Here are 100 books that The Life of Rebecca Jones fans have personally recommended if you like
The Life of Rebecca Jones.
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Understanding history is essential for understanding ourselves as human beings – for recognising where we’ve come from and why we live as we do. What I love about historical fiction is that it can take tumultuous times and show their effects on the individuals who lived through them. As a historical novelist, I try to bring history back to a tangible, human level. These short novels show that if a writer’s prose is fresh, witty, and moving, then historical novels don’t need to be enormous tomes to give us a new slant on the past and allow us to inhabit lives utterly different from our own.
I have never read a book of historical fiction quite like this one!
In a distinctive and compelling narrative voice, the book explores the real-life figure of Margaret Cavendish, a seventeenth-century woman who exploded the rulebook when it came to women’s lives. Although shy, she was profoundly ambitious and a true polymath, conducting her own scientific experiments as well as writing poems, philosophy, plays, and even sci-fi. Known in the newspapers as “Mad Madge,” she was the first woman to be invited to the Royal Society of London.
I love how Dutton conveys the effervescence and wit of this brilliant woman as Margaret battles against an intellectual world determined to keep her out.
An inventive, spirited novel about a pioneering woman who was shamed for daring to challenge male dominance in the arts and sciences four centuries ago.
Margaret Cavendish was the first woman to address the Royal Society and the first Englishwoman to write explicitly for publication. Wildly unconventional, she was championed by her forward-thinking husband and nicknamed 'Mad Madge' by her many detractors. Later, Virginia Woolf would write, 'What a vision of loneliness and riot the thought of Margaret Cavendish brings to mind!'
Unjustly neglected by history, here Margaret is brought intimately and memorably to life, tumbling pell-mell across the pages…
Understanding history is essential for understanding ourselves as human beings – for recognising where we’ve come from and why we live as we do. What I love about historical fiction is that it can take tumultuous times and show their effects on the individuals who lived through them. As a historical novelist, I try to bring history back to a tangible, human level. These short novels show that if a writer’s prose is fresh, witty, and moving, then historical novels don’t need to be enormous tomes to give us a new slant on the past and allow us to inhabit lives utterly different from our own.
The beauty of this novel is that it takes sweeping historical change – the Highland Clearances of Scotland – and manages to make history intimate, showing the impact of events on one vulnerable old woman. In the nineteenth century, much of rural Scotland was forcibly "cleared" of people to make room for sheep grazing. Outside of Scotland, this great tragedy of Scottish history is not as well known as it should be, and neither is Smith’s book.
I love its deliberately naïve style, as we see the world through the old woman’s eyes and feel her pain as history crashes down on her. It’s full of the beauty of the natural world, but it’s also chilling, as it demonstrates the indifference of outsiders to a long-established way of life.
50th anniversary edition of a true modern classic.
'Vividly depicted ... sheer beauty' OBSERVER
'A masterpiece of simplicity' FINANCIAL TIMES
'A simple but noble book ... this deserves to be read' SCOTSMAN
'When she rose in the morning the house at first seemed to be the same. The sun shone through the curtains of her window. On the floor it turned to minute particles like water dancing. Nevertheless, she felt uneasy ...
What had the girl said? Something about the 'burning of houses'. They just couldn't put people out of their houses, and then burn the houses down. No one…
Understanding history is essential for understanding ourselves as human beings – for recognising where we’ve come from and why we live as we do. What I love about historical fiction is that it can take tumultuous times and show their effects on the individuals who lived through them. As a historical novelist, I try to bring history back to a tangible, human level. These short novels show that if a writer’s prose is fresh, witty, and moving, then historical novels don’t need to be enormous tomes to give us a new slant on the past and allow us to inhabit lives utterly different from our own.
This novel has such a wonderfully bold premise: it’s a retelling of the story of the crucifixion of Jesus through the eyes of Jesus’ mother, Mary. I love how Tóibín takes one of the founding stories of Western civilisation and manages to make it intimate. Jesus is still the Son of God, of course, but he is also the son of a woman, a flesh and blood man, who suffers a torturous death in front of his friends and family.
Using a first-person narrative, Tóibín gives us the world through Mary’s eyes, showing a humble woman caught up in extraordinary events. It’s a tragic story about the impossibilities of protecting your loved ones, but it’s also a story of love, tenderness, and hope.
“Tóibín is at his lyrical best in this beautiful and daring work” (The New York Times Book Review) that portrays Mary as a solitary older woman still seeking to understand the events that become the narrative of the New Testament and the foundation of Christianity—shortlisted for the 2013 Man Booker Prize.
In the ancient town of Ephesus, Mary lives alone, years after her son’s crucifixion. She has no interest in collaborating with the authors of the Gospel, who are her keepers. She does not agree that her son is the Son of God; nor that his death was “worth it”;…
Understanding history is essential for understanding ourselves as human beings – for recognising where we’ve come from and why we live as we do. What I love about historical fiction is that it can take tumultuous times and show their effects on the individuals who lived through them. As a historical novelist, I try to bring history back to a tangible, human level. These short novels show that if a writer’s prose is fresh, witty, and moving, then historical novels don’t need to be enormous tomes to give us a new slant on the past and allow us to inhabit lives utterly different from our own.
This is a strange but deeply moving book, interweaving the life of Victorian poet and priest Gerard Manley Hopkins with the lives of five nuns who were aboard the steamship Deutschland when it ran aground at the mouth of the Thames in 1875. The young nuns all drowned, and their deaths inspired one of Hopkins’ greatest poems, "The Wreck of the Deutschland."
It’s a painful story of faith and hope under enormous pressure, yet there are moments of great tenderness and even humour as the nuns face up to their destiny. There’s nothing fashionable or sexy about this book, but I’ve rarely read a book written with so much compassion and humanity.
In December 1875, the steamship Deutschland left Bremen, bound for England and then America. On board were five young nuns who, exiled by Bismarck's laws against Catholic religious orders, were going to begin their lives anew in Missouri. Early one morning, the ship ran aground in the Thames and more than sixty lives were lost - including those of the five nuns.Hopkins was a Jesuit seminarian in Wales, and he was so moved by the news of the shipwreck that he wrote a grand poem about it, his first serious work since abandoning a literary career at Oxford to become…
I have always been intrigued by missing persons. I wonder how their family copes with having no closure on the situation and how they can live wondering where their loved one is and whether they are dead or alive. I have read these recommended books many times to satisfy this craving. I enjoy a sense of the macabre even though the story may be about mundane everyday topics. This only adds to the sense of dread and wonder. I enjoy the intriguing twists and turns, keeping me on my toes and wanting more until the end. I hope you enjoy the books on this list as much as I have.
I loved this author’s brilliant writing and also
the sense of menace that oozes from every page. As each page turns,
you delve deeper into mundane activities with family filled with the
possibility of murder. Culminating in a clever ending, carrying out an
everyday household task.
A very clever book that I’ve read time and time
again. Even long into the night.
A contemporary psychological thriller in the style of Ruth Rendell, from one of today's most versatile and compelling storytellers.
It was easy for Elizabeth. She married the man she loved, bore him two children and made a home for him which was the envy of their friends.
It was harder for Ruth. She married Elizabeth's son and then found that, somehow, she could never quite measure up...
Isolation, deceit and betrayal fill the gaps between the two individual women and between their different worlds. In this complex thriller, Philippa Gregory deploys all her insight into what women want and what…
There is something so magical about creating art and bringing an idea to life. As a writer and an art teacher, I love watching artists of any age find their own inspiration and joy in creating. I have used these books to launch all kinds of projects, from paintings to pottery, for every age and stage of artist. I hope you will find inspiration in these pages, too!
This is one of the most creative and magical books I’ve ever seen. Every time I share this book, I hear a gasp when I get halfway through it and flip it upside down to continue the story, upside down and backward. You have to see it to believe it! For older students, it’s a great way to introduce the tricky concept of negative space.
This book isn't just the STORY of a family’s round trip - it IS a round trip! Read forward and look at the sights, then flip the book over to see something different on the way back. The black-and-white illustrations for the trip into the city become something different when the book is turned upside down for the journey home. Clouds turn into puddles, fields of wheat turn into rain, lightning becomes mountain trails, and building lights morph into stars. "Round Trip" was featured on Reading Rainbow, the acclaimed PBS-TV series celebrating books and reading.
I didn’t realize for a long time that I was drawn to reading and writing quiet, character-driven stories about found families–because I didn’t know that was a thing. But here we are. As an introvert, I love learning about people and exploring their relationships with one another, and I have devoted my writing and reading life to this endeavor (even before, again, I knew this was a thing). As a child, I spent my time in libraries, falling in love with these characters. Now, as an author and professor of writing, I believe these novels are also all incredible textbooks of character creation and storytelling.
I first read this as a teen and fell hard for the characters that populate this story and Novalee’s life. Pregnant and abandoned, Novalee’s life is the definition of loss at the start of the story—but by the end, her life is filled with such love and richness that it’s easy to forget how she started.
She continues to experience loss as the story continues, but the strength her found family gives her demonstrates how the right people can help us grow. These characters are quirky and loving, and I can’t help but wish they were all real every time I read it.
A 17-year-old pregnant girl heading for Califonia with her boyfriend finds herself stranded at a Wal-Mart in Oklahoma, with just $7.77 in change. But she's about to be helped by a group of down-to-earth, deeply caring people, including a bible-thumping nun and an eccentric librarian.
I am the son of Irish rural immigrants who at the age of nearly eighty already occupies several vanished worlds myself: London in the 1950s and 60s, the old world of the European peasantry, and a time when the greatest war in human history was still a daily presence. I spent most of my life as an academic historian writing books for an academic audience. Then, to my surprise, at the tender age of seventy, I discovered that I could write prose that had a certain grace and dignity and which seemed to move people as well as inform them. So, I began a second career as what is called a “writer.”
This is French peasant life in its last days, a life rendered from the outside by one who became an insider.
Berger went to live and work among the peasants of the French south in 1962. This world, like that of Spain at much the same time, saw the death of the old peasantry. It is not a work of observation like Norman Lewis’s book but a series of fictional stories. It treats peasants as human beings, on an equal standing with all others in society. They have depth and gravity. Just like us all.
How awful most writing about peasants is. This stands out proudly from that awfulness.
With this haunting first volume of his Into Their Labours trilogy, John Berger begins his chronicle of the eclipse of peasant cultures in the twentieth century. Set in a small village in the French Alps, Pig Earth relates the stories of skeptical, hard-working men and fiercely independent women; of calves born and pigs slaughtered; of summer haymaking and long dark winters f rest; of a message of forgiveness from a dead father to his prodigal son; and of the marvelous Lucie Cabrol, exiled to a hut high in the mountains, but an inexorable part of the lives of men who…
I am an author, poet, and visual artist. These interests converge in my approach to literature. I think that visual and psychological descriptions of environments and circumstances are essential to enlivening the narrative and setting its tone. Often in modern literature this is diluted in favor of straightforward accounts. I believe that a story is never told with any complete objectivity but has a psychological context that must be highlighted. In addition, vivid visual descriptions greatly assist the reader in inhabiting the world of the story as seen from the characters’ points of view.
Of all the elements of this story, I feel the love triangle between Eustacia, Wildeve, and Clym is of secondary interest to the environment in which it takes place, which is the weird and lugubrious heathlands.
Perhaps I am unfamiliar with heaths; as far as I know, we don’t have any in the U.S. Hardy describes the British heathlands like the landscape of another planet. Largely flat with shallow hills and vales, it sometimes bursts with floral color, and depending on the weather, it can be beset with raking orange sunlight or gloomy palls of mist.
The locals are fond of lighting evening bonfires, and Hardy’s descriptions of the firelight dancing on their faces are mesmerizing and compellingly suggests an unbroken cultural link with Britain’s pagan past.
One of Thomas Hardy's most powerful works, The Return of the Native centers famously on Egdon Heath, the wild, haunted Wessex moor that D. H. Lawrence called "the real stuff of tragedy." The heath's changing face mirrors the fortunes of the farmers, inn-keepers, sons, mothers, and lovers who populate the novel. The "native" is Clym Yeobright, who comes home from a cosmopolitan life in Paris. He; his cousin Thomasin; her fiancé, Damon Wildeve; and the willful Eustacia Vye are the protagonists in a tale of doomed love, passion, alienation, and melancholy as Hardy brilliantly explores that theme so familiar throughout…
Born in 1969 as the seventh of eight children to two Harlem-raised parents, I benefited from both the inner-city life of Queens, New York and childhood summers spent on a farm in rural upstate New York. Academic, professional, and physical accomplishments have punctuated my life. An adventurer by nature, I became the first African American to hike to the top of every mountain in the northeast US over 4,000' (115 of them) by September of 2000. At that time, less than 400 people had accomplished this feat; whereas thousands have scaled Mount Everest. My home city’s iconic landmarks create a psychological veil that blinds people to the vast open spaces that dominate New York State.
This book can be more aptly titled “Life”. Klinkenborg’s musings over an eleven-year span while maintaining his farm in upstate New York’s Hudson Valley go well beyond the allotted time and location. His many astute observations about nature, animals, and people are expertly framed with blunt and humorous analogies. The Interlude and final chapter ("Coda") state the importance of the sciences exploring cosmology, biology, and archeology and why knowledge morphs through history. A must-read for any urbanite or suburbanite curious about country living.
Verlyn Klinkenborg's regular column, The Rural Life , is one of the most read and beloved in the New York Times. Since 1997, he has written eloquently on every aspect, large and small, of life on his upstate New York farm, including his animals, the weather and landscape, and the trials and rewards of physical labor, as well as broader issues about agriculture and land use behind farming today. Klinkenborg's pieces are admired as much for their poetic writing as for their insight: peonies are the sheepdog of flowers," dry snow "tumbles offthe angled end of the plow-blade as if…
