100 books like The Return of the Native

This is a book about the power of dreams. What would you do if you realized that whatever you dreamt became reality when you woke up? And what would you do if you had the power to control that dreamer? Like so many of LeGuin’s amazing novels, this one is both pure entertainment and a deeply thoughtful exploration of the consequences of power (as well as some fascinating thoughts about what an ideal world might look like). I find the concept of responsibility as it relates to power super intriguing, and I appreciate how using “magical” elements to explore the concept adds a purity to a conversation that could otherwise get bogged down in politics. (Plus it’s way more fun.)

Once I began my reading journey in high school, I naturally gravitated to this book series.

It was recommended by a friend I played Dungeons and Dragons with from school. This was the mid to late 80s and Dungeons and Dragons was a bit controversial, but we knew it was harmless fun. My friend knew I loved magic, and he told me of Raistlin the magic user and his twin brother Caramon and how they were central to the plot. I was hooked.

This was another fantasy series I just couldn’t put down. I remember getting my younger brother hooked on these same fantasy books and being angry with him because he was a faster reader and he read ahead of me! These novels were easy to read and were a wonderful part of my teen reading journey. They take the reader away to another realm and you find yourself… show more.

I recall when Blockbuster Video had a books section they discontinued. I went and merrily bought anything I could get my bookwormy hands on. I found Tom Savage and was never the same. He is one of those authors that everybody should read, but few have. A master thriller writer, he uses so many twists, you never know where the story goes next. In this book, Holly is about to collect on an inheritance from the mysterious Randall family. Set in a spooky mansion, high above Long Island Sound, she discovers that fortune comes at a terrifying price. Wrought iron gates, moonlit nights, a shadowy mansion—this novel hits all the correct notes in an October symphony.

Thomas Ligotti writes dark magical realism short stories. The Shadow at the Bottom of the World is an unforgettable collection written by a modern master of atmosphere. His stories rarely have complicated plots, but the feeling they leave you with is the whole point. In the thousands of books I’ve read, I can safely say he writes like no other-- he enshrouds your spirit with dread. The title story showcases a small town that encounters the arrival of a threatening breed of darkness. Written with the stunning imagery of Bradbury, the mysticism of Lovecraft, and the disquieting tone of William S. Burroughs, this collection will have you brightening the blaze in the fireplace, just to make the shadows retreat.

This classic short story by Flannery O'Connor follows a family on a road trip through the South.

Included on the journey is the manipulative and deceitful grandmother, who somehow convinces the family to take a detour to visit an old plantation home that she remembers from her childhood. The consequences of this detour are chilling.

Spoiler alert, but in the context of the ongoing investigations of our former President, one of the passages really struck a chord, “I found out the crime don't matter. You can do one thing or you can do another, kill a man or take a tire off his car, because sooner or later you're going to forget what it was you done and just be punished for it”

This book is too ambitious to be perfect, but it is the perfect example of an author doing whatever he likes, able to rely on a massive talent to bail him out of trouble every time he disappears into another labyrinthine digression. Mailer’s audacious use of the first person to tell the story of espionage in the twentieth century, becoming a conduit for his vast range of characters, real and imagined, showed me that writing a novel where you are a leading character could take you to places that writing in the third person could not. In my seventh novel, I knew it was the right story for me to finally unleash a first-person narrative on.   

Peace’s gutsy novel is an epic literary treatment of The British Miners Strike of the mid-eighties and reads like one long brutal poem to that ugly time. From it I learned that you could be biased, partisan, and full-blooded in a political novel, providing your treatment of your characters and the world they inhabit is consistently honest. Following him I have tried to do justice to a neglected part of rural England in the build up to the Brexit Referendum, politics less a matter of choice, as the very air the characters breathe, informing their outlook and choices like a vast atmospheric bubble none of them are able to live outside.   

This is a volume that defies genre, in part a supernatural memoir, encyclopedia of horror films, and a treatise on the existence of other dimensions. I love a book that doesn’t conform to the rules and tropes of a single genre, where you basically know that what you are getting will adhere to what is or is not allowed, on the basis of the categories assigned to it by the publisher. Cronin testifies to her personal experience of ghosts, and what the nature of reality must be to support such entities. I follow her in looking to mix horror and the uncanny into supposedly banal and quotidian reality, the supernatural just another facet of life, and not a sensationalist realm that requires a world of its own. 

I’ve read pretty much everything by Bernard Cornwell, but The Last Kingdom (the first in a series of 13 novels) is most definitely my favorite, not only because it takes place during a time of English history I am most familiar with (very early Middle Ages), but because Uthred!! If you’ve seen the Netflix series, you know what I mean. I have a thing for warrior heroes, in case you haven’t noticed, and Uthred is the ultimate. The story is loosely based on a 9th-century warlord named Uthred the Bold—I recently learned that Cornwell is his descendent. Pretty cool. No one writes better historical content than Cornwell, blending fact and fiction so seamlessly, you’d think you were reading a very exciting history book.

In this Wessex novel by Thomas Hardy, Lady Constantine’s explorer-husband has been missing for years when she offers patronage to the Byronic astronomer, Swithin St. Cleeve, letting him use a tower on her estate as an observatory. He shows her the stars through his telescope, passionately explaining what lies behind the astronomical images. Presuming her husband dead, she secretly marries St Cleeve, but a complicated legacy intrudes, and it transpires that her husband has been living with an African princess before blowing his head off. Suicide, bigamy, a lost legacy, an illegitimate child, the plot lines (there are many more than I have mentioned!) are resolved by numerous and dramatic deaths.  This scandalous romance is melodramatically plotted, but gains a certain sublime power as an “emotional history of two infinitesimal lives against the stupendous background of the stellar universe".