Here are 100 books that The Beginning of Spring fans have personally recommended if you like
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I’ve always loved satire. In college, I wrote and performed comedy sketches as part of a two-man team, and most of my work features at least some comic elements. For example, my novel The Whale: A Love Story is a serious historical novel about the relationship between Herman Melville and Nathaniel Hawthorne that also offers moments of comedy to honor Melville's comic spirit (Moby-Dick, while ultimately tragic, is a very funny book). The most serious subjects usually contain elements of the absurd, and the books I love find humor in even the gravest situations.
A tale of labor unrest in the hardscrabble frontier of northwestern America sounds anything but fun or funny, but Walter explores the lives of miners, railroad workers, and Vaudeville performers with surprising verve and a glint of humor on nearly every page.
Set mostly in and around Spokane in the years between the mid-19th and early 20th centuries, this sweeping, satisfying story follows a pair of working-class brothers as they confront corrupt lawmen, scheming actresses, and violent union-busters.
'A beautiful, lyric hymn to the power of social unrest in American history...funny and harrowing, sweet and violent, innocent and experienced; it walks a dozen tightropes' Anthony Doerr, author of All the Light We Cannot See _____________________________________________
1909. Spokane, Washington.
The Dolan brothers are living by their wits, jumping freight trains and lining up for work at crooked job agencies. While sixteen-year-old Rye yearns for a steady job and a home, his dashing older brother Gig dreams of a better world, fighting alongside other union men for fair pay and decent treatment.
I’ve always loved satire. In college, I wrote and performed comedy sketches as part of a two-man team, and most of my work features at least some comic elements. For example, my novel The Whale: A Love Story is a serious historical novel about the relationship between Herman Melville and Nathaniel Hawthorne that also offers moments of comedy to honor Melville's comic spirit (Moby-Dick, while ultimately tragic, is a very funny book). The most serious subjects usually contain elements of the absurd, and the books I love find humor in even the gravest situations.
Actually a collection of nine novellas set in the fictional town of Babbington, in an alternative-reality version of 1950s New York, this collection is historical fiction at its funniest and strangest, satirizing not only 1950s American culture but also our literary traditions.
Each novella chronicles a coming-of-age adventure of Peter Leroy (the author’s alter ego) in the style of a different classic-fiction genre, from a Huck Finn-style river journey to a Proustian moment at a family outing to a send-up of Aesop’s fables.
I’ve always loved satire. In college, I wrote and performed comedy sketches as part of a two-man team, and most of my work features at least some comic elements. For example, my novel The Whale: A Love Story is a serious historical novel about the relationship between Herman Melville and Nathaniel Hawthorne that also offers moments of comedy to honor Melville's comic spirit (Moby-Dick, while ultimately tragic, is a very funny book). The most serious subjects usually contain elements of the absurd, and the books I love find humor in even the gravest situations.
Stella Bradshaw, an aspiring teenage actor in 1950s Liverpool, joins a local theater company for its Christmas production of Peter Pan, and everyone gets more than they bargained for. Stella is a willful working-class ingenue desperate to escape her broken home life, and her enthusiasm and fearlessness force a collection of dissolute, jaded theater actors and directors to confront their own career and life choices.
The revelation on the last page makes you reconsider everything that went before in a surprise ending that’s far from a gimmick.
'This is one of Bainbridge's best books. The close observation and hilarity are underlain by a sense of tragedy as deep as any in fiction' The Times
SHORTLISTED FOR THE BOOKER PRIZE IN 1990
It is 1950 and the Liverpool repertory theatre company is rehearsing its Christmas production of Peter Pan, a story of childhood innocence and loss. Stella has been taken on as assistant stage manager and quickly becomes obsessed with Meredith, the dissolute director. But it is only when the celebrated O'Hara arrives to take the lead, that a different drama unfolds. In it, he and Stella are…
In May 1941, Bartlesville, Oklahoma, hums with talk of spring flowers, fishing derbies, and the growing war in Europe. And for the residents of a quiet neighborhood boarding house, the winds of change are blowing.
Self-proclaimed spinster, Bessie Blackwell, is the reluctant owner of a new pair of glasses. The…
I’ve always loved satire. In college, I wrote and performed comedy sketches as part of a two-man team, and most of my work features at least some comic elements. For example, my novel The Whale: A Love Story is a serious historical novel about the relationship between Herman Melville and Nathaniel Hawthorne that also offers moments of comedy to honor Melville's comic spirit (Moby-Dick, while ultimately tragic, is a very funny book). The most serious subjects usually contain elements of the absurd, and the books I love find humor in even the gravest situations.
Muriel Spark is one of the wittiest novelists of the twentieth century, and this is one of her rare forays into historical fiction.
This novel harkens back to the publishing world of 1950s London, where a war widow working as an editor at a struggling publishing house becomes involved in the personal and professional politics of the literary world.
The characters are thinly veiled portrayals of real-life figures in the London publishing scene of the time, and Spark sends up their foibles, petty schemes, and peccadillos to devastating effect.
Rich and slim, the celebrated author Nancy Hawkins takes us in hand and leads us back to her threadbare years in postwar London, where she spends her days working for a mad, near-bankrupt publisher ("of very good books") and her nights dispensing advice at her small South Kensington rooming house. Everywhere Mrs. Hawkins finds evil: with aplomb, however, she confidently sets about putting things to order, to terrible effect.
Steven G. Marks is a historian who has written extensively on Russian economic and cultural history, the global impact of Russian ideas, and the history of capitalism. He received his PhD from Harvard University and has spent more than 30 years teaching Russian and world history at Clemson University in South Carolina.
There are many excellent histories of the Russian Revolution that chronicle the main events, but none convey the complexity of experiences in Tsarist Russia during its final years and the Soviet regime in its initial phase as Mark Steinberg’s short but powerful and original work. This book gives us the bird’s-eye view of developments as they unfold, but also places them under the microscope to give us personal stories and experiences from different wakes of life. Using contemporary journalism and diaries, Steinberg recovers the voices of a range of ethnic groups in various regions of the empire—Jews, Ukrainians, and Central Asians--as well as workers, peasants, women, and members of the intelligentsia. As we witness their lives being thrown into upheaval by rapid political and economic transformation in the first years of the 20th century, followed by World War I, the two revolutions of 1917, and civil war, we gain…
The Russian Revolution, 1905-1921 is a new history of Russia's revolutionary era as a story of experience-of people making sense of history as it unfolded in their own lives and as they took part in making history themselves. The major events, trends, and explanations, reaching from Bloody Sunday in 1905 to the final shots of the civil war in 1921, are viewed through the doubled perspective of the professional historian looking backward and the contemporary journalist reporting and interpreting history as it happened. The volume then turns toward particular places and people: city streets, peasant villages, the margins of empire…
I’m a longtime Moscow correspondent, having worked there for The Baltimore Sun in the 1990s and for The Washington Post in the 2010s. It was an exciting time to be in Russia, and I couldn’t help noticing parallels between the Russian revolutions of 1917 and the collapse of the Soviet Union in 1991. I think American policymakers, in particular, profoundly misunderstood both events. In my newspaper career, I am a winner of the Pulitzer Prize, the George Polk Award, an Oversea Press Club award, and other honors. In the fall of 2018, I taught for a semester at Princeton University.
Amazingly, in the spring of 1917 an Interview Commission was formed in Russia to obtain oral histories of the revolution that led to the abdication of Czar Nicholas II. Thirteen key players were interviewed about their role in the sweeping and often violent events that had occurred just two months earlier. You can sense the ambivalence that they were struggling with. Of special note is Alexander Kerensky, who would become the leader of the Provisional Government, describing how he called Nicholas’ brother Michael in the middle of the night, waking him up, and persuading him to renounce the throne.
The Fall of Tsarism contains a series of gripping, plain-spoken testimonies from some of the leading participants of the Russian Revolution of February 1917, including the future revolutionary premier Alexander Kerenskii.
Recorded in the spring of 1917, months before the Bolsheviks seized power, these interviews represent the earliest first-hand testimonies on the overthrow of the Tsarist regime known to historians. Hidden away and presumed lost for the better part of a century, they are now revealed to the world for the first time.
Desperate to honor his father’s dying wish, Layken Martin vows to do whatever it takes to save the family farm. Once the Army discharges him following World War II, Layken returns to Missouri to find his legacy in shambles and…
Julia P. Gelardi has obtained a Master’s degree in History and spent many years immersed in the world of European royal history. The author of numerous articles and seven books on European royalty, three of which have been published by St. Martin’s Press, Julia has done extensive research in various archives, including the Royal Archives at Windsor Castle. She continues to search the world for elusive books on royalty to add to her library and is always on the lookout for new topics to write about and share with her readers.
A skillfully written account and engaging portrait of Grand Duchess Olga Alexandrovna (1882-1960), younger sister of Tsar Nicholas II. Olga Alexandrovna’s life was no less dramatic than that of her brother, Nicholas II. Daughter, granddaughter, and sister to Russian emperors, Olga – a woman devoid of vanity and imbued with a strong faith – lived a life that could never be replicated. Immersed in the splendors of the Russian court, Olga also suffered through the Russian Revolution, and ultimately left Russia for a life of exile in Denmark and Canada. The Last Grand Duchess is Olga’s memoirs as told to Ian Vorres whose deft presentation of her story is to be applauded. Published in 1965, The Last Grand Duchess not only delves into Olga’s life but that of her family and other historical figures and brings a unique insight into the last Romanovs and Tsar Nicholas II in particular.
When she died in exile in 1960, Olga Alexandrovna was the last Grand Duchess of Russia, the favorite sister of Czar Nicholas II who was executed with his wife and five children during the Revolution. Born in splendor difficult to imagine today, she endured a lifetime of relentless tragedy with courage and exceptional powers of adjustment.
The Last Grand Duchess is a valuable account of the final decades of the house of Romanov as seen through the eyes of its last surviving member. Through Olga, we meet Queen Victoria, George V of England, Rasputin, Mrs. Anderson - on whose story…
After a relatively short career in research science, Helen Azar switched gears and returned to graduate school to fulfill a dream of becoming a reference librarian. She worked at the Free Library of Philadelphia for ten years, during which time she became a published author. While researching for her first book, The Diary of Olga Romanov, Helen visited Russia several times, and worked in the Rare Book Fund at the Museum at Tsarskoe Selo, which holds the imperial book collection. Today, Helen lives on the beautiful far south coast of New South Wales, Australia; she continues writing about Russia's last imperial family and leads Romanov history tours. She also administers The Romanov Family website and is the content creator for a YouTube channel In the Steps of the Romanovs.
Very well researched and well written, the author weaves historical facts into the story with elegant ease, which makes it not only fun to read but also informative. There was even a point when I had to double-check to make sure this was really a work of fiction and not a real memoir by Victoria Battenberg. You really get to know her in this book, and realize that she was not just one of the more obscure of Queen Victoria's granddaughters, but an interesting character in her own right, who was a witness to the crucial historical events of the late 19th and early 20th century.
The Royal Mob is the story of the four beautiful Princesses of the House of Hesse, granddaughters of Queen Victoria, who come of age during the zenith of European Royalty. Each makes a brilliant marriage that will bring her both happiness and heartbreak. The eldest, Princess Victoria, marries the handsome Prince Louis of Battenberg, the former lover of Lillie Langtry. The next, the exquisite Elisabeth, is swept off to the unbelievable splendor of the Romanov court by Grand Duke Serge, while Irène dazzles Prince Henry of Prussia and takes her place at the court in Berlin. Alix, the youngest, marries…
Sören Urbansky was born and raised in East Germany next to the Iron Curtain. Since embarking on an overland journey from Berlin to Beijing after high school, he became hooked by peoples’ lifeways in Northeast Asia. In college, Sören began studying history in earnest and grew intrigued by Russia and China, the world’s largest and most populous countries. He has published widely on this pivotal yet forgotten region. Sören is a research fellow at the German Historical Institute Washington and is currently embarking on a new project that examines anti-Chinese sentiments from a global perspective.
Published in 1999, David Wolff’s To the Harbin Station was a pioneering work that paved the path for many historical studies that followed, and which remains an unparalleled analysis of Russia’s only colony and its imperial expansion into China in the two decades leading up to the 1917 revolution. The monograph is more than an urban history of Harbin. It is the history of a region, a railroad, and the nature of late tsarist imperialism.
In 1898, near the projected intersection of the Chinese Eastern Railroad (the last leg of the Trans-Siberian) and China's Sungari River, Russian engineers founded the city of Harbin. Between the survey of the site and the profound dislocations of the 1917 revolution, Harbin grew into a bustling multiethnic urban center with over 100,000 inhabitants. In this area of great natural wealth, Russian, Chinese, Japanese, Korean, and American ambitions competed and converged, and sometimes precipitated vicious hostilities.
Drawing on the archives, both central and local, of seven countries, this history of Harbin presents multiple perspectives on Imperial Russia's only colony. The…
A breathtaking journey across Iran where war and superstition, jealousy and betrayal, and passion and loyalty rage behind the impenetrable walls of mansions and the crumbling houses of the Jewish Quarter.
Against the tumultuous background of World War II, Dr. Yaran will find himself caught in the thrall of the…
A proud native of Stockton, CA, Jennifer Laam resides in California with a temperamental tabby cat named Jonesy. Her other works of historical fiction are The Secret Daughter of the Tsar, The Tsarina’s Legacy, and The Lost Season of Love and Snow. When not reading or writing, she enjoys planning cosplay for the next San Diego Comic-Con, experimenting with vegetarian recipes (to mixed results), cooing at Baby Yoda, or obsessing over House Targaryen.
Radvinsky is a celebrated Russian playwright and historian. Raised in the Soviet Union, when information about the last Romanovs was repressed, his unique take on the tsar’s life makes this both a fascinating history and thoughtful meditation on what Nicholas II represents to Russians.
Edvard Radzinki, the leading Russian playwright, offers a portrait of Nicholas and Alexandra's marriage and an account of the final days of the Russian royal family's arrest, imprisonment and regicide. The opening of long-closed archives has allowed the author to make discoveries and reach new and revealing conclusions. His hitherto uptapped sources include three participants in the shooting, Radzinki reveals Lenin's role in the execution and has seen the actual telegram in which the order for the murder was given and there is the outstanding question: were the Tsarina and the daughters allowed to escape?
