Here are 100 books that Little Follies fans have personally recommended if you like
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I’ve always loved satire. In college, I wrote and performed comedy sketches as part of a two-man team, and most of my work features at least some comic elements. For example, my novel The Whale: A Love Story is a serious historical novel about the relationship between Herman Melville and Nathaniel Hawthorne that also offers moments of comedy to honor Melville's comic spirit (Moby-Dick, while ultimately tragic, is a very funny book). The most serious subjects usually contain elements of the absurd, and the books I love find humor in even the gravest situations.
A tale of labor unrest in the hardscrabble frontier of northwestern America sounds anything but fun or funny, but Walter explores the lives of miners, railroad workers, and Vaudeville performers with surprising verve and a glint of humor on nearly every page.
Set mostly in and around Spokane in the years between the mid-19th and early 20th centuries, this sweeping, satisfying story follows a pair of working-class brothers as they confront corrupt lawmen, scheming actresses, and violent union-busters.
'A beautiful, lyric hymn to the power of social unrest in American history...funny and harrowing, sweet and violent, innocent and experienced; it walks a dozen tightropes' Anthony Doerr, author of All the Light We Cannot See _____________________________________________
1909. Spokane, Washington.
The Dolan brothers are living by their wits, jumping freight trains and lining up for work at crooked job agencies. While sixteen-year-old Rye yearns for a steady job and a home, his dashing older brother Gig dreams of a better world, fighting alongside other union men for fair pay and decent treatment.
I’ve always loved satire. In college, I wrote and performed comedy sketches as part of a two-man team, and most of my work features at least some comic elements. For example, my novel The Whale: A Love Story is a serious historical novel about the relationship between Herman Melville and Nathaniel Hawthorne that also offers moments of comedy to honor Melville's comic spirit (Moby-Dick, while ultimately tragic, is a very funny book). The most serious subjects usually contain elements of the absurd, and the books I love find humor in even the gravest situations.
Set in Moscow on the eve of the Russian Revolution, this novel’s plot does not scream “funny,” but it’s one of the most deeply funny books I’ve ever read.
An English printer living in Russia wakes up one day to find that his wife has left him and taken their children away, and revolutionaries have broken into his shop to print manifestoes.
From this unlikely setup, Fitzgerald spins a hilarious tale of loss, love, and redemption.
From the Booker Prize-winning author of ‘Offshore’, ‘The Blue Flower’ and ‘Innocence’ comes this Booker Prize-shortlisted tale of a troubled Moscow printworks .
Frank Reid had been born and brought up in Moscow. His father had emigrated there in the 1870s and started a print-works which, by 1913, had shrunk from what it was when Frank inherited it. In that same year, to add to his troubles, Frank’s wife Nellie caught the train back home to England, without explanation.
How is a reasonable man like Frank to cope? How should he keep his house running? Should he consult the Anglican…
I’ve always loved satire. In college, I wrote and performed comedy sketches as part of a two-man team, and most of my work features at least some comic elements. For example, my novel The Whale: A Love Story is a serious historical novel about the relationship between Herman Melville and Nathaniel Hawthorne that also offers moments of comedy to honor Melville's comic spirit (Moby-Dick, while ultimately tragic, is a very funny book). The most serious subjects usually contain elements of the absurd, and the books I love find humor in even the gravest situations.
Stella Bradshaw, an aspiring teenage actor in 1950s Liverpool, joins a local theater company for its Christmas production of Peter Pan, and everyone gets more than they bargained for. Stella is a willful working-class ingenue desperate to escape her broken home life, and her enthusiasm and fearlessness force a collection of dissolute, jaded theater actors and directors to confront their own career and life choices.
The revelation on the last page makes you reconsider everything that went before in a surprise ending that’s far from a gimmick.
'This is one of Bainbridge's best books. The close observation and hilarity are underlain by a sense of tragedy as deep as any in fiction' The Times
SHORTLISTED FOR THE BOOKER PRIZE IN 1990
It is 1950 and the Liverpool repertory theatre company is rehearsing its Christmas production of Peter Pan, a story of childhood innocence and loss. Stella has been taken on as assistant stage manager and quickly becomes obsessed with Meredith, the dissolute director. But it is only when the celebrated O'Hara arrives to take the lead, that a different drama unfolds. In it, he and Stella are…
I’ve always loved satire. In college, I wrote and performed comedy sketches as part of a two-man team, and most of my work features at least some comic elements. For example, my novel The Whale: A Love Story is a serious historical novel about the relationship between Herman Melville and Nathaniel Hawthorne that also offers moments of comedy to honor Melville's comic spirit (Moby-Dick, while ultimately tragic, is a very funny book). The most serious subjects usually contain elements of the absurd, and the books I love find humor in even the gravest situations.
Muriel Spark is one of the wittiest novelists of the twentieth century, and this is one of her rare forays into historical fiction.
This novel harkens back to the publishing world of 1950s London, where a war widow working as an editor at a struggling publishing house becomes involved in the personal and professional politics of the literary world.
The characters are thinly veiled portrayals of real-life figures in the London publishing scene of the time, and Spark sends up their foibles, petty schemes, and peccadillos to devastating effect.
Rich and slim, the celebrated author Nancy Hawkins takes us in hand and leads us back to her threadbare years in postwar London, where she spends her days working for a mad, near-bankrupt publisher ("of very good books") and her nights dispensing advice at her small South Kensington rooming house. Everywhere Mrs. Hawkins finds evil: with aplomb, however, she confidently sets about putting things to order, to terrible effect.
I love delving into a world unlike my own and navigating along with a young hero of a story. Sometimes rooting and sometimes cringing at the decisions they make. A story that challenges a young boy resonates with me, and what makes the coming-of-age description in a book is having the young hero deal with grown-up problems, often before he is prepared. All decisions have consequences, and all problems, no matter how seemingly trivial, have significance to the user. I enjoy stories that capture just this type of world and ones that do it in a manner where it is not forced.
I love all things nostalgic. It is merely a memory and can never truly be recaptured, or can’t it. This nostalgic look back into a world familiar and warm invites the reader to immerse themselves into a time they might find evocative.
The choices are similar, consequences no less pivotal in shaping one’s world.
A collection of humorous and nostalgic Americana stories—the beloved, bestselling classics that inspired the movie A Christmas Story
Before Garrison Keillor and Spalding Gray there was Jean Shepherd: a master monologist and writer who spun the materials of his all-American childhood into immensely resonant—and utterly hilarious—works of comic art. In God We Trust: All Others Pay Cash represents one of the peaks of his achievement, a compound of irony, affection, and perfect detail that speaks across generations.
In God We Trust, Shepherd's wildly witty reunion with his Indiana hometown, disproves the adage “You can never go back.” Bending the ear…
I was born and brought up in the north of England. I have a degree in English and taught English Literature to older teenagers for many years. The period between 14 and 19 is an age group that has always fascinated me. It’s a time when people are accumulating experience and trying to understand themselves and their lives. The books I’ve chosen all put young people in challenging situations and excel at showing how they respond, handling, in sensitive and insightful ways, the moods and tensions of growing up. Most of my own novels have young heroes and heroines, although they’re read by people of all ages.
I love this book, a beautiful celebration of young love set in the summer 1997.
It’s easy to identify with Charlie Lewis, his failed school career and his shambolic home life. He meets the rich and privileged Fran Fisher, whose background is totally different from his. The contrast between them is beautifully drawn and I felt for Charlie as he tentatively moved towards a girl he feels is out of his reach. His insecurity is moving.
The Romeo & Juliet link which is obvious from the title is well handled, enriching without being intrusive. There’s a heart-rending sense of nostalgia that reminds you of what it’s like to be trying to find your feet as a teenager.
“A tale of first love that hits all the right notes . . . [it] just might be the sweetest book to brighten your late summer.” —The Washington Post
"Dazzles with wit.”—People
From the bestselling author of One Day comes a bittersweet and brilliantly funny coming-of-age tale about the heart-stopping thrill of first love—and how one summer can forever change a life.
Now: On the verge of marriage and a fresh start, thirty-eight year old Charlie Lewis finds that he can’t stop thinking about the past, and the events of one particular summer.
I grew up in the town of Yalta on the Black Sea. The sea had gotten its name because of its bad temper–storms, squalls, fogs. Warships never docked in Yalta, but passenger ships did. If the ship was a regular (and many were because people still used them to get from point A to point B), we recognized it by the sound of its horn. When passing by, the warships gave us a wide berth–dim silhouettes on the horizon on an unknown mission. I left Crimea for good many years ago, but I am still a sucker for bad-tempered seas and secretive navies.
I had often wondered how it felt to be a part of a big war on its periphery. This book gave me the answer: what happens is piecemeal disintegration of humanity, sparing no one.
I discovered that the book was a page-turner, but that, of course, should’ve been expected from a top novelist; what I had not expected–I realized I knew people in positions of authority who were exactly like the infamous Captain Queeq.
Winner of the Pulitzer Prize and a perennial favorite of readers young and old, Herman Wouk's masterful World War II drama set aboard a U.S. Navy warship in the Pacific is "a novel of brilliant virtuosity" (Times Literary Supplement).
Herman Wouk's boldly dramatic, brilliantly entertaining novel of life--and mutiny--on a Navy warship in the Pacific theater was immediately embraced, upon its original publication in 1951, as one of the first serious works of American fiction to grapple with the moral complexities and the human consequences of World War II.
In the intervening half century, The Caine Mutiny has sold millions…
As the sex and relationship advice columnist at Men’s Health Magazine, I’m obviously pretty damn obsessed with sex. I find it fascinating on so many levels, which is why I not only have a ton of it but also made it my career. For so long, I struggled with sexual shame, and one thing I realized as a writer is that I’m not special. Sure, I’ve probably been to more sex parties than you, but if I’m struggling with shame, being bisexual, and embracing my kinks, then other folks are, too. And just like I’m obsessed with sex, I’ve become obsessed with helping others remove sexual shame.
This is THE book for neurotic hypersexuals. It set the genre. I think it’s wild, brilliant, horny, thoughtful, introspective, delusional, and absurd at the same time. I mean, for the love of God, there’s no plot! It’s the protagonist (Alex Portnoy) rambling to a psychologist about his clear Oedipal Complex. The man is torn, trying to be a good Jewish boy who betters the world, but he has some nasty sexual desires (and messed-up feelings about his sexual partners) that are holding him back.
This book is one of my obsessions. (It’s fitting, given the obsessive nature of the book.) Ironically, I felt really seen and sane while reading it. No, I’m not as neurotic and horny as Alex, but boy, do I struggle with some of the same obsessive thought patterns as that man!
'The most outrageously funny book about sex written' Guardian
Portnoy's Complaint n. [after Alexander Portnoy (1933-)]:A disorder in which strongly-felt ethical and altruistic impulses are perpetually warring with extreme sexual longings, often of a perverse nature.
Portnoy's Complaint tells the tale of young Jewish lawyer Alexander Portnoy and his scandalous sexual confessions to his psychiatrist.
As narrated by Portnoy, he takes the reader on a journey through his childhood to adolescence to present day while articulating his sexual desire, frustration and neurosis in shockingly candid ways.
Hysterically funny and daringly intimate, Portnoy's Complaint was an immediate bestseller upon its publication…
I have written four novels that involve crime in one way or another, but I do not consider myself a crime novelist. I simply find crime stories offer a compelling way to explore universal human experiences. I was a prosecutor when I was younger, so I try to bring a level of fluency in criminal law to my novels, but the usual warning applies: this is fiction, and it is better that a story be authentic than actually true.
A more modern example of the writer as a character in his own novel, borrowing pieces of his own life and weaving them into something more. It is so polished that it is hard to believe it was the first novel. And so personal, in the way it borrows from Foer’s family history (or seems to), that it gives the reader that distinctive shiver of fiction that threatens to burst through the confines of a novel into something like truth—realism that verges on reality.
I tried to weave my own history into my book in a similar way; this book probably had something to do with that.
This is the story of a young man who visits the Ukraine to find the woman who saved his grandfather from the Nazis. In turns hilarious and harrowing, lit with a manic energy, it is narrated in part by a Ukranian translator, who has a murderous approach to the English language, and in part by the young man, who reanimates the lives of his grandfather and ancestors. Eventually the past meets the present, as fiction collides with reality in an unforgettable climax. With breathtaking inventiveness and narrative control, Jonathan Safran Foer has written a book about searching - for people…
Historical fiction meets the picaresque in many novels about going on the road. As a fiction writer, my narrative tools are not forged in a vacuum. I stand on the shoulders of centuries of writers who invented the novel form and developed it through its beginnings in romance and all its permutations since. In my new book, I am following innovations in two genres. In historical romance, romance “fell” into history. What was lost in the historical world could be made up in the romance of heroic characters. In the picaresque, characters belonging to the lower echelons of society “go on the road” for all sorts of reasons, mostly to survive.
Although published long ago, it is remarkable how easy it is to become involved in this book and be charmed by its main character, Tom.
Orphans abound in 18th and 19th-century fiction. What happens to him in an upper-class environment is inevitably unfair and hypocritical, so when he gets on the road—whether as a result of desire or force—the fun truly begins.
Tom says at the beginning that his tale has the purpose of understanding “human nature”, and after spending time with him on his adventures, from the estate where he grows up to his romp in London, we have a sense of the good nature of human nature. Tom’s sense of life infuses his life on the road, offering a character to celebrate despite his flaws.
Henry Fielding's picaresque tale of a young man's search for his place in the world, The History of Tom Jones is edited with notes and an introduction by Thomas Keymer and Alice Wakely in Penguin Classics.
A foundling of mysterious parentage brought up by Mr Allworthy on his country estate, Tom Jones is deeply in love with the seemingly unattainable Sophia Western, the beautiful daughter of the neighbouring squire - though he sometimes succumbs to the charms of the local girls. But when his amorous escapades earn the disapproval of his benefactor, Tom is banished to make his own fortune.…
