100 books like The Life of Rebecca Jones

I have never read a book of historical fiction quite like this one!

In a distinctive and compelling narrative voice, the book explores the real-life figure of Margaret Cavendish, a seventeenth-century woman who exploded the rulebook when it came to women’s lives. Although shy, she was profoundly ambitious and a true polymath, conducting her own scientific experiments as well as writing poems, philosophy, plays, and even sci-fi. Known in the newspapers as “Mad Madge,” she was the first woman to be invited to the Royal Society of London.

I love how Dutton conveys the effervescence and wit of this brilliant woman as Margaret battles against an intellectual world determined to keep her out. 

The beauty of this novel is that it takes sweeping historical change – the Highland Clearances of Scotland – and manages to make history intimate, showing the impact of events on one vulnerable old woman. In the nineteenth century, much of rural Scotland was forcibly "cleared" of people to make room for sheep grazing. Outside of Scotland, this great tragedy of Scottish history is not as well known as it should be, and neither is Smith’s book.

I love its deliberately naïve style, as we see the world through the old woman’s eyes and feel her pain as history crashes down on her. It’s full of the beauty of the natural world, but it’s also chilling, as it demonstrates the indifference of outsiders to a long-established way of life. 

This novel has such a wonderfully bold premise: it’s a retelling of the story of the crucifixion of Jesus through the eyes of Jesus’ mother, Mary. I love how Tóibín takes one of the founding stories of Western civilisation and manages to make it intimate. Jesus is still the Son of God, of course, but he is also the son of a woman, a flesh and blood man, who suffers a torturous death in front of his friends and family.

Using a first-person narrative, Tóibín gives us the world through Mary’s eyes, showing a humble woman caught up in extraordinary events. It’s a tragic story about the impossibilities of protecting your loved ones, but it’s also a story of love, tenderness, and hope. 

This is a strange but deeply moving book, interweaving the life of Victorian poet and priest Gerard Manley Hopkins with the lives of five nuns who were aboard the steamship Deutschland when it ran aground at the mouth of the Thames in 1875. The young nuns all drowned, and their deaths inspired one of Hopkins’ greatest poems, "The Wreck of the Deutschland."

It’s a painful story of faith and hope under enormous pressure, yet there are moments of great tenderness and even humour as the nuns face up to their destiny. There’s nothing fashionable or sexy about this book, but I’ve rarely read a book written with so much compassion and humanity.

I loved this author’s brilliant writing and also the sense of menace that oozes from every page. As each page turns, you delve deeper into mundane activities with family filled with the possibility of murder. Culminating in a clever ending, carrying out an everyday household task.

A very clever book that I’ve read time and time again. Even long into the night.

This is French peasant life in its last days, a life rendered from the outside by one who became an insider.

Berger went to live and work among the peasants of the French south in 1962. This world, like that of Spain at much the same time, saw the death of the old peasantry. It is not a work of observation like Norman Lewis’s book but a series of fictional stories. It treats peasants as human beings, on an equal standing with all others in society. They have depth and gravity. Just like us all.

How awful most writing about peasants is. This stands out proudly from that awfulness. 

This book can be more aptly titled “Life”. Klinkenborg’s musings over an eleven-year span while maintaining his farm in upstate New York’s Hudson Valley go well beyond the allotted time and location. His many astute observations about nature, animals, and people are expertly framed with blunt and humorous analogies. The Interlude and final chapter ("Coda") state the importance of the sciences exploring cosmology, biology, and archeology and why knowledge morphs through history. A must-read for any urbanite or suburbanite curious about country living.

This book is about a historic house in rural Suffolk in the East of England, which the author inherited from the artist John Nash. Blythe has himself made a career of writing about various aspects of the local landscape and how it, and the ways in which people have made their lives in the English countryside, have changed. The yeoman’s house itself, ‘Bottengoms’, was built in the 16th century, adapted, fell into ruin, and was then restored, and continues to be maintained to this day. It incorporates a garden and is set into the archetypally English countryside of Suffolk. Blythe’s gentle prose conveys a sense of sadness at the old ways of the traditional agricultural economy that have been lost, but in maintaining his beautiful house and sharing its story he is helping to keep some aspect of those ways, and that landscape, alive.

A gorgeous meditation on friendship, the English countryside, art, and beauty.

Two men spend the spring and summer of 1989 creating crop circles in Wiltshire, working during the ‘arcane mystery of the humming night’ to ‘fuel the myth and strive for beauty, yes, but never the reveal the truth’ of their identities. It’s lyrical and life-affirming, yes, but also a warning.

As Calvert, an ex-soldier, remarks: ‘it’s about the land...getting people to learn to love it so that they don’t take it for granted, and then feel compelled to protect it.'

In lyrical prose, Rich brings the reader into her real experience as a woman living in the Maine woods during the 1930s.

Rich’s narrative often reads like an adventure story—black bears, raging snowstorms—but some of my favorite scenes center around the endless daily chores necessary to a life in the wilderness. I also love Rich’s stories of the logging camps that surround her and her husband’s homestead.

Her riveting descriptions of the annual river drives, during which logs would be floated from the forest down to the lumber and paper mills, recall a way of life nearly unfathomable for those of us in the modern age. And if all that weren’t enough, Rich’s singular, humorous voice is simply a delight to read.