Here are 86 books that Harlot's Ghost fans have personally recommended if you like
Harlot's Ghost.
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I am an author, poet, and visual artist. These interests converge in my approach to literature. I think that visual and psychological descriptions of environments and circumstances are essential to enlivening the narrative and setting its tone. Often in modern literature this is diluted in favor of straightforward accounts. I believe that a story is never told with any complete objectivity but has a psychological context that must be highlighted. In addition, vivid visual descriptions greatly assist the reader in inhabiting the world of the story as seen from the characters’ points of view.
Of all the elements of this story, I feel the love triangle between Eustacia, Wildeve, and Clym is of secondary interest to the environment in which it takes place, which is the weird and lugubrious heathlands.
Perhaps I am unfamiliar with heaths; as far as I know, we don’t have any in the U.S. Hardy describes the British heathlands like the landscape of another planet. Largely flat with shallow hills and vales, it sometimes bursts with floral color, and depending on the weather, it can be beset with raking orange sunlight or gloomy palls of mist.
The locals are fond of lighting evening bonfires, and Hardy’s descriptions of the firelight dancing on their faces are mesmerizing and compellingly suggests an unbroken cultural link with Britain’s pagan past.
One of Thomas Hardy's most powerful works, The Return of the Native centers famously on Egdon Heath, the wild, haunted Wessex moor that D. H. Lawrence called "the real stuff of tragedy." The heath's changing face mirrors the fortunes of the farmers, inn-keepers, sons, mothers, and lovers who populate the novel. The "native" is Clym Yeobright, who comes home from a cosmopolitan life in Paris. He; his cousin Thomasin; her fiancé, Damon Wildeve; and the willful Eustacia Vye are the protagonists in a tale of doomed love, passion, alienation, and melancholy as Hardy brilliantly explores that theme so familiar throughout…
I'm clinical psychology professor at UMass Boston and expert on mentoring relationships. When I was a senior in high school, my dad left behind thirty years of marriage, four kids, and a complicated legal and financial history to start a new life. I couldn't fully comprehend the FBI investigation that forced his departure—any more than I could've fathomed the fact that my classmate Jim Comey would eventually lead that agency. I was also reeling from a discovery that my dad had “shortened” his name from Rosenzweig to Rhodes, a common response to anti-Semitism. It was during that period that I experienced the benefits of mentors and the joy of books about hidden agendas and subtexts.
This classic short story by Flannery O'Connor follows a family on a road trip through the South.
Included on the journey is the manipulative and deceitful grandmother, who somehow convinces the family to take a detour to visit an old plantation home that she remembers from her childhood. The consequences of this detour are chilling.
Spoiler alert, but in the context of the ongoing investigations of our former President, one of the passages really struck a chord, “I found out the crime don't matter. You can do one thing or you can do another, kill a man or take a tire off his car, because sooner or later you're going to forget what it was you done and just be punished for it”
An essential collection of classic stories that established Flannery O’Connor’s reputation as an American master of fiction—now with a new introduction by New York Times bestselling author Lauren Groff In 1955, with the title story and others in this critical edition, Flannery O’Connor firmly laid claim to her place as one of the most original and provocative writers of her generation. Steeped in a Southern Gothic tradition that would become synonymous with her name, these stories show O’Connor’s unique view of life—infused with religious symbolism, haunted by apocalyptic possibility, sustained by the tragic comedy of human behavior, confronted by the…
I have spent my entire working life tied to the virtuous cycle of reading, writing, and (I hope) thinking. Since my own first novel came out over twenty years ago, I have never lost my passion for reading, as I suspect that if I did, I would also lose my passion to write, and the fascination with other people and the world that fuels it. All these books have informed, gently or severely, my new novel, High John The Conqueror, encapsulating the incongruous mix between the given and the unbelievable that I find in life, and try to employ in my own work.
Peace’s gutsy novel is an epic literary treatment of The British Miners Strike of the mid-eighties and reads like one long brutal poem to that ugly time. From it I learned that you could be biased, partisan, and full-blooded in a political novel, providing your treatment of your characters and the world they inhabit is consistently honest. Following him I have tried to do justice to a neglected part of rural England in the build up to the Brexit Referendum, politics less a matter of choice, as the very air the characters breathe, informing their outlook and choices like a vast atmospheric bubble none of them are able to live outside.
A major new novel from one of Granta's Best of Young British Novelists 2003. Famous for his visceral sequence of novels, The Red Riding Quartet, and acclaimed as the most gifted and original crime writer to have emerged since James Ellroy, in GB84 David Peace turns his talents to the most wrenching, socially devastating and unhappy struggle of the past half century in Britain: the 1984 miner's strike. In his signature clipped prose and through a kaleidoscopic whirl of characters and perspectives, Peace describes the boardroom and coalfield battles; the struggle for influence in government and the dwindling powers of…
I have spent my entire working life tied to the virtuous cycle of reading, writing, and (I hope) thinking. Since my own first novel came out over twenty years ago, I have never lost my passion for reading, as I suspect that if I did, I would also lose my passion to write, and the fascination with other people and the world that fuels it. All these books have informed, gently or severely, my new novel, High John The Conqueror, encapsulating the incongruous mix between the given and the unbelievable that I find in life, and try to employ in my own work.
This is a volume that defies genre, in part a supernatural memoir, encyclopedia of horror films, and a treatise on the existence of other dimensions. I love a book that doesn’t conform to the rules and tropes of a single genre, where you basically know that what you are getting will adhere to what is or is not allowed, on the basis of the categories assigned to it by the publisher. Cronin testifies to her personal experience of ghosts, and what the nature of reality must be to support such entities. I follow her in looking to mix horror and the uncanny into supposedly banal and quotidian reality, the supernatural just another facet of life, and not a sensationalist realm that requires a world of its own.
Blue Light of the Screen is about what it means to be afraid - about immersion, superstition, delusion, and the things that keep us up at night. A creative-critical memoir of the author's obsession with the horror genre, Blue Light of the Screen embeds its criticism of horror within a larger personal story of growing up in a devoutly Catholic family, overcoming suicidal depression, uncovering intergenerational trauma, and encountering real and imagined ghosts.As Cronin writes, she positions herself as a protagonist who is haunted by what she watches and reads, like an antiquarian in an M.R. James ghost story whose…
I am an author and veteran journalist who reported for The Washington Post for more than two decades, and I write frequently about military history and intelligence. My father worked for the CIA, and I was born in Berlin when he was stationed there as a case officer. Later I was based in Germany as a foreign correspondent when the Berlin Wall came down. So it’s not too surprising that I am interested in Cold War espionage and history. As a reporter, author, and reader, I’ve always been attracted to stories off the beaten track, the ones that most people know little or nothing about.
Schecter, a journalist, and Deriabin, a KGB officer who defected to the U.S., tell the inside story of Oleg Penkovsky, the history-changing Soviet GRU colonel who delivered critical information that helped the CIA and President John F. Kennedy avoid nuclear disaster during the Cuban Missile Crisis. The inside account delivers fascinating details about Penkovsky’s motivations, actions, and tragic demise, as well as a gripping narration of how the CIA handled one of the Cold War’s most important intelligence operations.
My interest in the topic is both professional and personal. I spent four decades teaching about modern American history and the Kennedy presidency at Yale, Oxford, and the University of Oklahoma. A chance encounter with John F. Kennedy, Jr., at Brown University in the spring of 1981 led to a friendship that lasted until his tragic death in 1999.
Few people know more about the Kennedy family and are as fair-minded in telling their story as Leamer. (He also wrote a companion book on The Kennedy Women.)
What I really like about Leamer’s work is that he does his homework. Not only are his books deeply researched, but he has also clearly earned the trust of family members who share personal stories not found in other published accounts.
In this triumphant new work already hailed as a powerful American epic, Laurence Leamer chronicles the Kennedy men and their struggle to create the most powerful family in the United States. The Kennedy Men is the first volume in a multi-generational history that will forever change the way America views its most famous family. Beginning in 1901 with twelve-year-old Joseph P. Kennedy Sr. delivering hats to Boston's social elite and ending in 1963 with the assassination of his son, President John F. Kennedy, Leamer seamlessly unites the complex strands of their economic, political, and social rise.
In early 1981, the JFK Library began the process of declassifying the Cuban missile crisis ExComm tapes; as the Library’s Historian, the responsibility for reviewing these recordings was mine—and it changed my life. I spent most of the next two years listening to the tapes from the legendary 13 Days (and subsequently from the November “post-crisis”). I was the first non-ExComm participant and professional historian to hear and evaluate these unique and definitive historical recordings. After the tapes were declassified in the late 1990s, I wrote three books (published by Stanford University Press) about their historical importance.
At the height of the Cuban missile crisis, President Kennedy met with the Pentagon’s head of civil defense, Steuart Pittman, to assess plans for protecting the American civilian population in the event of nuclear war. JFK mistakenly claimed that rural America could be better protected from radiation than urban America; Pittman, however, bluntly told the president that he was wrong: insisting that, “the only protection today is in the cities and there is little or no protection in the rural areas.” Kennedy became quite irritated, but unfortunately, his harsh reply was largely lost because the sound quality of the tape recording suddenly went from poor to inaudible. The fact that the President himself was so misinformed about civil defense sums up the research and conclusions of Alice George’s sobering book: planning for civil defense had been chaotic and inadequate and if nuclear war had come the results would have been…
For thirteen days in October 1962, America stood at the brink of nuclear war. Nikita Khrushchev's decision to place nuclear missiles in Cuba and John F. Kennedy's defiant response introduced the possibility of unprecedented cataclysm. The immediate threat of destruction entered America's classrooms and its living rooms. Awaiting Armageddon provides the first in-depth look at this crisis as it roiled outside of government offices, where ordinary Americans realized their government was unprepared to protect either itself or its citizens from the dangers of nuclear war.
During the seven days between Kennedy's announcement of a naval blockade and Khrushchev's decision to…
In early 1981, the JFK Library began the process of declassifying the Cuban missile crisis ExComm tapes; as the Library’s Historian, the responsibility for reviewing these recordings was mine—and it changed my life. I spent most of the next two years listening to the tapes from the legendary 13 Days (and subsequently from the November “post-crisis”). I was the first non-ExComm participant and professional historian to hear and evaluate these unique and definitive historical recordings. After the tapes were declassified in the late 1990s, I wrote three books (published by Stanford University Press) about their historical importance.
In 1960, a planned summit meeting in Paris between the US, the USSR, England, and France was suddenly jeopardized when an American U-2 spy plane was shot down over Russia and the pilot captured. Khrushchev demanded an end to the flights and an apology. President Eisenhower agreed to suspend flights until the end of his term (nine months later), but the Soviet leader angrily denounced the offer and returned to Moscow. Ironically, President Kennedy’s concern in 1962 about “another U-2 crisis” convinced him to suspend U-2 flights over Cuba—a pause that lasted from late August to early October. JFK did agree to authorize one flight over western Cuba in response to pressure from CIA director John McCone—and the missiles were luckily discovered just before they had become operational.
In the aftermath of the Cuban Missile Crisis, questions persisted about how the potential cataclysm had been allowed to develop. A subsequent congressional investigation focused on what came to be known as the "photo gap": five weeks during which intelligence-gathering flights over Cuba had been attenuated.
In Blind over Cuba, David M. Barrett and Max Holland challenge the popular perception of the Kennedy administration's handling of the Soviet Union's surreptitious deployment of missiles in the Western Hemisphere. Rather than epitomizing it as a masterpiece of crisis management by policy makers and the administration, Barrett and Holland make the case that…
I am a philosopher, neuroscientist, geostrategist, and futurologist. My work at the Geneva Centre for Security Policy, St. Antony’s College, and the World Economic Forum (as a member of the Global Future Council on the Future of Complex Risks) focuses on transdisciplinarity, with an emphasis on the interplay between philosophy, neuroscience, strategic culture, applied history, technology, and global security. I am particularly interested in the exponential growth of disruptive technologies, and how they have the potential to both foster and hinder the progress of human civilization. My mission is rooted in finding transdisciplinary solutions to identify, predict and manage frontier risks, both here on earth and in Outer Space.
On a basic level, this is a book about nuclear weapons and why humanity ought to eschew them. But it is also much more than that.
Published on the eve of the Cuban Missile Crisis, this masterpiece examines three foreseeable scenarios for the human race: the end of human life, a decline to barbarism after a disastrous decrease of the world’s population, and a unification of the world under a single government.
Russell describes how “pride, arrogance and fear of loss of face have obscured the power of judgment.” This is sadly no less true today, as the emotionality of human beings continues to strongly influence international relations.
Both my parents worked for the CIA in the 1950s and 1960s. On May 1, 1960 my father was shot down over the Soviet Union while on a CIA U-2 spy flight and spent nearly 2 years in a Soviet prison before being exchanged for Soviet KGB Spy Colonel Rudolph Abel in 1962 as recently depicted in Steven Spielberg’s Cold War thriller, Bridge of Spies. As a result of growing up in this family I have always been interested in espionage and the Cold War. In 1996, I founded The Cold War Museum to honor Cold War veterans, preserve Cold War history, and educate future generations about this time period.
I first met Colonel Whitten in October 2012 when he attended the Cuban Missile Crisis 50th Anniversary conference that I organized for The Cold War Museum and George Mason University. His book is a nonfiction narrative about the Marine Composite Reconnaissance Squadron 2 (VMCJ-2) that flew low-level photographic reconnaissance flights over Cuba before, during, and after the Crisis in their F8U-1P (RF-8A) Crusaders. As a result of these missions, the VMCJ-2 squadron was awarded a Navy Unit Commendation for the period September 1, 1960 – December 1, 1962. According to USMC Brigadier General William A. Bloomer (ret) who wrote the forward, this book not only gives an account of the Marine Corps role in the Crisis but also, “recounts Castro’s rise to power, the Bay of Pigs fiasco, and his build up in military capabilities courtesy of the Soviet Union.”
