Here are 28 books that Margaret the First fans have personally recommended if you like
Margaret the First.
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I write romantic historical fiction and am a lifelong lover of the works of Jane Austen. I am English, love historical novels but dislike books that give you “great lumps of facts” that slow up the storyline. I like stories and characters that capture your attention and your heart. Plots and backgrounds that make you think about what it might really have been like to live in those times.
A glimpse into medieval times. It’s a sumptuous tale of passion and danger.
Katherine comes to the court of Edward III aged fifteen and turns the head of the King’s favourite son, John of Gaunt. But their paths in life pull them apart until their love forces them back together. This is a wonderful book by a writer who manages to make you experience life as it was then, but without trying to teach you, and asks, ‘how much would you give up for love?’
"Exhilarating, exuberant, and rich," Katherine is an epic novel of a love affair that changed history—that of Katherine Swynford and John of Gaunt, Duke of Lancaster, the ancestors of most of the British royal family (Austin Chronicle).
Set in the vibrant fourteenth century of Chaucer and the Black Death, the story features knights fighting in battle, serfs struggling in poverty, and the magnificent Plantagenets—Edward III, the Black Prince, and Richard II—who rule despotically over a court rotten with intrigue. Within this era of danger and romance, John of Gaunt, the king’s son, falls passionately in love with the already-married Katherine.…
I’m a literary historian who works on the history of women’s reproductive bodies in the early modern era. I am also a debut novelist who has used my many years of researching the seventeenth century to bring to life the story of a seventeenth-century midwife. My own novel is not a bio fiction in the strictest sense of the term (novels with a named protagonist who was a historical figure) but it is based on the published works of two contemporary midwives, Jane Sharp (fl. 1671) and Sarah Stone who worked in the early part of the eighteenth century. I love reading works where other authors have brought to life figures I both research and teach.
Staying in the early modern era, this is an imaginative retelling of the story of Aemilia Lanier (1569–1645), a gifted writer in her own right but is often best remembered as a candidate for Shakespeare’s ‘dark lady’. This means some believe her to be the inspiration for the bard’s passionatesonnets. Born Aemilia Bassano she was the daughter of a musician in the court of Elizabeth I. Lanier published Salve Deus Rex Judaeorum (Hail, God, King of the Jews) in 1611. This biofiction brings her to life in new ways.
A TALE OF SORCERY AND PASSION IN SEVENTEENTH-CENTURY LONDON―WHERE WITCHES HAUNT WILLIAM SHAKESPEARE AND HIS DARK LADY, THE PLAYWRIGHT'S MUSE AND ONE TRUE LOVE
The daughter of a Venetian musician, Aemilia Bassano came of age in Queen Elizabeth's royal court. The Queen's favorite, she develops a love of poetry and learning, maturing into a young woman known not only for her beauty but also her sharp mind and quick tongue. Aemilia becomes the mistress of Lord Hunsdon, but her position is precarious. Then she crosses paths with an impetuous playwright named William Shakespeare and begins an impassioned but ill-fated affair.…
I’m a literary historian who works on the history of women’s reproductive bodies in the early modern era. I am also a debut novelist who has used my many years of researching the seventeenth century to bring to life the story of a seventeenth-century midwife. My own novel is not a bio fiction in the strictest sense of the term (novels with a named protagonist who was a historical figure) but it is based on the published works of two contemporary midwives, Jane Sharp (fl. 1671) and Sarah Stone who worked in the early part of the eighteenth century. I love reading works where other authors have brought to life figures I both research and teach.
This is such a good biofiction of Lady Arbella Stuart (1575-1615), niece to Mary, Queen of Scots, who was for many years presumed to be the natural successor to Elizabeth I. She lived under the strict rule of grandmother Bess of Hardwick, at the many-windowed palace, Hardwick Hall, the glass tower of the book’s title. As a bonus in this novel, we meet Aemilia Lanyer again. The two women’s paths cross in a most unexpected way.
Lost in history . . . losing her self. Uncover Tudor heroine Arbella Stuart's incredible story, reimagined by Elizabeth Fremantle in this tense, historical thriller.
Hardwick Hall, sixteenth-century England. Formerly a beacon of wealth and power. Now a gilded prison.
Hidden away, forgotten, one young woman seeks escape.
But to do so she must trust those on the outside. Those who have their own motives...
Discovery means death. But what choice has any woman trapped in a man's world?
Imprisoned by circumstance, Arbella Stuart is an unwilling contender for the throne. In a world where women are silenced, what chance…
I’m a literary historian who works on the history of women’s reproductive bodies in the early modern era. I am also a debut novelist who has used my many years of researching the seventeenth century to bring to life the story of a seventeenth-century midwife. My own novel is not a bio fiction in the strictest sense of the term (novels with a named protagonist who was a historical figure) but it is based on the published works of two contemporary midwives, Jane Sharp (fl. 1671) and Sarah Stone who worked in the early part of the eighteenth century. I love reading works where other authors have brought to life figures I both research and teach.
This is the chance to read about a woman on the side of Cromwell and Parliament during the English civil wars. It imagines the life of Oliver Cromwell’s youngest daughter, Frances, later Lady Rich and Lady Russell (1638–1720). It describes the reign of Cromwell, life in the court of the protector, and the end of the commonwealth following her father’s death. The story is told by Frances herself and features a twist about the real fate of Cromwell’s corpse at the end.
Power, passion and a devastating fight for the crown - discover the gripping story of Oliver Cromwell's youngest daughter. Perfect for fans of Anne O'Brien, Alison Weir and Philippa Gregory
'A powerful and superbly researched historical novel' Andrew Taylor, author of The Last Protector
1657. The youngest daughter of Oliver Cromwell, eighteen-year-old Frances is finding her place at England's new centre of power.
Following the turmoil of Civil War, a fragile sense of stability has returned to the country. Her father has risen to the unprecedented position of Lord Protector of the Commonwealth, and Frances has found herself transported from…
I am an academic historian who has had a passion for the wars of the three kingdoms for over three decades. I have been reading books about the civil wars in Britain and Ireland since I was ten years old. I have been a member of the re-enactment society The Sealed Knot and the Cromwell Association. I published my first monograph on the wars of the three kingdoms in 2018. The monograph views the conflict from a three kingdoms perspective through the eyes of the Scottish Covenanters and their English allies. I am a Fellow of the Royal Historical Society.
This is an integrated and detailed account of the Wars of the Three Kingdoms across Britain and Ireland, the English Republic and the Restoration of the Monarchy in 1660. It is written in an engaging and lively style and concisely integrates the large body of scholarship that emerged with the new British histories in the 1990s and early 2000s.
This is the definitive history of the English Civil War, set in its full historical context from the accession of Charles I to the Restoration of Charles II. These were the most turbulent years of British history and their reverberations have been felt down the centuries. Throughout the middle decades of the seventeenth century England, Scotland, and Ireland were convulsed by political upheaval and wracked by rebellion and civil war. The Stuart monarchy was in abeyance for twenty years in all three kingdoms, and Charles I famously met his death on the scaffold.
The Hew Cullan stories are historical crime fiction set at the university of St Andrews, Scotland, in the late sixteenth century. I was a student at St Andrews in the 1980s and now live nearby in the East Neuk of Fife, where the imprint of the town and its surrounding landscapes have remained unchanged since medieval times. What interests me most in writing of the past is how people thought and felt, lived and died and dreamt, and I have chosen books which capture that sense of the inner life, of a moment that belongs to a single time and place, and make it true and permanent.
I first read They Were Defeated over thirty years ago, and recently reread to see if it had the power to move me still today. It does. Set in 1641, in Devonshire and Cambridge at the very brink of the Civil War, it reads like a love letter to a lost world, where the poets and Platonists are illuminated in already fading light, beautifully and tenderly observed. Rose Macaulay wrote that she had done her best "to make no person in this work use in conversation any word, phrase or idiom" not used at the time. "Ghosts of words," she calls them, after Thomas Browne. An astonishing feat in the pre-digital age. Yet the language of her ghosts is clear and true and natural. And the still moment, at the very heart of her heart-breaking story, transcends the factions that surround it and stays fixed for all time. This is…
THEY WERE DEFEATED begins in 1640 at a harvest festival - but religious persecution is in the air, and the idyllic rural scene is soon darkened by the threat of a witch hunt...Rose Macaulay interweaves the lives of Robert Herrick and other contemporary poets with those of a small group of fictional characters. Their lives, and in particular the life of her heroine Julian, are set vividly before us against a period which was one of the most dramatic and unsetttled in English history. Skilfully intertwining tragedy, comedy and beauty, THEY WERE DEFEATED was Rose Macaulay's only historical novel, and…
I’m a Scottish writer of historical fiction and historical romance. I’m also a history graduate with imagination, by which I mean I’m as interested in what mighthave happened as what definitely did! So much of history is open to interpretation, taking account of who wrote what for whom, and why, and that is a large part of what fascinates me. And of course, I love a good historical novel that combines compelling writing with excellent research—especially when a controversial hero is shown in a new or captivating light.
I first read this in my teens and was utterly blown away. It tells the story of the young Prince Rupert of the Rhine, most famous for fighting for his uncle, King Charles the First in the English Civil Wars. I knew little about “Roundheads and Cavaliers” at the time but had the vague idea that cavaliers were silly dandies with long hair who deserved to lose, and that Rupert was a mere mercenary desperate to make money out of someone else’s war. The Rupert of this beautifully written and impeccably researched novel is so much more—dashing, yes, and fascinated by war, but also skilled, thoughtful, honourable, loyal, and unexpectedly vulnerable to those he loves. I believed in Ms. Irwin’s Rupert utterly. After my own studies, I still do.
I am an academic historian who has had a passion for the wars of the three kingdoms for over three decades. I have been reading books about the civil wars in Britain and Ireland since I was ten years old. I have been a member of the re-enactment society The Sealed Knot and the Cromwell Association. I published my first monograph on the wars of the three kingdoms in 2018. The monograph views the conflict from a three kingdoms perspective through the eyes of the Scottish Covenanters and their English allies. I am a Fellow of the Royal Historical Society.
This is another classic within the historiography of the period which along with S.R. Gardiner’s work is still considered one of the solid early professional histories of the period. Although some historians may consider it a little dated, it is a concise and detailed analysis of the Wars of the Three Kingdoms. Wedgewood’s style of writing is accessible and lively. This 3 book series is still considered as some of the best books ever written on the period (be sure to check out The King's War and Trial of Charles as well).
This volume tells the story of the four eventful years which immediately preceded the Civil War, years which transformed the tranquil dominions of King Charles into a land rent by mistrust and menaced by fire and sword. It tells of the rise of the covenanters in Scotland with such leaders as the gallant Montrose and the mysterious Argyll. It tells of Parliament's opposition to the King under the skilful leadership of John Pym. The tragedy of Strafford is linked with the terrible insurrection in Ireland. Miss Wedgewood has sought to convey the vivid day sequence of events as they flooded…
Give me a castle ruin or guide me through ancient Roman mosaics and you make my day. Accordingly, my preferred reading is historical fiction. I read (and review) lots of it, like 100 books/year. I am also ridiculously romantic. I want there to be some heart with the blood and war, I want characters I can root for despite the horrifying odds facing them. I want protagonists that step out of the past to drag me back with them. When I read, these are the books I choose. When I write, these are the books I aspire to create—Romantic Historical Fiction, if you will.
I have a passion for the 17th century and this novel based on actual diaries and letters from IRL people living through the realities of the English Civil War is a favourite. Ms. St. John writes about her own ancestors, and she imbues her characters with so much life, so many contrary opinions. These are difficult times, and especially for mother Lucy St. John whose son is a through-and-through royalist while daughter Luce is head-over-heels in love with Parliamentarian John Hutchinson. Luce is utterly fascinating: intelligent and with a passion to truly reform, she never loses her humanity or her ability for compassion. This novel is a real treat for anyone desiring well-researched historical fiction – with the added benefit of having a spoonful or two of love to complicate things!
”A fantastic read." Editor’s Choice, Historical Novel Society
London, 1630. Widowed and destitute, Lucy St.John is fighting for survival and makes a terrible choice to secure a future for her children. Worse still, her daughter Luce rejects the royal court and a wealthy arranged marriage, and falls in love with a charismatic soldier. As England tumbles toward bloody civil war, Luce’s beloved brother Allen chooses to fight for the king as a cavalier. Allen and Luce are swept up in the chaos of war as they defend their opposing causes and protect those they love.
I came of age in Oklahoma as a gay youth in the late 1970s and early 1980s, keeping myself hidden out of safety and shame. Once I was old enough to leave my small-minded town and be myself, I crashed headlong into the oncoming AIDS epidemic. It set me on a path to understanding the world and my place in it as a homosexual. I turned to reading about the lives and histories of those who came before me, to learn about their deaths and survivals in what could be an ugly, brutal world. These works continue to draw me, haunt me, and inspire me to share my story through my writing.
I’ve always thought of this book as a gay “bodice-ripper,” though a bit on the darker side. And it’s the darkness that haunts me still some two decades after first reading it.
The love story, if one can call it that, verges on and then outright plunges into brutal obsession between the two main male characters, and even though I knew I shouldn’t, I rooted for them.
Beyond the intensity of the relationship between the main characters, the writing, steeped in the history of the English Revolution, is wonderful–strong and brutal and raw and visceral. I’ve returned to this novel repeatedly over the years, and its impact never lessens. Truly a marvel of a novel.
Transplant Othello to the tumult of a country in social and political flux and en route to regicide -- England in the 1640s -- and render him uncertain about his sexuality, and you have the makings of Jacob Cullen, one of the most commanding characters in contemporary writing. As the book opens, Jacob is an educated, vigorous and dauntingly strong manservant in a Royalist household, who has begun to imbibe god-fearing revolutionary pamphlets. He is on the brink of marriage to his virginal sweetheart, but is unsure of his emotional needs, and in possession of a boiling point he reaches…
