Here are 90 books that Exiles fans have personally recommended if you like
Exiles.
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Understanding history is essential for understanding ourselves as human beings – for recognising where we’ve come from and why we live as we do. What I love about historical fiction is that it can take tumultuous times and show their effects on the individuals who lived through them. As a historical novelist, I try to bring history back to a tangible, human level. These short novels show that if a writer’s prose is fresh, witty, and moving, then historical novels don’t need to be enormous tomes to give us a new slant on the past and allow us to inhabit lives utterly different from our own.
I have never read a book of historical fiction quite like this one!
In a distinctive and compelling narrative voice, the book explores the real-life figure of Margaret Cavendish, a seventeenth-century woman who exploded the rulebook when it came to women’s lives. Although shy, she was profoundly ambitious and a true polymath, conducting her own scientific experiments as well as writing poems, philosophy, plays, and even sci-fi. Known in the newspapers as “Mad Madge,” she was the first woman to be invited to the Royal Society of London.
I love how Dutton conveys the effervescence and wit of this brilliant woman as Margaret battles against an intellectual world determined to keep her out.
An inventive, spirited novel about a pioneering woman who was shamed for daring to challenge male dominance in the arts and sciences four centuries ago.
Margaret Cavendish was the first woman to address the Royal Society and the first Englishwoman to write explicitly for publication. Wildly unconventional, she was championed by her forward-thinking husband and nicknamed 'Mad Madge' by her many detractors. Later, Virginia Woolf would write, 'What a vision of loneliness and riot the thought of Margaret Cavendish brings to mind!'
Unjustly neglected by history, here Margaret is brought intimately and memorably to life, tumbling pell-mell across the pages…
Understanding history is essential for understanding ourselves as human beings – for recognising where we’ve come from and why we live as we do. What I love about historical fiction is that it can take tumultuous times and show their effects on the individuals who lived through them. As a historical novelist, I try to bring history back to a tangible, human level. These short novels show that if a writer’s prose is fresh, witty, and moving, then historical novels don’t need to be enormous tomes to give us a new slant on the past and allow us to inhabit lives utterly different from our own.
The beauty of this novel is that it takes sweeping historical change – the Highland Clearances of Scotland – and manages to make history intimate, showing the impact of events on one vulnerable old woman. In the nineteenth century, much of rural Scotland was forcibly "cleared" of people to make room for sheep grazing. Outside of Scotland, this great tragedy of Scottish history is not as well known as it should be, and neither is Smith’s book.
I love its deliberately naïve style, as we see the world through the old woman’s eyes and feel her pain as history crashes down on her. It’s full of the beauty of the natural world, but it’s also chilling, as it demonstrates the indifference of outsiders to a long-established way of life.
50th anniversary edition of a true modern classic.
'Vividly depicted ... sheer beauty' OBSERVER
'A masterpiece of simplicity' FINANCIAL TIMES
'A simple but noble book ... this deserves to be read' SCOTSMAN
'When she rose in the morning the house at first seemed to be the same. The sun shone through the curtains of her window. On the floor it turned to minute particles like water dancing. Nevertheless, she felt uneasy ...
What had the girl said? Something about the 'burning of houses'. They just couldn't put people out of their houses, and then burn the houses down. No one…
Understanding history is essential for understanding ourselves as human beings – for recognising where we’ve come from and why we live as we do. What I love about historical fiction is that it can take tumultuous times and show their effects on the individuals who lived through them. As a historical novelist, I try to bring history back to a tangible, human level. These short novels show that if a writer’s prose is fresh, witty, and moving, then historical novels don’t need to be enormous tomes to give us a new slant on the past and allow us to inhabit lives utterly different from our own.
This novel has such a wonderfully bold premise: it’s a retelling of the story of the crucifixion of Jesus through the eyes of Jesus’ mother, Mary. I love how Tóibín takes one of the founding stories of Western civilisation and manages to make it intimate. Jesus is still the Son of God, of course, but he is also the son of a woman, a flesh and blood man, who suffers a torturous death in front of his friends and family.
Using a first-person narrative, Tóibín gives us the world through Mary’s eyes, showing a humble woman caught up in extraordinary events. It’s a tragic story about the impossibilities of protecting your loved ones, but it’s also a story of love, tenderness, and hope.
“Tóibín is at his lyrical best in this beautiful and daring work” (The New York Times Book Review) that portrays Mary as a solitary older woman still seeking to understand the events that become the narrative of the New Testament and the foundation of Christianity—shortlisted for the 2013 Man Booker Prize.
In the ancient town of Ephesus, Mary lives alone, years after her son’s crucifixion. She has no interest in collaborating with the authors of the Gospel, who are her keepers. She does not agree that her son is the Son of God; nor that his death was “worth it”;…
Understanding history is essential for understanding ourselves as human beings – for recognising where we’ve come from and why we live as we do. What I love about historical fiction is that it can take tumultuous times and show their effects on the individuals who lived through them. As a historical novelist, I try to bring history back to a tangible, human level. These short novels show that if a writer’s prose is fresh, witty, and moving, then historical novels don’t need to be enormous tomes to give us a new slant on the past and allow us to inhabit lives utterly different from our own.
This exquisite book tells the story of the one family in the remote Maesglasau valley in Wales, and the ferocious changes that the twentieth century brings to their traditional rural way of life.
Originally written in the Welsh language and beautifully translated into lyrical English, this is a poignant and unforgettable story. I love how the language is simple, but it delicately renders the lives of the family members, giving them dignity and beauty despite sorrow and hardships. It feels old-fashioned yet also timeless.
"The most fascinating and wonderful book" JAN MORRIS
"A restrained, lyrical tour de force" OWEN SHEERS
In the early years of the last century, Rebecca is born into a rural community in the Maesglasau valley in Wales; her family have been working the land for a thousand years, but the changes brought about by modernity threaten the survival of her language, and her family's way of life.
Rebecca's reflections on the century are delivered with haunting dignity and a simple intimacy, while her evocation of the changing seasons and a life that is so in tune with its surroundings is…
My name is Annemarie and I’ve been reading stories almost as soon as I was taught how to read. I’ve also been writing them. My fascination with the supernatural came about, I guess because an active imagination for a small child comes almost naturally from a fear of the dark. The dark held many terrors for me, and in a perverse contrariness, this prompted an interest in supernatural beings. As far as I’m concerned, it’s all real, and the more we know about them, the better. Or at least, that’s what I deduce from my never flagging interest, and I guess that’s why there’s always an element of the supernatural/paranormal in all my stories.
I picked this book up at a used bookstore because I loved the blurb. It did not disappoint. In fact, it inspired me to write because I wanted to make people feel the same way I felt when I finished it—like something had changed forever.
I was particularly impressed with its diversity and the stretch her imagination was able to take, and I wanted to do that. I wanted to dream and write about things that hadn’t happened yet in real life.
From the acclaimed author of The Sparrow comes a new, extraordinarily imaginative SF novel which continues the powerful, moving story of Emilio Sandoz, the charismatic Jesuit priest who led the well-intentioned but catastrophic mission to the distant planet of Rakhat, and journeyed to the furthest reaches of the human soul.
Now, in Children of God, Father Emilio Sanchoz returns and - against his will - is forced to continue his quest for the meaning, if any, of God's plan. Dazzlingly imaginative, philosophically provocative and immeasurably entertaining, Children of God is a must-read for fans of The Sparrow, and a startlingly…
My father, when he consented to talk about all the moments in his life when the odds against his survival were so small as to make them statistically non-existent, would say, ‘I was lucky.’ Trying to understand what he meant got me started on this book. As well as being a novelist, I’m a poker player. Luck is a subject that every poker player has a relationship to; more importantly it’s a subject that every person has a relationship to. The combination of family history and intellectual curiosity and the gambler’s desire to win drove me on this quest.
When I was researching Luck, I came across many books that claimed to teach the willing acolyte how to seize opportunity and how to maximise reward while minimising risk. This is the one that’s worth paying attention to. The Oracle is a collection of three hundred maxims for practical success, in condensed, often paradoxical form, written by a seventeenth-century Jesuit. Nietzsche said of it that "Europe has never produced anything finer or more complicated in matters of moral subtlety" and who’s going to argue with Nietzsche?
This is a reproduction of a classic text optimised for kindle devices. We have endeavoured to create this version as close to the original artefact as possible. Although occasionally there may be certain imperfections with these old texts, we believe they deserve to be made available for future generations to enjoy.
I am a child sexual abuse survivor who struggled for years with the help of therapy to become the person I am today. My sister, my mother, and I suffered years of emotional abuse by my father. When I was a child, my best friend (who also suffered abuse by her brother) and I made up stories that helped us navigate the situations in our families. I read, hiked, backpacked, and traveled alone for years in order to take
risks and develop strength before attempting to write at age sixty-one. I love books that put me solidly in time and place and deeply empathize with characters who struggle and grow to become their genuine selves.
I love this book because I became deeply involved with every one of the characters and how they were changed by their interactions with one another and by the results of their first experience with another salient species. The book involves the age-old questions of faith, God, religion, and humanity. Beautiful and haunting.
'The Sparrow is one of my favourite science fiction novels and it destroyed me in the best way when I read it. It is so beautifully written and the construction of the narrative is masterful.' Emma Newman, acclaimed author of Planetfall
Set in the 21st century - a number of decades from now - The Sparrow is the story of a charismatic Jesuit priest and talented linguist, Emilio Sandoz, who - in response to a remarkable radio signal from the depths of space - leads a scientific mission to make first contact with an extraterrestrial culture.
Raised in a fearful and toxic environment where love was completely absent and terror was always at home, I had to learn to let go of my many programs, fears, and traumas so that I could avoid making the mistake of thinking and believing that the story of my past was going to become the story of my life. Through a long journey of letting go, getting lost in order to be found, I realized that who I Am, and who we all are, is far greater and far nobler than what we are programmed to believe. And now my mission is to teach people from all over the world how to let go so they can thrive.
In a world of duality, we desperately need to be taught how to discern between truth and falsehood; between lies and illusions; between darkness and light, and between that which is love and that which is fear. And this book teaches you exactly that and so much more; giving you strength, courage, and comfort by helping you realize that you are always guided, safe, loved, and protected no matter what happens to you and all around you.
This handy, easy-to-use workbook is chock full of probing questions, real-life stories, and practical tips on how to apply the profound spiritual insights from the Ignatian tradition of patient, prayerful self-examination. Acclaimed interpreter of Saint Ignatius, author Father Gallagher provides clear explanations of the centuries-old Jesuit method of discerning God's will in one's life--and avoiding evil. A practical guide and journaling tool, it includes ample space on every page for notes, reflections, and journaling, all to help readers track their progress toward a closer, more loving union with God.
I am fascinated by the relationship between people’s religious and political identities. As a kindergartner, I heard about the hunger strikers at our local Irish Center, I was taught anti-communist songs at my Catholic Ukrainian school, and I listened as my dad explained Cesar Chavez and the United Farm Workers as we passed by the grapes while grocery shopping. Catholicism was not something I saw as just happening inside the walls of a church. It was about how one related to the world and was part of a global community. Those early experiences inspired me to become a human rights lawyer and activist, and later, a U.S. foreign relations historian.
What led a priest to join the Sandinista revolution?
In sharing his story, Nicaraguan Jesuit Fernando Cardenal details how his views regarding what it means to serve the poor and his understanding of sin as societal placed him on a collision course with both the government and many in the church. For a time, Cardenal was expelled from the Jesuits because he refused to resign his post in the Nicaraguan government. He also recounts what led him to later break with the Sandinista party.
Fernando Cardenal, a Nicaraguan Jesuit priest, oversaw a national literacy campaign and served as minister of education in the revolutionary Sandinista government. The Sandinista revolution was unusual for the wide participation of Christians, including priests, in the struggle. However, the role of priests in the revolutionary government (including Ernesto Cardenal, Fernando's brother, a famous poet), was a source of bitter controversy with the Vatican. When he declined to resign his government post (judging that it would be ""a grave sin if I were to abandon my priestly option for the poor""), Cardenal was suspended from the priesthood and expelled from…
Writer and essayist Agnes Borinsky called my debut novel The Seep, “A swift shock of a novel that has shifted how I see our world.” Here are five short, urgent novels that continue to live with me in the months and years after reading them. These are some of my most beloved books, all of which happen to be under 200 pages, which ache with the inner mystery of what is hidden, and what is revealed. These books are my teachers, each a precise masterclass in world building, suspense, and purposeful storytelling. Enjoy these ‘swift shocks!’
I’m also a playwright, so I really admire a full story told in propulsive first-person monologue. This novella is a confession of Father Urrutia from his deathbed, beginning with the line “I am dying now, but I still have many things to say.” As he speaks, the priest untangles the twisted, uncomfortable agreements between artists and institutions in Chile under Pinochet. I often recommend this book for people who have not yet read Bolaño and might feel intimated by the length of his major works.
As through a crack in the wall, By Night in Chile's single night-long rant provides a terrifying, clandestine view of the strange bedfellows of Church and State in Chile. This wild, eerily compact novel-Roberto Bolano's first work available in English-recounts the tale of a poor boy who wanted to be a poet, but ends up a half-hearted Jesuit priest and a conservative literary critic, a sort of lap dog to the rich and powerful cultural elite, in whose villas he encounters Pablo Neruda and Ernst Junger. Father Urrutia is offered a tour of Europe by agents of Opus Dei (to…
