I’m a literary historian who works on the history of women’s reproductive bodies in the early modern era. I am also a debut novelist who has used my many years of researching the seventeenth century to bring to life the story of a seventeenth-century midwife. My own novel is not a bio fiction in the strictest sense of the term (novels with a named protagonist who was a historical figure) but it is based on the published works of two contemporary midwives, Jane Sharp (fl. 1671) and Sarah Stone who worked in the early part of the eighteenth century. I love reading works where other authors have brought to life figures I both research and teach.
I work on early modern history and the rest of my recommendations are from that era, but I couldn’t resist starting with a classic and the novel that got me hooked on biofictions. Published in 1954, this book will show its age to new readers, but Seton tells the story of Katherine Swynford, Duchess of Lancaster (1350-1403) in a wonderfully engaging way. It gives a colourful account of life in medieval England. I first read this book as a young teenager and have returned to it over the years.
Katherinewas born the daughter of a minor Flemish herald and became the mistress and later wife of John of Gaunt, Duke of Lancaster. While the historical record does not always support all aspects of Seton’s depiction of Katherine Swynford’s life, as a historical saga, the story takes over and sweeps the reader along.
"Exhilarating, exuberant, and rich," Katherine is an epic novel of a love affair that changed history—that of Katherine Swynford and John of Gaunt, Duke of Lancaster, the ancestors of most of the British royal family (Austin Chronicle).
Set in the vibrant fourteenth century of Chaucer and the Black Death, the story features knights fighting in battle, serfs struggling in poverty, and the magnificent Plantagenets—Edward III, the Black Prince, and Richard II—who rule despotically over a court rotten with intrigue. Within this era of danger and romance, John of Gaunt, the king’s son, falls passionately in love with the already-married Katherine.…
Much shorter than my first recommendation, Dutton’s biofiction tackles the life of Margaret Cavendish, Duchess of Newcastle (1623-73) who was a standout character in the seventeenth century. She wrote and published works on a range of topics from philosophy and science to romantic fiction. What I love about this book is the way it pushes what is possible in a historical biofiction, in a compact but dense volume.
An inventive, spirited novel about a pioneering woman who was shamed for daring to challenge male dominance in the arts and sciences four centuries ago.
Margaret Cavendish was the first woman to address the Royal Society and the first Englishwoman to write explicitly for publication. Wildly unconventional, she was championed by her forward-thinking husband and nicknamed 'Mad Madge' by her many detractors. Later, Virginia Woolf would write, 'What a vision of loneliness and riot the thought of Margaret Cavendish brings to mind!'
Unjustly neglected by history, here Margaret is brought intimately and memorably to life, tumbling pell-mell across the pages…
Staying in the early modern era, this is an imaginative retelling of the story of Aemilia Lanier (1569–1645), a gifted writer in her own right but is often best remembered as a candidate for Shakespeare’s ‘dark lady’. This means some believe her to be the inspiration for the bard’s passionatesonnets. Born Aemilia Bassano she was the daughter of a musician in the court of Elizabeth I. Lanier published Salve Deus Rex Judaeorum (Hail, God, King of the Jews) in 1611. This biofiction brings her to life in new ways.
A TALE OF SORCERY AND PASSION IN SEVENTEENTH-CENTURY LONDON―WHERE WITCHES HAUNT WILLIAM SHAKESPEARE AND HIS DARK LADY, THE PLAYWRIGHT'S MUSE AND ONE TRUE LOVE
The daughter of a Venetian musician, Aemilia Bassano came of age in Queen Elizabeth's royal court. The Queen's favorite, she develops a love of poetry and learning, maturing into a young woman known not only for her beauty but also her sharp mind and quick tongue. Aemilia becomes the mistress of Lord Hunsdon, but her position is precarious. Then she crosses paths with an impetuous playwright named William Shakespeare and begins an impassioned but ill-fated affair.…
This is such a good biofiction of Lady Arbella Stuart (1575-1615), niece to Mary, Queen of Scots, who was for many years presumed to be the natural successor to Elizabeth I. She lived under the strict rule of grandmother Bess of Hardwick, at the many-windowed palace, Hardwick Hall, the glass tower of the book’s title. As a bonus in this novel, we meet Aemilia Lanyer again. The two women’s paths cross in a most unexpected way.
Lost in history . . . losing her self. Uncover Tudor heroine Arbella Stuart's incredible story, reimagined by Elizabeth Fremantle in this tense, historical thriller.
Hardwick Hall, sixteenth-century England. Formerly a beacon of wealth and power. Now a gilded prison.
Hidden away, forgotten, one young woman seeks escape.
But to do so she must trust those on the outside. Those who have their own motives...
Discovery means death. But what choice has any woman trapped in a man's world?
Imprisoned by circumstance, Arbella Stuart is an unwilling contender for the throne. In a world where women are silenced, what chance…
This is the chance to read about a woman on the side of Cromwell and Parliament during the English civil wars. It imagines the life of Oliver Cromwell’s youngest daughter, Frances, later Lady Rich and Lady Russell (1638–1720). It describes the reign of Cromwell, life in the court of the protector, and the end of the commonwealth following her father’s death. The story is told by Frances herself and features a twist about the real fate of Cromwell’s corpse at the end.
Power, passion and a devastating fight for the crown - discover the gripping story of Oliver Cromwell's youngest daughter. Perfect for fans of Anne O'Brien, Alison Weir and Philippa Gregory
'A powerful and superbly researched historical novel' Andrew Taylor, author of The Last Protector
1657. The youngest daughter of Oliver Cromwell, eighteen-year-old Frances is finding her place at England's new centre of power.
Following the turmoil of Civil War, a fragile sense of stability has returned to the country. Her father has risen to the unprecedented position of Lord Protector of the Commonwealth, and Frances has found herself transported from…
Respected midwife Lucie Smith is married to Jasper, the town apothecary. They’ve lived happily together at the shop with the sign of the three doves for almost three decades. But 1665 is proving a troublesome year. Lucie is called to a birth at the local Manor, and Jasper is uneasy at her involvement with their former opponents in the English Civil War. Their only surviving son Simon flees plague-ridden London for his country hometown, only to argue with his father. Lucie is shaken to learn their loyal maid has been keeping a secret and knows when Jasper finds out he will be furious. How could she have missed the signs?
As the year draws to a close, Lucie is accused of serious negligence in her care of one of her mothers which could see her not only lose her license but face ex-communication.
Too often, I find that novelists force the endings of their books in ways that aren’t true to their characters, the stories, or their settings. Often, they do so to provide the Hollywood ending that many readers crave. That always leaves me cold. I love novels whose characters are complex, human, and believable and interact with their setting and the story in ways that do not stretch credulity. This is how I try to approach my own writing and was foremost in my mind as I set out to write my own book.
The Oracle of Spring Garden Road explores the life and singular worldview of “Crazy Eddie,” a brilliant, highly-educated homeless man who panhandles in front of a downtown bank in a coastal town.
Eddie is a local enigma. Who is he? Where did he come from? What brought him to a life on the streets? A dizzying ride between past and present, the novel unravels these mysteries, just as Eddie has decided to return to society after two decades on the streets, with the help of Jane, a woman whose intelligence and integrity rival his own. Will he succeed, or is…
“Crazy Eddie” is a homeless man who inhabits two squares of pavement in front of a bank in downtown Halifax, Nova Scotia. In this makeshift office, he panhandles and dispenses his peerless wisdom. Well-educated, fiercely intelligent with a passionate interest in philosophy and a profound love of nature, Eddie is an enigma for the locals. Who is he? Where did he come from? What brought him to a life on the streets? Though rumors abound, none capture the unique worldview and singular character that led him to withdraw from the perfidy and corruption of human beings. Just as Eddie has…
