I am an author, poet, and visual artist. These interests converge in my approach to literature. I think that visual and psychological descriptions of environments and circumstances are essential to enlivening the narrative and setting its tone. Often in modern literature this is diluted in favor of straightforward accounts. I believe that a story is never told with any complete objectivity but has a psychological context that must be highlighted. In addition, vivid visual descriptions greatly assist the reader in inhabiting the world of the story as seen from the characters’ points of view.
Arsalan the Magnificent is a lighthearted but poignant novel of historical fantasy fiction. In Europe and the Ottoman Empire of the early 19th century, a profession of wizards known as magical architects have achieved wealth and fame as builders of fantastical structures. Facing disgrace after his newest and greatest work collapses, Arsalan Ozdikmen, a renowned Ottoman magical architect in the prime of his career, is exiled to the Balkans. There, he undergoes a journey of reckoning and recovery, and finally redemption, when he is called to the aid of a young Bavarian princess.
Gerald Murnane describes the flat, boring landscape of Victoria, Australia and its minute variations with such crystalline clarity and sublime meaning that it resembles a dreamlike fiction, or a landscape viewed through a clear prism.
Murnane probes the boundaries between life and fiction, between landscape and mind. In between, he finds a membrane, a shimmering spiritual essence purer than either real life or fiction.
This book taught me that if one stares at the mundane world with enough hard objectivity, it can look more alien and beautiful than any amount of fanciful embellishment. It also demonstrates how a story can be told with no dialogue, no character names, and hardly any resolution, and yet can be as compelling as a conventionally written story.
On their vast estates, the landowning families of the plains have preserved a rich and distinctive culture. Obsessed with their own habitat and history, they hire artisans, writers and historians to record in minute detail every aspect of their lives, and the nature of their land. A young film-maker arrives on the plains, hoping to make his own contribution to the elaboration of this history. In a private library he begins to take notes for a film, and chooses the daughter of his patron for a leading role. Twenty years later, he begins to tell his haunting story of life…
Bruno Schulz describes life in his native Drohobych with such fanciful, dreamlike intensity that it seems somehow truer than an objective report.
With his alchemical vocabulary, he infuses an ecstatic, emotional truthfulness into his stories that would be impossible in a work of social realism. For this reason, Schulz was able to accomplish more on one page than most other authors could accomplish in thirty.
In his stories, his cloth merchant father transforms into different animals according to his moods, casts magic spells onto furniture, and dresses in shining armor to guard against tickling. Also, Schulz’s darkly cartoonish descriptions of everyday life in Drohobych make it seem like a box full of broken toys, scrap paper, and spare mechanical parts. It’s great fun.
The collected fiction of "one of the most original imaginations in modern Europe" (Cynthia Ozick)
Bruno Schulz's untimely death at the hands of a Nazi stands as one of the great losses to modern literature. During his lifetime, his work found little critical regard, but word of his remarkable talents gradually won him an international readership. This volume brings together his complete fiction, including three short stories and his final surviving work, Sanatorium Under the Sign of the Hourglass. Illustrated with Schulz's original drawings, this edition beautifully showcases the distinctive surrealist vision of one of the twentieth century's most gifted…
In the forests of France near the Belgian border during World War II, a French soldier is stationed in a bunker with his squad members.
They are ordered not to leave their posts and to be on the lookout for German tanks. Nothing happens for months except a long, snowy winter. The protagonist experiences a sense of liberation in this rural isolation that he relishes. His environment appears timeless, forever suspended in a gray, benevolent limbo filled with snow, mist, and conifers. He wishes his post would never end.
I love this book because it describes an introvert’s ideal environment: ensconcement, privacy, silence, freedom from larger society, and nature. It contains some of the most unique descriptions of splendid aloneness in the woods I have ever read.
In the Ardennes Forest on the Begian border the French guns point north-east, awaiting the German onslaught. One reinforced concrete blockhouse in the heart of the forest is manned, this winter of 1939/40, by Lieutenant Grange with three men, who live in a chalet built over it. cut off from the rest of the world, their senses heightened to capture the sounds and smells of the forest, the men create their own security as autumn turns to winter. Later, though, when winter turns to spring, when the sap rises and the panzer divisions attack, Lieutenant Grange meets the fate he…
The starkly monochrome world described by Kafka is a troubled nightmare of our own.
It is a grim, mazelike metropolis populated with characters lacking compassion or bravery. The protagonist, Herr K., is accused of an unnamed crime by a distant and inaccessible legal body, and he is forced to defend his innocence by using scant means that prove increasingly futile.
I am fascinated by the horrifying cartoon world that Kafka weaves. Bureaus and departments physically merge according to no discernable logic. All the characters are driven by fear, ignorance, and self-interest, and Kafka’s surface-level descriptions of their appearances and behaviors highlight the characters’ absurdity.
The Trial is the literary equivalent of a set of German Expressionist charcoal drawings and may serve as the most sophisticated horror story ever written.
"Someone must have been telling lies about Josef K., he knew he had done nothing wrong but, one morning, he was arrested." From its gripping first sentence onward, this novel exemplifies the term ""Kafkaesque." Its darkly humorous narrative recounts a bank clerk's entrapment — based on an undisclosed charge — in a maze of nonsensical rules and bureaucratic roadblocks. Written in 1914 and published posthumously in 1925, Kafka's engrossing parable about the human condition plunges an isolated individual into an impersonal, illogical system. Josef K.'s ordeals raise provocative, ever-relevant issues related to the role of government and the nature of…
Of all the elements of this story, I feel the love triangle between Eustacia, Wildeve, and Clym is of secondary interest to the environment in which it takes place, which is the weird and lugubrious heathlands.
Perhaps I am unfamiliar with heaths; as far as I know, we don’t have any in the U.S. Hardy describes the British heathlands like the landscape of another planet. Largely flat with shallow hills and vales, it sometimes bursts with floral color, and depending on the weather, it can be beset with raking orange sunlight or gloomy palls of mist.
The locals are fond of lighting evening bonfires, and Hardy’s descriptions of the firelight dancing on their faces are mesmerizing and compellingly suggests an unbroken cultural link with Britain’s pagan past.
Thomas Hardy's tragic vision of a love struggling to overcome prejudice and rejection, The Return of the Native is edited in Penguin Classics with an introduction by Penny Bouhmelha.
Against the lowering background of Egdon Heath, fiery Eustacia Vye passes her days, wishing only for passionate love. She believes that her escape from Egdon lies in marriage to Clym Yeobright, home from Paris and discontented with his work there. But Clym wishes to return to the Egdon community; a desire which sets him in opposition to his wife and brings them both to despair.
The Hunt for the Peggy C is best described as Casablanca meets Das Boot. It is about an American smuggler who struggles to rescue a Jewish family on his rusty cargo ship, outraging his mutinous crew of misfits and provoking a hair-raising chase by a brutal Nazi U-boat captain bent on revenge.
During the nerve-wracking 3,000-mile escape, Rogers falls in love with the family’s eldest daughter, Miriam, a sweet medical student with a militant streak. Everything seems hopeless when Jake is badly wounded, and Miriam must prove she’s as tough as her rhetoric to put down a mutiny by some of Jake’s fed-up crew–just as the U-boat closes in for the kill.
The Hunt for the Peggy C: A World War II Maritime Thriller
John Winn Miller's THE HUNT FOR THE PEGGY C, a semifinalist in the Clive Cussler Adventure Writers Competition, captures the breathless suspense of early World War II in the North Atlantic. Captain Jake Rogers, experienced in running his tramp steamer through U-boat-infested waters to transport vital supplies and contraband to the highest bidder, takes on his most dangerous cargo yet after witnessing the oppression of Jews in Amsterdam: a Jewish family fleeing Nazi persecution.
The normally aloof Rogers finds himself drawn in by the family's warmth and faith, but he can't afford to let his guard down when Oberleutnant Viktor…
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