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I first started walking in cities at night in my late teens – mainly London but also the Italian cities I travelled through alone when I went interrailing after leaving school. I discovered that cities have a quite different character at night, and that you cannot know the streets of one intimately if you don’t explore it – safely! – after dark. In my professional career as a scholar and lecturer, I have for decades almost unconsciously been drawn to those writers who themselves discovered, to their horror or delight, that the city at night is a foreign country. The books I’ve listed, fictional or non-fictional, are postcards from this foreign land.
Dickens wrote this essay, which is one of his very best pieces of non-fictional writing, at a period when he was undergoing something of a crisis, largely because of the breakdown of his marriage. It describes a walk he took at night through the streets of London, though in fact it is probably a composite of many nocturnal strolls he took in the late 1850s. Although the piece is sharpened with Dickens’s characteristic spirit of satire, it is remarkable for the sympathetic warmth with which it sketches those who, in contrast to Dickens himself, have no choice but to inhabit the city at night – the lost, the lonely, the homeless. Movingly, he finds a sense of community in these isolated individuals who live on the margins of society.
Charles Dickens describes in Night Walks his time as an insomniac, when he decided to cure himself by walking through London in the small hours, and discovered homelessness, drunkenness and vice on the streets. This collection of essays shows Dickens as one of the greatest visionaries of the city in all its variety and cruelty.
GREAT IDEAS. Throughout history, some books have changed the world. They have transformed the way we see ourselves - and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives - and destroyed them.…
I first started walking in cities at night in my late teens – mainly London but also the Italian cities I travelled through alone when I went interrailing after leaving school. I discovered that cities have a quite different character at night, and that you cannot know the streets of one intimately if you don’t explore it – safely! – after dark. In my professional career as a scholar and lecturer, I have for decades almost unconsciously been drawn to those writers who themselves discovered, to their horror or delight, that the city at night is a foreign country. The books I’ve listed, fictional or non-fictional, are postcards from this foreign land.
This richly illustrated account of the century in which Manhattan was the preeminent metropolitan city at night is written by a scholar I admire enormously, who has become a friend since I first read this book. Sharpe has an encyclopedic knowledge of the art and literature of the modern city, and New York Nocturne is in consequence a treasure trove of cultural-historical information. But it is also beautifully written. It reads not only the paintings, photographs, poems, and novels about New York with sensitivity and insight, but the sometimes glamorous, sometimes painfully arduous lives of those who lived in it.
As early as the 1850s, gaslight tempted New Yorkers out into a burgeoning nightlife filled with shopping, dining, and dancing. Electricity later turned the city at night into an even more stunning spectacle of brilliantly lit streets and glittering skyscrapers. The advent of artificial lighting revolutionized the urban night, creating not only new forms of life and leisure, but also new ways of perceiving the nocturnal experience. New York Nocturne is the first book to examine how the art of the gaslit and electrified city evolved, and how representations of nighttime New York expanded the boundaries of modern painting, literature,…
I first started walking in cities at night in my late teens – mainly London but also the Italian cities I travelled through alone when I went interrailing after leaving school. I discovered that cities have a quite different character at night, and that you cannot know the streets of one intimately if you don’t explore it – safely! – after dark. In my professional career as a scholar and lecturer, I have for decades almost unconsciously been drawn to those writers who themselves discovered, to their horror or delight, that the city at night is a foreign country. The books I’ve listed, fictional or non-fictional, are postcards from this foreign land.
The cover is what I most love about this book, which I picked up in a second-hand bookshop. In my edition, “The Big City After Dark" is emblazoned in large yellow letters across the top. Beneath it, there’s a deliciously louche illustration of two people standing against the backdrop of Manhattan at night. One is a man in a trilby hat and a cheap brown suit. The other is a blonde woman in cinched black dress and pearls, twirling her pearl necklace and looking alluring. Both appear to know a thing or two about New York’s seediest hangouts. This is a gripping noir guidebook to the twentieth century’s most exciting nighttime city, written as if it’s pulp fiction.
I first started walking in cities at night in my late teens – mainly London but also the Italian cities I travelled through alone when I went interrailing after leaving school. I discovered that cities have a quite different character at night, and that you cannot know the streets of one intimately if you don’t explore it – safely! – after dark. In my professional career as a scholar and lecturer, I have for decades almost unconsciously been drawn to those writers who themselves discovered, to their horror or delight, that the city at night is a foreign country. The books I’ve listed, fictional or non-fictional, are postcards from this foreign land.
This brilliantly funny poem, written in heroic couplets, is a satirical celebration of the teeming streets of London in the early eighteenth century, when this imperial city’s pretensions to order were constantly threatened by the chaos of an expanding, and highly mobile, population. It is an instruction manual for survival – "Through Winter Streets to steer your course aright, / How to walk clean by Day, and safe by Night" – but also a colourful cityscape comparable to the paintings produced by William Hogarth at roughly the same time. It offers a highly atmospheric description of London at night in one of its sections.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been…
I'm a shameless people-watcher. There's nothing I like better than sitting in a cafe, or an airport, or on a bus, and observing the people I see (and yes, I admit, eavesdropping on their conversations). What are they wearing and what does it say about them? Who are they with, and what's their relationship? What are they saying to each other - and what are they not saying? So it's not surprising the most important element of a book for me is the characters, and my favourite characters are women who are a little bit different, who don't fit the mould - because you just never know what they'll do.
This one’s a story of obsessive love, with a heroine who is undoubtedly flawed, but who you can’t help cheering on, even when she’s doing very bad things.
You wouldn’t want her to be your brother’s girlfriend, but she’d be hilarious company on a night out. The story is darkly funny, but ultimately uplifting, which I think is a great combination in a book.
There are so many billionaire romances out there based in America, but as a Brit, there’s nothing quite like reading a contemporary romance based in London. The capital city of Great Britain, there are a great number of reasons why books here are simply to die for. The history, the culture, the mixture of communities, and the potential for passion – in my opinion, there’s no better place to escape to in a book. Even better if there are delicious characters to lose yourself with…
I had a ‘property tycoons’ itch that I needed to scratch, and this book by Rosa Lucas was exactly what I needed.
I adored this enemies to lovers high stakes romance, and the witty heroine was someone I was rooting for from the very instant I met her. With a dash of CEO/employee and a whole host of fire, this book needs to be on your ereader.
Even as a child, I wanted to escape from current times and visit bygone or future eras. History and literature were favourites and I gleaned most of what I know of the past by reading. Then I found Georgette Heyer, prompting a lifetime love affair with all things Georgian and Regency. Agatha Christie got me into mystery. I loved both the puzzle of whodunit and being whirled away into Poirot, Marple, or Cadfael territory. A good mystery and a deep dive into history as well? Heaven! Best of all is the author who draws me so completely into their imaginary world that the real one fades away.
This one had me on the edge of my seat. More telling for me to be thrown back in time to the 1960s. I didn’t live this life, but the background was familiar. I remember the Kray brothers and I did once briefly have a job in the sleazy sort of club where the boss had his goons hold a guy so he could punch him in the gut. Scary. Simon Michael’s story is all too believable and it is a testament to his ability to pull me into that world that it threw up long-gone memories. The story is told in first person which works to keep you guessing along with the protagonist barrister sleuth. For me it was a thrill ride into the past.
The legal thriller series you need to read! Perfect for fans of John Grisham, Robert Bailey, Michael Connelly and Robert Dugoni.
Guilty until proven innocent…
London, 1960
Barrister Charles Holborne is not popular. A Jewish East Ender with a rough past, he is ostracised by his anti-Semitic and class-conscious colleagues who don’t want him in their prestigious Establishment profession.
And the bitterness Charles feels at work is spilling over into his personal life, putting his marriage under strain.
When a high-profile murder case lands on his desk, Charles is hopeful his fortunes will turn around. But after a shocking crime…
There are so many billionaire romances out there based in America, but as a Brit, there’s nothing quite like reading a contemporary romance based in London. The capital city of Great Britain, there are a great number of reasons why books here are simply to die for. The history, the culture, the mixture of communities, and the potential for passion – in my opinion, there’s no better place to escape to in a book. Even better if there are delicious characters to lose yourself with…
If you adore a second chance romance, then this is the steamy billionaire romance with a trip to London for you.
I adored how Rebecca Castle weaves together hints for the second standalone in this series, and a few of the scenes made me pant! So sizzling. Make sure you grab it now.
Two sassy girls. Two billionaire British brothers. One beautiful city of culture, history. And love.
KINGSLEY Tall, handsome, rich, and British. I thought I had it all as the bachelor son of one of England’s ancient aristocratic families. The girls. The parties. The money. The power. But that was until I spent a semester at an American high school. That was until I met her.
SCARLETT That bad boy Brit, Kingsley Heath-Harding, broke my heart, but that was a long time ago in high school. He fled back to the UK, and I thought I would never see him again.…
Reading historical mysteries with a touch of romance is a delicious chocolate dessert after a day of work. I’m the author of 16 romantic suspense novels. Why not double the excitement with both romance and mystery/suspense. I began reading mysteries because my mother read them. Once I’d read all the Nancy Drews, I moved on to Erle Stanley Gardner and Agatha Christie. I wrote a few mystery manuscripts that remain in a box in the attic, but then all-grown-up me discovered romantic suspense novels and found my niche. I love throwing the hero and heroine together under extraordinary circumstances and pitting them against a clever villain.
Another first in series, this book, set in 19th century London, introduces Rosalind Thorne.
Nearly ruined after her father abandoned the family, she makes her living by managing the affairs of society women. There are probably more murders in these stories than among the tonin reality, but the mysteries keep things lively.
And the romance? Attractions to her old love, now a duke, and an attractive Bow Street investigator add deliciously to the intrigue. I have just read book 4 and need to find the next. Enjoy!
Inspired by the novels of Jane Austen, this new mystery series set in 19th-century London introduces the charming and resourceful Rosalind Thorne, a woman privy to the secrets of high society—including who among the ton is capable of murder...
The daughter of a baronet and minor heiress, Rosalind Thorne was nearly ruined after her father abandoned the family. To survive in the only world she knew, she began to manage the affairs of some of London society’s most influential women, who have come to rely on her wit and discretion.
So, when artistocratic wastrel Jasper Aimesworth is found dead in…
I am by no means an expert on the Victorian era, but I am most certainly passionate – I have written seven novels set in this period and have researched different aspects of the social, domestic, and gender-related issues for each of those books. The Victorian era is such a fascinating time – from the huge differences in money and class, to the beginnings of women starting to initiate (or maybe even demand) change with the first murmurings of women’s suffrage and, of course, the Married Women’s Property Act 1882. Rich in storytelling possibility and the opportunity to bring societal, gender, and sexual issues to the fore, I find writing in the Victorian period immensely exciting.
This book was recommended to me by a friend who knew I liked books set in the Victorian era. However, at the time, I had not read any books set in a music hall and certainly not a mystery. This book takes the reader deep into the underbelly of Victorian London and introduces a whole cast of eerie characters as well as some wonderful characters with hearts of gold.
The descriptions of the places our heroine is forced to visit are so exquisitely drawn that I could literally taste, smell, hear and see everything. The charm of Kitty and her friends gives a welcome reprieve from the darker aspects of the novel, yet it is those aspects that thrill the most!
Limehouse, 1880: Dancing girls are going missing from 'Paradise' - the criminal manor with ruthless efficiency by the ferocious Lady Ginger. Seventeen-year-old music hall seamstress Kitty Peck finds herself reluctantly drawn into a web of blackmail, depravity and murder when The Lady devises a singular scheme to discover the truth. But as Kitty's scandalous and terrifying act becomes the talk of London, she finds herself facing someone even more deadly and horrifying than The Lady.
Bold, impetuous and blessed with more brains than she cares to admit, it soon becomes apparent that it's up to the unlikely team of Kitty…
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