I'm a shameless people-watcher. There's nothing I like better than sitting in a cafe, or an airport, or on a bus, and observing the people I see (and yes, I admit, eavesdropping on their conversations). What are they wearing and what does it say about them? Who are they with, and what's their relationship? What are they saying to each other - and what are they not saying? So it's not surprising the most important element of a book for me is the characters, and my favourite characters are women who are a little bit different, who don't fit the mould - because you just never know what they'll do.
Meet Endurance Proudfoot, the bonesetter’s daughter: clumsy as a carthorse, strong as an ox, with a tactless tongue and a face she’s sure only a mother could love. Endurance wants to be a bonesetter too, but her campaign to convince her father she can do a ‘man’s job’ is thwarted when her beautiful sister’s attempt at social climbing goes wrong. The pair are bundled off to London, beginning an adventure that’ll see both of them make their mark on the city as they win and lose, fame and fortune. It's a feel-good novel with a dash of humour, inspired by the true stories of Crazy Sally Mapp, Georgian England’s most famous bonesetter, and her sister Lavinia Fenton, darling of the London stage.
I love a good page-turning thriller, but to keep my interest, there has to be more than thrills and spills – I want characters I care about too.
The heroine here, unusually, is a teenage girl, who’s funny, smart, and stroppy, but at the same time vulnerable and scared. She teams up with a nosy elderly lady who proves to have hidden depths and as they find themselves in a terrifying situation and tackle some seriously bad villains, I was rooting for them all the way.
'FAST PACED AND GRIPPING BUT WITH A HEART OF PURE GOLD' HARRIET TYCE 'BEGINS AT THE SPEED OF A RUNAWAY TRAIN ... PROPULSIVE PAGE-TURNER' VASEEM KHAN 'GO RUBY! WHAT A HERO!' FIONA ERSKINE
It takes a village to save a child in this pulse-pounding standalone thriller from the acclaimed author of The Man on the Street.
It wasn't her dad they were after. It was her.
Ruby Winter is surprised when her reclusive father invites a stranger into their house. She eavesdrops on their conversation and is alarmed when she hears a fight break out. She dashes into the kitchen…
This one’s a story of obsessive love, with a heroine who is undoubtedly flawed, but who you can’t help cheering on, even when she’s doing very bad things.
You wouldn’t want her to be your brother’s girlfriend, but she’d be hilarious company on a night out. The story is darkly funny, but ultimately uplifting, which I think is a great combination in a book.
I love Diana Norman’s historical novels and she inspires the way I write mine.
Her books are packed with historical atmosphere but they're never stodgy, the characters are full of life and there's always a dash of humour. This one, set in 17th-century London, is my favourite.
The heroine, Penitence Hurd, is a young Puritan girl who comes to London just as the Great Plague is about to strike, and finds herself - to her horror - living alongside the working girls in a brothel. She’s such an engaging character, stiff and prim at the beginning but as she bonds with the other women when they're shut in during the plague, she begins to change.
This quirky debut novel features one of my favourite ever heroines.
Fourteen-year-old Jackie is a funny, feisty would-be poet, who finds herself a fish out of water when she's placed with a foster family very different from her own, with a teenage daughter who hates her. It's set in 1970s England, when I was the same age as Jackie is, so it was a lovely nostalgic read.
It's based on the author's own experience of being fostered, and knowing that made the story even more poignant - it made me laugh and cry.
'Fresh, authentic and darkly funny. It's a beautifully told story full of warmth and emotion without ever being sentimental - I absolutely loved it' Ruth Hogan, bestselling author of The Keeper of Lost Things
It’s the heatwave summer of 1976 and 14-year-old would be poet Jackie Chadwick is newly fostered by the Walls. She desperately needs stability, but their insecure, jealous teenage daughter isn't happy about the cuckoo in the nest and sets about ousting her.
When her attempts to do so lead to near-tragedy – and the Walls’ veneer of middle-class respectability begins to crumble – everyone in the…
In late 1950s London, Jean Swinney is a journalist on a local paper, resigned to being given the soft 'women's interest' stories at work, and going home each evening to her crochety, demanding mother.
I worked as a journalist in the 1980s, and even then, the women on the team were often patronised and the men kept the good stories for themselves, so I could absolutely empathise with Jean.
She's far from your classic heroine yet Clare Chambers writes her so beautifully: thoroughly fed up with her lot, yet managing to keep a wry sense of humour and find small moments of pleasure in life.
As a peculiar work assignment led her to a chance at happiness, I was on the edge of my seat, hoping for a happy ending.
'A very fine book... It's witty and sharp and reads like something by Barbara Pym or Anita Brookner, without ever feeling like a pastiche' David Nicholls
'Perfect' India Knight
'Beautiful' Jessie Burton
'Wonderful' Richard Osman
'Miraculous' Tracy Chevalier
'A wonderful novel. I loved it' Nina Stibbe
'Effortless to read, but every sentence lingers in the mind' Lissa Evans
'This is one of the most beautiful books I have ever read. I honestly don't want you to be without it' Lucy Mangan
My life and work have been profoundly affected by the central circumstance of my existence: I was born into a very large military Catholic family in the United States of America. As a child surrounded by many others in the 60s, I wrote, performed, and directed family plays with my numerous brothers and sisters. Although I fell in love with a Canadian and moved to Canada, my family of origin still exerts considerable personal influence. My central struggle, coming from that place of chaos, order, and conformity, is to have the courage to live an authentic life based on my own experience of connectedness and individuality, to speak and be heard.
Trapped in her enormous, devout Catholic family in 1963, Annie creates a hilarious campaign of lies when the pope dies and their family friend, Cardinal Stefanucci, is unexpectedly on the shortlist to be elected the first American pope.
Driven to elevate her family to the holiest of holy rollers in the parish, Annie is tortured by her own dishonesty. But when “The Hands” visits her in her bed and when her sister finds herself facing a scandal, Annie discovers her parents will do almost anything to uphold their reputation and keep their secrets safe.
Questioning all she has believed and torn between her own gut instinct and years of Catholic guilt, Annie takes courageous risks to wrest salvation from the tragic sequence of events set in motion by her parents’ betrayal.
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