100 books like Where the Heart Is

John Staddon is James B. Duke Professor of Psychology, and Professor of Biology emeritus. He got his PhD at Harvard and has an honorary doctorate from the Université Charles de Gaulle, Lille 3, France. His research is on the evolution and mechanisms of learning in humans and animals, the history and philosophy of psychology and biology, and the social-policy implications of science. He's the author of over 200 research papers and five books including Adaptive Behavior and Learning, The New Behaviorism: Foundations of behavioral science, 3rd edition, Unlucky Strike: Private health and the science, law and politics of smoking, 2nd edition and Science in an age of unreason.  

Long before I became a filmmaker and many years before I knew what pre-history meant, I was a restless traveler. I was an adventurer and a hiker, fascinated by maps and mountain peaks and constantly searching for the best place for a coffee break. In my list, I have tried to combine my passion for traveling with what is really important in life: people, friends, and travel companions.

When I realized years ago that the universe isn’t merely a concrete reality, I turned to metaphysical/visionary books to understand my experience. There weren’t that many books, but the ones I found became dear friends. Now, after decades as a freelance editor, I am writing fiction in this genre because I believe stories can be as powerful as expository writing for awakening consciousness. However, I’ve noticed many metaphysical writers discourage the engagement and commitment needed to make this world a better place. For this reason, I seek to gather—and contribute to—writing that is visionary and also advocates for democracy and social justice.

What can better give expertise on the books one loves than decades of reading? I’ve always had a passion for sympathetic, strong characters, especially women. At the core of all my novels, readers will find a sympathetic and strong heroine. In Girlfriend Trouble, Lian is the catalyst that changes the lives of everyone around her for the better; or, more precisely, Lian’s compassion, wisdom, and serene nature are what change things. I’m probably too idealistic, but it’s better than being a cynic. There’s an element of this in all the books I’ve recommended, and those I’ve written. I like to think there’s more of it in the real world too.

What can better give expertise on the books one loves than decades of reading? I’ve always had a passion for sympathetic, strong characters, especially women. At the core of all my novels, readers will find a sympathetic and strong heroine. In Girlfriend Trouble, Lian is the catalyst that changes the lives of everyone around her for the better; or, more precisely, Lian’s compassion, wisdom, and serene nature are what change things. I’m probably too idealistic, but it’s better than being a cynic. There’s an element of this in all the books I’ve recommended, and those I’ve written. I like to think there’s more of it in the real world too.

I’ve loved reading novels about strong, quirky women since childhood (Nancy Drew, Ramona Quimby, Harriet the Spy, the heroines of Judy Blume novels, just for starting examples!). As I grew into writing my own stories, I also started studying women’s history. I merged these two interests to begin writing historical novels with strong women protagonists. I love the challenge of researching to figure out the details of women’s day-to-day lives–so many unrecorded stories!–and I love to advocate for the idea (fortunately not as revolutionary as it once was) that a woman can be the hero of her own story and that each woman’s story is important to tell.  

When I think of great novels, I don’t recall plot twists, beautiful language, or exotic settings. I remember the characters. How they met or didn’t meet, the challenges put before them. Great, unforgettable characters create great stories. They take risks, become friends with people society tells them not to, and don’t hide their motivations or fears. They show their humanity. A great character can make walking down a supermarket aisle an exciting adventure. Boring, one-dimensional ones can make a rocket launch seem like you’re reading about paint drying. All the books I discuss hit the character checklist tenfold. 

What can better give expertise on the books one loves than decades of reading? I’ve always had a passion for sympathetic, strong characters, especially women. At the core of all my novels, readers will find a sympathetic and strong heroine. In Girlfriend Trouble, Lian is the catalyst that changes the lives of everyone around her for the better; or, more precisely, Lian’s compassion, wisdom, and serene nature are what change things. I’m probably too idealistic, but it’s better than being a cynic. There’s an element of this in all the books I’ve recommended, and those I’ve written. I like to think there’s more of it in the real world too.

I was born in Birmingham, Alabama, and raised in Virginia, so I am very familiar with America’s southern lands and culture. The South—also known as the Deep South—is a unique part of America’s tapestry of identities, and I love books set in this locale. Southern literature tends to focus on themes such as racial politics, one’s personal identity, and rebellion. When I wrote my book, I knew the story would have to take place in the southern states. 

I am fascinated by first-person points of view. In writing plays and screenplays, I couldn’t write the inner thoughts of my characters. Now, in novels and short stories, I do that almost exclusively, even if the stories contain multiple narrators. I love the Unreliable Narrator—whether it is someone too young to understand what they are witnessing, someone who is in denial, or mentally ill, or a non-human experiencing the world in an odd way—the discrepancy between their view and mine delights me. I love discovering all those inner thoughts, fears, anxieties, and desires. These first-person stories let me into another’s experience and allow me to empathize with a whole new perspective.