Fans pick 75 books like The Sparrow

Though I did enjoy the earlier Wolf Hall I found Bring Up the Bodies more readable and compelling.

Hilary Mantel paints intimate word pictures of Henry VIII, Anne Boleyn, Jane Seymour, and especially Thomas Cromwell, struggling to make his way through the minefield of political intrigue at Henry’s court. Though it is against almost every principle he holds dear, Cromwell charts a course which one step at a time ultimately brings Anne Boleyn down.

Finding himself in an almost impossible situation, he agonizes over every decision, looking at it from many sides: legal, political, ethical, spiritual, and religious. Meanwhile not far in the background we see the Church’s Pope Clement trying desperately, like Oz’s man behind the curtain, to control events.

Mantel’s genius was her ability to transform dry history into compelling, character-driven stories.

I loved this book for the way Madeline Miller creatively retells Greek myths with a female protagonist. As Circe grows up, she discovers her power of magic, which can transform enemies into monsters and even challenge the gods.

Bold and inspiring, Miller vividly strings together figures like Prometheus, Medea, Calypso, Odysseus, and the Minotaur in a feminist reimagining of Circe's life. I find it to be a thoughtful and well-crafted biography of a complex and engaging mythological character with both divine and human strengths and flaws. I have read it several times, and the story has maintained its appeal.

A novel that is partly based on the real-life anthropologist Margaret Mead and her work in New Guinea in the 1930s, this book had me gripped from the start as it evoked the complex dynamics between the three main characters and their very different approaches to studying Indigenous people.

I was in awe of the power of story-telling in this short book. It shows us how anthropologists might hope to be impartial observers of the people they study, but in reality, these encounters change everyone.

I can’t find a more deeply philosophical book, among all adult literature, to compare with the works of Madeleine L’Engle.

The protagonists of these stories may be children, but they live in a world of scientific supernature that blurs the lines between measurable, observable reality and mystic philosophy. Even before researching Madeleine L’Engle’s life, I could tell that she was a serious thinker.

Few books have had such a profound impact on the way I approach living in the “real” world of adults. Einstein would have loved this book.

While I don’t always love mainstream classics, The Giver is a classic for a reason, and, in my opinion, it rightfully deserves its place on the shelf.

I love the emotional draw of this book and the invitation to think deeper about the meaning of life and the burden it can take on us. I love books that challenge us to think about the bigger concepts of life and all they entail: the good, the bad, and the ugly.

This is one of the finest works of modern epic fantasy available. Although the pace is not swift, Rothfuss styles the whole thing with beautiful, carefully crafted prose that makes this novel an enjoyable read. The main character, Kvothe, provides plenty of wit and grit. It’s worth reading despite being part of an infamously unfinished series.

I’ve tried to style some of my own prose and wit off of Rothfuss from time to time.

This is the only book I reread regularly (life is short, so many titles!) because it is gobsmackingly brilliant. The story is about a woman visiting an English country town who’s mistaken for a former resident and convinced to take that person’s place. It’s beautifully written, with great characters, typically compelling plot, but the twist! I gasped out loud the first time and have never failed to get chills on every reread. You don’t see the surprise coming, and yet it is absolutely logical and perfect. I keep trying to find someplace where Stewart trips up or gives it away, and there’s nothing. I bow down.

First, this is in most respects the beginning (in internal chronology) of a wonderful SF series, the Vorkosigan Saga. Each book can be read in isolation but adds to the depth and richness of the series as a whole.

Second, the reader is introduced to Cordelia Naismith and Aral Vorkosigan, two strong and unique characters who meet under daunting circumstances that become even more challenging. The title aptly (if cryptically) describes the crisis with which Aral must cope, with a competence that conceals its almost unbearable effect on him.

Speaking of competence, it’s remarkable how Bujold conveys so much of the essence of two very different societies so efficiently.

I loved the humor of this novel: Prot – who claims to be an alien from the planet K-PAX – is charming and funny and absolutely wins over everyone he meets. You can’t not want him to be who he says he is. Is K-Pax a real planet? Is Prot a real alien or does he suffer from a mental illness? If you’ve seen the movie, that’s a start, but the book is better and there are sequels. It’s told from his psychiatrist’s point of view so we get a lot of background on him and how he relates to Prot. In many ways, the book tells us more about what it’s like for us to be humans than for Prot to be an alien.

This is a big sprawling story. Do you love books like that or hate them? I love them because they feel like giant puzzles: you kind of lose yourself in them and enjoy the constant twists and turns. DeLillo is a postmodern master so you can trust that he has it all under control. In this book, Billy, a teen mathematician prodigy, wins the Nobel Prize in Mathematics and is spirited away to help decipher a mysterious message from aliens. It’s been compared to Alice in Wonderland for its down-the-rabbit-hole and through-the-looking-glass aspects of plot twists and characters. What makes this satire accessible, however, is the comedy. Billy is us, the readers, and he takes us on a philosophical journey while being surrounded by the strangest of characters.