Here are 100 books that A Good Man Is Hard to Find and Other Stories fans have personally recommended if you like
A Good Man Is Hard to Find and Other Stories.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
As a hospital clinical lab director, I have a mission to promote the value of my profession. Are we more important than our soldiers protecting our country? Politicians who make laws? Judges who help maintain law and order? I argue that the health of our families is near or at the top of our priorities. While we ask our doctors to achieve this goal, they ask us every day to help them. The lab is not about boiling tubes and colored flasks. The 8 books I have written and the 5 that I have selected illustrate, in an entertaining manner, who we really are and why we matter.
Mr. Carreyrou was the Wall Street Journal reporter who broke the story that eventually led to the downfall of Elizabeth Holmes, CEO of Theranos. At its peak, this company was worth over $9 billion. Today, Holmes and her former COO have been convicted of fraud and are serving time.
I like this book because it serves as a curriculum for how NOT to operate a biotech company. It shows that while belief in your vision is essential for all successful entrepreneurs, there is no place for secrecy and arrogance in the business world.
Unfortunately, the “Theranos” effect has led to a decline in investment in new medical technology and has had a negative effect on the value of clinical laboratories.
The shocking true story behind The Dropout, starring the Emmy award-winning Amanda Seyfried, Naveen Andrews and Stephen Fry.
'I couldn't put down this thriller . . . a book so compelling that I couldn't turn away' - Bill Gates
Winner of the Financial Times/McKinsey Business Book of the Year Award 2018
The full inside story of the breathtaking rise and shocking collapse of Theranos, the multibillion-dollar biotech startup founded by Elizabeth Holmes, by the prize-winning journalist who first broke the story and pursued it to the end, despite pressure from its charismatic CEO and threats by her lawyers.
I’ve always been attracted to strange things. When I was a kid, I loved to picnic in graveyards and make up stories about the people buried there. I think I gravitate toward the strange because it’s an escape from the gray every day. The best horror writing fills readers with wonder, opens the door to that magical question, ‘what if?’ But being truly engaged depends on caring about what happens to the characters in a book. That’s why I chose Horror with A Heart as my theme. I like horror with well-developed characters, people that matter to me. People who I could imagine as my friends.
I was already writing stories inspired by H.P. Lovecraft but I wasn’t sure I had a place in the genre. Then Victor LaValle took one of Lovecraft’s most racist works, The Horror At Red Hook, and produced an alternate version.
Black Tomtouches on the events of Lovecraft’s original story but tells the tale from the point of view of a black musician named Tommy Tester. LaValle’s reimagining of Lovecraft is a revelation.
He showed me that I didn’t have to be like Lovecraft to write in his world. And LaValle perfectly captures the Harlem Renaissance of the 1920s, a world that Lovecraft’s racism prevented him from seeing, even though he lived in New York City at the time.
People move to New York looking for magic and nothing will convince them it isn't there.
Charles Thomas Tester hustles to put food on the table, keep the roof over his father's head, from Harlem to Flushing Meadows to Red Hook. He knows what magic a suit can cast, the invisibility a guitar case can provide, and the curse written on his skin that attracts the eye of wealthy white folks and their cops. But when he delivers an occult tome to a reclusive sorceress in the heart of Queens, Tom opens a door to a deeper realm of magic…
I was a book-loving Black Girl and am now a Black woman, professor-writer, and lifelong books and popular culture junkie. As a young reader, I marveled at the storytelling in books that took us into the diverse lives and deep interior of teen girls - from Are You There God It’s Me Margaret to especially ones like the five books I name which place Black girls and women at the center of the narrative. In most of the films and writings that I teach and my own book Snitchers, there’s some tragedy and pain, some blues, and perspectives that add to the truth and richness of our human and American story.
Unfortunately, Toni Morrison’s first major novel The Bluest Eye has long been targeted on banned book lists, which is unfortunate.
Told through the narration of Claudia - a Black girl character after my own heart with the same on-point, justifiably defiant thinking I had as a young girl, we get the story of Pecola and a community that is shaped by both the history of white supremacy and it’s own cultural richness and texture.
Morrison’s writing is so visual and visceral, and the storytelling so honest it spoke to my own war against Black girl invisibility in my own world. I’ve read it many times, and it still emotionally shakes me as so much memorable writing and stories tend to do.
And like other books by this Nobel Prize winner author, The Bluest Eye should be required reading for advanced grade high school students rather than banned.
Read the searing first novel from the celebrated author of Beloved, which immerses us in the tragic, torn lives of a poor black family in post-Depression 1940s Ohio.
Unlovely and unloved, Pecola prays each night for blue eyes like those of her privileged white schoolfellows. At once intimate and expansive, unsparing in its truth-telling, The Bluest Eye shows how the past savagely defines the present. A powerful examination of our obsession with beauty and conformity, Toni Morrison's virtuosic first novel asks powerful questions about race, class, and gender with the subtlety and grace that have always characterised her writing.
I’m a music historian who loves to read novels. Most of my childhood was spent either playing the piano or devouring whatever books I could get my hands on. Now, I try to share my love of music and good writing with my students at Boston University. When not at school, you can usually find me exploring the trails of New England with my dog.
Whether trying to finish an email or a book, I feel Dorothy Parker’s words deeply: “I hate writing,” she is purported to have said, but “I love having written.”
In this book, protagonist Jacob Finch Bonner does Parker one better. Stuck after his well-received first novel, he takes someone else’s story and passes it off as his own. Korelitz unravels the dire consequences, though with fizzy, suspenseful glee rather than scared-straight preachiness.
Bonner may not be, as he tells himself, “a great writer,” but Korelitz certainly is. It made me want to try to write again: hate, love, and all other feelings welcome.
** NEW YORK TIMES BESTSELLER! ** The Tonight Show Summer Reads Winner ** A New York Times Notable Book of 2021 **
"Insanely readable." ―Stephen King
Hailed as "breathtakingly suspenseful," Jean Hanff Korelitz’s The Plot is a propulsive read about a story too good not to steal, and the writer who steals it.
Jacob Finch Bonner was once a promising young novelist with a respectably published first book. Today, he’s teaching in a third-rate MFA program and struggling to maintain what’s left of his self-respect; he hasn’t written―let alone published―anything decent in years. When Evan Parker, his most arrogant student,…
I'm clinical psychology professor at UMass Boston and expert on mentoring relationships. When I was a senior in high school, my dad left behind thirty years of marriage, four kids, and a complicated legal and financial history to start a new life. I couldn't fully comprehend the FBI investigation that forced his departure—any more than I could've fathomed the fact that my classmate Jim Comey would eventually lead that agency. I was also reeling from a discovery that my dad had “shortened” his name from Rosenzweig to Rhodes, a common response to anti-Semitism. It was during that period that I experienced the benefits of mentors and the joy of books about hidden agendas and subtexts.
This book, by Kirk Wallace Johnson tells the story of a bizarre heist that took place at the British Museum of Natural History in 2009.
The thief, Edwin Rist, was a 20-year-old American flute student who broke into the museum to steal hundreds of priceless, exotic bird specimens, many of which were collected by the naturalist Alfred Russel Wallace in the 19th century.
What first drew me to the book was that I knew Edwin’s dad back when I was in grad school. But what kept me turning the pages was the writing and story. The book explores the world of Victorian-era fly-tying and the obsession that collectors have with rare feathers.
Rist, who was also an avid fly-tier, had planned the heist to obtain feathers for his own collection, which he intended to sell to other collectors. Many of the collectors and fly-tying enthusiasts knew that the feathers probably…
"Absorbing . . . Though it's non-fiction, The Feather Thief contains many of the elements of a classic thriller." -Maureen Corrigan, NPR's Fresh Air
"One of the most peculiar and memorable true-crime books ever." -Christian Science Monitor
A rollicking true-crime adventure and a captivating journey into an underground world of fanatical fly-tiers and plume peddlers, for readers of The Stranger in the Woods, The Lost City of Z, and The Orchid Thief.
On a cool June evening in 2009, after performing a concert at London's Royal Academy of Music, twenty-year-old American flautist Edwin…
Since I was young, I’ve suffered from Major Depressive Disorder, coupled with chronic pain that surfaced when I was in middle school. Being in constant pain—mental and physical—obviously drains the spirit. I found no hope whatsoever in phrases such as, “It gets better.” When you have chronic pain, that statement means nothing, because you know it won’t. These books, however, offered me something that I hadn’t encountered before: someone acknowledging that, although it may never get better, there is still something for me here, whatever form it takes. These books do not shame depressives, they console (and even commiserate) with them, and I hope you find them as fulfilling as I have.
Similar to Cioran, Ligotti has a profoundly dark worldview, but not one that is unearned.
Ligotti’s own experiences with anhedonia and despair seep through his writing. I cannot get enough of it. Through his prose, he creates his own world wherein doom is assured and life seems like a poorly written, performed, and directed play that is in profoundly bad taste.
It may seem like work like this would depress you, but for me, it gives me a sense of understanding. Someone out there, even if it’s just Ligotti’s characters, has felt that gloom.
Thomas Ligotti is often cited as the most curious and remarkable figure in horror literature since H. P. Lovecraft. His work is noted by critics for its display of an exceptionally grotesque imagination and accomplished prose style. In his stories, Ligotti has followed a literary tradition that began with Edgar Allan Poe, portraying characters that are outside of anything that might be called normal life, depicting strange locales far off the beaten track, and rendering a grim vision of human existence as a perpetual nightmare. The horror stories collected in Teatro Grottesco feature tormented individuals who play out their doom…
I am an author, poet, and visual artist. These interests converge in my approach to literature. I think that visual and psychological descriptions of environments and circumstances are essential to enlivening the narrative and setting its tone. Often in modern literature this is diluted in favor of straightforward accounts. I believe that a story is never told with any complete objectivity but has a psychological context that must be highlighted. In addition, vivid visual descriptions greatly assist the reader in inhabiting the world of the story as seen from the characters’ points of view.
Of all the elements of this story, I feel the love triangle between Eustacia, Wildeve, and Clym is of secondary interest to the environment in which it takes place, which is the weird and lugubrious heathlands.
Perhaps I am unfamiliar with heaths; as far as I know, we don’t have any in the U.S. Hardy describes the British heathlands like the landscape of another planet. Largely flat with shallow hills and vales, it sometimes bursts with floral color, and depending on the weather, it can be beset with raking orange sunlight or gloomy palls of mist.
The locals are fond of lighting evening bonfires, and Hardy’s descriptions of the firelight dancing on their faces are mesmerizing and compellingly suggests an unbroken cultural link with Britain’s pagan past.
One of Thomas Hardy's most powerful works, The Return of the Native centers famously on Egdon Heath, the wild, haunted Wessex moor that D. H. Lawrence called "the real stuff of tragedy." The heath's changing face mirrors the fortunes of the farmers, inn-keepers, sons, mothers, and lovers who populate the novel. The "native" is Clym Yeobright, who comes home from a cosmopolitan life in Paris. He; his cousin Thomasin; her fiancé, Damon Wildeve; and the willful Eustacia Vye are the protagonists in a tale of doomed love, passion, alienation, and melancholy as Hardy brilliantly explores that theme so familiar throughout…
One of the gifts of the horror genre is that the stories use metaphor to examine human behaviors that defy understanding. My favorite horror novels, novellas, and short stories can be read again and again. While my Feral graphic novel series is for middle school readers, I wanted to provide grey areas, perhaps more than the editor always liked! I wanted the adventure, the scares, the questions, the uncertainty that would let the small town of Feral take on a larger-than-life presence for a reader and encourage revisiting it whenever the mood strikes. It's almost pleasant, the rhythm, the anticipation. A little unnerving too.
Each short story is an epic in disguise. They have unique settings, and twists on the predictable beats of a horror genre keep you guessing.
Real life is more frightening than the monsters we imagine, isn't it? Highly original and engaging, I read the book three times in the first year of ownership.
Nathan Ballingrud's Shirley Jackson Award winning debut collection is a shattering and luminous experience not to be missed by those who love to explore the darker parts of the human psyche. Monsters, real and imagined, external and internal, are the subject. They are us and we are them and Ballingrud's intense focus makes these stories incredibly intense and irresistible. These are love stories. And also monster stories. Sometimes these are monsters in their traditional guises, sometimes they wear the faces of parents, lovers, or ourselves. The often working-class people in these stories are driven to extremes by love. Sometimes, they…
I have spent my entire working life tied to the virtuous cycle of reading, writing, and (I hope) thinking. Since my own first novel came out over twenty years ago, I have never lost my passion for reading, as I suspect that if I did, I would also lose my passion to write, and the fascination with other people and the world that fuels it. All these books have informed, gently or severely, my new novel, High John The Conqueror, encapsulating the incongruous mix between the given and the unbelievable that I find in life, and try to employ in my own work.
This book is too ambitious to be perfect, but it is the perfect example of an author doing whatever he likes, able to rely on a massive talent to bail him out of trouble every time he disappears into another labyrinthine digression. Mailer’s audacious use of the first person to tell the story of espionage in the twentieth century, becoming a conduit for his vast range of characters, real and imagined, showed me that writing a novel where you are a leading character could take you to places that writing in the third person could not. In my seventh novel, I knew it was the right story for me to finally unleash a first-person narrative on.
With unprecedented scope and consummate skill, Norman Mailer unfolds a rich and riveting epic of an American spy. Harry Hubbard is the son and godson of CIA legends. His journey to learn the secrets of his society—and his own past—takes him through the Bay of Pigs, the Cuban Missile Crisis, and the “momentous catastrophe” of the Kennedy assassination. All the while, Hubbard is haunted by women who were loved by both his godfather and President Kennedy. Featuring a tapestry of unforgettable characters both real and imagined, Harlot’s Ghost is a panoramic achievement in the tradition of Tolstoy, Melville, and Balzac,…
I have spent my entire working life tied to the virtuous cycle of reading, writing, and (I hope) thinking. Since my own first novel came out over twenty years ago, I have never lost my passion for reading, as I suspect that if I did, I would also lose my passion to write, and the fascination with other people and the world that fuels it. All these books have informed, gently or severely, my new novel, High John The Conqueror, encapsulating the incongruous mix between the given and the unbelievable that I find in life, and try to employ in my own work.
Peace’s gutsy novel is an epic literary treatment of The British Miners Strike of the mid-eighties and reads like one long brutal poem to that ugly time. From it I learned that you could be biased, partisan, and full-blooded in a political novel, providing your treatment of your characters and the world they inhabit is consistently honest. Following him I have tried to do justice to a neglected part of rural England in the build up to the Brexit Referendum, politics less a matter of choice, as the very air the characters breathe, informing their outlook and choices like a vast atmospheric bubble none of them are able to live outside.
A major new novel from one of Granta's Best of Young British Novelists 2003. Famous for his visceral sequence of novels, The Red Riding Quartet, and acclaimed as the most gifted and original crime writer to have emerged since James Ellroy, in GB84 David Peace turns his talents to the most wrenching, socially devastating and unhappy struggle of the past half century in Britain: the 1984 miner's strike. In his signature clipped prose and through a kaleidoscopic whirl of characters and perspectives, Peace describes the boardroom and coalfield battles; the struggle for influence in government and the dwindling powers of…
