I studied history at school and university, always with a leaning towards social, economic, and religious history, rather than political and military. I do appreciate well-researched biographical detail, but I prefer fiction that depicts ordinary life convincingly and gets inside the heads of ordinary people, understanding their world through their eyes, their needs, and most importantly their beliefs. I grew up in England, but I live now in West Wales, where history runs very close to the surface. My books are frequently ranked as Crime, but rather than being detective fiction, they explore the deep roots of crimes and their far-reaching consequences, through decades or even generations.
I chose this because it was probably the first historical novel I read, aged 11 or 12. It deals with real events – sort of. Whether the Children’s Crusades of the early 13th century really involved children or merely the dispossessed poor, this book did bring to life the driving force of the religious fanaticism of the time. And whipping up young people to leave their homes and head for a war zone in the hope of dying or killing for God is a horribly contemporary theme, though it was written in the 1950s. An excellent introduction to historical fiction for young people, but also thought-provoking for adults.
THEY BOTH BECAME SLAVES TO THE GOVERNOR OF EGYPT AND HOW THEY EVENTUALLY MADE THEIR WAY HOME IS TOLD IN THIS EXCITING BOOK. FOR INTELLIGENT READERS OF TEN UPWARDS.
Judith Arnopp has written many excellent and well-researched books about the kings and queens of Medieval and early Tudor England, but I particularly like the ones that deal with ordinary people caught up in events, rather than the movers and shakers. This one deals with a group of nuns struggling to deal with the confusion, distress, and violence of Henry VIII’s dissolution of the monasteries and the Pilgrimage of Grace.
Arden Priory has remained unchanged for almost four hundred years when a nameless child is abandoned at the gatehouse door.
As Henry VIII’s second queen dies on the scaffold, the embittered King strikes out, and unprecedented change sweeps across the country. The bells of the great abbeys fall silent, the church and the very foundation of the realm begins to crack.
Determined to preserve their way of life, novitiate nuns Margery and Grace join a pilgrimage thirty thousand strong to lead the king back to grace.
Yes, I know the Poldark books are presented as bodice-ripping romances in TV adaptations, but the books are a far more convincing exploration of the politics, economics, law, social structure, and mores of the late eighteenth century. With the exception of Ross himself, who has a suspiciously modern tendency to psychoanalytical introspection, the characters are properly of their time. And it is rare to find a male author who can get inside the heads of a wide range of female characters convincingly.
This beautiful Macmillan Collector's Library edition of Ross Poldark features an afterword by novelist Liz Fenwick.
Ross Poldark is the first novel in Winston Graham's sweeping saga of Cornish life in the eighteenth century. First published in 1945, the Poldark series has enthralled readers ever since serving as the inspiration for hit BBC TV series, Poldark,
Returning home from grim experiences in the American Revolutionary War, Ross Poldark is reunited with his beloved Cornwall and family. But the joyful homecoming he had anticipated turns sour; his father is dead, his estate derelict, and the girl he loves has become engaged…
I prefer books about fictional rather than real historical figures, but this is an exception – only fair as Katherine Swynford (Chaucer’s sister-in-law), the mistress and then wife of John of Gaunt, was obviously an exceptional woman. I am willing to forgive the occasional “Prithee buxom wench, I trow” phrases, because the depiction of the time, in all its itching, seeping, nauseating grubbiness, is thoroughly convincing, and because, despite being a love story, marriage amongst the landed is present as what it was: a purely business arrangement, having nothing to do with love or personal preference – unless you are an aging royal duke, of course.
"Exhilarating, exuberant, and rich," Katherine is an epic novel of a love affair that changed history—that of Katherine Swynford and John of Gaunt, Duke of Lancaster, the ancestors of most of the British royal family (Austin Chronicle).
Set in the vibrant fourteenth century of Chaucer and the Black Death, the story features knights fighting in battle, serfs struggling in poverty, and the magnificent Plantagenets—Edward III, the Black Prince, and Richard II—who rule despotically over a court rotten with intrigue. Within this era of danger and romance, John of Gaunt, the king’s son, falls passionately in love with the already-married Katherine.…
The ultimate choice for me, even if it is an embellished biographical account of a real person (not my usual preference). It is an exploration of the life and times of a man of “humble birth”, who hasn’t exactly gone down as a glamourous hero and is often regarded as a villain, but who laid many of the foundation stones of modern Britain. It’s written in the third person but through the thoughts and perceptions (but never feelings) of Thomas Cromwell, and its style either fascinates or repels readers. In my case it fascinates, to the point that it was almost like learning to read all over again. A real book for adults. Exciting.
Winner of the Man Booker Prize
Shortlisted for the the Orange Prize
Shortlisted for the Costa Novel Award
`Dizzyingly, dazzlingly good'
Daily Mail
'Our most brilliant English writer'
Guardian
England, the 1520s. Henry VIII is on the throne, but has no heir. Cardinal Wolsey is his chief advisor, charged with securing the divorce the pope refuses to grant. Into this atmosphere of distrust and need comes Thomas Cromwell, first as Wolsey's clerk, and later his successor.
Cromwell is a wholly original man: the son of a brutal blacksmith, a political genius, a briber, a charmer, a bully, a man with…
Long Shadows explores the history of the constantly mutating manor of Llysygarn in rural West Wales through the lives of some of the women who lived there. In three novellas, it leads back through the centuries, starting with the story of the Victorian housekeeper (The Good Servant), through the 17th-century daughter of the house (The Witch), back to the 14th century (The Dragon-slayer). I had previously written Shadows, a contemporary and partly paranormal story set in the decaying mansion that enshrines the shadows of long-forgotten mysteries. Long Shadows is a stand-alone book but also an explanation of those mysteries.
My book is fantastical historical fiction about two characters who're wrestling with the monstrosity of their grief.
It takes you into London high society, where Ambrose tries to forget about how much he misses Bennett and how much he dreads becoming as cold as their Grandfather. It takes you to the family's country manor house, where Mattie isolates and old ghosts start to come out of the woodwork.
It's a story about loss and depression; it's a story about friends who don't let you walk through the valley of death alone.
Ambrose Bancroft returns to London society with his younger sister, hoping they'll leave ghosts of memory behind. They have only each other left. While Ambrose attempts to draw Mattie out, dragging her to balls and threatening to seek suitors for her, his sister recoils from his meddling. Finally, when Ambrose compels her to attend art class before she's ready, Mattie paints something horrific enough to banish them from society in public disgrace.
At Linwood Manor, Mattie and Ambrose aren't as alone as they think. Taking advantage of Mattie's desperate need to find freedom, a vanishing room lures Ambrose's sister into…
