Here are 100 books that To Calais, in Ordinary Time fans have personally recommended if you like
To Calais, in Ordinary Time.
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Although I come from a family with a number of medical professionals, I am not one myself. My interest in medical thrillers is a three-strand braid that combines my learning and experiences in the fields of sociology, literature, and storytelling. Horrific as the stories on this list are, they share both a hopefulness that mankind is capable of overcoming whatever challenge nature presents, or they themselves conjure and a warning to get ourselves right before the next one comes along. At a time when it is tempting to despair over the human condition, I hope these books inspire your faith in mankind’s resourcefulness and ability to endure.
I especially love this novel as Camus applies his background in existential philosophy to elevate the medical thriller genre into the realm of the metaphysical.
I love how the novel uses the plot device of an outbreak of the plague to force me as a reader to move beyond the surface questions of “What?” “When?” and “Where?” to ask the deeper question of “Why?” and “What now?”
“Its relevance lashes you across the face.” —Stephen Metcalf, The Los Angeles Times • “A redemptive book, one that wills the reader to believe, even in a time of despair.” —Roger Lowenstein, The Washington Post
A haunting tale of human resilience and hope in the face of unrelieved horror, Albert Camus' iconic novel about an epidemic ravaging the people of a North African coastal town is a classic of twentieth-century literature.
The townspeople of Oran are in the grip of a deadly plague, which condemns its victims to a swift and horrifying death. Fear, isolation and claustrophobia follow as they…
I have always been fascinated with morally grey or complex characters. For me, the sign of a great novel is one where you find yourself talking about the characters as if they were real people you know. I want to experience something when I read, and characters that are flawed, imperfect, or morally grey have always intrigued me because they can take me to places I haven’t (or wouldn’t!) go myself. And, of course, they provide ample grounds for fun discussions with my friends! Sci-fi apocalyptic fiction is fertile ground for such characters, so I’ve tried to pick books you may not have heard of. I hope you like them!
This a beautifully lyrical book. The first chapter winds and twists through different scenes and places, like a gentle lake through a peaceful forest. Emily St John Mantel leads you through the past, present, and future so softly that it takes you a moment to realize the bleakness and horror of the post-pandemic world she’s describing.
I love a story told from multiple points of view, and this one is a masterclass. It weaves different events and characters so precisely that when everything comes to a head in the final chapters, it feels inevitable and natural. I also love a nuanced villain, and (without giving away who) this one is fantastic! I understood their motivation and logic, even as I desperately wanted them to lose.
'Best novel. The big one . . . stands above all the others' - George R.R. Martin, author of Game of Thrones
Now an HBO Max original TV series
The New York Times Bestseller Winner of the Arthur C. Clarke Award Longlisted for the Baileys Women's Prize for Fiction National Book Awards Finalist PEN/Faulkner Award Finalist
What was lost in the collapse: almost everything, almost everyone, but there is still such beauty.
One snowy night in Toronto famous actor Arthur Leander dies on stage whilst performing the role of a lifetime. That same evening a deadly virus touches down in…
In my day job working for a charity, I work with emergency planners, examining how we can minimise the harm caused by disasters, including outbreaks of disease. I’m fascinated by the measures in place to deal with catastrophes, and how contingency planners respond on a practical and a human level. When writing my novel about a killer virus, I devoured both fiction and non-fiction books tackling pandemics ranging from the Black Death to Aids. I am confident I know the skills needed to survive when a pandemic reduces the world’s population to a small, doughty band of survivors. I am not confident I possess these skills.
Louise Welsh has written three novels about a pandemic called the Sweats – her Plague Times trilogy. This is the second book in the series. I particularly liked this one because its protagonist, Magnus, is a Scottish not-very-good stand-up comedian, and I too was once a not-very-good aspiring comic! After a series of unfortunate events, Magnus ends up in prison, where the disease is rife. Breaking out, he decides to make for his childhood home on Orkney, accompanied by fellow escapee Jeb. The fast-moving plot will keep you racing through this book.
Longlisted for the Theakstons Old Peculiar Crime Novel of the Year
The second instalment in the thrilling new Plague Times trilogy from the author of A Lovely Way to Burn.
Magnus McFall was a comic on the brink of his big break when the world came to an end. Now, he is a man on the run and there is nothing to laugh about.
Thrown into unwilling partnership with an escaped convict, Magnus flees the desolation of London to make the long journey north, clinging to his hope that the sickness has not reached his family on their remote Scottish…
In this book set against the backdrop of a changing America, Sarah must find the courage to confront the ghosts of her past and come to terms with her future. Sarah, a young woman from the rural town of Tolerance, Arkansas, has endured an impoverished and painful childhood.
My passion for this topic dates back to my childhood and being impressed by the scary diseases and unhygienic toilets that were part of my family lore. I grew up to be a historian of medicine, which allowed me to indulge my interest in deadly diseases—at a safe historical distance! That curiosity led me to write the Gospel of Germs, a history of popular understandings of the germ theory of disease. Post-COVID, I am thinking about how to get ready for the next big pandemic that climate change and globalization will likely throw at us: will it be bird flu, dengue, mpox, or some new COVID variant?
Of the many books I’ve read about the 1918-1919 influenza pandemic, I especially love this one because Spinney takes a global perspective on the pandemic. Too often the Great Influenza gets narrated only as an Euro-American disaster linked to WWI.
Spinney enthralls by adding the rest of the world—China, India, Africa, and Latin America—to the pandemic mix. Her description of how the flu found Mohandas Gandhi (aka the Mahatma) in his ashram is fascinating.
Read the devastating story of the Spanish flu - the twentieth century's greatest killer - and discover what it can teach us about the current Covid-19 pandemic.
'Both a saga of tragedies and a detective story... Pale Rider is not just an excavation but a reimagining of the past' Guardian
With a death toll of between 50 and 100 million people and a global reach, the Spanish flu of 1918-1920 was the greatest human disaster, not only of the twentieth century, but possibly in all of recorded history. And yet, in our popular conception it exists largely as a footnote…
I am professor of medieval history at the University of St Andrews in Scotland. As a PhD student, I was electrified by the historian E. P. Thompson’s call to rescue the masses ‘from the enormous condescension of posterity’, but it’s often only when peasants revolt, as they did outside Paris in 1358, that we get much evidence about the masses in the Middle Ages. I loved writing The Jacquerie of 1358 because it allowed me to get very close to the men (and a few women) who risked everything to make their society a more just and equal one. It was a privilege, and a pleasure, to tell their story.
I really appreciate this book because it explains how medieval people thought about the grossly unequal society they inhabited and how they tried to reconcile its obvious injustices with Christian morality.
I particularly like how it shows peasants’ criticism of the medieval idea of society as being composed of Three Orders: those who fought (the knights and nobles), those who prayed (monks and priests), and those who worked (peasants).
The Three Orders idea supposedly justified the way that nobles and clerics profited from peasant labor, but peasants sometimes threw it back at them, arguing that if the nobles were defeated in war or the Church was full of hypocrites, then the peasants really didn’t owe them anything. It’s a fair argument.
The medieval clergy, aristocracy, and commercial classes tended to regard peasants as objects of contempt and derision. In religious writings, satires, sermons, chronicles, and artistic representations peasants often appeared as dirty, foolish, dishonest, even as subhuman or bestial. Their lowliness was commonly regarded as a natural corollary of the drudgery of their agricultural toil.
Yet, at the same time, the peasantry was not viewed as "other" in the manner of other condemned groups, such as Jews, lepers, Muslims, or the imagined "monstrous races" of the East. Several crucial characteristics of the peasantry rendered it less clearly alien from the elite…
I am professor of medieval history at the University of St Andrews in Scotland. As a PhD student, I was electrified by the historian E. P. Thompson’s call to rescue the masses ‘from the enormous condescension of posterity’, but it’s often only when peasants revolt, as they did outside Paris in 1358, that we get much evidence about the masses in the Middle Ages. I loved writing The Jacquerie of 1358 because it allowed me to get very close to the men (and a few women) who risked everything to make their society a more just and equal one. It was a privilege, and a pleasure, to tell their story.
One of the most disquieting things about medieval peasants for me is that many of them were not free.
Some were outright slaves, particularly at the very beginning and the very end of the Middle Ages, but by 1100, most ‘unfree’ peasants were serfs. Although not a commodity to be bought or sold like slaves, serfs did unpaid labor and suffered serious limitations on their liberty, like the inability to move or marry at will.
Many historians have written on the medieval transition from slavery to serfdom (and back again), but what I like about Rio’s book is her attention to the variety of forms that ‘unfreedom’ could take and to how and why people might lose or gain freedom in the centuries after the fall of Rome and its slave system.
Slavery After Rome, 500-1100 offers a substantially new interpretation of what happened to slavery in Western Europe in the centuries that followed the fall of the Roman Empire. The periods at either end of the early middle ages are associated with iconic forms of unfreedom: Roman slavery at one end; at the other, the serfdom of the twelfth century and beyond, together with, in Southern Europe, a revitalised urban chattel slavery dealing chiefly in non-Christians. How and why this major change took place in the intervening period has been a long-standing puzzle. This study picks up the various threads linking…
As a young doctor, Carl Holman has experienced the horrors of World War I and the death of his lover, a fellow officer. Back home after the War, he befriends a young jazz musician who he hopes will become a companion he can share his life with. But this is…
I am professor of medieval history at the University of St Andrews in Scotland. As a PhD student, I was electrified by the historian E. P. Thompson’s call to rescue the masses ‘from the enormous condescension of posterity’, but it’s often only when peasants revolt, as they did outside Paris in 1358, that we get much evidence about the masses in the Middle Ages. I loved writing The Jacquerie of 1358 because it allowed me to get very close to the men (and a few women) who risked everything to make their society a more just and equal one. It was a privilege, and a pleasure, to tell their story.
Tormented Voices often brings me close to tears. Although based on records from 800 years ago, it feels very immediate in its account of the lordly oppression that often blighted peasants’ lives.
The records detail villagers’ complaints against knights who had violently forced them to hand over grain, money, or animals. The villagers say that heads were broken, a woman’s nose cut off, houses made uninhabitable, and so on. The villagers employed scribes to write out these complaints to send to their Count-King in Barcelona, but we don’t know if he even replied, let alone if anything was ever done.
By restoring the peasants’ voices, the book does what it can to right the wrongs done to them so long ago.
Mute in life as in death, peasants of remote history rarely speak to us in their own voices. But Thomas Bisson's engagement with the records of several hundred twelfth-century people of rural Catalonia enables us to hear these voices. The peasants' allegations of abuse while in the service of their common lord the Count of Barcelona and his son the King reveal a unique perspective on the meaning of power both by those who felt and feared it, and by those who wielded it. These records-original parchments, dating much earlier than other comparable records of European peasant life-name peasants in…
I am professor of medieval history at the University of St Andrews in Scotland. As a PhD student, I was electrified by the historian E. P. Thompson’s call to rescue the masses ‘from the enormous condescension of posterity’, but it’s often only when peasants revolt, as they did outside Paris in 1358, that we get much evidence about the masses in the Middle Ages. I loved writing The Jacquerie of 1358 because it allowed me to get very close to the men (and a few women) who risked everything to make their society a more just and equal one. It was a privilege, and a pleasure, to tell their story.
It’s a real frustration of mine that so much historical writing pays little or no attention to women, even though they made up half the population.
However ‘important’ whatever the men were doing was, they couldn’t have done it without women. There’s more written on elite medieval women—queens, noblewomen, abbesses, etc.—than there used to be, but peasant women remain mostly neglected.
I like Bennett’s book not only because she pays attention to village women but also because it doesn’t sugarcoat the story. Peasant women could do many things in medieval England, like owning property, going to court, and running businesses, but their options were sharply curtailed by male domination.
As Bennett puts it, "Insofar as these women had choices about their lives, the choices were always poor ones."
In this book, Judith Bennett addresses the gap in our knowledge of medieval country women by examining how their lives differed from those of rural men. Drawing on her study of an English manor in the early-fourteenth century, she finds that rural women were severely restricted in their public roles and rights primarily because of their household status as dependents of their husbands, rather than because of a notion of female inferiority. Adolescent women and widows, by virtue of their unmarried status, enjoyed greater legal and public freedom than did their married counterparts.
Many years ago, when I’d read my first medieval mystery, I decided I wanted to write my own. But mine would be as realistic as I could manage; I wanted the reader to smell medieval London and to be there with me. A lot had been written about Kings and Queens but not much about ordinary life so that became the center of my academic study leading eventually to my Master's Degree in medieval medicine. As well as my novels I now write popular factual books and I’m pleased to say people have taken the time to say how much they enjoy the fine details I share.
Again, we are in the fourteenth century, in Oxford, but following the first terrible onslaught of the Black Death. The title made this a must-read for me because my own sleuth, Seb Foxley, is involved with the making and selling of books, just like Ann Swinfen’s hero, Nicholas Elyot. I wasn’t disappointed.
The characters came alive for me and I too was sad when a good student was found drowned in the river. But the bookseller is suspicious and uncovers a villainous plot, putting him, his family and friends in danger.
A beautifully-woven medieval mystery; I had to read it in one go – forget the washing up. Fortunately, this is book 1 of the Oxford Medieval Mysteries so there’s more fun to come.
Oxford, Spring 1353. When young bookseller Nicholas Elyot discovers the body of student William Farringdon floating in the river Cherwell, it looks like a drowning. Soon, however, Nicholas finds evidence of murder. Who could have wanted to kill this promising student? As Nicholas and his scholar friend Jordain try to unravel what lies behind William’s death, they learn that he was innocently caught up in a criminal plot. When their investigations begin to involve town, university, and abbey, Nicholas takes a risky gamble – and puts his family in terrible danger.
Who was the man who would become Caesar's lieutenant, Brutus' rival, Cleopatra's lover, and Octavian's enemy?
When his stepfather is executed for his involvement in the Catilinarian conspiracy, Mark Antony and his family are disgraced. His adolescence is marked by scandal and mischief, his love affairs are fleeting, and yet,…
Before I was a writer, I was a reader. My mother was a primary school teacher, so I was encouraged to read from my earliest years. I wanted to be not only entertained but transported to another place, time, or world. When I finally decided to write my first novel, I settled on historical fiction, but I have since written both science fiction and fantasy. I always endeavour to emulate my literary heroes and create engaging characters, compelling plots, and an interesting, unusual, convincing world.
This is the first part of S.D. Skyes’ medieval mystery series, following nobleman and investigator Oswald de Lacy. Sykes always creates an intriguing, compelling plot for each of the five de Lacy novels but it is the fourteenth-century setting that draws the reader in.
This is a land ravaged by the Black Death and the reader is not only entertained but informed by this powerful evocation of a society dealing with a disaster almost beyond comprehension.
Book 1 in the gripping Oswald de Lacy series, which can be read as a standalone, from 'the medieval CJ Sansom' (Jeffery Deaver)
England, 1350: the Black Death has changed the country forever, taking master and servant alike.
Young Oswald de Lacey was never meant to be Lord of Somershill Manor, but when his father and older brothers die of the Plague, he must return home from the monastery and assume responsibility for an estate ravaged by pestilence.
Almost immediately Oswald is confronted with the vicious murder of a young woman, Alison Starvecrow. The village priest claims it is the…
