55 books like Faro's Daughter

Judith Ivory has one of the most distinctive voices in historical romance. I wish she was still releasing new work! The Proposition is a fun take on My Fair Lady, where Henry Higgins is a down-on-her-luck duke’s daughter and Eliza Dolittle is a charming rat catcher. Yes, you heard that right. We’re a long way from the usual historical romance fare of dukes and rakes. Not only that, Mick Tremore, the rat catcher in question, has the most wonderful dog Win who threatens to steal the show every time she’s on the page. Charming, clever, witty and full of delicious sexual tension, this is a compelling read – and it has a serious message about how often the greatest barriers to our dreams are those our minds place on us. 

Loretta Chase presents a thoroughly entertaining Beauty and the Beast story in Lord of Scoundrels, book three of her Scoundrels series. Miss Jessica Trent attempts to negotiate with the Marquess of Dain in order to extract her idiot brother from Dain’s unhealthy influence. But Dain dislikes the species known as “ladies” and trusts them even less. He offers Jessica his own self-serving terms, which she roundly rejects. They’re horribly attracted to one another, which Dain refuses to acknowledge, and Jessica knows is the road to ruin. Experiencing this big, powerful, beastly man’s taming at the hands of a small, beautiful, fiercely intelligent woman is delightful. Their dialogue and banter are stellar and their constant battles a thing of beauty. Truly, one of the best Regency’s out there.  

This is my favorite comfort read, the perfect book for days when life has too many sharp corners. I must have read this one at least twenty times. It has all the virtues of a classic fairytale: a pure-hearted, brave heroine; an honorable, steadfast hero; and a happy ending earned through suffering and effort and against all the odds. It tells the story of Countess Anna Grazinsky, a young refugee from the Russian Revolution, who finds work as a maid at a stately home in the English countryside, where she falls in love with the gallant war hero who owns the house. But the Earl of Westholme is promised to another woman. Heartwarming, triumphantly romantic, wise, and funny, A Countess Below Stairs is one of those rare books that makes the world seem a better place.  

This is another book I have read over and over again.

The hero is a powerful, intelligent, and rakish Duke. To a modern reader, it quickly becomes clear that the hero, Jervaux, suffers a stroke. But the author shows how medical understanding of the time results in him being confined to an asylum for the insane. 

There, the heroine, a devout Quakeress receives an enlightenment that he is not mad, but maddened. Patiently, she sets about rescuing him. I just love how powerfully the author shows the inner struggles of a hero with limited ability to communicate, as well as the heroine’s own determination to cling to her vision.  

Little is more adventurous than a woman who owns a gambling hell, who has forged a path to success, and dares Society to judge her. I love Sarah’s depth of characterization and how she infuses her characters with a background and motivations that make their actions, even the questionable ones, understandable and believable. I find she always takes an insurmountable conflict and uses it to drive the characters toward change. I so admire Sarah’s ability to carry me on a journey that always ends with a sigh of satisfaction, and often a few tears.

Think of Master Lists for Writers as a collection of mini thesauri on topics of interest to writers including plot twists, settings, body language, character names, action scene words, funny plots, workplace plots, character quirks, and much more.

Many of the subjects could merit a book in and of themselves, so rather than an exhaustive list of words, Master Lists provides a high-level summary of the most common terms in each category. Often, that’s enough. I sometimes use this book for inspiration. 

I know Sylvia Day is known for her Crossfire series, but I love her historical romance novels. Pride and Pleasure is marked with sharp banter (I’m a sucker for banter), a mild but solid mystery, and lots of heat. Eliza is smart and determined, a worthy foil for Jasper, a detective bent on revenge. They are two very different people but you can see how well they suit. Neither of them is looking for love, but you can practically feel the gravitational pull drawing them together. So while it didn’t have much in common with Pride and Prejudice, which was why I initially picked it up, it was such a good read I wasn’t disappointed.

This novel brings England's moors to life with a Regency romance that is sometimes haunting. It features a courageous heroine who doesn't know her own strength until she must flip social norms upside down by proposing marriage to a man she doesn't know or love—but needs. A couple determined to sacrifice everything for the love of a child makes this story memorable, and the romance is beautiful. 

I'd list every one of Georgette Heyer's romance novels if I could. She's the master of creating plots so entangled you have no idea how they'll be pulled apart. Her characters are unique, if not exactly crazy, and love is always in the air. Heyer's world is Regency England as it never really was.

This book delighted me. I expected the usual boy meets girl, they fall in love, have a temporary setback, and then makeup. Instead, it’s much more complicated than that.

It’s not love at first sight: Evan rescues her small son but is not immediately attracted to her. Widowed Deborah is wary after a disappointing marriage and a childhood with little affection and too much fear. Evan’s loving family is of a wealthier and higher social position and is not inclined to accept her.

I very much appreciated that there were real obstacles to overcome on both sides, unlike romances in which the hero and his relations do not boggle at the heir marrying a woman of a lower class with no dowry. I insist on some realism even in romance.