I am a professor of history who specializes in the United States and the Cold War. A large part of my job involves choosing books that are informative, but that the students will actually want to read. That means I often select novels, memoirs, and works of history that have compelling figures or an entertaining narrative. After more than twenty years of teaching, I’ve assigned many different books in my classes. These are the ones that my students enjoyed the most.
By the time I read this book, the Cold War was over, and fears about accidental nuclear war had faded, if not quite totally disappeared. Nevertheless, this one brought me back to my childhood, when movies like War Games and The Day After raised the specter of nuclear holocaust.
It is in the same genre: a technical glitch mistakenly sets in motion America’s nuclear defenses, which could lead to global nuclear war. I was not prepared for the ending (no spoiler!), but it was an effective way to show the dangers of using technology to control America’s nuclear arsenal.
From the New York Times–bestselling authors, this “chilling and engrossing” nuclear-showdown thriller packs “a multi-megaton wallop” (Chicago Tribune).
Originally published during the Cuban Missile Crisis, this suspenseful novel takes off as a group of American bombers—armed with a deadly payload of nuclear weapons—heads towards Moscow, their motives unknown. Suddenly, a nuclear apocalypse looms closer than it ever has, and the lives of millions depend on the high-stakes diplomacy of leaders on both sides of the divide.
The basis for the classic 1964 movie starring Henry Fonda, this two-million-copy bestseller is not only a terrifying thriller, but a fascinating social commentary…
Having lived in the former Soviet Union earlier this century I enjoyed the author’s inclusion of stories set in Russia as well as the United States.
The characters in the stories are outsiders in the cities where they live as well as in their own lives (on occasion), a feeling that I believe many of us experience at some point. The beauty of short stories is how they offer a window into a different world that is foreign and yet comfortingly familiar at the same time.
The world in these stories is both mundane – office scenes and family visits – and surreal with babies being shipped to New York for publication.
Fiction. California Interest. Short Stories. With settings that range from the Cuban Missile Crisis and Soviet-era Perestroika to present-day San Francisco, LIKE WATER AND OTHER STORIES, the first English-language collection from Leningrad-born author Olga Zilberbourg, looks at family and childrearing in ways both unsettling and tender, and characters who grapple with complicated legacies--of state, parentage, displacement, and identity. LIKE WATER is a unique portrayal of motherhood, of immigration and adaptation, and an inside account of life in the Soviet Union and its dissolution. Zilberbourg's stories investigate how motherhood reshapes the sense of self--and in ways that are often bewildering--against an…
I have spent my entire working life tied to the virtuous cycle of reading, writing, and (I hope) thinking. Since my own first novel came out over twenty years ago, I have never lost my passion for reading, as I suspect that if I did, I would also lose my passion to write, and the fascination with other people and the world that fuels it. All these books have informed, gently or severely, my new novel, High John The Conqueror, encapsulating the incongruous mix between the given and the unbelievable that I find in life, and try to employ in my own work.
This book is too ambitious to be perfect, but it is the perfect example of an author doing whatever he likes, able to rely on a massive talent to bail him out of trouble every time he disappears into another labyrinthine digression. Mailer’s audacious use of the first person to tell the story of espionage in the twentieth century, becoming a conduit for his vast range of characters, real and imagined, showed me that writing a novel where you are a leading character could take you to places that writing in the third person could not. In my seventh novel, I knew it was the right story for me to finally unleash a first-person narrative on.
With unprecedented scope and consummate skill, Norman Mailer unfolds a rich and riveting epic of an American spy. Harry Hubbard is the son and godson of CIA legends. His journey to learn the secrets of his society—and his own past—takes him through the Bay of Pigs, the Cuban Missile Crisis, and the “momentous catastrophe” of the Kennedy assassination. All the while, Hubbard is haunted by women who were loved by both his godfather and President Kennedy. Featuring a tapestry of unforgettable characters both real and imagined, Harlot’s Ghost is a panoramic achievement in the tradition of Tolstoy, Melville, and Balzac,…
I am an author and veteran journalist who reported for The Washington Post for more than two decades, and I write frequently about military history and intelligence. My father worked for the CIA, and I was born in Berlin when he was stationed there as a case officer. Later I was based in Germany as a foreign correspondent when the Berlin Wall came down. So it’s not too surprising that I am interested in Cold War espionage and history. As a reporter, author, and reader, I’ve always been attracted to stories off the beaten track, the ones that most people know little or nothing about.
Schecter, a journalist, and Deriabin, a KGB officer who defected to the U.S., tell the inside story of Oleg Penkovsky, the history-changing Soviet GRU colonel who delivered critical information that helped the CIA and President John F. Kennedy avoid nuclear disaster during the Cuban Missile Crisis. The inside account delivers fascinating details about Penkovsky’s motivations, actions, and tragic demise, as well as a gripping narration of how the CIA handled one of the Cold War’s most important intelligence operations.
I have had a long career as a professor of organizational behavior. My view is that the most ignored and undervalued aspect of leadership is the development and implementation of political skills. Any leader who claims, “I don’t do politics” or “I’m not political,” is not serving themselves very well and, in fact, may be setting themselves up for failure. Whether in organizational life, in the sphere of public policy, or in daily life, we need to overcome the obstacles that impede our capacity to implement agendas and ideas and achieve our aspirations. Dreamers who lack political skills remain dreamers, not leaders.
This book by Graham Allison (revised and expanded with Philip Zelikow) examines how leaders frame problems, gather information, and arrive at decisions and actions in times of crisis and pressure.
The volume examines closely the Cuban Missile Crisis and the processes which led to its resolution. It was a time of immense tension, and the template used by leaders to make their decisions was critical.
While this book is clearly an examination of how government and political leaders operate in arriving at decisions in times of crisis, there are immense implications for any organizational leader.
Allison offers a number of decision-making lenses that are available to leaders: the rational model, based on goal analysis and utility and best payoff; the bureaucratic or organizational process model, based on making decisions embedded in preexisting lines of authority, precedent, repertoires, and templates that have been used before; or the political model, based on…
One of the most influental political science works written in the post World War II era, the original edition of Essence of Decision is a unique and fascinating examination of the pivotal event of the cold Cold War. Not simply revised, but completely re-written, the Second Edition of this classic text is a fresh reinterpretation of the theories and events surrounding the Cuban Missle Crisis, incorporating all new information from the Kennedy tapes and recently declassified Soviet files. Essence of Decision Second Edition, is a vivid look at decision-making under pressure and is the only single volume work that attempts…
Both my parents worked for the CIA in the 1950s and 1960s. On May 1, 1960 my father was shot down over the Soviet Union while on a CIA U-2 spy flight and spent nearly 2 years in a Soviet prison before being exchanged for Soviet KGB Spy Colonel Rudolph Abel in 1962 as recently depicted in Steven Spielberg’s Cold War thriller, Bridge of Spies. As a result of growing up in this family I have always been interested in espionage and the Cold War. In 1996, I founded The Cold War Museum to honor Cold War veterans, preserve Cold War history, and educate future generations about this time period.
This book was written by one of the leading photographic interpreters of the Cold War. He worked directly under Art Lundahl at the National Photographic Interpretive Center (NPIC) in preparing and briefing President Kennedy on the high-altitude U-2 and low-level RF-8A Crusader's photoreconnaissance imagery that confirmed Soviet missiles in Cuba. Dino Brugioni was a family friend and a mentor to me as a young adult. He personally escorted me thru the CIA headquarters in 1977 when I was 12 years old shortly after my father’s death earlier that year. When I founded The Cold War Museum in 1996, Dino agreed to serve as an Advisory Board Member. Dino is a great writer and researcher. This book really helps the reader to learn about the importance of photographic reconnaissance, Cuban Missile Crisis, and how close we came to nuclear war with the Soviet Union.
Offers a day-to-day account of the crisis, drawing on interviews and inside knowledge to discuss how the Russian missiles were actually discovered, what the United States told foreign leaders, and more
I wrote my first mystery in second grade, thinking I was writing a page-turning thriller when in reality I penned a sweet, little cozy where everything turns out okay in the end and everyone always has a cup of hot chocolate and a vanilla cookie in hand. Somehow, I’ve managed to turn my love of baking and writing into a long-term career. With over 30 mysteries and counting I’m not sure if I’m going to run out of recipes or ways to kill someone off first.
This sweet gem is like a salve for any food-loving reader’s soul. I devoured it on a stormy weekend, curled up on my couch with a cup of tea and it has stayed with me ever since. The story is set in the 1960s and written entirely in letters between an aspiring food writer in LA and a food columnist in the Puget Sound. Who knew that you couldn’t find garlic in the grocery store back in the 60s or that a simple gift of saffron would lead to a lasting friendship. Love & Saffron is a tender novel about friendship and how food connects us. I have literally given this book to all of my friends. It will warm your heart and leave you hungry for more.
The Instant National Bestseller and #1 Indie Next Pick
In the vein of the classic 84, Charing Cross Road, this witty and tender novel follows two women in 1960s America as they discover that food really does connect us all, and that friendship and laughter are the best medicine.
When twenty-seven-year-old Joan Bergstrom sends a fan letter--as well as a gift of saffron--to fifty-nine-year-old Imogen Fortier, a life-changing friendship begins. Joan lives in Los Angeles and is just starting out as a writer for the newspaper food pages. Imogen lives on Camano Island outside Seattle, writing a monthly column for…
I’m a former journalist and intelligence officer turned writer, so I seek out authenticity in my reading, especially when it comes to war stories. I look for fiction from people who have been there or know how to listen to those who have, and be their voice. When I write, I always put together a team of veterans and specialists in their fields to challenge my work and make sure I get it right, too!
I was researching a novel and wanted to know more about the Cuban Missile Crisis. This non-fiction book reads like an action thriller, going hour by hour, sometimes minute by minute.
I finished this one in a single weekend and felt almost physically sick at the thought of how close the world had come to Armageddon in those few tense days and how lucky we were the leaders of the time were so determined to avoid it.
Would our leaders today be as level-headed? You judge!
October 27, 1962, a day dubbed Black Saturday in the Kennedy White House. The Cuban missile crisis is at its height, and the world is drawing ever closer to nuclear apocalypse.
As the opposing Cold War leaders, John F. Kennedy and Nikita Khrushchev, mobilize their forces to fight a nuclear war on land, sea and air, the world watches in terror. In Bobby Kennedy's words, 'There was a feeling that the noose was tightening on all of us, on Americans, on mankind, and that the bridges to escape were crumbling.'
In One Minute to Midnight Michael Dobbs brings a fresh…
I am a professor of history who specializes in the United States and the Cold War. A large part of my job involves choosing books that are informative, but that the students will actually want to read. That means I often select novels, memoirs, and works of history that have compelling figures or an entertaining narrative. After more than twenty years of teaching, I’ve assigned many different books in my classes. These are the ones that my students enjoyed the most.
I find that this book is as gripping and suspenseful as any Cold War novel. Yes, I knew the ending: the United States and the Soviets avoided nuclear war. But it is fascinating to read about the internal discussions and secret negotiations that took place throughout the crisis.
I tend to be skeptical of the mythology surrounding John F. Kennedy, but this book did give me a new appreciation for his leadership during this critical moment of the Cold War.
During the thirteen days in October 1962 when the United States confronted the Soviet Union over its installation of missiles in Cuba, few people shared the behind-the-scenes story as it is told here by the late Senator Robert F. Kennedy. In this unique account, he describes each of the participants during the sometimes hour-to-hour negotiations, with particular attention to the actions and views of his brother, President John F. Kennedy. In a new foreword, the distinguished historian and Kennedy adviser Arthur Schlesinger, Jr., discusses the book's enduring importance and the significance of new information about the crisis that has come…
I come from a small country, Hungary, the past of which was consciously falsified in the political system under which I grew up. Some chapters of it, like the cold war period, Soviet rule, the revolution of 1956 couldn't even be discussed. I was lucky because communism collapsed and archives were gradually opened just as I started my career as a historian. Books on international history are usually written from the perspective of the powerful states, I was interested in looking at this story from the perspective of the small guy.Writing this book was both a professional challenge and a personal matter for me. I'm currently a professor at Indiana University-Bloomington.
I was privileged to know Marty Sherwin in person. He was the friendliest person ever with a tremendous sense of humour – and a magnificent, honest scholar.
He was the friendliest person ever with a tremendous sense of humour – and a magnificent, honest scholar. History, as Paul Ricoeur has reminded, is not a record to be played. The Cold War nuclear standoff between the United States and the Soviet Union, and mainly, the Cuban missile crisis did not have to end as they did, peacefully.
When two A bombs were dropped on Japan in 1945, a genie was released that the world will not be able to get rid of any time soon. Martin J. Sherwin, the doyen of American nuclear historians always argued that this did not have to be so. Nuclear technology could have been placed under international supervision and arms race and proliferation could have been…
From the Pulitzer Prize-winning author of American Prometheus comes the first effort to set the Cuban Missile Crisis, with its potential for nuclear holocaust, in a wider historical narrative of the Cold War—how such a crisis arose, and why at the very last possible moment it didn't happen.
In this groundbreaking look at the Cuban Missile Crisis, Martin Sherwin not only gives us a riveting sometimes hour-by-hour explanation of the crisis itself, but also explores the origins, scope, and consequences of the evolving place of nuclear weapons in the post-World War II world. Mining new sources and materials, and going…
