodiwiss book in my twenties. Although there are many sub-genres within romance, I prefer historical and contemporary (which I also write). My favorite stories have entertaining characters, witty banter, and lots of humor. For me, reading is like taking a vacation to the world within the pages of a book, and I want my vacation to be fun!
Loretta Chase presents a thoroughly entertaining Beauty and the Beast story in Lord of Scoundrels, book three of her Scoundrels series.Miss Jessica Trent attempts to negotiate with the Marquess of Dain in order to extract her idiot brother from Dain’s unhealthy influence. But Dain dislikes the species known as “ladies” and trusts them even less. He offers Jessica his own self-serving terms, which she roundly rejects. They’re horribly attracted to one another, which Dain refuses to acknowledge, and Jessica knows is the road to ruin. Experiencing this big, powerful, beastly man’s taming at the hands of a small, beautiful, fiercely intelligent woman is delightful. Their dialogue and banter are stellar and their constant battles a thing of beauty. Truly, one of the best Regency’s out there.
Loretta Chase is one of romance's most beloved authors, and now that she's returned to the Avon Family, we're repackaging one of her most popular books with an updated and fresh cover that will attract old and new readers alike. Determined Lady tough-minded Jessica Trent's sole intention is to free her nitwit brother from the destructive influence of Sebastian Ballister, the notorious Marquis of Dain. She never expects to desire the arrogant, amoral cad.And when Dain's reciprocal passion places them in a scandalously compromising, and public, position, Jessica is left with no choice but to seek satisfaction. "Lord of Scounderls"…
I’ve been reading romance since my grandmother would sneak me “approved” books when I was twelve. I’ve always felt like I was born in the wrong century, so it makes sense that historicals would be my favorites. After experiencing some autoimmune issues, I relate to characters dealing with physical or mental challenges, and those are the books that tend to draw me in. I believe many people read to escape “real life” and its accompanying stress (I know I do!). As a writer, my goal is to bring a bit of laughter and light into someone’s life for the few hours they spend with my characters.
This is a book I both adore and abhor. Why would I say such a thing? Because my heart physically hurt in the reading of it.
On the surface, the confident, scientifically minded hero has everything, including a disdain for anyone “lower” than him. But when he’s felled in an instant, everything changes. He cannot communicate—at all—until the lowly daughter of a fellow numerist finds a way to break through the strange walls that now inhabit his brain…
Experiencing these two falling in love was both poignant and yet destructive to my peace of mind. This is one of those books I set down, yes for several months, because I could not bear for it to end, and I needed to fortify myself before reading through to its conclusion.
The Duke of Jervaulx was brilliant and dangerous. Considered dissolute, reckless, and extravagant, he was transparently referred to as the ′D of J′ in scandal sheets, where he and his various exploits featured with frequency. But sometimes the most womanising rake can be irresistible, and even his most casual attentions fascinated the sheltered Maddy Timms, quiet daughter of a simple mathematician.
We have co-written three books on the Russian Revolution, a defining event of the twentieth century. It gave birth to the communist Soviet Union, which inspired millions and terrorized an equal number. World War II and the Cold War would have looked very different—or not happened at all—without the Soviet Union. The Russian Revolution was a Big-Bang-type event: it raged for a few years, but its economic, social, political, and geopolitical consequences reverberated for decades and can be felt to this day. Our advice to anyone interested in learning about the Russian Revolution: prepare to be amazed!
We knew that Russia mobilized more female volunteers in World War I than any other country. But we are so grateful that Maria Bochkareva, a semi-literate peasant and the founder of the first Russian female death battalion, took the time to share her story with a reporter. It sheds dazzling light on soldiers’ experiences on the Eastern Front. We had often marveled at this untrained woman’s success as a combatant and a commander.
The book’s first chapters show that she learned grit and toughness from living with an abusive husband, resisting the sexual advances of a Siberian governor, and standing her ground in male soldier barracks. By the time she had to face the Germans on the frontline, she was ready. Read her book and be inspired!
This book tells the extraordinary story of Maria Botchkareva “Yashka”, a peasant girl grown up in Siberia, who at the outbreak of First World War asked and obtained to enlist in the Russian army: not to be one of the many Red Cross nurses, but to be a soldier and fight.Yashka fought and distinguished herself at the forefront, so that after the revolution of March 1917 the provisional government of Kerensky allowed her to organize a women combat unit that was talked about by the press around the whole world, and that was submitted to massacre on the battlefield of…
I grew up in the United States, completed my undergraduate degree there, and then pursued a doctorate in Modern History at the University of Cambridge. Now, I teach European history at Oxford Brookes University and publish research on Russia and the Soviet Union. I have always been fascinated by revolutions and civil conflicts, especially how people navigate the disruption of stability and normality. How they process fragmentary information, protect themselves, and embrace new ideas to give meaning to their threatened lives is central to my work as a historian. The Russian Revolution and Civil War offer a rich tapestry for exploring these dilemmas.
The history of the revolution in Russia has changed both in terms of chronology and geography. Over the past 25 years, historians have documented the multifaceted ways in which the First World War set in motion the collapse of the Russian Empire.
At the same time, much recent research has explored how that collapse was experienced and how the revolution was processed across the expanse of the empire, in effect de-centering the narrative of the revolution in new and insightful ways.
Laura Engelstein’s book is an up-to-date narrative history of the revolution and civil war that manages the challenging trick of knitting all of those disparate threads together.
October 1917, heralded as the culmination of the Russian Revolution, remains a defining moment in world history. Even a hundred years after the events that led to the emergence of the world's first self-proclaimed socialist state, debate continues over whether, as historian E. H. Carr put it decades ago, these earth-shaking days were a "landmark in the emancipation of mankind from past oppression" or "a crime and a disaster." Some things are clear. After the implosion of the three-hundred-year-old Romanov dynasty as a result of the First World War, Russia was in crisis--one interim government replaced another in the vacuum…
I’ve been fascinated by the First World War ever since I read Vera Brittain’s Testament of Youth at the age of 19. When I lived in France in my twenties I started to read French nurses’ memoirs and diaries, and for the last fifteen years or so have continued to read and write about women’s experiences during and after the war as a university academic researcher, often from a comparative perspective. Men’s stories and memories of the First World War still dominate our understanding of it, but I believe that women’s perspectives give us a vital and often overlooked insight into the war and its consequences.
Although they are largely forgotten now, the five to six thousand Russian women who enlisted as soldiers were amongst the most photographed and written about women in the First World War, especially the charismatic but tyrannical leader of the 1st Russian Women’s Battalion of Death, Maria Bochkareva. Stoff’s book gives a highly readable and fascinating account of their formation, their military action, their ill-fated involvement in the defence of the Winter Palace when it was stormed by the Bolsheviks in November 1917, and their reception by the rest of the world as the only battalions of women to carry out officially sanctioned combat roles in the war.
Stoff uses their own memoirs alongside other first-hand accounts by American, British, and French diplomats stationed in Russian in the tumultuous year of 1917, and her book provides a balanced and nuanced analysis.
Women have participated in war throughout history, but their experience in Russia during the First World War was truly exceptional. Between the war's beginning and the October Revolution of 1917, approximately 6,000 women answered their country's call. These courageous women became media stars throughout Europe and America, but were brushed aside by Soviet chroniclers and until now have been largely neglected by history. Laurie Stoff draws on deep archival research into previously unplumbed material, including many first-person accounts, to examine the roots, motivations, and legacy of these women. She reveals that Russia was the only nation in World War I…
I am a retired lecturer at Southampton University, but used to live in China for many years. I experienced the horrible Chinese Cultural Revolution between the 1960s and 1970s, which was similar to Stalin’s Great Purges. I was put in jail and suffered cruel torture. So personally, I can more understand how, in all revolutionary movement, people were struggling with the threat of death and hopelessness; how they were torn between the new value of the revolution and the damage to the existing moral system; and how the strength of humanity could shine in the bloody darkness of terror.
It is a compelling epic of the bloody Russian Revolution to show how Don Cossack suffered and fought during World War I, the Russian Revolution, and the following civic war. The love story is beautiful and moving. The main character Grigori was moving between the White and Red army, with pain and daze. Like other Cossack people, he was torn between royalty and betrayal, right and wrong, justice and barbarism.
This is the first of four books of the novel, And Quiet Flows the Don. The second and third books are due to be put into ebook format in late 2016, with book four coming available in 2017.
And Quiet Flows the Don is an epic novel in four volumes by Russian writer Mikhail Aleksandrovich Sholokhov. The first three volumes were written from 1925 to 1932 and published in the Soviet magazine October in 1928–1932, and the fourth volume was finished in 1940. The English translation of the first three volumes appeared under this title in 1934.
I grew up in the United States, completed my undergraduate degree there, and then pursued a doctorate in Modern History at the University of Cambridge. Now, I teach European history at Oxford Brookes University and publish research on Russia and the Soviet Union. I have always been fascinated by revolutions and civil conflicts, especially how people navigate the disruption of stability and normality. How they process fragmentary information, protect themselves, and embrace new ideas to give meaning to their threatened lives is central to my work as a historian. The Russian Revolution and Civil War offer a rich tapestry for exploring these dilemmas.
While Russia had had a parliament for nearly a decade before the outbreak of World War One, its politics were extremely limited by the Tsarist government, which clung to the ideal of autocracy. The Revolution of 1917 produced an explosion of politics, with the Russian people either saturated in political speech and conflicting claims or otherwise desperate for information about what was going on in the capital and with the direction of the revolution.
Boris Kolonitskii is the foremost contemporary Russian historian of 1917. His book explores the chaotic and contradictory political culture of this moment by focusing on Alexander Kerensky, the central figure of the revolution in 1917. This is not a biography of Kerensky, although it does cover his activities over the course of much of 1917.
Instead, by describing Kerensky as both a central actor in the drama and as a symbolic figure and touchstone for so…
As one of the heroes of the 1917 February Revolution and then Prime Minister at the head of the Provisional Government, Alexander Kerensky was passionately, even fanatically, lauded as a leader during his brief political reign. Symbolic artefacts - sculptures, badges and medals - featuring his likeness abounded. Streets were renamed after him, his speeches were quoted on gravestones and literary odes dedicated to him proliferated in the major press. But, by October, Kerensky had been unceremoniously dethroned in the Bolshevik takeover and had fled to Paris and then to the US, where he would remain exiled and removed from…
I’ve always loved satire. In college, I wrote and performed comedy sketches as part of a two-man team, and most of my work features at least some comic elements. For example, my novel The Whale: A Love Story is a serious historical novel about the relationship between Herman Melville and Nathaniel Hawthorne that also offers moments of comedy to honor Melville's comic spirit (Moby-Dick, while ultimately tragic, is a very funny book). The most serious subjects usually contain elements of the absurd, and the books I love find humor in even the gravest situations.
Set in Moscow on the eve of the Russian Revolution, this novel’s plot does not scream “funny,” but it’s one of the most deeply funny books I’ve ever read.
An English printer living in Russia wakes up one day to find that his wife has left him and taken their children away, and revolutionaries have broken into his shop to print manifestoes.
From this unlikely setup, Fitzgerald spins a hilarious tale of loss, love, and redemption.
From the Booker Prize-winning author of ‘Offshore’, ‘The Blue Flower’ and ‘Innocence’ comes this Booker Prize-shortlisted tale of a troubled Moscow printworks .
Frank Reid had been born and brought up in Moscow. His father had emigrated there in the 1870s and started a print-works which, by 1913, had shrunk from what it was when Frank inherited it. In that same year, to add to his troubles, Frank’s wife Nellie caught the train back home to England, without explanation.
How is a reasonable man like Frank to cope? How should he keep his house running? Should he consult the Anglican…
