I was a participant in the D.C. punk scene during the 1980s and helped start an organization known as Positive Force. I remember hearing about the group “Parents of Punkers,” the head of which compared punk to a violent cult. They would go on television and scare watchers about what their kids might be doing. I remember at the time that this missed the realities of my own experiences and made me want to protest this moral panic. But I knew this required some distance from the “punk rock world” I had inhabited. I kept thinking about writing this book and the timing was right.
From Martin’s expansive look at things, let’s move onto a more granular approach – Fournier’s Double Nickels. Fournier focuses on just one band and an album (albeit a double record album and one of the best to come out of punk in the 1980s). The Minutemen played a fast, discordant music that sounded like jazz as much as hardcore thrash music. Fournier’s examination turns up something few people consider, that punk wasn’t all about blistering music but rather sophisticated in its nature. Fournier documents how the bassist in the band, Mike Watt, had extended conversations with one of the most important artists associated with 1980s punk – Raymond Pettibon (who as of now has made his way into accomplished art museums and galleries). They talked about everything from Ludwig Wittgenstein to James Joyce. Band members supposedly got into heated debates about history and would stop at public libraries while…
In recent years, the Minutemen have enjoyed something of a revival, due to both a chapter in Michael Azerrad's book "Our Band Could Be Your Life", and a feature length documentary film, "We Jam Econo", showcasing the band's legacy. (And having a song serve as the theme for MTV's "Jackass" show doesn't hurt, either.) To date, though, the band's actual work hasn't been the subject of much attention - everything has focused on either the interpersonal relationships that made the Minutemen so distinctive or the sudden and tragic death of guitarist/singer D. Boon. This book shines a light on the…
From the time I was introduced to Depeche Mode, I quickly realized there was an underground scene dissecting the darker realms of human nature. It’s no easy task translating emotion into tangible products like film, books, and music, so if an artist can fixate an audience by getting them to interpret themselves and, the world, more effectively, there’s great value in that. If it hadn’t been for that, I probably wouldn’t have achieved things like being an award-winning author, a paralegal from the University of Texas at Austin, manage workshops via Airbnb Experiences, or receive academic certificates thru Coursera like the Science of Well-Being from Yale and Managing the Company of the Future from London Business School.
Released in the early ‘90s, Frisk was adapted into a film in the mid-90s by Todd Verow. Both received mixed reviews due its transgressive content about madness and bizarre sexual aesthetic. Frisk leaves little to the imagination as the narrator explores taboo photography and sexual deviance while traveling through Holland. Critics and fans found this breakthrough novel deeply polarizing because it involves a gay character obsessed with annihilation. Nevertheless, the overall theme is about victimization, and a culture obsessed with objectification. Despite the novel’s punk prose and hypnotic pacing, there’s something to be said when humanity has a tendency to destroy what society deems perfect. Cooper definitely explores how human desire can become just as fanatical as a religious zealot. A must read for fans of cinematic gore.
When Dennis is thirteen, he sees a series of photographs of a boy apparently unimaginably mutilated. Dennis is not shocked, but stunned by their mystery and their power; their glimpse at the reality of death. Some years later, Dennis meets the boy who posed for the photographs. He did it for love.
Surrounded by images of violence, the celebrity of horror, news of disease, a wasteland of sex, Dennis flies to Europe, having discovered some clues about the photographs: “I see these criminals on the news who’ve killed someone methodically, and they’re free. They know something amazing. You can just…
I like the thrill of feeling like a place truly exists, whether it’s described in complete detail or sparsely sketched for the reader to take over. I’m a professional comic illustrator, most known for illustrating Transformers for IDW Publishing. In 2020 I created my own original series called The Kill Lock, also published by IDW. It was my first real stab at taking all my years of studying world building and attempting to tell an original story of my own. It was a wonderful experience to create and write, and I highly suggest anyone who has been looking to do it to take the plunge. The rewards are thrilling.
A present-day western, Preacher is the story of a lost pastor who is suddenly infused with the word of God-allowing any who hear his voice to bow to his commands. His best friend is an alcoholic vampire. His love is a hard-fighting sharpshooter. The Angel of Death is an immortal wild west gunslinger, a cowboy with unmatchable firepower who stalks the modern landscape. The characters are some of the richest I’ve ever seen. There’s a hilarity that runs through the entire series, and a real beating human heart alongside it. Despite a seemingly nihilistic premise, Preacher is one of the most moving stories I’ve ever seen about friendship and remains true to ones principles. Steve Dillon as an artist is another example of beautifully economical storytelling.
Written by Garth Ennis Art by Steve Dillon Cover by Glenn Fabry "Features more blood and blasphemy than any mainstream comic in memory. Cool." - Entertainment Weekly Available for the first time in hardcover, preacher Jesse Custer begins his dark journey to find God, in this volume collecting PREACHER #1-12, plus pinups from PREACHER #50 and #66. After merging with a bizarre spiritual force called Genesis, Texan preacher Jesse Custer has become completely disillusioned with the beliefs to which he had dedicated his entire life. Now possessing the power of "the word," an ability to make people do whatever he…
I’m an author, but first and foremost I’m a reader. I’ve been voracious about it my entire life, but it wasn’t until just a few years back that I discovered the romance genre—which sucked me in immediately. After a few books I stumbled onto Ruby Dixon and it was over. Syfy and fantasy romance had their hooks in me. These recs are the books I re-read and the authors I follow because they are consistent in telling captivating stories, with rich worlds, and vibrant characters. Book hang-over guaranteed.
The intro to the world Naomi created really grabbed me. This idea of a misty, ever-expanding labyrinth…so cool! It’s one of those times that the setting in a story is so exciting and vivid that it’s almost an entire character in and of itself. Then there are all the characters we encounter along the journey. Hello centaurs… It’s a labyrinth you’ll definitely want to get lost in.
Aldora lived in a bordertown on the edge of the maze. A labyrinth that spanned an eternity filled with creatures that howled through the night. She was a daughter to farmers that worked the fields and endured a quiet life as a peasant, away from the capital and its nihilistic celebrations; away from all that would look at her and discern her worth. Because to be chosen as a sacrifice was to be chosen to die. Until one night, while at the labyrinth wall, she heard a husky voice in the darkness.
Vedikus Bathyr. He prowled the overgrown passages at…
I was born in the UK, in Lichfield, but moved to Italy in 1976 and to Rome in 1982. Over the
past forty years, Rome has become my city, my home, and my inspiration, as it has for
hundreds of thousands of other people during its millennia as caput mundi. It isn’t always the
easiest place to live, but it’s varied and colourful and endlessly stimulating. It’s provided a
backdrop to several of my novels and not only that. Rome is a character in its own right,
boisterous, elegant, breathtakingly beautiful, unutterably sordid. Roma è casa mia!
I discovered Bernhard—miraculously—in a provincial train station in southern Italy, where the bar had a selection of books on sale.
This was when Bernhard translations into English were hard to find, so my early experience of the writer, in my opinion one of the most extraordinary of his generation, was in Italian. His final novel, Extinction, is set in Rome and it’s a classic of Bernhardian nihilism, scratching at the itch of the absurdity that is life in the face of death.
Bernhard’s Rome is the yin of intellectual freedom to the suffocating and hypocritical yang of Austria. In the end, what I love most about this book is probably its exhilarating contempt for mediocrity and its capacity, I’ll admit it, to make me laugh out loud at just how awful life really is.
The last work of fiction by one of the twentieth century’s greatest artists, Extinction is widely considered Thomas Bernhard’s magnum opus.
Franz-Josef Murau—the intellectual black sheep of a powerful Austrian land-owning family—lives in Rome in self-imposed exile, surrounded by a coterie of artistic and intellectual friends. On returning from his sister’s wedding on the family estate of Wolfsegg, having resolved never to go home again, Murau receives a telegram informing him of the death of his parents and brother in a car crash. Not only must he now go back, he must do so as the master of Wolfsegg. And…
From the time I was introduced to Depeche Mode, I quickly realized there was an underground scene dissecting the darker realms of human nature. It’s no easy task translating emotion into tangible products like film, books, and music, so if an artist can fixate an audience by getting them to interpret themselves and, the world, more effectively, there’s great value in that. If it hadn’t been for that, I probably wouldn’t have achieved things like being an award-winning author, a paralegal from the University of Texas at Austin, manage workshops via Airbnb Experiences, or receive academic certificates thru Coursera like the Science of Well-Being from Yale and Managing the Company of the Future from London Business School.
Simenon is a master storyteller and father of the noir genre. He quit school as a teenager and never attended a writing program. Dirty Snow is filled with psychological insight and hard facts about life. The main character, Frank Friedmaier, is a brawny young man who lives in his mother’s brothel in France under German occupation. A horrible crime, along with heinous acts, are committed because he cares about nothing and does things without reason. His life is deprived of a father and that void quickly becomes occupied by whores that facilitate a man without optimism. Simenon vividly takes us on a trip into the mind of a creature that can be uncomfortable for a lot of people. This is yet another dark classic about an anti-hero challenged by the notion that he is a man like any other.
Nineteen-year-old Frank Friedmaier lives in a country under occupation. Most people struggle to get by; Frank takes it easy in his mother's whorehouse, which caters to members of the occupying forces. But Frank is restless. He is a pimp, a thug, a petty thief, and, as Dirty Snowopens, he has just killed his first man. Through the unrelenting darkness and cold of an endless winter, Frank will pursue abjection until at last there is nowhere to go.
Hans Koning has described Dirty Snow as "one of the very few novels to come out of German-occupied France that gets it exactly…
I am the prize-winning author of sixteen novels, most recently Little Egypt, The Squeeze, and Blasted Things. I teach creative writing at the University of St Andrews. I live in Edinburgh and am a Fellow of the Royal Society of Literature. I’m a novelist and student of human nature. I love to work out what motivates people, how and why they make choices, their coping mechanisms, and how they act under pressure. Before I begin a novel set in the past, I read as much fiction written at the time as I can find, as well as autobiography and history. In this way, I attempt to truffle down into the actions and impulses of individuals, both performative and deeply interior, that characterise the spirit of the era that I’m writing.
Set in London in the early 1920s, Huxley’s Antic Hay follows a cast of young bohemian and artistic characters, all affected in various ways by the Great War, as they search for SOMETHING to give meaning to their lives. London has changed, the world has changed, and they are lost. Cripplingly shy Theodore Gumbril, the main character, (inventor of Gumbril's Patent Small-Clothes, trousers which contain an inflatable cushion in the seat) searches for love, and meaning, in the shattered society following the end of the war. His search for love – including the donning of a false, confidence-boosting beard, makes for an absurd kind of comedy. Antic Hay is a savage satire, a switchback of emotions, swooping between humour and despair – though the slight plot does sometimes get rather side-lined by intellectual discussions and I admit to skipping the odd page. However, it gives an excellent flavour of the…
Being an Iraq War veteran and former Army officer, I cringe at the prevailing Hollywood cliché that stereotypes everyone that served in Iraq as Special Forces with crazy PTSD or being some broken human being. It’s apparent that popular movies and books on this war were produced without any veteran input, usually done by authors completely unfamiliar with the military and this region. I wrote my book Dodgebombto insert reality into the narrative—that most servicemembers were regular men and women who expertly fought jihadists, rebuilt this country, and tried to instill democratic self-determination while reconciling impossible political and strategic goals that muddled completing the job.
A gut-wrenching true account about a U.S. Army soldier’s horrific wounding and recovery, The Glass Factory entails the unfathomable physical and emotional costs on veterans and their families in the Iraq War. This book was an authentic Iraq War story to me because it showed the casualty evacuation and horribly painful rehabilitation process often ignored by more vainglorious authors. However, instead of dwelling on victimhood and hurt, the author’s journey has an uplifting message of overcoming hardship and growth as a human being and citizen.
In 2006, Sgt. Braxton McCoy (Ret.) was severely wounded by a suicide bomber in Ramadi, Iraq, and later told he may never walk again. After nearly a decade of physical therapy and rehabilitation Braxton has not only regained the majority of his strength, but he has now climbed mountains and competed in endurance races. This book follows his story from the day he was wounded through his nearly decade long rehabilitation. Along the way he finds himself trying to adapt to the world with a mind and body he no longer understands. Braxton battles not just physical and mental trauma,…
I am an academic at the University of Queensland whose research areas include horror films, screen trauma theory, the cinematic representation of urban spaces, and the collision of romanticism and postmodernism in fantasy literature. My first book, POV Horror: The Trauma Aesthetic of the Found Footage Subgenre, was adapted from my PhD thesis. I am an avid member of the A Song of Ice and Fire fandom, and my second book represents over a decade of talking and writing about George R. R. Martin’s epic fantasy series, having grown out of conversations in forums, podcasts, symposiums, and fan conventions, as well as my own background in literary analysis and research.
The first installment in Erikson’s magnum opus introduces readers to the voracious Malazan Empire and focuses on a military, political, and supernatural battle for the free city of Darujhistan.
It boasts a vast, strange cast of characters and an even vaster, stranger world. However, Erikson demonstrates how every element, from the lowest trader to the mightiest god, can shape the outcomes of events. The free will of each character is shown to be in constant tension with the free wills of others, as well as the wrenching currents of history.
The antagonist of Erikson’s story is not a dark lord, but nihilism—the prospect that there is no moral order or higher meaning to existence—and every one of his characters must face this threat and figure out how to survive it.
When the last of the free cities of the Malazan Empire is targeted by the forces of the Empress Laseen, Bridgeburner squad leader Sergeant Whiskeyjack and the mage Tattersall confront dark gods to protect the citadel of Darujhistan.
I'm a lot of things. I design games. I study literature and theater. I write novels that are messy fusions of literary and genre fiction. I'm endlessly curious. Each of my books starts with when I hear in my head, the voice of a character asking a question. It's always a silly question, and it's always the one that matters more to them than anything else in the world. "Why does being superintelligent make you evil?" became Soon I Will Be Invincible. "What are people who play video games obsessively really looking for?" became You. Answering the question isn't simple, but of course that's where the fun starts.
This is the book that forever changed how superheroes were written.
In Watchmen, masked vigilantes started as a craze in the 1930s, and history got slightly bent in the process. We won the Vietnam War, Nixon stayed president, and...you'll have fun picking out all the bits of altered history in the background.
The heart of the book is its unforgettable characters - slightly over-the-hill superheroes brought out of retirement by the murder of one of their own, to face an ever-deepening mystery and their own midlife crises.
A hit HBO original series, Watchmen, the groundbreaking series from award-winning author Alan Moore, presents a world where the mere presence of American superheroes changed history--the U.S. won the Vietnam War, Nixon is still president, and the Cold War is in full effect.
Considered the greatest graphic novel in the history of the medium, the Hugo Award-winning story chronicles the fall from grace of a group of superheroes plagued by all-too-human failings. Along the way, the concept of the superhero is dissected as an unknown assassin stalks the erstwhile heroes.
This edition of Watchmen, the groundbreaking series from Alan Moore,…
