The best nihilism books

Set in London in the early 1920s, Huxley’s Antic Hay follows a cast of young bohemian and artistic characters, all affected in various ways by the Great War, as they search for SOMETHING to give meaning to their lives. London has changed, the world has changed, and they are lost. Cripplingly shy Theodore Gumbril, the main character, (inventor of Gumbril's Patent Small-Clothes, trousers which contain an inflatable cushion in the seat) searches for love, and meaning, in the shattered society following the end of the war. His search for love – including the donning of a false, confidence-boosting beard, makes for an absurd kind of comedy. Antic Hay is a savage satire, a switchback of emotions, swooping between humour and despair – though the slight plot does sometimes get rather side-lined by intellectual discussions and I admit to skipping the odd page. However, it gives an excellent flavour of the… show more.

Nausea does not rely on the extreme or outlandish scenarios of science fiction to explore philosophical themes. Rather, this novel is about a person’s growing malaise over his conscious relationship to objects, people, and ultimately himself. It reaches into some very fundamental aspects of our relationship to the world, and asks you to look at the mere structure of existence after all particularities (names, shapes, colors, history, etc.) are wiped away, and then asks you how you feel about it. Through an existentialist lens, it also explores certain political questions. And for those more technically interested in philosophy, the novel does a better job of showing existentialism’s relationship to phenomenology than many academic papers. 

Simenon is a master storyteller and father of the noir genre. He quit school as a teenager and never attended a writing program. Dirty Snow is filled with psychological insight and hard facts about life. The main character, Frank Friedmaier, is a brawny young man who lives in his mother’s brothel in France under German occupation. A horrible crime, along with heinous acts, are committed because he cares about nothing and does things without reason. His life is deprived of a father and that void quickly becomes occupied by whores that facilitate a man without optimism. Simenon vividly takes us on a trip into the mind of a creature that can be uncomfortable for a lot of people. This is yet another dark classic about an anti-hero challenged by the notion that he is a man like any other.

With Imperial Bedrooms, Bret Easton Ellis channels many of his career-long obsessions into a nihilistic work of Hollywood noir, written in a minimalist prose style that evokes both Raymond Chandler’s staccato brutalism and Joan Didion’s haunting lyricism. Imperial Bedrooms takes a razor to Hollywood’s beautiful surfaces while drawing the reader deeper and deeper into protagonist Clay’s misanthropic paranoia. The writing is masterful, existential horror frozen into sentences so spare and focused they often resemble haiku. It features what might be my favorite closing line in fiction: “The fades, the dissolves, the rewritten scenes, all the things you wipe away—I now want to explain all these things to her but I know I never will, the most important one being: I never liked anyone and I’m afraid of people.”

The Driver's Seat is one of the most powerful and tightly-wound books I've ever read about being alone in a strange city, unraveling both within and without at the same time. The fever pitch that grows throughout this short text is unmatched in my reading—it strikes a tone entirely unto itself.

My final choice is slightly different from the others on my list, in that it is not an anthology or an exposition of different viewpoints.

It is a short book (just 60 pages) that simply argues that there is no meaning of life but that that does not matter in the least.

In this respect, the book is a good antidote to Schopenhauer’s view – discussed or excerpted in all of the above – that there is no meaning of life and that that matters a great deal.

Whether you agree with Tartaglia and Llanera or not, you are likely to find their views a useful foil against which to formulate your own.

Released in the early ‘90s, Frisk was adapted into a film in the mid-90s by Todd Verow. Both received mixed reviews due its transgressive content about madness and bizarre sexual aesthetic. Frisk leaves little to the imagination as the narrator explores taboo photography and sexual deviance while traveling through Holland. Critics and fans found this breakthrough novel deeply polarizing because it involves a gay character obsessed with annihilation. Nevertheless, the overall theme is about victimization, and a culture obsessed with objectification. Despite the novel’s punk prose and hypnotic pacing, there’s something to be said when humanity has a tendency to destroy what society deems perfect. Cooper definitely explores how human desire can become just as fanatical as a religious zealot. A must read for fans of cinematic gore.

Nietzsche was the master diagnostician of the challenge of living in a secular world, once God was dead. The Birth of Tragedy develops a powerful theory of culture, its necessity for human wellbeing, and how it works.

The basic assumption is that human life is lived on the surface, driven by a substratum of demonic instincts, nightmare fears, and a barbaric will to lust and sadism. Culture’s task is to transform these unconscious drives into harmonious and beautiful images that capture the mind and give an orderly direction to how humans conduct their lives.

But for culture to have that commanding power it needs to be founded on a fixed and primordial sacred site. Without that, the modern problems rise: nihilism, rancour, and depression.

A gut-wrenching true account about a U.S. Army soldier’s horrific wounding and recovery, The Glass Factory entails the unfathomable physical and emotional costs on veterans and their families in the Iraq War. This book was an authentic Iraq War story to me because it showed the casualty evacuation and horribly painful rehabilitation process often ignored by more vainglorious authors. However, instead of dwelling on victimhood and hurt, the author’s journey has an uplifting message of overcoming hardship and growth as a human being and citizen.

This is one of my all-time favorites. One of those books that you read every other year or so.

For me, this story is the peak of the existentialistic movement or awakening or whatever it was. Alienation par excellence. Mersol is a very strange man.

He is a stranger in his own society, unable to relate to other people or function properly. I don’t know about you, but I felt strange as a kid and as a teenager. I felt different. That feeling has faded but not gone away.

Reading about someone you can understand or relate to can be both satisfying and scary, even painful – especially if that person is as strange as Mersol.

But why is Mersol so “strange”? Is something wrong with him? Or is he just trying to cope in a cold and hostile World?

Is he a wrongdoer or a victim? Human or a… show more.

An underappreciated genius who helped breathe life into the dying comic book format, this dark tale of public heroes gone wrong delves deep into the psychology of those who pretend to have our best interests at mind.

It's no exaggeration to say that this work completely revamped an aging format for a new generation, winning accolades all along the way. To this day, Alan Moore's storytelling techniques (including scale models, notes and rough drawings, and well-crafted interludes that only later reveal their worth) are still unrivaled in the realm of comic books. A master of the craft that originally convinced me that comics were the preferred medium in which to craft a story.

From Martin’s expansive look at things, let’s move onto a more granular approach – Fournier’s Double Nickels. Fournier focuses on just one band and an album (albeit a double record album and one of the best to come out of punk in the 1980s). The Minutemen played a fast, discordant music that sounded like jazz as much as hardcore thrash music. Fournier’s examination turns up something few people consider, that punk wasn’t all about blistering music but rather sophisticated in its nature. Fournier documents how the bassist in the band, Mike Watt, had extended conversations with one of the most important artists associated with 1980s punk – Raymond Pettibon (who as of now has made his way into accomplished art museums and galleries). They talked about everything from Ludwig Wittgenstein to James Joyce. Band members supposedly got into heated debates about history and would stop at public libraries while… show more.

If you want to learn about the history of the concept of authenticity and how it is understood in the western world, this is probably the best book to read (after my book, of course!). Charles Taylor is one of the most prominent living philosophers of selfhood, and this book (topping out at only a little over 100 pages) is an easy-to-read digestion of the ideas that he elaborated in his much-longer book Sources of the Self. Taylor is ambivalent about whether personal authenticity is a good or a bad thing in our era. He recognizes the harms imposed by some of the debased forms that it takes in modern society, but Taylor also tries to articulate an ethics that could rehabilitate authenticity in a way that affirms the dignity of and respect for each individual. I don’t like the fence-sitting, but this remains required reading.

In a tough prostitute named Virginia, escaped convict Timothy Sunblade finds the perfect partner to help execute the perfect crime. The extraordinary relationship between these two makes the book memorable. Sunblade is clear-eyed, thoughtful, disillusioned, sensitive, brutish, self-assured at times, and wavering at others. Virginia is wise, world-weary, sure of herself and what she wants, sometimes crazed like a caged animal, but always strong.

Chaze's atmospheric detail adds depth and presence to the story. The characters' arc is one of darkening fate and inevitable tragedy. Watching their slow descent is like watching a train wreck in slow motion. The characters continue to deepen throughout the story, all the way to the final page, and they stay with you long after you've put the book down.

This is my bible, the book I’ve read more times than any other. It’s three books in one—Wolf in Shadow, The Last Guardian, and Bloodstone. There’s clearly some direct inspiration here in relation to the mystical power source that keeps cropping up (no spoilers). Some things just get in your head and reintroduce themselves when you least expect it. Jon Shannow is my favourite literary creation, Gemmell my favourite author. Overall, heroic and epic fantasy has had the most influence on my writing style, but I’ve merged it with contemporary language and the vision of large-scale sci-fi. I learned a lot from reading Gemmell, and The Jerusalem Man’s post-apocalyptic setting sees the sharp-shooting anti-hero face darkly religious demagogues, mutated creatures, and insidious megalomaniacs. Shannow is a troubled soul trying to be good in a world of relentless evil, but Gemmell’s writing is sharper, less… show more.

Janine Di Giovanni is a daring foreign correspondent with decades of experience covering the Middle East. Her reporting from the trenches is riveting.

She takes you inside the massacres, as she waits in halls, tunnels, and burned-out buildings with those whose stories she came to tell. If it wasn’t true, this book would be read alongside the best thriller writers. 

A present-day western, Preacher is the story of a lost pastor who is suddenly infused with the word of God-allowing any who hear his voice to bow to his commands. His best friend is an alcoholic vampire. His love is a hard-fighting sharpshooter. The Angel of Death is an immortal wild west gunslinger, a cowboy with unmatchable firepower who stalks the modern landscape. The characters are some of the richest I’ve ever seen. There’s a hilarity that runs through the entire series, and a real beating human heart alongside it. Despite a seemingly nihilistic premise, Preacher is one of the most moving stories I’ve ever seen about friendship and remains true to ones principles. Steve Dillon as an artist is another example of beautifully economical storytelling.

I must start off by saying that I don’t recommend this book to most people. Why put it on a recommendation list, you wonder? Because it was a stunning, hard-to-read, sickening, shocking, brutal, dull, fascinating, darkly humorous, well-written novel that is on most people’s disturbing or DNF (did not finish) lists for a reason. I feel I would be remiss not to have it on this list. I don’t know if I can say I loved a book like this, but Bret Easton Ellis wrote a novel that will always stick to my ribs for its casual violence, its blasts of extreme sexuality, and most of all, Patrick Bateman himself. He will certainly be one of the most memorable serial killers of all time.

The intro to the world Naomi created really grabbed me. This idea of a misty, ever-expanding labyrinth…so cool! It’s one of those times that the setting in a story is so exciting and vivid that it’s almost an entire character in and of itself. Then there are all the characters we encounter along the journey. Hello centaurs… It’s a labyrinth you’ll definitely want to get lost in. 

Puppets, clowns, mannequins, carnivals, art, crumbling buildings, means of production, mundane workplaces, hidden histories, the body, the mind, the unglimpsed universe, life itself—these are the essential salts of Ligotti’s special alchemy of universal nihilism and societal decay. The result is a brand of fatalistic fiction that is legitimately terrifying and profoundly pessimistic, casting the world in an uncanny, yellowish fog where everything is suspect. All of Ligotti’s collections and varied works are special, but Teatro Grottesco distinguishes itself for its thematic through line of the sinister nature of art and its various artistic underworlds. The firmness of the stories’ subject matter makes it the perfect introduction to the Ligottian multiverse for new readers.