91 books like GB84

I hesitate to choose Hardy, not just because he is well known enough not to need my endorsement, but because he comes close to misanthropy, practices a fatalistic belief in destiny, and punishes his characters often needlessly, to satiate his enormous anger at the unfairness of the world. All this turned me off him. But on coming to live in the country I finally clicked with aspects of his vision, and was inspired by his sensuous and near-religious immersion in nature to endow my own book with a natural vividity and realism, that I hope grounds the more fanciful and inventive elements in the story.    

This classic short story by Flannery O'Connor follows a family on a road trip through the South.

Included on the journey is the manipulative and deceitful grandmother, who somehow convinces the family to take a detour to visit an old plantation home that she remembers from her childhood. The consequences of this detour are chilling.

Spoiler alert, but in the context of the ongoing investigations of our former President, one of the passages really struck a chord, “I found out the crime don't matter. You can do one thing or you can do another, kill a man or take a tire off his car, because sooner or later you're going to forget what it was you done and just be punished for it”

This book is too ambitious to be perfect, but it is the perfect example of an author doing whatever he likes, able to rely on a massive talent to bail him out of trouble every time he disappears into another labyrinthine digression. Mailer’s audacious use of the first person to tell the story of espionage in the twentieth century, becoming a conduit for his vast range of characters, real and imagined, showed me that writing a novel where you are a leading character could take you to places that writing in the third person could not. In my seventh novel, I knew it was the right story for me to finally unleash a first-person narrative on.   

This is a volume that defies genre, in part a supernatural memoir, encyclopedia of horror films, and a treatise on the existence of other dimensions. I love a book that doesn’t conform to the rules and tropes of a single genre, where you basically know that what you are getting will adhere to what is or is not allowed, on the basis of the categories assigned to it by the publisher. Cronin testifies to her personal experience of ghosts, and what the nature of reality must be to support such entities. I follow her in looking to mix horror and the uncanny into supposedly banal and quotidian reality, the supernatural just another facet of life, and not a sensationalist realm that requires a world of its own. 

Billy Elliott is a miner’s son who wants to be a ballet dancer. This is an adaptation of Lee Hall’s original screenplay and, to me, lacks the feel of a novel, but I’ve chosen it for three reasons. It’s set in County Durham. It challenges traditional, macho values. It’s as good a description as anything I’ve read that describes aspects of the UK miners’ strikes of the 1980s. When Jackie, Billy’s dad, says, "There’s coal behind everything in this country. It’s still down there. We’re not,” you can sense the anger, hurt, and bitterness—and, forty years later, just like the coal, those feelings remain.

There are a lot of books about these days analysing the nature of post-truth politics in Western democracies, where lies go unremarked and policy-making plays second fiddle to culture war narratives.

What makes Rafael Behr’s Survivor’s Guide stand out is the quality of the writing and the determination to keep things in perspective. This tour through the “fracking of democracy” crystalises those things we half-perceive in crackling metaphors and pointed aperçu.

But what differentiates this book most profoundly is that – after his own brush with mortality thanks to a near fatal attack – Behr reminds us that the rage and division of contemporary politics can inflict as much (if not more) damage on us, than the intended target.

Okay, fine, this book isn’t actually nonfiction, but it’s so accurate and believable that it may as well be. You might not question Clarke’s life choices, but you’ll question Paul West, the protagonist. Have you ever wanted to know what it’s like to be a bureaucrat? Neither have I. But that didn’t stop me from reading this book. As someone who has had to deal with funcionarios  (Spanish government employees), bureaucrats aren’t high on my list as people I’d invite to a dinner party, but this book gave me a chance to learn about their lives at a safe distance. I learned something new and laughed out loud on almost every page.

This short punchy book is written by ex-policy advisor Alex Evans, following his disillusionment with high power international climate politics. Having worked for the British Government and for the UN Secretary-General in the 2000s, Evans realised that scientific evidence and rational arguments were not enough to change the world for the better. In The Myth Gap, he therefore makes the case to recognise – or else to create – different stories, or myths, which provide the orientation and motivation for different people groups to act out change in their own different worlds. No one story will do the job; we need many.

Iain Sinclair is London’s finest London poet, even though he hasn’t published poetry for decades, and The Last London is his elegy to a lost London – a London that is being buried beneath the concrete, glass, and steel of private housing developments. As ever, Sinclair conducts his archaeological excursions into the city and its forgotten precincts by tramping its streets relentlessly – in this book, principally after dark. He records his observations and reconstructs his encounters with others in a hypnotic, poetic prose. Here is a city fading into the night because it is erasing its history… 

Lisa’s husband dies as he is being treated for cancer. She writes about the first year after in which grief, madness, confusion, isolation, and fury coincide with Britain’s beginning Brexit madness. Nothing can be made sense of and yet we need words to express what’s happening. And then words provide for consoling and managing.