My twenty novels tend to focus on characters who face great challenges, and I have a particular appreciation for beautiful prose. I don’t read for distraction or entertainment, but to be enlightened, moved, and made more compassionate about different kinds of people in different environments.
I speak Russian and spent several years working in the former USSR on cultural exchange exhibitions. I majored in Russian Language and Literature at Brown and have a Master’s in those subjects, also from Brown, and I love Turgenev even more than I love his great contemporaries, Tolstoy and Dostoevsky.
In this short novel, Turgenev speaks to political differences across generations, something pertinent to the American political scene now and to the tension between activism and domestic life.
As a novelist, I’m also blown away by his ability to put so much into a very short piece of fiction. It’s helpful, but not essential, to have a bit of knowledge about pre-Revolutionary Russia, but like his masterful Sportsman’s Sketches, he is a genius at bringing characters, both real and imagined, to life.
Ivan Turgenev's Fathers and Sons explores the ageless conflict between generations through a period in Russian history when a new generation of revolutionary intellectuals threatened the state. This Penguin Classics edition is translated from the Russian by Peter Carson, with an introduction by Rosamund Bartlett and an afterword by Tatyana Tolstaya.
Returning home after years away at university, Arkady is proud to introduce his clever friend Bazarov to his father and uncle. But their guest soon stirs up unrest on the quiet country estate - his outspoken nihilist views and his scathing criticisms of the older men expose the growing…
Orthodoxyis Chesterton’s answer to a critic who claimed it was all very well for G.K. to criticize the philosophy of others, but he had yet to state his own philosophy. The response, Orthodoxy, contains some of Chesterton’s best writing.
It is rife with wit and paradox, and he turns many preconceptions on their head. The result is a lively exposition of a worldview full of romance and gratitude. The book is a remedy to modern nihilism but never preachy.
Orthodoxy, G. K. Chesterton’s unique memoir of faith, was named “one of the 10 indispensable spiritual classics of the past 1500 years.” by Publisher’s Weekly.
“All Christianity concentrates on the man at the cross-roads. The vast and shallow philosophies, the huge synthesis of humbug, all talk about ages and evolution and ultimate developments. The true philosophy is concerned with the instant. Will a man take this road or that?—that is the only thing to think about, if you enjoy thinking.” —from Orthodoxy
Visit ChestertonBooks.com to see more books in this series.
From the time I was introduced to Depeche Mode, I quickly realized there was an underground scene dissecting the darker realms of human nature. It’s no easy task translating emotion into tangible products like film, books, and music, so if an artist can fixate an audience by getting them to interpret themselves and, the world, more effectively, there’s great value in that. If it hadn’t been for that, I probably wouldn’t have achieved things like being an award-winning author, a paralegal from the University of Texas at Austin, manage workshops via Airbnb Experiences, or receive academic certificates thru Coursera like the Science of Well-Being from Yale and Managing the Company of the Future from London Business School.
Simenon is a master storyteller and father of the noir genre. He quit school as a teenager and never attended a writing program. Dirty Snow is filled with psychological insight and hard facts about life. The main character, Frank Friedmaier, is a brawny young man who lives in his mother’s brothel in France under German occupation. A horrible crime, along with heinous acts, are committed because he cares about nothing and does things without reason. His life is deprived of a father and that void quickly becomes occupied by whores that facilitate a man without optimism. Simenon vividly takes us on a trip into the mind of a creature that can be uncomfortable for a lot of people. This is yet another dark classic about an anti-hero challenged by the notion that he is a man like any other.
Nineteen-year-old Frank Friedmaier lives in a country under occupation. Most people struggle to get by; Frank takes it easy in his mother's whorehouse, which caters to members of the occupying forces. But Frank is restless. He is a pimp, a thug, a petty thief, and, as Dirty Snowopens, he has just killed his first man. Through the unrelenting darkness and cold of an endless winter, Frank will pursue abjection until at last there is nowhere to go.
Hans Koning has described Dirty Snow as "one of the very few novels to come out of German-occupied France that gets it exactly…
I am an honorary senior fellow at Keele University and have written books on philosophy, art history, and archaeology. In philosophy one of my main interests is the comparative analysis of a wide range of philosophical approaches to the question of the meaning of life.
My final choice is slightly different from the others on my list, in that it is not an anthology or an exposition of different viewpoints.
It is a short book (just 60 pages) that simply argues that there is no meaning of life but that that does not matter in the least.
In this respect, the book is a good antidote to Schopenhauer’s view – discussed or excerpted in all of the above – that there is no meaning of life and that that matters a great deal.
Whether you agree with Tartaglia and Llanera or not, you are likely to find their views a useful foil against which to formulate your own.
This book offers a philosophical defence of nihilism. The authors argue that the concept of nihilism has been employed pejoratively by almost all philosophers and religious leaders to indicate a widespread cultural crisis of truth, meaning, or morals. Many religious believers think atheism leads to moral chaos (because it leads to nihilism), and atheists typically insist that we can make life meaningful through our own actions (thereby avoiding nihilism). In this way, both sides conflate the cosmic sense of meaning at stake with a social sense of meaning. This book charts a third course between extremist and alarmist views of…
My first memory of storytelling was as a kid reading Jules Verne’s, The Mysterious Island in the basement of my house in The Bronx where I grew up. It transported me to a world of magic and mystery. The effect of that experience wouldn’t seriously take hold for decades when I realized the acting career I’d pursued for twenty years wasn’t where I was meant to be. Fascinated with mysteries and metaphysics and studying the world of past lives and reincarnation led me to incorporate this vast realm into what I write. The Occurrence, my first novel, took these ideas and thread them through a story of politics and spirituality.
Janine Di Giovanni is a daring foreign correspondent with decades of experience covering the Middle East. Her reporting from the trenches is riveting.
She takes you inside the massacres, as she waits in halls, tunnels, and burned-out buildings with those whose stories she came to tell. If it wasn’t true, this book would be read alongside the best thriller writers.
Doing for Syria what Imperial Life in the Emerald City did for the war in Iraq, The Morning They Came for Us bears witness to one of the most brutal, internecine conflicts in recent history. Drawing from years of experience covering Syria for Vanity Fair, Newsweek, and the front pages of the New York Times, award-winning journalist Janine di Giovanni gives us a tour de force of war reportage, all told through the perspective of ordinary people-among them a doctor, a nun, a musician, and a student. What emerges is an extraordinary picture of the devastating human consequences of armed…
Since I was young, I’ve suffered from Major Depressive Disorder, coupled with chronic pain that surfaced when I was in middle school. Being in constant pain—mental and physical—obviously drains the spirit. I found no hope whatsoever in phrases such as, “It gets better.” When you have chronic pain, that statement means nothing, because you know it won’t. These books, however, offered me something that I hadn’t encountered before: someone acknowledging that, although it may never get better, there is still something for me here, whatever form it takes. These books do not shame depressives, they console (and even commiserate) with them, and I hope you find them as fulfilling as I have.
Similar to Cioran, Ligotti has a profoundly dark worldview, but not one that is unearned.
Ligotti’s own experiences with anhedonia and despair seep through his writing. I cannot get enough of it. Through his prose, he creates his own world wherein doom is assured and life seems like a poorly written, performed, and directed play that is in profoundly bad taste.
It may seem like work like this would depress you, but for me, it gives me a sense of understanding. Someone out there, even if it’s just Ligotti’s characters, has felt that gloom.
Thomas Ligotti is often cited as the most curious and remarkable figure in horror literature since H. P. Lovecraft. His work is noted by critics for its display of an exceptionally grotesque imagination and accomplished prose style. In his stories, Ligotti has followed a literary tradition that began with Edgar Allan Poe, portraying characters that are outside of anything that might be called normal life, depicting strange locales far off the beaten track, and rendering a grim vision of human existence as a perpetual nightmare. The horror stories collected in Teatro Grottesco feature tormented individuals who play out their doom…
I was a participant in the D.C. punk scene during the 1980s and helped start an organization known as Positive Force. I remember hearing about the group “Parents of Punkers,” the head of which compared punk to a violent cult. They would go on television and scare watchers about what their kids might be doing. I remember at the time that this missed the realities of my own experiences and made me want to protest this moral panic. But I knew this required some distance from the “punk rock world” I had inhabited. I kept thinking about writing this book and the timing was right.
From Martin’s expansive look at things, let’s move onto a more granular approach – Fournier’s Double Nickels. Fournier focuses on just one band and an album (albeit a double record album and one of the best to come out of punk in the 1980s). The Minutemen played a fast, discordant music that sounded like jazz as much as hardcore thrash music. Fournier’s examination turns up something few people consider, that punk wasn’t all about blistering music but rather sophisticated in its nature. Fournier documents how the bassist in the band, Mike Watt, had extended conversations with one of the most important artists associated with 1980s punk – Raymond Pettibon (who as of now has made his way into accomplished art museums and galleries). They talked about everything from Ludwig Wittgenstein to James Joyce. Band members supposedly got into heated debates about history and would stop at public libraries while…
In recent years, the Minutemen have enjoyed something of a revival, due to both a chapter in Michael Azerrad's book "Our Band Could Be Your Life", and a feature length documentary film, "We Jam Econo", showcasing the band's legacy. (And having a song serve as the theme for MTV's "Jackass" show doesn't hurt, either.) To date, though, the band's actual work hasn't been the subject of much attention - everything has focused on either the interpersonal relationships that made the Minutemen so distinctive or the sudden and tragic death of guitarist/singer D. Boon. This book shines a light on the…
While Dune, Star Wars, Battlestar Galactica (1980s), and other SF staples laid the foundation for my love of SFF, I was also reading about the universe from a young age. Along came Star Trek: The Next Generation in the ‘90s and the stage was set. Completing Bachelor’s Degrees in Ancient History & Archaeology; Religions & Theology; and a PhD in Near and Middle Eastern Studies copper-fastened my passion for the ancient world and the history of religion, and along with reading historical fiction and fantasy, everything merged into the almost allegorical universe you’ll find in Kiranis. Lovers of all the above will find something here.
This is my bible, the book I’ve read more times than any other. It’s three books in one—Wolf in Shadow, The Last Guardian, and Bloodstone. There’s clearly some direct inspiration here in relation to the mystical power source that keeps cropping up (no spoilers). Some things just get in your head and reintroduce themselves when you least expect it. Jon Shannow is my favourite literary creation, Gemmell my favourite author. Overall, heroic and epic fantasy has had the most influence on my writing style, but I’ve merged it with contemporary language and the vision of large-scale sci-fi. I learned a lot from reading Gemmell, and The Jerusalem Man’s post-apocalyptic setting sees the sharp-shooting anti-hero face darkly religious demagogues, mutated creatures, and insidious megalomaniacs. Shannow is a troubled soul trying to be good in a world of relentless evil, but Gemmell’s writing is sharper, less…
Jon Shannow is a brigand killer who seeks the lost city of Jerusalem, centuries after the fall. This omnibus features 'Wolf in Shadow', 'Last Guardian' and 'Bloodstone'.
I am an academic at the University of Queensland whose research areas include horror films, screen trauma theory, the cinematic representation of urban spaces, and the collision of romanticism and postmodernism in fantasy literature. My first book, POV Horror: The Trauma Aesthetic of the Found Footage Subgenre, was adapted from my PhD thesis. I am an avid member of the A Song of Ice and Fire fandom, and my second book represents over a decade of talking and writing about George R. R. Martin’s epic fantasy series, having grown out of conversations in forums, podcasts, symposiums, and fan conventions, as well as my own background in literary analysis and research.
The first installment in Erikson’s magnum opus introduces readers to the voracious Malazan Empire and focuses on a military, political, and supernatural battle for the free city of Darujhistan.
It boasts a vast, strange cast of characters and an even vaster, stranger world. However, Erikson demonstrates how every element, from the lowest trader to the mightiest god, can shape the outcomes of events. The free will of each character is shown to be in constant tension with the free wills of others, as well as the wrenching currents of history.
The antagonist of Erikson’s story is not a dark lord, but nihilism—the prospect that there is no moral order or higher meaning to existence—and every one of his characters must face this threat and figure out how to survive it.
When the last of the free cities of the Malazan Empire is targeted by the forces of the Empress Laseen, Bridgeburner squad leader Sergeant Whiskeyjack and the mage Tattersall confront dark gods to protect the citadel of Darujhistan.
I’m a philosopher with a voracious appetite for literature. I inhabit a world of abstract ideas but always return to fiction because it vividly portrays the real-world consequences of our beliefs and reminds us that ideas also move us irrationally: they’re comforting or disturbing, audacious or dull, seductive or repellant. I prefer world literature because it plants us in new times and places, helping us, like philosophy, see beyond our blinders. Deprived of the assumptions that prop up our everyday arrogance, we can clear a mental and emotional path to what we’ve ignored or covered up, as well as rediscover and reaffirm shared values, arrived at from new directions.
Like Kōbō Abe’s The Woman in the Dunes, this graphic novel fuses Camus’s Sisyphus with Nietzsche’s “eternal recurrence” as a test of character: would you live your life over again for eternity?
Sukezo fails the test miserably. He’s a talented cartoonist, but it doesn’t pay the bills, so he shuffles through half-hearted money-making schemes (including an aptly Sisyphean rock-selling venture), succeeding only at making himself, his wife, and his young child miserable and increasingly hateful towards themselves and each other.
Sukezo becomes the bad Nietzsche of popular misconception. If only success and esteem count, better to be nothing at all: a pseudo-Buddhism of disappointed, not transcended, ego. He could be beautifully and happily useless, like Zhuangzi’s tree that’s never cut down. But mistaking power for talent, he cuts himself down instead.
A Japanese manga legend's autobiographical graphic novel about a struggling artist and the first full-length work by the great Yoshiharu Tsuge available in the English language.
Yoshiharu Tsuge is one of comics' most celebrated and influential artists, but his work has been almost entirely unavailable to English-speaking audiences. The Man Without Talent, his first book ever to be translated into English, is an unforgiving self-portrait of frustration. Swearing off cartooning as a profession, Tsuge takes on a series of unconventional jobs -- used camera salesman, ferryman, and stone collector -- hoping to find success among the hucksters, speculators, and deadbeats…
