Here are 72 books that The Inheritance fans have personally recommended if you like
The Inheritance.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I remember the first season of Black Mirror—how fascinated I was. Even though a lot of it was uncomfortable, I couldn’t look away. It was a perfect intersection of the subjects that excited my mind: technology that could exist in the future intertwined with social and political issues and human psychology. It provided a very personal look into how technology would affect people’s daily lives and how it could shape the world we live in. Well, the series has become what it has become, but I still remember the thrill of the first episodes. It always gave me food for thought.
The book tells the story of a man who believes that his dreams influence reality. I loved it because it was strange and intriguing, mind-bending and surreal. Nothing was permanent, and even reality itself was questionable.
Ursula Le Guin explores the issues of climate change and overpopulation, pollution and the destruction of the environment though the characters’ personal experiences. She tackles racism and shows how one's life experiences shape their personality. The question of whether the end justifies the means keeps recurring in the narrative.
'Her worlds have a magic sheen . . . She moulds them into dimensions we can only just sense. She is unique. She is legend' THE TIMES
'Le Guin is a writer of phenomenal power' OBSERVER
George Orr is a mild and unremarkable man who finds the world a less than pleasant place to live: seven billion people jostle for living space and food. But George dreams dreams which do in fact change reality - and he has no means of controlling this extraordinary power.
Psychiatrist Dr William Haber offers to help. At first sceptical of George's powers, he comes…
I am an author, poet, and visual artist. These interests converge in my approach to literature. I think that visual and psychological descriptions of environments and circumstances are essential to enlivening the narrative and setting its tone. Often in modern literature this is diluted in favor of straightforward accounts. I believe that a story is never told with any complete objectivity but has a psychological context that must be highlighted. In addition, vivid visual descriptions greatly assist the reader in inhabiting the world of the story as seen from the characters’ points of view.
Of all the elements of this story, I feel the love triangle between Eustacia, Wildeve, and Clym is of secondary interest to the environment in which it takes place, which is the weird and lugubrious heathlands.
Perhaps I am unfamiliar with heaths; as far as I know, we don’t have any in the U.S. Hardy describes the British heathlands like the landscape of another planet. Largely flat with shallow hills and vales, it sometimes bursts with floral color, and depending on the weather, it can be beset with raking orange sunlight or gloomy palls of mist.
The locals are fond of lighting evening bonfires, and Hardy’s descriptions of the firelight dancing on their faces are mesmerizing and compellingly suggests an unbroken cultural link with Britain’s pagan past.
One of Thomas Hardy's most powerful works, The Return of the Native centers famously on Egdon Heath, the wild, haunted Wessex moor that D. H. Lawrence called "the real stuff of tragedy." The heath's changing face mirrors the fortunes of the farmers, inn-keepers, sons, mothers, and lovers who populate the novel. The "native" is Clym Yeobright, who comes home from a cosmopolitan life in Paris. He; his cousin Thomasin; her fiancé, Damon Wildeve; and the willful Eustacia Vye are the protagonists in a tale of doomed love, passion, alienation, and melancholy as Hardy brilliantly explores that theme so familiar throughout…
Epic fantasy is the genre that I probably enjoy the most. There’s just something special about starting out on an adventure, off along an unknown path, where you meet friends, companions, rivals, and enemies alike. The narrative often surrounds something world-changing, like evil trying to destroy the good in the world or some foul plot afoot that would see the ‘good guys’ lose. Despite the good vs evil appearance, there are always shades of gray that the heroes confront and need to navigate, and then the question always remains: did they make the right choice?
What captivates me about this series is its embrace of classic fantasy tropes. It encompasses every archetype: quests, battles, betrayal, and the eternal conflict between good and evil. Most compellingly, you forge a deep connection with the characters—you share their laughter and tears and are reluctant to see their journey end.
The series excels in character development, turning the characters into beloved heroes and companions. The thrilling and fast-paced adventures ensure there's never a dull moment. I recommend this series to fantasy fans of all ages. Its accessible narrative style also makes it an ideal entry point for newcomers to the genre.
This Dungeons & Dragons-inspired fantasy adventure is the first installment in the beloved Dragonlance Chronicles, set in the magical world of Krynn
Once merely creatures of legend, the dragons have returned to Krynn. But with their arrival comes the departure of the old gods—and all healing magic. As war threatens to engulf the land, lifelong friends reunite for an adventure that will change their lives and shape their world forever . . .
When Tanis, Sturm, Caramon, Raistlin, Flint, and Tasslehoff see a woman use a blue crystal staff to heal a villager, they wonder if it's a sign the…
What's the point of having it all when you have no one to share it with?
Brandon Miller has everything—except a commitment from the woman he loves. Angela Cooper has deep scars from a previous marriage. She's not interested in a do-over with Brandon or anyone.
I’m a novelist who has primarily written in the dark fantasy and horror genre, which often embraces all things autumn. My first novelBlack & Orange, its sequel,Nomads, and supplemental short story collection, Reaping October, all take place in autumn and focus on an encroaching dimension of darkness that would change life as we know it. Halloween isn’t just a holiday, it’s a different existence altogether. Having a love for the season and being its steadfast student, I’ve explored these atmospheric themes for decades. I have a solid opinion on what stories take you there.
Thomas Ligotti writes dark magical realism short stories. The Shadow at the Bottom of the World is an unforgettable collection written by a modern master of atmosphere. His stories rarely have complicated plots, but the feeling they leave you with is the whole point. In the thousands of books I’ve read, I can safely say he writes like no other-- he enshrouds your spirit with dread. The title story showcases a small town that encounters the arrival of a threatening breed of darkness. Written with the stunning imagery of Bradbury, the mysticism of Lovecraft, and the disquieting tone of William S. Burroughs, this collection will have you brightening the blaze in the fireplace, just to make the shadows retreat.
A longtime Lovecraft devotee, who has extended the weird tale to the next level via the likes of Borges and Burroughs, Thomas Ligotti is usually published as part of a general anthology of horror writers. But now Ligotti has pulled together a collection of his favorite fiction, both old and new, representing his best and most characteristic works.
Thomas Ligotti's stories are perhaps best described as dark magical realism. Many of his stories center on the distorted perspective of a frequently doomed narrator. The title story, "The Shadow at the Bottom of the World," reimagines a kind of Bradbury-like small…
I’ve loved F. Scott Fitzgerald’s stories ever since I read The Great Gatsby as a teenager. After that, I devoured all of his works, thanks to a membership in one of those book subscription services where you have to send back monthly book selections if you don’t want them. I read almost all his short stories, all his novels, including the unfinished The Last Tycoon, and everything I could find on him and his wife Zelda.When The Great Gatsby entered the public domain a couple years ago, I started daydreaming of how I'd love to revisit the story from a fresh perspective, which led me to penning Daisy.
When I first read this book, I could hear Roberta Flack’s famous song “Killing Me Softly” playing in my head.
I felt as if the author had peered into my own heart and articulated everything I felt about F. Scott Fitzgerald’s greatest work, The Great Gatsby. Corrigan covers an enormous amount of territory—everything from her personal reflections on the novel to how it didn’t sell well at first to how it gained in popularity as GIs read it during WWII as part of a free books program designed just for them up to the four film iterations of the tale.
Along the way, though, she explores why Gatsby still moves so many readers and why it’s considered The Great American Novel.
The "Fresh Air" book critic investigates the enduring power of The Great Gatsby -- "The Great American Novel we all think we've read, but really haven't."
Conceived nearly a century ago by a man who died believing himself a failure, it's now a revered classic and a rite of passage in the reading lives of millions. But how well do we really know The Great Gatsby? As Maureen Corrigan, Gatsby lover extraordinaire, points out, while Fitzgerald's masterpiece may be one of the most popular novels in America, many of us first read it when we were too young to fully…
I have always loved historical fiction as a reader, but my passion to write it caught fire during the years I lived in Venice, Italy, when I discovered the curious institution of the ballot boy within the Byzantine complexities of the thousand-year Venetian Republic. Since ballot boys were randomly chosen over a period of six hundred years, choosing my particular Doge and ballot boy required a survey of the entire field before I circled in on Venice, 1368, IMHO the peak brilliance of that maritime empire. It is a peculiarity of history that the names of all 130 doges of Venice are recorded, but none of their ballot boys are mentioned. The challenge was irresistible.
First published in 1980, Gaywyck was the first historical gay gothic romance. Virga, whose day job for forty years was as photo editor, turns his extraordinary eye on turn-of-the-last century New York.
The tangled lives, dark secrets, and mad love – all conventions of the romance genre – are stood on their heads in this reimagining. “I realized genre has no gender,” Virga says, and set about cannily reversing roles and inverting tropes to fashion a puzzle wrapped in an enigma of requited and unrequited love.
Gaywyck stands the test of time and remains a modern classic.
Gaywyck is the first gay Gothic novel. Long out of print, this classic proved that genre knows no gender. Young, innocent Robert Whyte enters a Jane-Eyre world of secrets and deceptions when he is hired to catalog the vast library at Gaywyck, a mysterious ancestral mansion on Long Island, where he falls in love with its handsome and melancholy owner, Donough Gaylord. Robert's unconditional love is challenged by hidden evil lurking in the shadowy past crammed with dark sexual secrets sowing murder, blackmail, and mayhem in the great romantic tradition. As Armisted Maupin urged, “Read the son of a bitch!…
Looking for clean romantic suspense with spiritual undertones?
Look no further than the Acts of Valor series by Rebecca Hartt. With thousands of reviews and 4.7-5.0 stars per book, this 6-book series is a must-read for readers searching for memorable, well-told stories by an award-winning author.
I am an author who also penned a novel during the pandemic, with a timeline that stretched into the first six months of the pandemic–against the advice of my agent and the publishing industry at large. I know many authors choose not to write about intense political and social happenings, but that “life will never be the same again” feeling was something I couldn’t avoid. The pandemic threw people together and kept us apart at the same time. I was intensely interested in its incubator effect as well as the silo aspect quarantining had on all of our lives.
The opening of this book knocked me out, and I was hooked.
I usually veer toward literary, slower, familial dramas, but this book combined what I love in literary family dynamics with the frightening premise of an inexplicable disaster occurring in the outside world. The suspicion we were quick to possess about others during the early days of the pandemic is heightened to a new level with two couples pitted against each other, one preoccupied with the welfare and antics of their children.
I loved the construct that had even spouses second-guessing each other. The intensity of the situation brought out the worst and eventually the better sides of all the characters, a phenomenon that resonated as I read this book during the first year of the pandemic, at the same time rioters invaded our nation’s capital.
Susan Beckham Zurenda taught English for 33 years on the college level and at the high school level to AP students. Her debut novel, Bells for Eli(Mercer University Press, March 2020; paperback edition March 2021), has been selected the Gold Medal (first place) winner for Best First Book—Fiction in the 2021 IPPY (Independent Publisher Book Awards), a Foreword Indie Book Award finalist, a Winter 2020 Okra Pick by the Southern Independent Booksellers Alliance, a 2020 Notable Indie on Shelf Unbound, a 2020 finalist for American Book Fest Best Book Awards, and was nominated for a Pushcart Prize for 2021. She has won numerous regional awards for her short fiction. She lives in Spartanburg, SC.
Though I have read and relished all of Alice McDermott’s novels,Child of my Heartis my favorite. Theresa, age 15, is East Hampton’s most sought-after babysitter when her favorite cousin, eight-year-old Daisy, comes to spend the summer in this gorgeous coming-of-age novel. Though Theresa and Daisy share a magical world, Theresa eventually realizes the ongoing bruises on Daisy’s feet and body mean she is seriously ill. While the cousins intuitively conceal Daisy’s condition, Theresa becomes aroused by and wary of her sexual attraction to the father of Flora, a toddler she babysits. Through the haunting presence of death and her dawning sexuality for a much-older man, Theresa crosses into adulthood.
On the cusp of fifteen, pretty Theresa is the town's most sought-after babysitter - cheerful, beloved, adored by children and animals, but also a solitary soul with an already complex understanding of human nature. She is Titania among her fairies, the one person to call on for help with a child in extreme distress. Theresa does not doubt her power over the fathers of her adoring charges either, like the elderly artist whose signature and doodles may fetch a fortune, but whose potential lechery Theresa toys with like a kitten with yarn. Yet, during this unforgettable summer, it is her…
Atmosphere can play a critical role in crime fiction, and I always find the most satisfying and memorable stories convey a strong sense of place. My own mysteries are set in the Thousand Islands, where many residents live in island homes built by gilded age titans of industry, and this setting is integral to Death in the Family and the entire Shana Merchant series. For twenty years I’ve been a regular visitor to the area, which extends from Upstate New York to Ontario, Canada. The human dangers in my books may be imagined, but the remote and rugged nature of the region always contributes to my contemporary, Agatha Christie-style plots.
This is an evocative mystery with not one but two atmospheric settings: Long Island’s Suffolk County, and Ireland’s County Clare. When an Irish national is found dead on a Long Island beach, Detective Maggie D’arcy’s planned vacation to Ireland becomes a tense investigation into the mysterious victim’s death, and a fight to keep her young daughter safe both abroad and back at home. I found A Distant Grave to be deeply chilling and impossible to put down.
In the follow up to the critically acclaimed The Mountains Wild, Detective Maggie D'arcy tackles another intricate case that bridges Long Island and Ireland in A Distant Grave.
Long Island homicide detective Maggie D'arcy and her teenage daughter, Lilly, are still recovering from the events of last fall when a strange new case demands Maggie's attention. The body of an unidentified Irish national turns up in a wealthy Long Island beach community and with little to go on but the scars on his back, Maggie once again teams up with Garda detectives in Ireland to find out who the man…
As an author, I write both serious nonfiction and literary fiction. As a journalist, I have lifelong associations with The Atlanticand the Washington Monthly.I didn’t plan it, but four of my nonfiction books make an extended argument for the revival of optimism as intellectually respectable. A Moment on the Earth(1995) argued environmental trends other than greenhouse gases actually are positive, The Progress Paradox(2003) asserted material standards will keep rising but that won’t make people any happier, Sonic Boom (2009), published during the despair of the Great Recession, said the global economy would bounce back and It’s Better Than It Looks (2018) found the situation objectivity good on most major issues.
Steinbeck is one of my favorite novelists (Willa Cather, the other) but boy did he run off the rails with this, his final book.
He describes an American society locked in irreversible decline, with everything getting worse and our polity doomed. Sixty years later the United States remains the envy of the world and almost every America today lives better materially, with more freedom and security, than almost everyone of 1961.
The novel is a reminder of the extent to which ideological negativity is ubiquitous in literature.
The Nobel committee claimed that while giving John Steinbeck the 1962 Nobel Prize in Literature that he had "resumed his place as an independent expounder of the truth, with an unbiased feel for what is authentically American" with The Winter of Our Discontent.The main character of Steinbeck's final book, Ethan Allen Hawley, is a clerk at a grocery shop that his ancestors formerly ran. Ethan's wife is restless now that he is no longer a member of Long Island's aristocratic society, and his teenagers are pining for the enticing material comforts he is unable to supply. Then, one day, in…
