100 books like To Calais, in Ordinary Time

I especially love this novel as Camus applies his background in existential philosophy to elevate the medical thriller genre into the realm of the metaphysical.

I love how the novel uses the plot device of an outbreak of the plague to force me as a reader to move  beyond the surface questions of “What?” “When?” and “Where?” to ask the deeper question of “Why?” and “What now?”

This a beautifully lyrical book. The first chapter winds and twists through different scenes and places, like a gentle lake through a peaceful forest. Emily St John Mantel leads you through the past, present, and future so softly that it takes you a moment to realize the bleakness and horror of the post-pandemic world she’s describing.

I love a story told from multiple points of view, and this one is a masterclass. It weaves different events and characters so precisely that when everything comes to a head in the final chapters, it feels inevitable and natural. I also love a nuanced villain, and (without giving away who) this one is fantastic! I understood their motivation and logic, even as I desperately wanted them to lose.

Louise Welsh has written three novels about a pandemic called the Sweats – her Plague Times trilogy. This is the second book in the series. I particularly liked this one because its protagonist, Magnus, is a Scottish not-very-good stand-up comedian, and I too was once a not-very-good aspiring comic! After a series of unfortunate events, Magnus ends up in prison, where the disease is rife. Breaking out, he decides to make for his childhood home on Orkney, accompanied by fellow escapee Jeb. The fast-moving plot will keep you racing through this book.

Of the many books I’ve read about the 1918-1919 influenza pandemic, I especially love this one because Spinney takes a global perspective on the pandemic. Too often the Great Influenza gets narrated only as an Euro-American disaster linked to WWI.

Spinney enthralls by adding the rest of the world—China, India, Africa, and Latin America—to the pandemic mix. Her description of how the flu found Mohandas Gandhi (aka the Mahatma) in his ashram is fascinating. 

I really appreciate this book because it explains how medieval people thought about the grossly unequal society they inhabited and how they tried to reconcile its obvious injustices with Christian morality.

I particularly like how it shows peasants’ criticism of the medieval idea of society as being composed of Three Orders: those who fought (the knights and nobles), those who prayed (monks and priests), and those who worked (peasants).

The Three Orders idea supposedly justified the way that nobles and clerics profited from peasant labor, but peasants sometimes threw it back at them, arguing that if the nobles were defeated in war or the Church was full of hypocrites, then the peasants really didn’t owe them anything. It’s a fair argument.

One of the most disquieting things about medieval peasants for me is that many of them were not free.

Some were outright slaves, particularly at the very beginning and the very end of the Middle Ages, but by 1100, most ‘unfree’ peasants were serfs. Although not a commodity to be bought or sold like slaves, serfs did unpaid labor and suffered serious limitations on their liberty, like the inability to move or marry at will.

Many historians have written on the medieval transition from slavery to serfdom (and back again), but what I like about Rio’s book is her attention to the variety of forms that ‘unfreedom’ could take and to how and why people might lose or gain freedom in the centuries after the fall of Rome and its slave system. 

Tormented Voices often brings me close to tears. Although based on records from 800 years ago, it feels very immediate in its account of the lordly oppression that often blighted peasants’ lives.

The records detail villagers’ complaints against knights who had violently forced them to hand over grain, money, or animals. The villagers say that heads were broken, a woman’s nose cut off, houses made uninhabitable, and so on. The villagers employed scribes to write out these complaints to send to their Count-King in Barcelona, but we don’t know if he even replied, let alone if anything was ever done.

By restoring the peasants’ voices, the book does what it can to right the wrongs done to them so long ago. 

It’s a real frustration of mine that so much historical writing pays little or no attention to women, even though they made up half the population.

However ‘important’ whatever the men were doing was, they couldn’t have done it without women. There’s more written on elite medieval women—queens, noblewomen, abbesses, etc.—than there used to be, but peasant women remain mostly neglected.

I like Bennett’s book not only because she pays attention to village women but also because it doesn’t sugarcoat the story. Peasant women could do many things in medieval England, like owning property, going to court, and running businesses, but their options were sharply curtailed by male domination.

As Bennett puts it, "Insofar as these women had choices about their lives, the choices were always poor ones." 

Again, we are in the fourteenth century, in Oxford, but following the first terrible onslaught of the Black Death. The title made this a must-read for me because my own sleuth, Seb Foxley, is involved with the making and selling of books, just like Ann Swinfen’s hero, Nicholas Elyot. I wasn’t disappointed.

The characters came alive for me and I too was sad when a good student was found drowned in the river. But the bookseller is suspicious and uncovers a villainous plot, putting him, his family and friends in danger.

A beautifully-woven medieval mystery; I had to read it in one go – forget the washing up. Fortunately, this is book 1 of the Oxford Medieval Mysteries so there’s more fun to come.

This is the first part of S.D. Skyes’ medieval mystery series, following nobleman and investigator Oswald de Lacy. Sykes always creates an intriguing, compelling plot for each of the five de Lacy novels but it is the fourteenth-century setting that draws the reader in.

This is a land ravaged by the Black Death and the reader is not only entertained but informed by this powerful evocation of a society dealing with a disaster almost beyond comprehension.