I started writing poetry when I was eight or nine, inspired by the way song lyrics stirred my soul. The poetry of songs like Bowie’s Space Oddity or Dylan’s Johanna made me want to write. I read Allen Ginsburg’s Howl as a young man and found a new language, rhythm, and way of seeing the beauty and sadness of the world. Over the years, I’ve written many songs and more than many poems. My first collection, OWL, is out now. Poetry feeds my heart and soul and entices my senses. I love the books on this list and hope you enjoy them as much as I do!
Ah, Carver…where do I begin? This collection is packed with gems that, as Dylan sang, glow like burning coal. Carver’s poems make me want to drink too much, lament, get sober, and love so hard that my heart cracks open. These poems make me want to live a damn full life. Most of all, Carver makes me want to blow the shavings off my pencil and write.
This collection is a conversation with poetry and art itself; Carver invokes the pantheon from Balzac to Hemingway to Renoir. I want to join that conversation and write for dear life.
A rich collection of poems from not only “one of the great short story writers of our time” (The Philadelphia Inquirer), but one of America’s most large-hearted and affecting poets.
Like Raymond Carver’s stories, the more than 300 poems in All of Us are marked by a keen attention to the physical world; an uncanny ability to compress vast feeling into discreet moments; a voice of conversational intimacy, and an unstinting sympathy.
This complete edition brings together all the poems of Carver’s five previous books, from Fires to the posthumously published No Heroics, Please. It also contains bibliographical and textual…
Ever since I was a child, I have been fascinated by work and the ways that it organizes the rest of life. Mining is one of those activities that brings together economics, politics, gender, class, kinship, and cosmology in especially tight proximity. I am also fascinated by Latin America, a region where mining has been important for thousands of years. These interests led me to become an anthropologist specializing in mining in Mexico and Colombia. It has been my privilege to work in this area for over twenty-five years now, making lifelong friends, learning about their lives and struggles, and sharing that knowledge with students and readers.
This was one of my favorite books as a child and probably one reason I became an anthropologist of mining.
Though I wouldn’t have put it this way at the time, I found it fascinating that in a place where everything is doing the same job, especially a highly dangerous and damaging job, other aspects of culture coalesce around that job and its meanings—things like religion, kinship, gender, leisure, ecology, etcetera. I was deeply moved by the description of the vast slag heap that slowly came to tower over the town, eventually engulfing the narrator’s small house.
All six episodes of the BBC adaptation of Richard Llewellyn's classic novel set in a Welsh mining community at the turn of the century. Gwilym (Stanley Baker) and Beth Morgan (Siân Phillips) work their hardest to provide for their children, but these are the years before the unions improved the miner's lot, and times are very hard indeed. However, the community in which the Morgans live is a close-knit one, and they are grateful for all the help they receive, especially from the Rev. Gruffydd (Gareth Thomas).
I am a historian of early modern Europe, especially 16th- and 17th-century England, and my work pulls together threads from different historical disciplines, including political history, the history of science and technology, and environmental history. I am fascinated by the ways that human history is intimately linked with the environment, and I am most interested in how early modern European states and empires worked to understand, manage, and profit from the natural world, especially with respect to using and conserving natural resources such as water, wood, and wildlife. I have chosen books that explore these issues in innovative and exciting ways.
A fascinating look at the use of coal as a main fuel source in early modern London, the fearsome pollution that resulted from it, and efforts to understand and mitigate the effects of that pollution.
I think the most impressive aspect of this book is how many different approaches Cavert takes in examining his topic—political and legal history, history of science, social and economic history, even literary criticism. He argues that London was the first “modern” city in that it was the first to rely heavily on burning fossil fuels to provide the energy that powered its early industrial economy.
The Smoke of London uncovers the origins of urban air pollution, two centuries before the industrial revolution. By 1600, London was a fossil-fuelled city, its high-sulfur coal a basic necessity for the poor and a source of cheap energy for its growing manufacturing sector. The resulting smoke was found ugly and dangerous throughout the seventeenth and eighteenth centuries, leading to challenges in court, suppression by the crown, doctors' attempts to understand the nature of good air, increasing suburbanization, and changing representations of urban life in poetry and on the London stage. Neither a celebratory account of proto-environmentalism nor a declensionist…
I became a climate activist and later a researcher after my sister and her family lost their home in the Black Saturday fires of 2009 in Victoria. Their bravery and survival is a daily reminder for me, that climate change is upon us, and we are fighting for our lives as well as our children and future generations. Because my research has been focused on colonialism and race their story has opened many questions for me around the history of colonialism and whether it was coal-fired. I’m thinking about what it means for settlers to lose their homes on stolen land, and whether this recognition could prompt us to rethink land ownership, custodianship, and coexistence.
Barak’s history of fossil fuels in the Middle East and the colonial extraction and incursion of British corporations throughout the region hugely clarifies the interdependence of imperialism and fossil fuels.
We’re shown how coal's imperial infrastructure presaged the geopolitics of oil causing recurring war, violence, exploitation, and more recently climate change. This powerful book thoroughly convinced me that the history of Empire is indelibly a history of carbonisation.
The Age of Empire was driven by coal, and the Middle East-as an idea-was made by coal. Coal's imperial infrastructure presaged the geopolitics of oil that wreaks carnage today, as carbonization threatens our very climate. Powering Empire argues that we cannot promote worldwide decarbonization without first understanding the history of the globalization of carbon energy. How did this black rock come to have such long-lasting power over the world economy?
Focusing on the flow of British carbon energy to the Middle East, On Barak excavates the historic nexus between coal and empire to reveal the political and military motives behind…
I’m an Irish writer who is completely hooked on anything sci-fi related. I used to race home from school to do my homework as fast as possible so I could watch Star Trek: The Next Generation. The first character I ever wrote about began his life in my head as part of the Star Trek: TNG world before deciding he was too big and created his own. It’s still an area I am passionate about. Shows like Firefly, Dark Matter, Picard, etc are on my favourites list. I just love the endless possibilities with the genre. Endless exploration, hi or low tech, and incredible ships. What’s not to love?
I’ve read all of this series, but this was my favourite. I have a thing for kick-ass heroes who have a vulnerable side. I love characters who can be strong and fight to protect what’s theirs but can also be damaged, flawed, not perfect. I think it makes them far more interesting. Coal hits the mark on this. Big and strong, but seriously damaged. It helps keep me more invested in his story and development. And yes – it does help that this book is hot!
*** THIS IS A RERELEASE OF A PREVIOUSLY PUBLISHED BOOK ***
Jill has learned the hard way that men can’t be trusted and sex only causes pain. In the lawlessness of space, women are a sexual commodity—to be used and abused. She’s doing a man’s job, with only her father’s brutal reputation and three androids to help keep her alive when she sees a massive, handsome cyborg chained to a freight table. The abusive crew plans to sell him to fight in gruesome death matches. It’s stupid, it’s insane, but Jill can’t leave him to such a horrible fate.
It's an awesome take on the old adage of how bad kids get coal for Christmas. One would have never thought, "Well, where does Santa get the coal?" Devivo's storyline takes you to the mines where the coal elves get it and the whole story behind how you get chosen.
This is a masterpiece and should be picked up as a movie to watch every Christmas season (come on Netflix, jump on it). Authors have to think outside the box, and she did this in glowing colors. Once you read the 1st book, you’ll have to finish the series.
Ember Skye is a fed up teenage Coal Elf with a big ashy chip on her shoulder. Having been torn away from a carefree life and forced into a world of dirt and darkness has started to get the best of her. And being the only girl-elf working as a coal miner at the North Pole doesn't help much either! Then there's Sturd: a power-hungry, twisted elf with a checkered past and a serious grudge against Ember. Slowly but surely, his maniacal tendencies are revealed, leaving Ember with the sacred "Naughty List" literally in her lap. When a mysterious illness…
I write fictional, contemporary gay mysteries, but I prefer to read facts and I enjoy the research that accompanies my storytelling. Industrial history and geology fascinate me, so it isn’t any wonder that I set my tales in the Durham hills of northeast England. As some of my videos in the link show, there are many abandoned quarries, lead and coal mines in the area. I can become emotional when I think about the socio-political history of mining and quarrying. My latest tale reflects my interest in quarrying and my five recommendations reflect a passion that has its roots in the UK’s once thriving, now defunct, coal industry.
Billy Elliott is a miner’s son who wants to be a ballet dancer. This is an adaptation of Lee Hall’s original screenplay and, to me, lacks the feel of a novel, but I’ve chosen it for three reasons. It’s set in County Durham. It challenges traditional, macho values. It’s as good a description as anything I’ve read that describes aspects of the UK miners’ strikes of the 1980s. When Jackie, Billy’s dad, says, "There’s coal behind everything in this country. It’s still down there. We’re not,” you can sense the anger, hurt, and bitterness—and, forty years later, just like the coal, those feelings remain.
Billy Elliot's not like his Dad. He doesn't want to learn boxing. He's not cut out to be a miner. But when he stumbles across a ballet class and discovers he's a natural, he realises what he does want to do. This is Billy's gritty and determined struggle, at first in secret, but then with the wholehearted backing of his family, to dance his way to a different future.
I write fictional, contemporary gay mysteries, but I prefer to read facts and I enjoy the research that accompanies my storytelling. Industrial history and geology fascinate me, so it isn’t any wonder that I set my tales in the Durham hills of northeast England. As some of my videos in the link show, there are many abandoned quarries, lead and coal mines in the area. I can become emotional when I think about the socio-political history of mining and quarrying. My latest tale reflects my interest in quarrying and my five recommendations reflect a passion that has its roots in the UK’s once thriving, now defunct, coal industry.
My sole non-fiction choice. I love the scope of this book: the early engineers and industrialists who were involved, the palaeogeological conditions that made coal deposits possible, the legacy of burning carbon, and, chapter by chapter, a description of most of the coalfields of Britain and the landscapes that resulted. Add poems and songs and paintings and you have a wonderful book. My sole gripe: the illustrations are too tiny. The breadth of content deserves something better.
Measures for Measure features once greatly-disturbed landscapes - now largely reclaimed, physically at least, by post-industrial activity. Yet the surviving machines, buildings and housing of the original Industrial Revolution, founded mostly upon Coal Measures strata, still loom large over many parts of Britain. They do so nowadays in the family-friendly and informative context of industrial museums, reconstructed industrial settlements, preserved landscapes and historic townscapes. Our society and its creative core of literature, visual arts and architecture were profoundly affected by the whole process. The British Carboniferous legacy for wider humankind was profound and permanent, more so with the realisation over…
This book is a history of the Battle of Britain, but one focusing more on the common folk and non-aviation personnel that held England together, upright, and unconquered during the German onslaught that followed the collapse of France. Meticulously researched, painstakingly analyzed, and somewhat shocking in its conclusions.
Lord, what an eye-opener! This book shows just how deep into totalitarianism a democracy can sink, just how fascistic a democracy can become overnight, and just how riven with class strife and unfair treatment the UK was throughout the battle.
Here are a few examples of the things that were happening during that time.
1) Given the shortage of coal miners and an unwillingness to pay the miners a fair wage, something on the order of twenty thousand young men were effectively enslaved, not conscripted to fight, but enslaved, to mine coal.
2) The British people were lied to consistently and continuously…
Immortalized in Churchill's often quoted assertion that never before "was so much owed by so many to so few," the top-down narrative of the Battle of Britain has been firmly established in British legend: Britain was saved from German invasion by the gallant band of Fighter Command Pilots in their Spitfires and Hurricanes, and the public owed them their freedom. Richard North's radical re-evaluation of the Battle of Britain dismantles this mythical retelling of events. Taking a wider perspective than the much-discussed air war, North takes a fresh look at the conflict as a whole to show that the civilian…
I grew up in West Virginia and believed you had to leave the region to write. Only after I’d published my first novel did I discover books like these and many more. I have become a wide reader in our literature, with a special interest in novels that both tell the stories of individuals and families and explore the connection between resource extraction and poverty. It’s also a pleasure to read about regional successes as well as losses.
West Virginian Denise Giardina’s brilliant Great American Novel is the fictionalized account of the mine wars of 1920 and 1922 in the coal fields of southern West Virginia.
I love it for the mix of the lives of real (albeit fictional) human beings with actual history and allusions to labor figures and other American political struggles and strikes. Giardina, an ordained deacon in the Episcopal Church, grew up herself in a mining camp, and gives us a perfect introduction to the struggles of industrial workers of central Appalachia– and a grand epic of American life.
“Brilliant, diamond-hard fiction, heartwrenching, tough and tender.”—Los Angeles Times Book Review
Annadel, West Virginia, was a small town rich in coal, farms, and close-knit families, all destroyed when the coal company came in. It stole everything it hadn't bothered to buy—land deeds, private homes, and ultimately, the souls of its men and women.
Four people tell this powerful, deeply moving tale: Activist Mayor C.J. Marcum. Fierce, loveless union man Rondal Lloyd. Gutsy nurse Carrie Bishop, who loved Rondal. And lonely, Sicilian immigrant Rose Angelelli, who lost four sons to the deadly mines.
