100 books like Katherine

I am a writer on the lives of women during the Plantagenet and Tudor periods. I have been fascinated by history since childhood, when the death of my mother when I was six years old encouraged a need in me as I grew up to look backward, for memories and glimpses of the past. When I came across queen Elizabeth Woodville she piqued my interest, and her life story has remained with me ever since. This passion for her life and the era led to my first book on her sisters (The Queen’s Sisters) and was followed up by a second book on her daughters entitled The York Princesses.

I write romantic historical fiction and am a lifelong lover of the works of Jane Austen. I am English, love historical novels but dislike books that give you “great lumps of facts” that slow up the storyline. I like stories and characters that capture your attention and your heart. Plots and backgrounds that make you think about what it might really have been like to live in those times.

I recall my younger self looking at the reading lists on Oxford University history courses, and asking, “Where are all the women?” I have always wanted to know what it was like to be there, in any century up to the present. How did families form and pass on their values, what did people wear and eat, when (and if) children learned to read, and what were people’s daily routines? Political, military, and economic history is important, but I have flourished in the social history trenches. I discovered women writers and historians have more acute antennae for the details I wanted, even when writing about wars and dynasties.

I became fascinated with 16th-century and 17th-century Europe after reading Don Quixote many years ago. Since then, every novel or nonfiction book about that era has felt both ancient and contemporary. I’m always struck by how much our environment has changed—transportation, communication, housing, government—but also how little we as people have changed when it comes to ambition, love, grief, and greed. I doubled down my reading on that time period when I researched my novel, Dulcinea. Many people read in the eras of the Renaissance, World War II, or ancient Greece, so I’m hoping to introduce them to the Baroque Age. 

I’m a literary historian who works on the history of women’s reproductive bodies in the early modern era. I am also a debut novelist who has used my many years of researching the seventeenth century to bring to life the story of a seventeenth-century midwife. My own novel is not a bio fiction in the strictest sense of the term (novels with a named protagonist who was a historical figure) but it is based on the published works of two contemporary midwives, Jane Sharp (fl. 1671) and Sarah Stone who worked in the early part of the eighteenth century. I love reading works where other authors have brought to life figures I both research and teach.

I’m a literary historian who works on the history of women’s reproductive bodies in the early modern era. I am also a debut novelist who has used my many years of researching the seventeenth century to bring to life the story of a seventeenth-century midwife. My own novel is not a bio fiction in the strictest sense of the term (novels with a named protagonist who was a historical figure) but it is based on the published works of two contemporary midwives, Jane Sharp (fl. 1671) and Sarah Stone who worked in the early part of the eighteenth century. I love reading works where other authors have brought to life figures I both research and teach.

I’m a literary historian who works on the history of women’s reproductive bodies in the early modern era. I am also a debut novelist who has used my many years of researching the seventeenth century to bring to life the story of a seventeenth-century midwife. My own novel is not a bio fiction in the strictest sense of the term (novels with a named protagonist who was a historical figure) but it is based on the published works of two contemporary midwives, Jane Sharp (fl. 1671) and Sarah Stone who worked in the early part of the eighteenth century. I love reading works where other authors have brought to life figures I both research and teach.

I’m a literary historian who works on the history of women’s reproductive bodies in the early modern era. I am also a debut novelist who has used my many years of researching the seventeenth century to bring to life the story of a seventeenth-century midwife. My own novel is not a bio fiction in the strictest sense of the term (novels with a named protagonist who was a historical figure) but it is based on the published works of two contemporary midwives, Jane Sharp (fl. 1671) and Sarah Stone who worked in the early part of the eighteenth century. I love reading works where other authors have brought to life figures I both research and teach.

Although known more generally as a mum of four and teacher, I am also a lover of story (with a First Class degree in English Literature from the University of Cambridge, and a Masters of Education). According to Tolkien, an internally consistent reality should allow you to immerse yourself in another world so as to return to your own with refreshed sight. In this, he discerned between ‘the flight of the deserter’ (a criticism often levelled at sci-fi and fantasy) and ‘the escape of the prisoner’. These novels achieve inner consistency with sophistication and charm, allowing you to regain your courage, hope, and curiosity when you return to real life.

I’ve lived a long, richly varied, well-traveled, international life, and I can truly say my education has been worldly. Despite advancements in science and technology, two millennia of patriarchal religious brainwashing have prevented humanity from achieving gender balance in power and peace on earth. Today, more than ever, women who confront societal norms are essential to humanity’s progression and the preservation of our planet. People often open up to me about their most daring and dangerous experiences because they know I won’t judge. Their most intimate and romantic revelations have particularly inspired me, and I have namelessly infused many of them into my books, alongside my own. Empowerment begins with education.