Here are 86 books that New York fans have personally recommended if you like
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I first started walking in cities at night in my late teens – mainly London but also the Italian cities I travelled through alone when I went interrailing after leaving school. I discovered that cities have a quite different character at night, and that you cannot know the streets of one intimately if you don’t explore it – safely! – after dark. In my professional career as a scholar and lecturer, I have for decades almost unconsciously been drawn to those writers who themselves discovered, to their horror or delight, that the city at night is a foreign country. The books I’ve listed, fictional or non-fictional, are postcards from this foreign land.
Dickens wrote this essay, which is one of his very best pieces of non-fictional writing, at a period when he was undergoing something of a crisis, largely because of the breakdown of his marriage. It describes a walk he took at night through the streets of London, though in fact it is probably a composite of many nocturnal strolls he took in the late 1850s. Although the piece is sharpened with Dickens’s characteristic spirit of satire, it is remarkable for the sympathetic warmth with which it sketches those who, in contrast to Dickens himself, have no choice but to inhabit the city at night – the lost, the lonely, the homeless. Movingly, he finds a sense of community in these isolated individuals who live on the margins of society.
Charles Dickens describes in Night Walks his time as an insomniac, when he decided to cure himself by walking through London in the small hours, and discovered homelessness, drunkenness and vice on the streets. This collection of essays shows Dickens as one of the greatest visionaries of the city in all its variety and cruelty.
GREAT IDEAS. Throughout history, some books have changed the world. They have transformed the way we see ourselves - and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives - and destroyed them.…
I first started walking in cities at night in my late teens – mainly London but also the Italian cities I travelled through alone when I went interrailing after leaving school. I discovered that cities have a quite different character at night, and that you cannot know the streets of one intimately if you don’t explore it – safely! – after dark. In my professional career as a scholar and lecturer, I have for decades almost unconsciously been drawn to those writers who themselves discovered, to their horror or delight, that the city at night is a foreign country. The books I’ve listed, fictional or non-fictional, are postcards from this foreign land.
This richly illustrated account of the century in which Manhattan was the preeminent metropolitan city at night is written by a scholar I admire enormously, who has become a friend since I first read this book. Sharpe has an encyclopedic knowledge of the art and literature of the modern city, and New York Nocturne is in consequence a treasure trove of cultural-historical information. But it is also beautifully written. It reads not only the paintings, photographs, poems, and novels about New York with sensitivity and insight, but the sometimes glamorous, sometimes painfully arduous lives of those who lived in it.
As early as the 1850s, gaslight tempted New Yorkers out into a burgeoning nightlife filled with shopping, dining, and dancing. Electricity later turned the city at night into an even more stunning spectacle of brilliantly lit streets and glittering skyscrapers. The advent of artificial lighting revolutionized the urban night, creating not only new forms of life and leisure, but also new ways of perceiving the nocturnal experience. New York Nocturne is the first book to examine how the art of the gaslit and electrified city evolved, and how representations of nighttime New York expanded the boundaries of modern painting, literature,…
I first started walking in cities at night in my late teens – mainly London but also the Italian cities I travelled through alone when I went interrailing after leaving school. I discovered that cities have a quite different character at night, and that you cannot know the streets of one intimately if you don’t explore it – safely! – after dark. In my professional career as a scholar and lecturer, I have for decades almost unconsciously been drawn to those writers who themselves discovered, to their horror or delight, that the city at night is a foreign country. The books I’ve listed, fictional or non-fictional, are postcards from this foreign land.
This brilliantly funny poem, written in heroic couplets, is a satirical celebration of the teeming streets of London in the early eighteenth century, when this imperial city’s pretensions to order were constantly threatened by the chaos of an expanding, and highly mobile, population. It is an instruction manual for survival – "Through Winter Streets to steer your course aright, / How to walk clean by Day, and safe by Night" – but also a colourful cityscape comparable to the paintings produced by William Hogarth at roughly the same time. It offers a highly atmospheric description of London at night in one of its sections.
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This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been…
I first started walking in cities at night in my late teens – mainly London but also the Italian cities I travelled through alone when I went interrailing after leaving school. I discovered that cities have a quite different character at night, and that you cannot know the streets of one intimately if you don’t explore it – safely! – after dark. In my professional career as a scholar and lecturer, I have for decades almost unconsciously been drawn to those writers who themselves discovered, to their horror or delight, that the city at night is a foreign country. The books I’ve listed, fictional or non-fictional, are postcards from this foreign land.
Iain Sinclair is London’s finest London poet, even though he hasn’t published poetry for decades, and TheLast London is his elegy to a lost London – a London that is being buried beneath the concrete, glass, and steel of private housing developments. As ever, Sinclair conducts his archaeological excursions into the city and its forgotten precincts by tramping its streets relentlessly – in this book, principally after dark. He records his observations and reconstructs his encounters with others in a hypnotic, poetic prose. Here is a city fading into the night because it is erasing its history…
London. A city apart. Inimitable. Or so it once seemed.
Spiralling from the outer limits of the Overground to the pinnacle of the Shard, Iain Sinclair encounters a metropolis stretched beyond recognition. The vestiges of secret tunnels, the ghosts of saints and lost poets lie buried by developments, the cycling revolution and Brexit. An electrifying final odyssey, The Last London is an unforgettable vision of the Big Smoke before it disappears into the air of memory.
I have a PhD in history and used to be a college professor. I decided to write historical fiction novels so that I could reach a larger audience than college students and share incredible stories from history with more people. The reason I created this list of books about women is because the farther back in history we look, the more invisible women seem to become. That’s why I wanted to tell Theodora’s story—it’s an amazing tale, first, but it also allowed me to share how different conditions were for women in the past. The other books I’ve recommended do the same.
I loved the originality of The Impossible Girl. Cora Lee is a resurrectionist—she steals bodies from cemeteries for medical dissection in 1850s New York City. This isn’t really a sympathetic activity, however. Would you love a grave robber? So, to add flavor, bodies with unusual physical traits bring in extra money, and Cora specializes in stealing these.
But she’s got a unique malady of her own—she has two hearts. And people want to kill her to cash in on herbody. Nowwe have a reason to cheer for her.
The story has many twists as Cora learns who she can (and can’t) trust. Add to that some romance, the vibrant setting of 1850s New York City, and some twisted characters, and this is a fun book.
Manhattan, 1850. Born out of wedlock to a wealthy socialite and a nameless immigrant, Cora Lee can mingle with the rich just as easily as she can slip unnoticed into the slums and graveyards of the city. As the only female resurrectionist in New York, she's carved out a niche procuring bodies afflicted with the strangest of anomalies. Anatomists will pay exorbitant sums for such specimens-dissecting and displaying them for the eager public.
Cora's specialty is not only profitable, it's a means to keep a finger on the pulse of those searching for her. She's…
As a cozy-style mystery writer, I get to live in a world where I know that everything will work out as it should in the end. I look for this in the books that I read and recommend. Do they give the reader something interesting to ponder as they go along with the sleuth (amateur or “real detective)? My father was a police captain, and I grew up looking at things through the eyes of “the law”, I admit. Most people find comfort reading about a small town where nothing will go too wrong. The bad stuff and the bad people are kept at arm’s length, and all is well.
I was late coming to this author, but once I discovered her I knew I’d go back to her earlier books in the Lady Eleanor Swift series.
In this book, Lady Swift leaves England to see what Manhattan is all about. With her butler, Clifford, (and her dog Gladstone) in tow, she is soon ensconced in a high-end apartment and is giving and attending all of the parties with the rich and famous. But her society status is put on hold when she witnesses the doorman of her building killed in a hit and run.
This is soon followed by another murder connected to the doorman. She, of course, gets involved and is determined to right the wrong. The book is a perfect bit of escapism, written with humor.
Glitzy parties, sightseeing at the Statue of Liberty and strolls through Central Park with Gladstone the bulldog… Lady Eleanor Swift is loving her first trip to the city that never sleeps, until she witnesses a murder!
After crossing from England on the SS Celestiana, Lady Eleanor Swift sets up her home-away-from-home in a lavish apartment in New York City. She is soon the toast of the town, with no high-class soirée complete without her presence. Of course, she drags her butler Clifford and Gladstone the bulldog along to every party too.
But when she witnesses the charming doorman of her…
As someone who’s been born and raised in and around the suburbs of Manhattan, I have a love-hate relationship with the city. I crave the excitement it offers but then gets frustrated by its drawbacks- the crowds, the dirt, the noise, the expense, the pressure. But then you crack open the pages of a romance story, and the allure of Manhattan and the surrounding boroughs is undeniable. Anything is possible in New York City.
The night before September 11, 2001, I was in New York City, and my now-husband proposed to me. We woke up the next morning to a whole new world. Any book set in Manhattan that relates to September 11th instantly speaks to me. This romance story is one you will never see coming, and I can’t recommend it more highly.
NEW YORK TIMES BESTSELLER • In this irresistible novel from the author of All We Ever Wanted and Something Borrowed, a young woman falls hard for an impossibly perfect man before he disappears without a trace. . . .
It’s 2 A.M. on a Saturday night in the spring of 2001, and twenty-eight-year-old Cecily Gardner sits alone in a dive bar in New York’s East Village, questioning her life. Feeling lonesome and homesick for the Midwest, she wonders if she’ll ever make it as a reporter in the big city—and whether she made a terrible mistake in breaking up with…
As an economics professor, I’ve spent the past twenty years researching why cities build upward. Though I mostly look at cities through the lens of statistics and data, every building has a personal and dramatic story that exists behind the numbers. And no matter where you go in the world, great cities with their towering skyscrapers all owe a debt to New York—every city wants its own version of the Empire State Building to signal its economic might. New York is the world’s metropolis. As the (now cliché) song line goes, “If I can make there, I’ll make it anywhere,” is a true today as a century ago.
When I walk through the streets of Manhattan, I’m constantly awed by the variety and density of its buildings. I wonder how such a city could have ever been built. New cities today lack the soul and character. But when you look at why these buildings exist, you see that they are there for a more mundane purpose: as shelter. The Garment District, for example, was created to house massive sweatshops to clothe America. Gotham’s apartment towers enclose the beds on which residents sleep.
Many of these structures were built by a group of family-run development companies. The founders of these enterprises invariably began as immigrants trying to hustle their way up the economic ladder. They started as teenagers working in the sweatshops or hawking newspapers and, bit by bit, erected their own real estate empires. Tom Schactman’s book tells how entrepreneurial spirit, along with New York’s rapid economic growth,…
A portrait of Manhattan real estate and of the multimillionaires who are its masters, describing a world of high risks and huge rewards. Skyscrapers embody the romance of our times. The inspired gamblers who built the structures that transformed not only Manhattan but also the world took great risks. Some of the most colourful failed, while others founded family dynasties among the wealthiest in America, from the Astors and Rockefellers to the Roses and Trumps. From penniless Russian Jewish immigrants to society patricians, from penthouses to tenements, real estate and its manipulations - the buildings, the strategies, even the disasters…
I am the author of two novels, and I currently teach fiction writing in the MFA program at the University of Missouri – St. Louis. I’ve long been fascinated with journeys both real and literary. In the early 1990’s I lived in Taiwan and traveled across China—from Guangzhou to the far northwestern desert province of Xinjiang, an extraordinary journey that informed my first novel.
It’s 1764 on Manhattan Island, and a stranger from London arrives at a small town called New York. He expects to receive a thousand pounds. A cast of dynamic characters appear. There are intrigues and adventures. All writers try to be vibrant on the page—to write smart, vivid, witty descriptions and dialogue. And then you come upon a writer like Francis Spufford, who is able, somehow, do it a degree or two better than everyone else.
'Best book of the century' Richard Osman 'Just wonderful' Jan Morris 'Dazzlingly written' Sunday Times 'Every bit as superb as everyone says' Sarah Perry
Winner of the Costa First Novel Award 2016 Winner of the RSL Ondaatje Prize 2017 Winner of the Desmond Elliott Prize 2017 Shortlisted for the Walter Scott Prize for Historical Fiction 2017 Shortlisted for the Rathbones Folio Prize 2017 Shortlisted for the Authors' Club Best First Novel Award 2017 Shortlisted for the British Book Awards Debut Novel of the Year 2017
A SUNDAY TIMES TOP 100 NOVEL OF THE TWENTY-FIRST CENTURY
It took eight years to write New York, New York, New York, and reading hundreds and hundreds of books about all different aspects of New York past and present. There were lots of brilliant ones along the way, but these five changed how I think about New York, flipped assumptions, created entirely new maps and narratives.
This is the primer for everything Downtown during arguably Downtown’s greatest era. The contributions are first-rate, by people who were on the scene, and it’s a handsome book to hold. If you’re interested in anything from Punk and Patti Smith to Haring, Basquiat, and Afrika Bambaataa, this is the place to start, without nostalgia, agenda, or hype.
Downtown is more than just a location, it's an attitude--and in the 1970s and '80s, that attitude forever changed the face of America. This book charts the intricate web of influences that shaped the generation of experimental and outsider artists working in Downtown New York during the crucial decade from 1974 to 1984. Published in conjunction with the first major exhibition of downtown art (organized by New York University's Grey Art Gallery and Fales Library), The Downtown Book brings the Downtown art scene to life, exploring everything from Punk rock to performance art. The book probes trends that arose in…
